1309:
31:
533:
After Bail and
Scatena (and Clinton Walker) had left the magazine by the late 1990s, it entered into something of a phase in the wilderness, with a succession of editors and owners compromising its content and integrity in the face of a shifting pop-cultural landscape, including not least of all the
496:
By the early 90s, however, with Next Media now having bought a building of its own in southern-Sydney suburb
Redfern, tensions were brewing between Phil Keir and both his wife Lesa-Belle Furhagen and Toby Creswell. The eventual result was that September 1992, saw a traumatic split, in which Creswell
587:
In 2008 the magazine averaged sales of 27,051 copies a month, down from 29,372 the year before and about 40,000 at the time of its 30th anniversary issue six years previous. Its average readership in March 2008 was 301,000, compared with 296,000 a year earlier; the readership had peaked in
December
442:
The magazine shifted from its old office in North Sydney to the basement of the
Gardiners’ home in Neutral Bay, and even as it continued to tinker, in the mid-80s, with its format, experimenting with design styles, colour and paperstock – and experimenting with a great many different contributors –
396:
Australia up as a major player in terms of circulation, shifting about 35,000 copies each fortnight. The magazine, however, lacked consistent local content. The
Skyhooks cover was the exception rather than the rule, and an Australian band would not re-appear on the cover again until Men at Work in
462:
ethos and tradition but crucially also possessed of a certain vision for
Australian music, and it was he who shaped the magazine into its most successful and very Australian form in the late 1980s/early 1990s. Naturally it still relied heavily on its American parent for content, but with Clinton
414:
seemed increasingly irrelevant, an imported acolyte of all things West Coast with precious little acknowledgement of the blossoming
Australian scene around it. The real mark of the magazine's change came in 1980, when it shifted from a fortnightly to a monthly. Paul Gardiner partnered with art
470:
in
Australia was picked up by Creswell leading a consortium he’d assembled with an old school friend, Philip Keir, and Keir's wife Lesa-Belle Furhagen. Shifting headquarters back to Sydney city, to Surry Hills right in the middle of a booming inner-city music circuit, and taking on staff that
479:
in 1989, with the
Australian music magazine market almost entirely to itself. In the face of competition only from the now-widespread, regionalised free street press with its preponderance of advertorial, and now with John O’Donnell as Creswell's Assistant Editor and going glossy full colour
359:
The first edition I saw was just so quirky. It was basically a tabloid format, A3-sized, folded so that it looked the size of an A4 page. It was on newsprint and because it was folded you could have the huge image on the front cover. It was very simple, it was just the essence of
515:, with Kathy Bail now installed as editor, continued to offer quality coverage of Australian and global music, politics, and popular culture. Freelancer Clinton Walker was the only writer to carry over from the old regime to this new one (while he also contributed to
493:’s campus writing contest, and had it not been for its great weakness, its Sydney-centricity – its inability to get good consistent coverage on the ground in Melbourne – the magazine would undoubtedly have been Australia's journal of record for music culture.
338:
Australia was published fortnightly, devoted to music, politics, and popular culture, with a few local articles supplementing the major features from the parent magazine. In August 1972 Frazer launched an
Australian counter-culture magazine
484:
entered its peak period, with its own flavor quite distinct from the American edition. In addition to relying on Clinton Walker for major features and acerbic reviews, Creswell nurtured new young writers like O’Donnell and
415:
director Andrew Penhallow and founded GAP Records, which quickly acquired the local licences for UK labels Rough Trade and Factory Records, as well as signing local acts (such as Pel Mel) – meaning that in addition to
387:
writer Paul Gardiner, with Jane Mathieson and Paul Comrie Thomson. One thing this meant, perhaps most crucially, was that the magazine moved base from Melbourne to Sydney. The first Australian act on the cover was
603:
started to claw back some of its former relevance and credibility, but it was an Indian Summer, and in January 2018, Paper Riot went into external administration and the last issue of Australian
1416:
463:
Walker especially as a star contributor alongside the copy Creswell himself generated, the magazine was now brimming with well-written local features and news stories, and incisive reviews.
419:
the office was now putting out albums by Joy Division and Cabaret Voltaire. At the same time Paul Comrie-Thompson became a sort of advisor if not manager to Chris Bailey and his band the
458:
The final transformation began in 1986, when Toby Creswell was made editor. Ed St.John had by now left to become a record company executive, and Creswell was a journalist steeped in the
1216:
837:
804:
577:
mission with style, intelligence and energy. My hat is off to everyone who has contributed to this success over the years and I look forward to even greater years to come.
