132:
1174:
24:
1008:
222:
He was slow in ripening, and his early performances gave little promise. By dint of sheer hard work he developed, however, into a good actor. During the seventeen years in which he remained at Covent Garden he played the principal parts in comedy and many important characters in tragedy and romantic
492:
calls him, ‘a sterling, sound, and sensible performer.’ His person was bad, he was knock-kneed, his face was round and inexpressive, and his voice was not good. He had, however, an easy and unembarrassed carriage and deportment, was never offensive, and, though he rarely reached greatness, seldom
389:(1742?–1798), but he practically remained at Drury Lane for the rest of his career. He played with the Drury Lane company at the Haymarket in 1792–3 Charles Surface, Clerimont, and other parts, and at Drury Lane enlarged his repertory by many new characters, including the Ghost in ‘
401:,’ Jaques, Tullus Aufidius, Macduff, Moody in ‘Country Girl,’ Sciolto, Belarius, Kent and Edgar in ‘Lear,’ Sir Peter Teazle, and Leonato. Most conspicuous among his original characters were Gomez in Bertie Greathead's ‘Regent,’ 1 April 1788; Polycarp in
484:
On 9 March 1815 Wroughton gave to the stage an alteration of ‘Richard II’ with additions from other plays of
Shakespeare, in which he did not act. On 10 July 1815 he acted his old part of Withers in Kenney's ‘World.’ This was his last performance.
198:
He was born in 1748, and came to London, followed by a young milliner who had fallen in love with him, who nursed him through a severe illness, and whom he married. His first appearance was made at Covent Garden on 24 September 1768 as Zaphna in
1098:
The
Thespian dictionary: or, Dramatic biography of the present age; containing sketches of the lives, lists of the productions ... of all the principal dramatists, composers, commentators, managers, actors, and actresses of the United
384:
In 1786–7 Wroughton disappeared from the bills, his parts at Covent Garden being assigned to Farren, and on 29 September 1787, as
Douglas in ‘Percy,’ he made his first appearance at Drury Lane. For the time being he replaced
493:
sank into insipidity or dulness. He was always perfect in his parts, indefatigable in industry, and wholly free from affectation. Wroughton was a close friend of
Bannister; they were spoken of as Pylades and Orestes.
481:'s ‘Tekeli,’ 24 November 1806; and Cœlestino in ‘Monk’ Lewis's ‘Venoni,’ 1 December 1808. His return did little good to his reputation, and before he finally quit the stage he was completely worn out.
463:'s ‘Julian and Agnes,’ 25 April 1801; Casimir Rubenski in Dimond's ‘Hero of the North,’ 19 February 1803; Maurice in Cobb's ‘Wife of Two Husbands,’ 1 November; Sir Rowland English in
1184:
1218:
530:
On 7 February 1822, at the reputed age of seventy-four, he died in
Howland Street, London, leaving behind him a widow, and was buried in St. George's, Bloomsbury.
1050:
449:
and the illness of Aikin, in answer to an invitation of the Drury Lane management he came back, and was seen in a new series of parts including: Don Pedro in
334:
Among very many original parts which
Wroughton enacted at Covent Garden, only the following call for mention: Prince Henry in ‘Henry II, King of England,’ by
1119:
John Bell-Patron of
British Theatrical Portraiture: A Catalog of the Theatrical Portraits in His Editions of Bell's Shakespeare and Bell's British Theatre
319:,’ Romeo, Sir George Airy, Henry V, Hotspur, Kitely, Banquo, Ford, Tancred, Archer, Lear, Young Mirabel, Othello, Charles I, Wellborn in ‘
1102:
354:'s ‘Percy,’ 10 December. This was one of Wroughton's best parts. About this time he seems to have joined Arnold in the proprietorship of
1254:
1249:
1067:
Reminiscences of
Michael Kelly, of the King's Theatre, and Theatre Royal Drury Lane, including a period of nearly half a century
88:
235:,’ Guiderius, Colonel Briton in the ‘Wonder,’ Marcus in ‘Cato,’ Theodosius, Colonel Tamper in ‘Deuce is in him,’ Florizel in ‘
60:
423:’ translated by Thompson from Lessing, 28 October; Lord Sensitive in Cumberland's ‘First Love,’ 12 May 1795; Fitzharding in
1211:
1082:
1078:
1074:
1070:
376:'s ‘Count of Narbonne,’ 17 November 1781, and Don Carlos in Mrs. Cowley's ‘Bold Stroke for a Husband,’ 25 February 1783.
