169:(1941–43). This work quickly elevated him to be the most important composer in the Netherlands. About the compositions from the war, he wrote: 'My work from this period has got a sort of gravity, a doggedness here and there, which makes it clearly to realize as grown amid disasters. For me, personally, that is the ethical significance of it: they are constructions of the mind, in a time that 'mind' (if you can still call it that way) is used almost exclusively for destructive purposes.’
33:
183:. They shared the same social and literary interests and communist ideals. They had enough trust in each other so that they could write critically about the others' compositions. Escher's communist ideals were expressed in his membership of the Communist Party (from 1934 to 1940). He wrote a few critiques for the monthly communist periodical
327:
named after Escher for young composers. Since 2006 the foundation is in the management at the Prins
Bernard Culture Foundation. The Rudolf Escher Composers Foundation supports young composers financially to follow a study in the Netherlands or abroad. It also supports projects where the work of a
319:
was also laudatory when we mentioned Escher's work: "Together with the 'Sinfonia per dieci strumenti' (1973/75), the 'Flute sonata' (1976/79) and the 'Trio for clarinet, viola and piano' (1978/79), the 'Wind
Quintet' belongs to the works of a master – one of the few our country has known - of an
176:. He turned out to be a talented poet, publishing poetry in literary magazines into the 1950s. Socially he had little to complain about; he was offered several administrative functions, his compositions were successfully performed, and his publications were followed with interest.
264:
at the
University of Utrecht from 1964 to 1977. His specialization was 'Aspects of the twentieth century'. He gave a lecture "characteristic structure- and form criteria in the music of the twentieth century." Besides music theory he also explored the world of music as a
311:
In the year of the publication of the correspondence Peter Schat published a letter to the dead Escher. In the letter Schat described the process of change that was happening in that time. He also notified Escher about the existing state of affairs in the
Netherlands.
292:
In 1980 his friends and experts united to create the Escher
Committee. Among others involved were Willem Boogman, Elmer Schönberger and Dirk Jacob Hamoen. With the help of the committee the widow of the composer compiled a catalog with comments of Escher's works.
260:. He used his experience with Boulez to give a lecture on "the meaning of structure and form by Debussy with reference to recent serial composition techniques by Boulez." He became Scientific Senior Lecturer at the Institute for
320:
artist that has developed such a personal language, a personal grammar, a personal sound, that every statement about French or German influences, about old or new music, about place and time are futile and meaningless."
248:
from 1967 serial music can be found. He uses structure formulas that remind a listener of Boulez. His visit led a few weeks later to a purification of his works: He wrote a request to the director of the publisher
328:
young (Dutch) composers is being performed and of concerts where works of Escher are being performed. The foundation is funded by the board of the Rudolf Escher
Committee and the inheritance of Escher.
51:) was a Dutch composer and music theorist. He left compositions for chamber orchestra and orchestra, vocal and one electronic composition. Escher was also a poet, painter and writer.
300:, 33 letters and postcards written between 13 May 1958 and 5 August 1961. In the letters they talked about compositions of others as well as their own, and they discussed issues in
106:
and continued his piano lessons, now with Bé Hartz. He also played the violin and got harmony lessons. After four years he quit school. At first he could not choose between music,
187:, using the pseudonym A. Leuvens. During the 1950s he became critical of Russian communism, which he considered a failure. What remained was his leftist political orientation.
86:, Dutch East Indies, where his father worked as a geologist for the Batavian Petroleum Company. His father was a good pianist and he gave the young Escher piano lessons.
704:
647:
173:
220:
in the 1960s. He took lessons in the technique of electronic music with lectures in elementary sound mechanics, electro-physics and sound technology in
304:
and music theory. The letters give insight to Dutch history, aesthetics, and theory of the 20th-century music, from the inception to the reception of
316:
926:
871:
344:, yet before the first performance sounded. One year later he received the Dutch Government Prize for the suite for piano
324:
701:
891:
876:
911:
886:
757:
582:
336:
Escher received several prizes for his compositions during his live. In 1946 he got the Music prize of the city of
921:
881:
755:
Samama, Leo. 'Vermeulen, Pijper en Escher – Drie erflaters in de muziek van de twintigste eeuw: drie vrienden.’