298:
since 1966. Frazer soon decided that the "Core" material deserved a stand-alone publication for older readers, and on 1 May 1970, Go-Set Publications launched the tabloid
392:
in 1976, who reportedly hated the photo, but it did mark a broadening recognition of local acts in the magazine. Together Gardiner, Mathieson and Comrie-Thompson built
979:
660:
497:
was escorted off the premises by security, Keir took control of the company, and Creswell and Furhagen went off together to form Terraplane Press, which launched
1336:
519:
at the same time!), and when Dino Scatena came in on staff to assist Bail, the magazine enjoyed a boost in stability and success, and certainly it would outlive
1626:
455:, a sort of A-Z survey of then-Australian music, edited by Ed St.John and written largely by him, Bruce Elder, Toby Creswell, Clinton Walker and Andrea Jones.
1621:
530:
celebrated its 25th year with a special collector's edition in May 1998, and at that time the publishers claimed the current circulation was around 40,000.
403:
so much more successful in terms of relevance and quality. Certainly in no way in this phase, in the late 70s, did it develop a cast of writers the way
322:(before the US magazine of that name), which featured Australian underground cartoons curated by co-editors Pat Woolley and Macy McFarland. Frazer left
952:
632:
for outstanding contributions to popular culture in the previous year. They initially ran from 2009 to 2015 and have been relaunched as of March 2021.
466:
In 1987, owners Paul Gardiner and Jane Maitheson pulled out of the business amid mounting debts and American indifference, and the licence to publish
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1983 – and that was a relayed American story. The magazine also lacked the immediacy and the team of quality contributors that made its rival
351:, that fostered a team of star young writers like Colin Talbot, Helen Garner, Garrie Hutchinson and Robert Adamson, who rivalled the American
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212:. It was launched as a fully fledged magazine in 1972 by Frazer and was the longest-surviving international edition of
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105:
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had only a few years earlier, with only Bruce Elder staying on for the long haul, and P.D. Jack coming and going.
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franchise from Bauer. Under Coyte's editorship, and with the launch of its own independent website in 2014,
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magazine devoted to music, politics, and popular culture, published monthly. The Australian version of
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365:
900:
399:
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993:
523:, which despite its efforts for a decade, went down when the dot.com bubble burst in 2003.
628:
Commencing in 2010, the Rolling Stone Australia Awards are awarded annually in January by
8:
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aimed itself, with the rise of grunge in the 90s, at a slightly younger demographic than
334:
as a fully fledged magazine, five years after the flagship started in the United States.
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538:
871:
592:
235:
139:
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early in 1972 and, with his business partner Geoff Watson, launched the Australian
1120:"Roy Morgan Readership estimates for Australia for the 12 months to December 2008"
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753:
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243:
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1016:
432:
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in 2012 and in 2013, the company Paper Riot, headed by Matt Coyte, bought the
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pages under an agreement Frazer made with its Californian owner and publisher
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The place of Go-Set in rock and pop music culture in Australia, 1966 to 1974
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In 1975, before Frazer left Australia for the United States, he closed down
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1217:"Rolling Stone Magazine Australia announces 3rd annual awards event"
795:"Bauer has left the building. What next for magazines in Australia?"
302:, co-edited by Frazer and Jon Hawkes. From its fourth issue onward
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As the booms in local pub rock and punk rock started to take off,
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423:. A handful of younger writers like Ed St.John and occasional
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it was finally starting to look like a viable competitor to
729:"Go-Set: The Life and Death of an Australian Pop Magazine"
343:
which was published fortnightly, then monthly, and it was
1519:
780:"The end of an era: a eulogy for Rolling Stone Australia"
1250:"Rolling Stone Australia relaunches annual awards show"
268:, a counter-culture magazine edited and published by
573:
Australia has made me proud. They have executed the
471:
included most notably designer/writer David Messer,
204:was initially published in 1970 as a supplement in
786:
1344:
867:Alternative Australia: Communities of the Future?
234:In June 2020, the magazine was acquired from the
1558:
381:licence to a group of journalists led by former
208:magazine published by Monash University student
194:is the Australian edition of the United States'
355:’s iconoclastic reputation for New Journalism.
286:introduced a counter-culture supplement called
276:as an offshoot of his teen-based pop newspaper
216:until its last issue appeared in January 2018.
1247:
1214:
1190:"Rolling Stone magazine heads back Down Under"
930:"Aussie Rolling Stone Publisher Gardiner Dies"
223:returned with a digital platform published by
1627:Online music magazines published in Australia
1330:
614:would be returning to the Australian market.