67:
1244:
41:
1130:
1112:
107:
1189:
1037:
74:
1157:
Candid and
Impartial Strictures on the Performers belonging to Drury Lane, Covent Garden, and the Haymarket, 1795
788:
415:
328:
1126:
945:
828:
815:
767:
689:
663:
402:
179:
45:
1140:
56:
1027:
271:
In the summers of 1772, 1773, and subsequent years he was in
Liverpool, where he played, with other parts,
1092:
996:
880:
671:
428:
324:
347:
320:
1214:, by Robert Laurie (1755-1836) (engraver), Robert Dighton (1747-1814) (artist), at the V&A museum
854:
836:
801:
424:
358:, but he sold his share some twelve years later in 1790. He continued at Covent Garden as Orlando in
355:
335:
183:
940:
619:
572:
507:
339:
1060:
308:
34:
207:’ (acted on the 12th), as all his biographers say. He was seen during the season as Tressel in ‘
1204:
966:
793:
702:
684:
676:
650:
624:
585:
474:
410:
394:
369:
300:
228:
131:
81:
315:,’ Lovemore in ‘Way to keep him,’ Bassanio, Amphitryon, Castalio in the ‘Orphan,’ Fainall in ‘
867:
632:
515:
489:
1239:
1234:
762:
754:
728:
710:
406:
343:
316:
296:
260:
252:
236:
1117:"Richard Wroughton", Professor Kalman A Burnim, PhD, Professor Philip H Highfill, Jr PhD,
419:
18 March 1793; Charles Ratcliffe in Cumberland's ‘Jew,’ 8 April 1794; Odoarto Galotti in ‘
8:
1057:
Representative actors: a collection of criticisms, anecdotes, personal descriptions, etc.
958:
953:
606:
469:
464:
446:
427:'s ‘Iron Chest,’ 12 March 1796; Orasmyn in Miss Lee's ‘Almeyda,’ 20 April, Mandeville in
386:
364:
256:
232:
1026:
862:
697:
645:
580:
288:
248:
208:
1122:
971:
823:
749:
736:
559:
554:
398:
244:
204:
445:
In 1798 he retired from the stage and settled in Bath, but in 1800, on the death of
914:
741:
715:
541:
502:
304:
437:
19 April 1797; and Earl Reginald in ‘Monk’ Lewis's ‘Castle Spectre,’ 14 December.
932:
927:
919:
893:
875:
775:
723:
497:
460:
433:
906:
901:
888:
849:
780:
637:
511:
455:
450:
420:
373:
312:
292:
200:
187:
1228:
1221:", Portraits of Actors, 1720-1920, University of Illinois at Urbana Champaign
1178:
506:, was in the Mathews collection in the Garrick Club. A mezzotint portrait by
478:
276:
240:
658:
593:
567:
393:’ and Hamlet himself, King in ‘Henry IV’ and in ‘Richard III,’ Antonio in ‘
216:
212:
611:
598:
359:
351:
1032:
841:
546:
514:
was published in 1779, and there are several portraits in character in
223:
drama. These included Dick in the ‘Miller of Mansfield,’ Frederick in ‘
272:
224:
186:(now the Theatre Royal), and occasionally in the city of his birth,
23:
1177: This article incorporates text from a publication now in the
1111:, Volume 9, Publisher Longman, Hurst, Rees, Orme, and Brown, 1825,
810:
995:, (1777) Volume: 11, Publisher: J. Bell; & C . Etherington,
409:,’ 26 January 1789; Periander to the Ariadne of Mrs. Siddons in
350:,’ altered from Savage by Woodfall, 1 February 1777; Douglas in
1139:, Volume 81, publ. Philological Society (Great Britain), 1822,
390:
397:,’ the Stranger in ‘Douglas,’ Leontes, Jaques, Careless in ‘
331:,’ Colonel Standard, Evander, Plain Dealer, and Apemantus.
