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here. 'Roadside
Prophets' is a talky picture, full of goofy introspective ideas, but it has no intention of developing any of them." Hicks stated that the film "has its moments, especially the bits by Guthrie and Cusack, who are gone almost before you realize who they are, and Doe demonstrates a natural acting ability as a disillusioned guy whose life is going nowhere. But the film just meanders pointlessly and some scenes are embarrassingly amateurish in their staging. It's like a home movie in some ways, and it's really not sharp-witted enough to attract anything more than a cult audience."
393:-riding factory worker, meets Dave, who tells him about a casino in the town of El Dorado before Dave is electrocuted in a video arcade. Following Dave's cremation, Joe decides to travel to Nevada to find Dave's beloved casino and spread his ashes in the desert to fulfill his last wish. While riding his motorcycle around Nevada, Joe meets Sam, who is traveling on his own motorcycle to find the Motel 9 in which his parents committed suicide. As Sam travels with Joe, the two develop an unlikely friendship and encounter numerous eccentric people during their travels.
553:," but it's so loosely strung together, so aimless and so willfully quirky, it gets lost in its own meanderings. Movies that try as hard to be hip as this one does are an arduous test of one's patience, mainly because the guise of hipness is merely an excuse for the writer-director not to bother himself with the basics of character, or motivation, or narrative sense. Things happen, without cause or explanation, and that's that, because to concern yourself with such trivialities would be too conventional, too, well, uncool."
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Odd as it may sound, it works perfectly, and Wool's film ends up coming across like some sort of treatise on
Nineties disaffection and a paean to following your heart and damn the torpedoes of logical lifestyles. It's a good message, and a wonderful film, the type of which I think we'll be seeing more and more of as the decade progresses.
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gave the film three stars out of five and called it a "lighthearted bit of
Americana," and "decent-enough entertainment." LeVasseur further wrote, "This hipster road movie has three things going wrong for it right away: It's coming straight out of the self-indulgent early '90s, it features rock stars
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also wrote, "The lack of plot could be overlooked if the folks Sam and Joe met on their journey were remotely memorable, but almost every encounter is the same: they run into some eccentric for four or five minutes (sometimes shorter--don't blink or you'll miss Leary and
Guthrie), Sam proclaims that
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gave the film three and a half stars out of five, and praised the performances of Cusack and
Horovitz. Savlov also praised the film's rapid pace: "New characters are introduced every few minutes, spit out a few gobbets of weirdness or disgruntled home brew philosophy, and then vanish from the story.
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gave the film two stars out of four and wrote, "A quirky counterculture road picture, which is as aimless as its two protagonists, 'Roadside
Prophets' is never quite sure what it wants to be . . . but it's very sure what it doesn't want to be. You'll find no run-of-the-mill, Hollywood happy-talk
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era. One major asset is the lovely young Adam
Horowitz as the goofy tagalong sidekick Sam. He's not only a pleasure to look at, but he creates a nice balance with the brooding biker chic of John Doe. The story itself is pretty shallow and easygoing, despite recurring attempts to create deep,
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gave the film two stars out of five, and called Doe's performance "fairly believable" but noted that
Horovitz, "with his whining and goofy grin, seems as if he's about to break into a Jerry Lewis impression; he's more annoying than funny."
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as leading men, and most of the other characters are just celebrity cameos. However bad it may seem, this heavy-handed lesson in pop philosophy is harmless enough. At the very least, it's good nostalgia for the
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concluded, "What could have been a fun, or at least uniquely weird journey is defeated by a lackadaisical screenplay and a lack of imagination. If only the film had been as lively as its soundtrack".
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But White Pine County stood front and center in "Roadside
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existential moments. But the plot is secondary to the good-natured mood and fondness for offbeat characters."
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was theatrically released on March 27, 1992, and grossed $ 147,724 during its run. On website
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806:"'Roadside Prophets'"
481:as Morning Desk Clerk
445:as Happy Days Manager
1000:1990s American films
990:Films shot in Nevada
731:The Austin Chronicle
576:Andrea LeVasseur of
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43:improve this article
857:LeVasseur, Andrea.
834:"Roadside Prophets"
811:The Washington Post
726:"Roadside Prophets"
546:The Washington Post
457:as Two Free Stooges
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985:1992 comedy films
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479:Aaron Lustig
433:as Salvadore
425:Arlo Guthrie
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359:Arlo Guthrie
351:Beastie Boys
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283:Running time
260:Release date
223:Tom Richmond
205:Arlo Guthrie
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41:Please help
36:verification
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669:Nevada Film
443:Don Cheadle
416:John Cusack
379:Don Cheadle
371:John Cusack
324:comedy film
200:John Cusack
159:Produced by
141:Directed by
970:1992 films
964:Categories
608:References
551:Easy Rider
541:Hal Hinson
490:Production
463:as Celeste
375:Symbionese
308:Box office
271:1992-03-27
151:Written by
69:newspapers
526:Reception
500:Las Vegas
498:included
473:JD Cullum
461:Lin Shaye
455:Dick Rude
427:as Harvey
418:as Caspar
328:Abbe Wool
311:$ 147,724
229:Edited by
154:Abbe Wool
145:Abbe Wool
944:AllMovie
891:TV Guide
864:AllMovie
602:TV Guide
597:TV Guide
591:TV Guide
578:AllMovie
404:John Doe
332:John Doe
300:Language
239:Music by
185:John Doe
178:Starring
99:May 2017
953:at the
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870:May 21,
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762:May 22,
737:May 21,
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649:May 21,
389:Joe, a
349:of the
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303:English
292:Country
287:96 min.
269: (
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583:grunge
520:McGill
506:, and
412:as Sam
391:Harley
345:, and
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341:band
90:JSTOR
76:books
922:IMDb
899:2017
872:2017
819:2017
791:2017
764:2019
739:2017
705:2017
677:2017
651:2017
518:and
449:Flea
397:Cast
385:Plot
367:Flea
339:punk
336:L.A.
62:news
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516:Ely
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