511:
17:
85:
281:, fue transmitida por la XEW en 1932, pero no fue hasta 1941, con Ave sin nido, la vida apasionante de Anita de Montemar, que este género radiofónico cobró fuerza y se comenzaron a transmitir hasta cinco radionovelas al día, las cuales – al igual que las transmitidas en Estados Unidos— eran patrocinadas por empresas de jabones, perfumes y artículos de limpieza.
162:
The communications center Voces
Nuestras produced a series of radio dramas with a political and educational approach within a traditional melodramatic package. They covered topics such as migration, the lives of miners, and domestic violence. Among these was
295:), the exciting life of Anita de Montemar, that this radio genre gained momentum and began to transmit up to five radionovelas a day – which, as in the United States, were sponsored by manufacturers of soap, perfume, and cleaning products.
570:, the actor and announcer Alberto Cimino formed the company El Universo del Espectáculo (The Universe of Entertainment), recovering the best classic radionovelas and producing new stories to be broadcast on several Venezuelan stations.
339:
Estructurar sinopsis mensuales, semanales, diarias; bocetar análisis psicológicos de los personajes; planear suspensos suaves antes del comercial, suspensos inquietantes al final del capítulo, suspensos tremebundos de final de
342:
Structure synopses monthly, weekly, and daily. Perform psychological analysis on the characters. Plan mild suspense before commercials, disturbing suspense for the end of the chapter, and frightful suspense for the end of the
531:. In 1930 the first acting troupes led by Concepción Olona and the husband and wife team Pedro Becco and Teresa Lacanau adapted classics of international literature. The radionovela appeared with the creation of
458:
241:
394:
189:
423:
187:, a serial by José Sánchez Arcilla, was the longest-running Cuban radionovela with 965 episodes. It went off the air on 31 December 1946. Likewise, Félix B. Caignet's magnum opus
131:
726:
407:
200:
holds an abiding place in sentimental memory, perhaps owing its longevity to television adaptations which have been made in several Latin
American countries.
839:
318:
Radio professional
Vicente Leñero related some guidelines and literary devices for radionovela melodrama from his time as an XEW writer (on serials such as
52:
which are issued in chapters, in contrast to other radio dramas which may encompass different genres and are often broadcast as individual works, such as
439:
405:. The latter series reached 501 daily one-hour episodes during its broadcast run from 1971 to 1974. One of the last popular series in this vein was
730:
168:
154:
This was conceived by the author in a cafe in
Santiago, where he wrote in dashed lines on a napkin. It remained on the air for over 40 years.
670:
920:
167:, broadcast on 184 stations in Latin America, including 10 Spanish-language stations in the United States. It incorporated the music of
381:
66:
221:
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246:
399:
179:
As in many other Latin
American countries, the melodramatic and tear-jerker radionovela achieved great popularity among the
428:
194:
54:
1021:
817:
729:[The legendary radionovelas of Mexico revisited by Jaime Almeida at the National Sound Archive] (in Spanish).
878:
644:
923:[Rescuing 'El viaje a ninguna parte' (The trip to nowhere), a masterpiece of the radionovela] (in Spanish).
371:
stations which pioneered the broadcasting of popular and historically important serials at the national level were
495:
453:
113:, a long serial about a typical Argentine family, was perhaps the highlight of the 1950s. Later, more innovative
227:, which was divided into 12 episodes and aired in two parts. Two other adaptations were made in 1979 and 1981.
787:
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357:
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376:
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84:
456:, under the direction of Federico Volpini in 2000, recaptured the spirit of the radio series with
704:
682:
968:
898:[Centenary of the birth of the king of radio serials, Sautier Casaseca] (in Spanish).
779:
727:"Las radionovelas legendarias de México revisitadas por Jaime Almeida en la Fonoteca Nacional"
614:
469:, a creation of Carlos Faraco. It was broadcast in 86 chapters of approximately ten minutes.