346:'s ‘Caractacus’ on 6 December 1776; Earl of Somerset in ‘
372:'s ‘Belle's Stratagem,’ 22 February 1780; Raymond in
287:
Back at Covent Garden, he was seen as Flaminius in ‘
48:. Unsourced material may be challenged and removed.
1089:Memoirs of Joseph Shepherd Munden, comedian (1844)
255:,’ Lord Hardy in ‘Funeral,’ Poins, Dolabella in ‘
247:,’ Bellamy in ‘Suspicious Husband,’ Richmond in ‘
215:,’ Altamont, for his benefit, on 4 May 1769, and
178:(1748–1822), was an actor, who worked mainly in
1226:
1205:Richard Wroughton (1748-1822) as George Barnwell
1069:Volume: 2, publisher: London, H. Colburn, pages
227:,’ Polydore in the ‘Orphan,’ Cyrus, Moneses in ‘
1041:. Vol. 63. London: Smith, Elder & Co.
338:or Mountfort, on 1 May 1773; Lord Lovemore in
1207:in The London Merchant, at the V&A museum
279:,’ Romeo, Othello, Leontes, and Lord Townly.
1193:. London: Smith, Elder & Co. 1885–1900.
477:'s ‘Honeymoon,’ 31 January 1805; Conrad in
282:
193:
130:
108:Learn how and when to remove this message
1203:1776 tile by John Sadler, (1720 - 1789)
1137:The European magazine, and London review
295:,’ Alonzo in the ‘Revenge,’ Phocion in ‘
1091:, Publisher: London : R. Bentley,
1009:Mr Wroughton in the Character of Edward
379:
239:,’ Bonario in ‘Volpone,’ Sebastian in ‘
1227:
1024:
368:, 6 May 1778; Sir George Touchwood in
342:'s ‘Duellist’ on 20 Nov.; Elidurus in
266:
203:,’ and not apparently in Altamont in ‘
136:Richard Wroughton as The Black Prince.
1212:Mounted portrait of Richard Wroughton
1145:Genest's Account of the English Stage
1087:Munden, Thomas Shepherd, 1800?-1850,
46:adding citations to reliable sources
17:
1055:Russell, William Clark, 1844-1911,
13:
14:
1266:
1197:
1148:Theatrical Observer, Dublin, 1822
1109:The Annual biography and obituary
533:
473:, 29 December 1804; Balthazar in
327:,’ Darnley, Iachimo, Truewit in ‘
275:, King John, Henry V, Antony in ‘
211:,’ Nerestan in ‘Zara,’ Creon in ‘
1255:19th-century English male actors
1250:18th-century English male actors
1190:Dictionary of National Biography
1172:
1160:Secret History of the Green Room
1038:Dictionary of National Biography
182:(now the Royal Opera house) and
22:
459:, 13 December 1800; Provost in
307:,’ Juba in ‘Cato,’ Aimwell in ‘
33:needs additional citations for
1001:
985:
1:
1121:, Publisher SIU Press, 1998,
1101:, Publisher J. Cundee, 1805,
1018:
440:
1107:"Wroughton, Richard, Esq.",
1025:Knight, John Joseph (1900).
