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landmarks, and the second was a docklands scene with the Antrim hills in the background. The architect WH Hamlyn commissioned the works on behalf of the Ulster
Transport Authority and amongst the students who produced the paintings were Basil Blackshaw, RG Linton, AH Peel, Augustus Little, WF Kennedy, H Magowan and RJ MacKey. The hotel was closed in the 1970s, and later demolished along with the wall paintings in 2017.
342:"His colour is altogether quieter than Luke's; his shapes not so sharply formalised, his vision closer to normal representation. He prefers a high skyline or none at all, and a broad landscape in which the brown ploughed fields, the dark hedges and the meadows, the slate roofs and white-washed gables make a pleasing pattern of unemphatic but subtly related colour, organised mainly by manipulation of diagonal tensions."
385:. Barber claims that Blackshaw's sense of order and construction can be directly attributed to Toogood's teaching. Jamison suggested that Toogood's own practice was negatively effected by his concentration on teaching, that he referred to as "an extraordinary compound of allusion and metaphor patiently contrived for the individual."
257:, his only showing with the society. He was also elected a member of ruling council at the Ulster Academy of Arts in 1936, and again in 1944. The critics were still talking of the 1934 exhibition of four years earlier, when the participants were re-united for a show in aid of the Youth Hostel Association, where the reviewer in the
447:
In the year following his retirement in 1964, Toogood exhibited thirty-four watercolours and nine oils at the Magee
Gallery in Belfast. All but one were landscapes. He had exhibited there once before in a group show of 1949. Toogood returned to the Magee Gallery in July 1964 with contributions to the
369:
During his tenure at the
Belfast College of Art he supervised the painting of two 20 by 30 foot murals in the lounge and restaurant, and two further panels in the banqueting hall and private dining room, at the Midland Hotel in Belfast in 1951. One of the murals was a composite picture of Ulster
354:
In 1946 the
Council for the Encouragement of Music and Art purchased a painting by Toogood, in addition to works by other contemporary Ulster artists. Twenty-four of the works from the CEMA collection, including Toogood's painting, were later presented at their Donegall Place gallery in 1954.
517:
Toogood's works can be found in many public and private collections including the Ulster Museum, Royal Ulster
Academy of Arts Diploma Collection, Arts Council of Northern Ireland, Department of Environment for Northern Ireland, Down County Museum and Friends School, Lisburn.
265:"Not since Colin Middleton, Edward Mansfield, George MacCann, Romeo Toogood, and other young artists held their first exhibition in Belfast has there been so stimulating a show as that which Lady Cushendun opened yesterday in John Magee's Gallery, Donegall Square West."
493:
in 1978. The exhibition included examples from his landscapes, portraits, oils, watercolours, and printmaking from every period of his life. Toogood's legacy was summarised by the
Director of the Arts Council for Northern Ireland Kenneth Jamison in an essay entitled
240:"The painter's aim, I think, is to find in nature some sense of formal order, and to translate the same in terms of form and colour into a pattern which relates to the size and shape of his canvas, the degree of abstraction used depending on the individual painter."
396:
in the 1957 show hosted by the
Belfast Art College Association at the Stranmillis Art Gallery. Kenneth Jamision wrote of Toogood's formative influence on the work of his students and described the strengths of the work on
412:
Although
Toogood rarely exhibited his works, CEMA convinced him to host a small solo exhibition at the Piccolo Gallery in Belfast in 1958. The works displayed included a mix of landscapes and portraits, including a
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painted in 1936 depicts the private quay and well-known premises of John Shaw Brown & Sons, linen merchants. It was donated to the
Belfast Museum and Art Gallery in addition to fourteen works by John Luke,
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reviewer lists amongst the "notable" works. A month later on 30 November 1945, Toogood's son Jeremy died. Toogood was to suffer from depression for the rest of his life and was to effect his early retirement.