1046:
1041:
103:
in the late 1920s. But their golden age was the 1940s, making a star of future First Lady
8:
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143:
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896:"Cien años del nacimiento del rey de los seriales radiofónicos, Sautier Casaseca"
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213:
209:
208:
British productions resembling radionovelas were dedicated to characters such as
253:
867:
La estirpe de
Sautier: La época dorada de la radionovela en España (1924–1964)
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and later developed in other media such as film, television, and comic books.
1035:
114:
41:
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In the 1930s, there were many popular serials in the United States, such as
421:
Among the jewels of Radio
Nacional de España was an adaptation of the novel
61:
With the advent of television, the radionovela began to be displaced by the
921:"Rescatamos 'El viaje a ninguna parte', una obra maestra de la radionovela"
504:
299:
Perhaps one of the most popular radionovela heroes in Mexico (and later in
118:
65:, while the Internet allows for a renewal of the genre in the form of the "
871:
The line of
Sautier: the golden age of the radionovela in Spain 1924–1964)
104:
88:
842:[The Spanish science fiction radionovela: 'Stories to imagine'].
584:
489:
386:
71:
37:
899:
840:"La radionovela de ciencia ficción española: 'Historias para imaginar'"
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567:
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379:(RNE). Cadena SER reached its zenith of popularity with series such as
372:
62:
49:
16:
535:(a Heraclio Sena production for CX 22 radio Fada), and a little later
312:
678:
552:
96:
45:
353:
304:
236:
673:[Radio theater and programs that marked an era in Chile].
287:, was transmitted by XEW in 1932, but it was not until 1941, with
524:
308:
269:
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The last radio drama to be regularly broadcast nationally was
146:, Eduardo Calixto is considered a pioneer of radio stories in
560:
368:
147:
479:, has offered more than 100 radio theater works since 1985.
997:
924:
315:, created in 1963 and then transferred to cartoon in 1965.
180:
434:, a radionovela which was recorded and broadcast in 1983.
671:"Radioteatro y programas que marcaron una época en Chile"
527:
radio stations broadcast theater works in auditoriums in
171:, Papaya Music, Miriam Jarquín, and Guillermo Anderson.
91:, who became a popular radio actress in the early 1940s
949:[Bibliography] (in Spanish). Fonoteca de radio
44:
in the early 20th century. Radionovelas are typically
782:[History and evolution of radio in Spain].
566:When the radionovela began to be displaced by the
268:Some histories attribute the first radionovela in
810:"El serial radiofónico como producto de creación"
450:, on RNE's Radio 1, beginning in September 2003.
1033:
812:[The radio serial as a created product]
1022:Extensive bibliography of broadcasting in Spain
76:" (most notably in the French-speaking world).
873:] (in Spanish). Madrid: El Pais Aguilar.
780:"Historia y evolución de la radio en España"
220:'s work were also created, beginning with a
837:
95:The first example of serial radio drama in
838:Merelo Solá, Alfonso (14 September 2011).
647:[Radionovelas and radio serials].
551:Among the first serials to be recorded in
807:
707:(in Spanish). Voces Nuestras. 7 May 2012
509:
83:
20:Sound effect of footsteps being recorded
15:
969:"Cuando Juan y Tula fueron a Siritinga"
559:, about the life, work, and passion of
514:Czech dramatic actors at the microphone
482:
1034:
893:
754:"Las telenovelas y la generación 1962"
751:
645:"Radionovelas y seriales radiofónicos"
539:(1935, CX 14 radio El Espectador) and
864:
499:, masked heroes created for radio by
459:Cuando Juan y Tula fueron a Siritinga
242:Las historietas de Frijol el Terrible
752:Leñero, Vicente (24 November 1996).
99:was probably Francisco Mastandrea's
418:, broadcast between 1976 and 1988.
203:
13:
818:Pontifical University of Salamanca
642:
277:La primera radionovela en México,
14:
1058:
1015:
283:The first radionovela in Mexico,
142:, a creation of Eva Martinic and
1028: (archived November 4, 2014)
894:Afuera, Ángeles (24 June 2010).
617:[The history of radio].