1622:Online magazines with defunct print editions
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16:Australian edition of Rolling Stone magazine
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29:
1009:"Juicy new campaign for Pacific Magazine"
980:"Rolling Stone still rocking 35 years on"
953:"Rolling Stone still rocking 35 years on"
889:NOTE: On-line version is a 'snippet view'
641:
1612:Monthly magazines published in Australia
1582:Defunct magazines published in Australia
1094:"ACP Magazines to publish Rolling Stone"
1043:"Fresh home and hopes for Rolling Stone"
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264:launched in May 1970 as a supplement in
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610:In January 2019, it was announced that
1617:Music magazines published in Australia
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898:
698:"Rolling Stone set to gather new boss"
227:, in an exclusive licensing deal with
1546:Publishing & Broadcasting Limited
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672:(MA). Canberra, A.C.T. Archived from
659:Kent, David Martin (September 2002).
561:. A few months later, ACP relaunched
863:
726:
715:
658:
553:magazine in exchange for ACP titles
1572:2018 disestablishments in Australia
1248:English, Laura (18 November 2020).
944:
807:from the original on 18 August 2020
475:was then left, after the demise of
13:
1281:"Still rolling after thirty years"
1272:
1215:Barnes, Amelia (5 December 2011).
1176:"Rolling Stone Australia To Close"
1126:. 19 February 2009. Archived from
1007:Veldre, Danielle (11 April 2003).
928:Eliezer, Christie (29 June 2004).
918:
901:"Still rolling after thirty years"
684:
14:
1643:
1294:
840:from the original on 23 June 2020
828:"Magazine buyer writes new story"
1597:Magazines published in Melbourne
1592:Magazines disestablished in 2018
1567:1972 establishments in Australia
793:Kelly, Vivienne (17 June 2020).
231:owner Penske Media Corporation.
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1208:
1182:
1168:
1142:
1112:
1086:
1069:"ACP rolls Stone in title swap"
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1000:
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290:on 13 December 1969, edited by
1279:Mangan, John (12 April 2002).
1067:Jackson, Sally (22 May 2008).
1041:Jackson, Sally (22 May 2008).
899:Mangan, John (12 April 2002).
892:
826:Whyte, Jemina (19 June 2020).
772:
624:Rolling Stone Australia Awards
1:
1602:Magazines published in Sydney
1587:Magazines established in 1972
1346:Australian Consolidated Press
696:Jackson, Sally (1 May 2008).
635:
439:and invigorating its pages.
242:–based investment firm
83:Phillip Frazer/Alistair Jones
951:Boots, Tim (23 April 2007).
681:NOTE: This PDF is 282 pages.
565:, with a new look and size.
453:The Big Australian Rock Book
435:too started freelancing for
347:, and not the local edition
7:
833:Australian Financial Review
727:Kent, David Martin (2000).
10:
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260:The Australian version of
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1368:Australian Woman's Mirror
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1150:"Rolling Stone Australia"
958:The Sydney Morning Herald
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148:(Jan 2020–present)
630:Rolling Stone Australia
221:Rolling Stone Australia
191:Rolling Stone Australia
23:Rolling Stone Australia
670:University of Canberra
585:
534:rise of the internet.
371:
994:"Lowest of the Low 6"
567:
545:, in a deal that saw
357:
219:As of February 2019,
864:Cock, Peter (1979).
679:on 4 September 2015.
591:ACP was acquired by
1577:ACP magazine titles
1491:The Daily Telegraph
1361:Australian NetGuide
1124:Roy Morgan Research
377:and sold the local
25:
1536:Nine Entertainment
1178:. 31 January 2018.
1156:on 29 January 2018
782:. 28 January 2018.
539:Next Media Pty Ltd
294:who had worked on
21:
1554:
1553:
1431:North & South
1403:Disney Adventures
877:978-0-908128-09-9
870:. Quartet Books.
593:Bauer Media Group
588:1994 at 392,000.
582:Jann Wenner, 2009
569:Year after year,
541:was purchased by
314:. In August 1971
236:Bauer Media Group
187:
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142:(until June 2020)
140:Bauer Media Group
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1303:Official website
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1229:on 8 August 2016
1225:. Archived from
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1196:. 8 January 2019
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1096:. Archived from
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982:. 23 April 2007.
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1100:on 19 July 2008
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1417:Everybody's
1375:Auto Action
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447:. In 1985,
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125:First issue
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106:Circulation
57:Tyler Jenke
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760:. Milesago
731:. Milesago
636:References
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501:magazine.
489:, who won
451:published
405:The Digger
375:The Digger
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341:The Digger
328:High Times
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316:Revolution
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300:Revolution
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838:Archived
805:Archived
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735:23 March
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580:—
549:acquire
537:In 2008
390:Skyhooks
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164:Based in
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1261:5 March
1233:5 March
1200:5 March
1194:B&T
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318:became
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110:180,000
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