786:Periander, King of Naxos in
7:
1163:Era Almanack, various years
1065:Kelly, Michael, 1762-1826,
672:A Bold Stroke for a Husband
525:
496:A portrait of Wroughton by
325:The Two Gentlemen of Verona
10:
1271:
1028:"Wroughton, Richard"
500:, as Sir John Restless in
321:A New Way to Pay Old Debts
1245:English male stage actors
855:George Colman the Younger
837:Almeyda, Queen of Granada
773:Governor of Barcelona in
336:John Bancroft (dramatist)
165:
157:
149:
141:
129:
122:
1047:The Gentleman's magazine
978:
617:Sir George Touchwood in
323:,’ Jaffier, Proteus in ‘
1154:Munden's Life of Munden
1151:Boaden's Life of Kemble
1011:" at the British Museum
951:Sir Rowland England in
938:Sir Mathew Moribund in
805:by Edward Morris (1793)
283:Return to Covent Garden
194:Acting at Covent Garden
993:Bell's British Theatre
967:The School for Friends
685:The Mysterious Husband
395:The Merchant of Venice
356:Sadler's Wells Theatre
301:Much Ado About Nothing
299:,’ Laertes, Pedro in ‘
251:,’ Younger Worthy in ‘
964:Sir Felix Mordant in
941:The Sailor's Daughter
808:Charles Ratcliffe in
633:The Count of Narbonne
620:The Belle's Stratagem
311:,’ Lord Randolph in ‘
755:Henry Seymour Conway
711:Fashionable Levities
380:Acting at Drury Lane
317:The Way of the World
309:The Beaux' Stratagem
297:The Grecian Daughter
261:The Conscious Lovers
42:improve this article
959:Francis Ludlow Holt
954:The Land We Live In
886:Sir Guy Taunton in
799:Sir Harry Cecil in
708:Captain Douglas in
607:The Fatal Falsehood
488:Wroughton was what
470:The Land We Live In
465:Francis Ludlow Holt
365:The Fatal Falsehood
348:Sir Thomas Overbury
267:Acting in Liverpool
233:Measure for Measure
57:"Richard Wroughton"
1185:Wroughton, Richard
946:Richard Cumberland
881:Frederick Reynolds
863:The Castle Spectre
829:Richard Cumberland
821:Lord Sensitive in
816:Richard Cumberland
768:Richard Cumberland
698:More Ways Than One
690:Richard Cumberland
682:Captain Dorner in
664:Richard Cumberland
581:Know Your Own Mind
429:Frederick Reynolds
403:Richard Cumberland
289:Herod and Mariamne
243:,’ Buckingham in ‘
1219:Richard Wroughton
1129:, 9780809321230,
972:Marianne Chambers
789:The Rival Sisters
750:False Appearances
646:Which is the Man?
565:Lord Lovemore in
416:The Rival Sisters
399:The Double Dealer
253:Love's Last Shift
237:The Winter's Tale
205:The Fair Penitent
176:Richard Wroughton
173:
172:
124:Richard Wroughton
118:
117:
110:
92:
1262:
1194:
1176:
1175:
1042:
1030:
1012:
1005:
999:
989:
915:Julian and Agnes
742:Bertie Greatheed
716:Leonard MacNally
591:Earl Douglas in
503:All in the Wrong
305:The Jealous Wife
134:
120:
119:
113:
106:
102:
99:
93:
91:
50:
26:
18:
1270:
1269:
1265:
1264:
1263:
1261:
1260:
1259:
1225:
1224:
1200:
1182:
1173:
1021:
1016:
1015:
1006:
1002:
990:
986:
981:
933:Thomas Holcroft
928:Hear Both Sides
920:William Sotheby
894:Thomas Holcroft
847:Fitzharding in
724:The New Peerage
656:Montgomerey in
573:William Kenrick
536:
528:
520:British Theatre