157:
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858:
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352:Radionovelas were broadcast in
79:
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675:Los gloriosos días de la Radio
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615:"Los antecedentes de la radio"
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533:Las Aventuras de Carlos Norton
347:
258:Cuentos y Leyendas de Honduras
230:
1:
788:Spanish Ministry of Education
623:Spanish Ministry of Education
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590:Serial (radio and television)
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358:Radio Nacional 920 AM-95.1 FM
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132:El siniestro Doctor Mortis
239:, notable series include
216:. Several adaptations of
424:El viaje a ninguna parte
377:Radio Nacional de España
760:(in Spanish). Mexico: 4
408:La Saga de los Porretas
121:-themed shows emerged.
515:
345:
324:La sangre baja del río
297:
222:1955 dramatization of
212:and the detectives of
92:
21:
865:Barea, Pedro (1994).
808:Arias García, Elisa.
681:sites. Archived from
513:
475:, a weekly series on
336:
274:
260:by Jorge Montenegro.
224:The Lord of the Rings
185:El collar de lágrimas
87:
55:The War of the Worlds
19:
483:In the United States
285:The Three Musketeers
279:Los tres mosqueteros
152:¡Hogar, dulce hogar!
557:El derecho de nacer
523:In the late 1920s,
293:Bird Without a Nest
190:El derecho de nacer
150:, through his work
101:La caricia del lobo
40:first broadcast in
784:Portal Media-Radio
758:La Jornada Semanal
619:Portal Media-Radio
537:Brochazos Camperos
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320:Entre mi amor y tu
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30:serial radiofónico
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501:George W. Trendle
395:Simplemente María
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685:on 12 April 2010
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580:History of radio
496:The Green Hornet
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204:In Great Britain
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111:Los Pérez García
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36:) is a type of
28:(also known as
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927:. 19 May 2008
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1001:. Retrieved
994:"Ars Sonora"
988:
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848:. Retrieved
846:(in Spanish)
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821:. Retrieved
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783:
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762:. Retrieved
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735:. Retrieved
731:Noticias MVS
721:
709:. Retrieved
699:
687:. Retrieved
683:the original
674:
665:
653:. Retrieved
651:(in Spanish)
648:
638:
626:. Retrieved
618:
609:
565:
561:Jesus Christ
556:
550:
547:In Venezuela
541:La Querencia
540:
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505:Fran Striker
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80:In Argentina
60:
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25:
23:
1047:Soap operas
1042:Radio drama
585:Radio drama
462: [
443: [
427: [
411: [
398: [
385: [
348:In Paraguay
245: [
231:In Honduras
193: [
144:Juan Marino
135: [
70: [
50:soap operas
38:radio drama
26:radionovela
1036:Categories
900:Cadena SER
601:References
595:Telenovela
568:telenovela
529:Montevideo
519:In Uruguay
473:Ars sonora
373:Cadena SER
183:audience.
63:telenovela
46:melodramas
32:or simply
1003:6 October
978:6 October
953:6 October
931:6 October
905:6 October
850:6 October
823:6 October
793:6 October
764:6 October
737:6 October
711:6 October
689:6 October
679:La Cuarta
655:6 October
628:6 October
553:Venezuela
525:Uruguayan
440:Historias
264:In Mexico
105:Eva Perón
97:Argentina
89:Eva Perón
649:The Cult
574:See also
382:Ama Rosa
364:In Spain
354:Paraguay
305:Colombia
272:to XEW.
237:Honduras
125:In Chile
67:MP3 saga
1024:at the
454:Radio 3
369:Spanish
340:semana.
313:Kalimán
309:Ecuador
175:In Cuba
877:
332:La fea
330:, and
311:) was
307:, and
270:Mexico
34:serial
869:[
814:(PDF)
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343:week.
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181:Cuban
148:Chile
139:]
74:]
1005:2016
998:RTVE
980:2016
955:2016
933:2016
925:RTVE
907:2016
875:ISBN
852:2016
825:2016
795:2016
766:2016
739:2016
713:2016
691:2016
657:2016
630:2016
555:was
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