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was displayed in an exhibition at the
Mansion House in Dublin by the Haverty Trust, before becoming one of ten works donated to the Belfast Museum and Art Gallery. In 1936 Toogood showed two paintings at the
142:
in London to continue his studies. His funds did not last the three years that Toogood had intended, therefore he successfully petitioned the College administrators to allow him to complete a year early.
467:
Toogood was elected an Honorary Academician of the Royal Ulster Academy in the same year. Less than a year before his death, he was re-elected. In 1965 Toogood joined twelve Ulster artists including
401:"Subtly modulated planes define space, giving these shore-scapes an underlying 'architectural' framework, and in carefully considered compositions Toogood proves the value of sound craftmanship."
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where he remained for a year before his appointment as the master of painting and drawing at Belfast College of Art. Toogood was to remain at the art college until his retirement in 1963.
165:
In 1933 Toogood joined the newly formed Northern Ireland Guild of Artists inaugural exhibition at the State Buildings on Arthur Street, Belfast. Exhibiting alongside old stalwarts
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Six months later Toogood was back at the Belfast Museum and Art Gallery for the annual display by the members of the Royal Ulster Academy, when he showed one work, an oil of the
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was accepted from 1,300 works submitted to the juried exhibition of which 720 were displayed at Belfast Museum and Art Gallery. The painting was amongst twelve works including
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Romeo Charles Toogood was born in Belfast on 6 May 1902. He was the son of a stone-carver, Charles Toogood, who had moved from England to work on the construction of
502:"...he adapted his attitude and seemed capable of projecting himself into every technical and aesthetic problem. Ulster painting owes him an incalculable debt."
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Toogood received a general education at Hillman Street Public Elementary School until he found work at the age of fourteen as a painter and decorator.
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The Academy elected Toogood an associate in 1935, inaugurated with Kathleen Bridle, Colin Middleton, Helen Brett, Patrick Marrinan, Maurice Wilks and
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and three lino-cuts of which the critic in the Northern Whig stated that they "all have a vitality and purposefulness that are individual."
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Romeo Toogood died in hospital on 11 August 1966. He was 64 years of age. Toogood was survived by his wife Anne, two sons and a daughter.
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The Haverty Trust founded by the Irish portrait painter Thomas Haverty purchased another of Toogood's paintings in 1940. The painting of
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A second retrospective was dedicated to Toogood when the Bell Gallery in Belfast showed a range of his paintings in 1989. In 2011 the
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which the same reviewer refers to as "one the most interesting in the exhibition, mainly because of its colouring and its naiveté."
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Of greater significance that year was when Toogood became a member of the avant-garde Ulster Unit, a close relation of Paul Nash's
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Toogood returned to Belfast in 1930 where he was to enter his first teaching post in 1931 at Larne Technical School. He moved to
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Toogood contributed two paintings in the October 1945 Ulster Academy exhibition, including a watercolour and an oil, which the
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in 1933 and worked part-time until 1948. During this period, from 1932 onwards, he also taught at Dungannon Technical School.
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514:, purchased in 1994 and valued at £1250 had gone missing from the civil service collection at Dundonald House in 2002.
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Between the years 1925 and 1928 Toogood delivered evening classes at the College and amassed £300 which he took to the
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475:, and Mercy Hunter in a diverse exhibition of landscape paintings at the Arts Council Of Northern Ireland Gallery.
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listed Toogood as one of the most influential artists in the exhibition. Toogood displayed two oils, one of which,
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He presented three paintings with the Ulster Academy of Arts, the successor to the Belfast Art Society, in 1934,
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was also shown at the Old Museum in the same month. The second was an interior of a theatre, simply entitled
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224:. They showed together on just one occasion at Locksley Hall, Belfast in December 1934. SB Kennedy of the
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204:. The group had evolved from the short-lived Ulster Society of Painters and included artists such as
105:(6 May 1902- 11 August 1966) was an Ulster artist and teacher who specialized in landscape painting.
