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Rosa – A Horse Drama

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an effort to look like Rosa's horse, a black mare. Meanwhile two horsemen, possibly Esmeralda's brothers, advance on Rosa while he is out riding and shoot him dead. All of the action is staged as a 're-enactment' with the singers playing the part of actors, with frequent changing of roles. Two cowboys read the newspaper reports of the murder which refer to Esmeralda as Rosa's 'wife'. They then perform a marriage of Esmeralda to Rosa's corpse. It transpires that Rosa left a will with one sentence "When I die kill my horse and burn it." The opera concludes with Rosa's naked corpse sat astride his dead horse which has been eviscerated and now has Esmeralda and all of Rosa's money inside it. Everything is then burnt.
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with his horse while mistreating his fiancée, Esmeralda Boscano, who is constantly writing to her mother about these events. In scene 4 she sings "Dear Mama I am jealous of a horse, is that possible?" In a desperate move to attract Rosa's attention she strips naked and covers herself in black ink in
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which Andriessen rejected. "Rosa" was finally decided upon with Andriessen noting "..it's not about Rosa, but about film, especially westerns, and about parody." The music in Scene 11 contains a homage to film composer,
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wrote that Andriessen had "..developed an idiom in which minimalism, a distinct sort of rhythmic Stravinsky-ism and mainstream modernism are blended with masterful, totally personal ease.."
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commission "M is for Man, Music, Mozart". They had discussed the idea of collaborating on a film or opera with Greenaway initially suggesting
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The opera is scored for 2 sopranos, tenor, 2 baritones, female speaker, 8 mixed voices, and extended orchestra including four
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Greenaway made a film version in 1999, though it was not shown in the United States until a 2004 premiere at the
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First singer, later Madame de Vries, later The Texan Whore, later The Investigatrix
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https://www.gramophone.co.uk/review/andriessen-rosa-the-death-of-a-composer
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series which explores the deaths of ten 20th-century composers, two real (
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The Ashgate Research Companion to Minimalist and Postminimalist Music
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on 2 November 1994 in a production co-directed by Greenaway and
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The opera tells the story of Juan Manuel de Rosa, a fictitious
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Andriessen had worked previously with Greenaway in 1991 on a
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Andriessen, Louis: Rosa, The Death of a Composer (1993–94)
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Lully, (one of The Gigolos), later one of The Cowboys
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Alcan, (one of The Gigolos), later one of The Cowboys
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Second singer, later The Blond Woman, later Esmeralda
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https://www.nonesuch.com/albums/rosa-death-composer
646: 393:. United Kingdom: Arc Music. pp. 242–266. 61:. A recording of the opera was released on the 505: 413:Potter, Keith and Gann, Kyle (eds.) (2016). 39:. The libretto was the sixth in Greenaway's 118:Premiere cast, 2 November 1994 (Conductor: 512: 498: 388: 647: 407: 35:with a libretto by English film maker 493: 519: 104:Roles, voice types and premiere cast 372:"A Horse Opera of a Different Sort" 13: 14: 681: 228:. The action is set in a disused 630: 629: 31:in 12 scenes by Dutch composer, 370:Griffiths, Paul (9 July 2000). 351:Operas in English: A Dictionary 299: 474:Midgette, Anne (11 May 2004). 468: 456: 444: 429: 382: 364: 339: 322: 24:Rosa – The Death of a Composer 1: 315: 272:. The composer also makes a 76: 288:The work was well received. 