498:Samuel De Wilde
461:William Sotheby
443:
382:
340:William Kenrick
285:
269:
231:,’ Claudio in ‘
217:George Barnwell
196:
137:
125:
114:
103:
97:
94:
51:
49:
39:
27:
12:
11:
5:
1268:
1258:
1257:
1252:
1247:
1242:
1237:
1223:
1222:
1215:
1208:
1199:
1198:External links
1196:
1170:
1169:
1165:
1164:
1161:
1158:
1155:
1152:
1149:
1146:
1143:
1133:
1115:
1105:
1095:
1085:
1063:
1053:
1043:
1020:
1017:
1014:
1013:
1000:
983:
982:
980:
977:
976:
975:
962:
949:
936:
923:
910:
907:William Godwin
897:
884:
873:Mandeville in
871:
858:
850:The Iron Chest
845:
832:
819:
806:
797:
784:
781:William Hayley
771:
758:
745:
732:
719:
706:
693:
680:
669:Don Carlos in
667:
654:
641:
638:Robert Jephson
628:
615:
602:
589:
576:
563:
550:
539:Cherinthus in
535:
534:Selected roles
532:
527:
524:
512:Robert Dighton
451:William Godwin
442:
439:
421:Emilia Galotti
381:
378:
374:Robert Jephson
284:
281:
268:
265:
259:,’ Myrtle in ‘
195:
192:
171:
170:
167:
163:
162:
159:
155:
154:
151:
147:
146:
143:
139:
138:
135:
127:
126:
123:
116:
115:
30:
28:
21:
9:
6:
4:
3:
2:
1267:
1256:
1253:
1251:
1248:
1246:
1243:
1241:
1238:
1236:
1233:
1232:
1230:
1220:
1216:
1213:
1209:
1206:
1202:
1201:
1195:
1192:
1191:
1186:
1180:
1179:public domain
1167:
1166:
1162:
1159:
1156:
1153:
1150:
1147:
1144:
1142:
1138:
1134:
1132:
1128:
1124:
1120:
1116:
1114:
1110:
1106:
1104:
1103:Wroughton, Mr
1100:
1096:
1094:
1090:
1086:
1084:
1080:
1076:
1072:
1068:
1064:
1062:
1058:
1054:
1052:
1049:, Volume 92,
1048:
1044:
1040:
1039:
1034:
1029:
1023:
1022:
1010:
1004:
998:
994:
988:
984:
973:
969:
968:
963:
960:
956:
955:
950:
947:
943:
942:
937:
934:
930:
929:
924:
921:
917:
916:
911:
908:
904:
903:
899:Don Pedro in
898:
895:
891:
890:
889:Knave or Not?
885:
882:
878:
877:
872:
869:
868:Matthew Lewis
865:
864:
859:
856:
852:
851:
846:
843:
839:
838:
833:
830:
826:
825:
820:
817:
813:
812:
807:
804:
803:
802:False Colours
798:
795:
794:Arthur Murphy
791:
790:
785:
782:
778:
777:
772:
769:
765:
764:
763:The Impostors
759:
756:
752:
751:
746:
743:
739:
738:
733:
730:
726:
725:
720:
717:
713:
712:
707:
704:
703:Hannah Cowley
700:
699:
694:
691:
687:
686:
681:
678:
677:Hannah Cowley
674:
673:
668:
665:
661:
660:
655:
652:
651:Hannah Cowley
648:
647:
642:
639:
635:
634:
629:
626:
625:Hannah Cowley
622:
621:
616:
613:
609:
608:
603:
600:
596:
595:
590:
587:
586:Arthur Murphy
583:
582:
577:
574:
570:
569:
564:
561:
557:
556:
551:
548:
544:
543:
538:
537:
531:
523:
521:
517:
513:
509:
508:Robert Laurie
505:
504:
499:
494:
491:
490:Michael Kelly
486:
482:
480:
479:Theodore Hook
476:
472:
471:
466:
462:
458:
457:
452:
448:
438:
436:
435:
430:
426:
425:George Colman
422:
418:
417:
412:
411:Arthur Murphy
408:
404:
400:
396:
392:
388:
377:
375:
371:
367:
366:
361:
357:
353:
349:
345:
344:William Mason
341:
337:
332:
330:
326:
322:
318:
314:
310:
306:
303:,’ Oakly in ‘
302:
298:
294:
291:,’ Shore in ‘
290:
280:
278:
277:Love for Love
274:
264:
262:
258:
254:
250:
246:
242:
241:Twelfth Night
238:
234:
230:
226:
220:
218:
214:
210:
206:
202:
191:
189:
185:
181:
180:Covent Garden
177:
168:
164:
160:
156:
152:
148:
144:
140:
133:
128:
121:
112:
109:
101:
90:
87:
83:
80:
76:
73:
69:
66:
62:
59: –
58:
54:
53:Find sources:
47:
43:
37:
36:
31:This article
29:
25:
20:
19:
16:
1188:
1171:
1136:
1118:
1108:
1097:
1088:
1066:
1056:
1046:
1036:
1003:
992:
987:
965:
952:
939:
926:
913:
900:
887:
874:
861:
860:Reginald in
848:
835:
822:
809:
800:
787:
774:
761:
760:Polycarp in
748:
735:
722:
709:
696:
683:
670:
659:The Walloons
657:
644:
643:Belville in
631:
618:
605:
592:
579:
568:The Duellist
566:
553:
540:
529:
519:
501:
495:
487:
483:
468:
454:
444:
432:
414:
383:
363:
333:
329:Silent Woman
286:
270:
257:All for Love
221:
197:
175:
174:
104:
98:January 2013
95:
85:
78:
71:
64:
52:
40:Please help
35:verification
32:
15:
1240:1822 deaths
1235:1748 births
1168:Attribution
1033:Lee, Sidney
991:John Bell,
925:Stewart in
912:Provost in
834:Orasmyn in
729:Harriet Lee
721:Charles in
695:Carlton in
630:Raymond in
612:Hannah More
604:Orlando in
599:Hannah More
552:Palermo in
447:John Palmer
387:John Palmer
370:Mrs. Cowley
360:Hannah More
352:Hannah More
249:Richard III
209:Richard III
158:Nationality
1229:Categories
1135:"Deaths",
1127:0809321238
1045:"Deaths, "
1019:References
842:Sophia Lee
824:First Love
737:The Regent
578:Malvil in
560:Hugh Kelly
555:Clementina
547:John Hoole
475:John Tobin
441:Retirement
293:Jane Shore
245:Henry VIII
184:Drury Lane
166:Occupation
68:newspapers
747:Baron in
734:Gomez in
542:Timanthes
516:John Bell
407:Impostors
229:Tamerlane
225:The Miser
1141:page 182
1131:page 252
1113:page 469
1093:page 239
1061:page 427
1051:page 284
997:page 157
876:The Will
776:Marcella
526:Personal
434:The Will
1181::
1099:kingdom
1035:(ed.).
902:Antonio
811:The Jew
456:Antonio
313:Douglas
201:Mahomet
161:British
82:scholar
1125:
974:(1805)
961:(1804)
948:(1804)
935:(1803)
922:(1801)
909:(1800)
896:(1798)
883:(1797)
857:(1796)
844:(1796)
831:(1795)
818:(1794)
796:(1793)
783:(1789)
770:(1789)
757:(1789)
744:(1788)
731:(1787)
718:(1785)
705:(1783)
692:(1783)
679:(1783)
666:(1782)
653:(1782)
640:(1781)
627:(1780)
614:(1779)
601:(1777)
588:(1777)
575:(1773)
562:(1771)
549:(1770)
510:after
391:Hamlet
84:
77:
70:
63:
55:
1210:1779
1031:. In
979:Notes
870:1797)
594:Percy
213:Medea
169:actor
89:JSTOR
75:books
1123:ISBN
1081:and
405:'s ‘
273:Lear
188:Bath
153:1822
150:Died
145:1748
142:Born
61:news
1187:".
1083:304
1079:254
1075:202
1071:161
970:by
957:by
944:by
931:by
918:by
905:by
892:by
879:by
866:by
853:by
840:by
827:by
814:by
792:by
779:by
766:by
753:by
740:by
727:by
714:by
701:by
688:by
675:by
662:by
649:by
636:by
623:by
610:by
597:by
584:by
571:by
558:by
545:by
518:'s
467:'s
453:'s
431:'s
413:'s
362:'s
263:.’
44:by
1231::
1077:,
1073:,
1059:,
522:.
219:.
190:.
1217:"
1183:"
1007:"
199:‘
111:)
105:(
100:)
96:(
86:·
79:·
72:·
65:·
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.