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to the Ulster Academy of Arts exhibition in 1948. In 1948 Toogood also joined the teaching staff at
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He showed posthumously with four pictures in the Royal Ulster Academy's annual exhibition of 1966.
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327:, forwarded to London for inclusion in the Civil Defence Exhibition on Bond Street that summer.
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to the 1963 annual exhibit of the Royal Ulster Academy of Arts, and a further two paintings,
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He was married to Anne in 1932 and had four children, one of whom died at the age of six.
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689:. Belfast: The Institute of Irish Studies at the Queen's University. p. 76.
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Irish art societies and sketching clubs: index of exhibitors, 1870-1980, M-Z
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was later immortalised in a poem of the same name by Robert Johnstone.
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Examples of Romeo Toogood's work in private collections via Rosss.com
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Examples of Romeo Toogood's work in private collections via adams.ie
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and the sculptor Betty Clements. Toogood showed a painting of
1194:"Work underway to demolish historic Belfast hotel buildings"
236:. In the catalogue Toogood set-out his artistic philosophy:
1440:. Belfast: Arts Council of Northern Ireland. p. 59.
714:(2nd ed.). Belfast: Blackstaff Press. p. 102.
796:
The Royal Ulster Academy of Arts: a centennial history
745:"Present-day art: Opening of Ulster Unit's exhibition"
674:. Vol. 2. Dublin: Four Courts Press. p. 702.
1452:"Stormont mystery as £19,000 worth of art disappears"
798:. Belfast: Royal Ulster Academy of Arts. p. 98.
971:. Dublin: Shortall-Stairs Publications. p. 6.
810:"The Haverty Trust: Pictures for Irish galleries"
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614:. London: Antique Collectors' Club. p. 80.
917:"Belfast gets a notable new picture collection"
597:Royal Ulster Academy of Arts Diploma Collection
489:A post-humous retrospective was hosted by the
565:(2nd ed.). Dublin: Merlin. p. 657.
162:in 1927. He experimented with magic realism.
131:Toogood began his professional training at
969:Markey Robinson -A life, the Retrospective
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946:. Belfast: Blackstaff Press. p. 75.
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563:Dictionary of Irish artists: 20th century
444:to the eighty-fourth exhibition in 1964.
432:Toogood contributed a singular painting,
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248:. In the same year Toogood's 1933 oil,
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1225:. London: Reaktion Books. p. 121.
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510:reported that a Toogood watercolour of
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1192:McGonagle, Suzanne (5 December 2017).
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599:. Belfast: RUA Trust Ltd. p. 228.
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58:Carnmoney East Cemetery, County Antrim
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612:Irish art, 1860-1960: a free spirit
508:Department of Finance and Personnel
358:He contributed one painting called
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1409:Baird, Elizabeth (22 April 1978).
1247:"A teacher's precept is on canvas"
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687:Irish art and Modernism: 1880-1950
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636:"Guild of artists' first venture"
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512:Shaw's Bridge and the River Lagan
381:(née Boyd), Kenneth Jamison, and
330:Writing in a 1944 essay entitled
491:Arts Council of Northern Ireland
304:Toogood contributed work to the
269:Toogood displayed a painting of
1519:20th-century Irish male artists
1494:Alumni of Belfast School of Art
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373:Amongst his many students were
317:Bomb Crater in Eglington Street
158:Toogood became a member of the
135:in 1922 and graduated in 1925.
1499:Painters from Northern Ireland
1436:Longley, Michael, ed. (1971).
1351:"Ulster artists' work on show"
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1383:. 12 August 1966. p. 2.