283: 7: 450:Cowan, Rob, The Gramophone 354:, p. 422. Scarecrow Press. 204: 10: 686: 660:Operas by Louis Andriessen 389:Andriessen, Louis (2002). 626: 605: 578: 527: 391:The Art of Stealing Time 97: 346:Griffel, Margaret Ross 150:Miranda van Kralingen 419:, p. 138. Routledge. 224:, and is murdered in 618:Orkest de Volharding 579:Orchestral and vocal 568:Theatre of the World 544:Rosa – A Horse Drama 329:Dutch National Opera 306:Walter Reade Theater 176:Christopher Gillett 127:Juan Manual de Rosa 55:Dutch National Opera 436:Boosey & Hawkes 334:Rosa, A Horse Drama 106: 42:Death of a Composer 18:Rosa, A Horse Drama 552:Writing to Vermeer 377:The New York Times 102: 642: 641: 462:Nonesuch Records 400:978-1-900072-88-5 236:, Uruguay. Rosa 202: 201: 198:Phyllis Blanford 192:The Index Singer 120:Reinbert de Leeuw 87:The Baby of Mâcon 71:Reinbert de Leeuw 677: 633: 632: 606:Related articles 521:Louis Andriessen 514: 507: 500: 491: 490: 484: 472: 466: 460: 454: 448: 442: 433: 427: 411: 405: 404: 386: 380: 368: 362: 343: 337: 326: 274:cameo appearance 266:electric guitars 136:Lyndon Terracini 107: 105: 101: 33:Louis Andriessen 685: 684: 680: 679: 678: 676: 675: 674: 665:Peter Greenaway 645: 644: 643: 638: 622: 601: 574: 523: 518: 488: 487: 473: 469: 461: 457: 449: 445: 434: 430: 412: 408: 401: 387: 383: 369: 365: 344: 340: 327: 323: 318: 302: 286: 207: 103: 100: 92:Ennio Morricone 79: 65:label in 1998; 37:Peter Greenaway 12: 11: 5: 683: 673: 672: 667: 662: 657: 640: 639: 627: 624: 623: 621: 620: 615: 609: 607: 603: 602: 600: 599: 591: 582: 580: 576: 575: 573: 572: 564: 556: 548: 540: 531: 529: 525: 524: 517: 516: 509: 502: 494: 486: 485: 481:New York Times 467: 455: 443: 428: 406: 399: 381: 363: 338: 320: 319: 317: 314: 301: 298: 290:The Gramophone 285: 282: 206: 203: 200: 199: 196: 193: 189: 188: 185: 182: 178: 177: 174: 169: 165: 164: 159: 156: 152: 151: 148: 143: 139: 138: 133: 128: 124: 123: 116: 111: 99: 96: 78: 75: 67:Asko/Schönberg 59:Saskia Boddeke 9: 6: 4: 3: 2: 682: 671: 668: 666: 663: 661: 658: 656: 653: 652: 650: 637: 636: 625: 619: 616: 614: 611: 610: 608: 604: 597: 596: 592: 589: 588: 587:Workers Union 584: 583: 581: 577: 570: 569: 565: 562: 561: 557: 554: 553: 549: 546: 545: 541: 538: 537: 533: 532: 530: 526: 522: 515: 510: 508: 503: 501: 496: 495: 492: 483: 482: 477: 471: 465: 459: 453: 447: 441: 437: 432: 426: 422: 418: 417: 410: 402: 396: 392: 385: 379: 378: 373: 367: 361: 357: 353: 352: 347: 342: 336: 335: 330: 325: 321: 313: 311: 310:New York City 307: 297: 295: 291: 281: 279: 278:Hammond organ 275: 271: 267: 263: 259: 255: 251: 247: 242: 239: 238:falls in love 235: 231: 227: 223: 219: 215: 212: 197: 194: 191: 190: 187:Roger Smeets 186: 183: 180: 179: 175: 173: 170: 167: 166: 163: 160: 157: 154: 153: 149: 147: 144: 141: 140: 137: 134: 132: 129: 126: 125: 121: 117: 115: 112: 109: 108: 95: 93: 88: 84: 74: 72: 68: 64: 60: 56: 52: 48: 44: 43: 38: 34: 30: 26: 25: 20: 19: 628: 593: 585: 566: 558: 550: 543: 542: 534: 479: 470: 458: 446: 431: 415: 409: 390: 384: 375: 366: 350: 341: 333: 324: 303: 300:Film Release 294:Sunday Times 287: 243: 208: 195:Spoken word 80: 69:, conductor 47:Anton Webern 40: 23: 22: 21:also called 17: 16: 15: 670:1994 operas 560:La Commedia 262:bass guitar 258:synthesiser 250:mouth organ 234:Fray Bentos 218:film scores 216:who writes 162:Marie Angel 51:John Lennon 649:Categories 595:De Materie 536:De Materie 425:1317042557 360:0810883252 316:References 246:saxophones 114:Voice type 77:Background 284:Reception 211:Argentine 184:Baritone 635:Category 348:(2012). 230:abattoir 222:Westerns 214:composer 205:Synopsis 158:Soprano 131:Baritone 63:Nonesuch 613:Hoketus 226:Uruguay 146:Soprano 655:Operas 598:(1989) 590:(1975) 571:(2016) 563:(2008) 555:(1999) 547:(1994) 539:(1989) 528:Operas 423:  397:  358:  264:, two 27:is an 270:drums 254:piano 172:Tenor 110:Role 98:Roles 29:opera 421:ISBN 395:ISBN 356:ISBN 268:and 220:for 73:. . 49:and 308:in 280:. 276:on 232:in 83:BBC 651:: 478:. 438:. 374:. 331:. 312:. 260:, 256:, 252:, 248:, 122:) 94:. 513:e 506:t 499:v 403:.

Index

opera
Louis Andriessen
Peter Greenaway
Death of a Composer
Anton Webern
John Lennon
Dutch National Opera
Saskia Boddeke
Nonesuch
Asko/Schönberg
Reinbert de Leeuw
BBC
The Baby of Mâcon
Ennio Morricone
Voice type
Reinbert de Leeuw
Baritone
Lyndon Terracini
Soprano
Marie Angel
Tenor
Argentine
composer
film scores
Westerns
Uruguay
abattoir
Fray Bentos
falls in love
saxophones

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