816:. 14 December 1935. p. 9
751:. 18 December 1934. p. 9
642:. 15 November 1933. p. 3
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196:at the Old Museum Arts Centre
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1438:Causeway; the arts in Ulster
1299:"Paintings by local artists"
1106:"Encouraging art in Belfast"
1086:. 7 December 1946. p. 3
1060:. 1 December 1945. p. 1
1034:. 19 October 1945. p. 3
923:. 15 January 1941. p. 4
868:. 1 February 1944. p. 2
842:. 1 February 1936. p. 9
306:Civil Defence Art Exhibition
123:
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1504:20th-century Irish painters
1357:. 10 August 1965. p. 4
1112:. 4 October 1954. p. 5
10:
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1411:"Landscapes and seashapes"
1253:. 27 March 1957. p. 3
1141:"Large sums for education"
1080:"CEMA in Northern Ireland"
942:Johnstone, Robert (1989).
814:Ballymena Weekly Telegraph
712:Art in Ulster 1: 1557-1957
610:McConkey, Kenneth (1990).
438:On the Road to BallyLesson
1331:. 16 July 1964. p. 4
1305:. 6 April 1949. p. 4
1273:"Pictures based on study"
1223:Art in Ireland since 1910
999:. 8 March 1943. p. 2
897:. 10 May 1938. p. 10
794:Anglesea, Martyn (1981).
595:Anglesea, Martyn (2000).
469:Alice Berger-Hammerschlag
388:Toogood offered two oils
338:described Toogood's work:
321:Fire at the International
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1173:. 18 May 1951. p. 7
862:"Ulster Academy of Arts"
836:"Ulster Academy of Arts"
427:Sammy's Boats, Ballintoy
390:Sammy's Boats, Ballintoy
1221:Barber, Fionna (2013).
670:Stewart, Ann M (1997).
255:Royal Hibernian Academy
967:Stairs, Susan (1998).
891:"Whitepark Bay scheme"
734:Kennedy, (1991), p.257
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496:Painting and Sculpture
460:, Colin Middleton and
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364:Friends School Lisburn
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250:Dan Nancy's, Cushendun
246:William St. John Glenn
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49:Belfast, County Antrim
37:Belfast, County Antrim
1325:"Painting exhibition"
1167:"Belfast Art College"
1130:Hewitt, (1991), p.186
1017:Hewitt, (1991), p.119
784:Snoddy, (2002), p.658
710:Hewitt, John (1991).
685:Kennedy, S B (1991).
561:Snoddy, Theo (2002).
500:
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323:, and James McCord's
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133:Belfast School of Art
74:Belfast School of Art
1084:Londonderry Sentinel
409:at Belfast harbour.
140:Royal College of Art
82:Royal College of Art
1509:Irish male painters
160:Belfast Art Society
1279:. 11 December 1958
1171:Belfast Newsletter
1058:Belfast Newsletter
866:Belfast Newsletter
840:Belfast Newsletter
482:Death & legacy
360:Little White Horse
299:Barge at Edenderry
278:Barge at Edenderry
90:Landscape painting
1458:. 4 February 2011
1456:Belfast Telegraph
1415:Belfast Telegraph
1355:Belfast Telegraph
1329:Belfast Telegraph
1277:Belfast Telegraph
1251:Belfast Telegraph
1147:. 5 December 1951
1145:Belfast Telegraph
944:Eden to Edenderry
921:Belfast Telegraph
450:Summer Exhibition
379:Cherith McKinstry
314:Markey Robinson's
222:Crawford Mitchell
115:Belfast City Hall
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473:Olive Henry
383:TP Flanagan
336:John Hewitt
334:the critic
186:Islandmagee
63:Nationality
1478:Categories
1394:17 October
978:0953471004
539:References
154:The artist
109:Early life
34:6 May 1902
25:ARCA, HRUA
1389:0140-0460
1381:The Times
308:in 1943.
295:Nano Reid
261:remarked,
206:John Luke
190:Dungannon
124:Education
71:Education
1377:"Deaths"
1054:"Deaths"
397:display:
202:Unit One
1462:25 June
1003:6 April
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419:Anthea,
271:Glencoe
234:Theatre
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