577:
Samama, Leo. 'Vermeulen, Pijper en Escher – Drie erflaters in de muziek van de twintigste eeuw: drie vrienden.’
315:
In 1999 David Moore wrote that Escher is one of the most prominent Dutch composers of the previous generation.
916:
17:
138:. In this essay his views towards composing are evident. He also wrote a few poems, which were published in
244:
of Boulez. At last Escher concluded that the techniques did not feel right for him. Nevertheless, in his
745:
605:
841:
830:
819:
808:
797:
786:
257:
103:
83:
360:
he got the Prof. Van der Leeuw Prize in 1959. Twice he could receive the Visser-Neerlandia Prize, for
110:
and letters but in 1929 he decided to become a composer. Next he wanted to go to the conservatoire in
906:
896:
372:
for cello and piano. Eventually Escher received the Johan
Wagenaar Prize in 1977 for all his works.
901:
79:
296:
In 1992 the
Centrum Nederlandse Muziek published correspondence between Escher and the composer
232:. He decided to ask for analysis classes with Boulez, with reference to the piece he heard in
846:
225:
118:
advised him to study piano. On second thoughts Escher went to the
Toonkunst Conservatoire in
866:
861:
72:
68:
8:
224:. Afterwards he experimented in the Studio for Electronic Music in Delft and then at the
766:
661:
180:
172:
Soon after the war Escher was a contributor about visual arts and music for the weekly
530:‘Rudolf Escher: Musique pour l'esprit en deuil’, Sonorum speculum, xx (1964), 15–33
213:
151:
115:
708:
159:
804:
Sonata
Concertante part 1 by Doris Hochscheid (cello) and Frans van Ruth (piano)
579:
492:
1953 Le vrai visage de la paix (P. Eluard) for choir a cappella(revised in 1957)
542:
met M.C. Escher: Beweging en metamorfosen: een briefwisseling (Amsterdam, 1985)
76:
835:
824:
813:
802:
791:
780:
855:
586:
209:
204:
127:
368:(1968). Between these prizes he got the Willem Pijper Prize in 1966 for the
158:, many of Escher's compositions from his study period were destroyed in the
65:
539:
Debussy: actueel verleden, ed. D. Hamoen and E. Schönberger (Buren, 1985)
533:‘Rudolf Escher: Quintetto a fiati’, Sonorum speculum, xxxiv (1968), 24–32
409:
1977 Orchestration of Six épigraphes antique (Claude Debussy) (1975–1977)
297:
237:
195:
155:
123:
107:
95:
486:
1951 Nostalgies (H.J.M. Levet) for tenor and orchestra (revised in 1961)
514:
1960 Electronic Music for 'The Long Christmas Dinner' (Thornton Wilder)
483:
1951 Chants du désir (Quatre Poèmes de Louise Labé) for mezzo and piano
389:
1951 Hymne du Grand Meaulnes (to be revised as Chant du Grand Meaulnes)
353:
301:
261:
253:
to remove four works unconditionally and three with some restrictions.
191:
676:
Requiem over het Hollands Diep: een nagezonden brief aan Rudolf Escher
498:
1957 Ciel, air et vents (Trois poèmes de Ronsard) for choir a cappella
337:
305:
270:
266:
217:
119:
44:
400:
393:
194:. About this he wrote reviews to his friend and composer-colleague
32:
711:. Prins Bernard Cultuurfonds persbericht. Amsterdam, 13 maart 2006
632:
Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis
536:‘Debussy and the Musical Epigram’, Key Notes, no.10 (1979), 59–63
282:
250:
233:
229:
199:
111:
48:
501:
1970 Univers de Rimbaud (Arthur Rimbaud) for tenor and orchestra
348:. He also received the Music price of the city of Amsterdam for
162:
on 14 May 1940. He also lost his house and all his possessions.
621:
Brief van Rudolf Escher aan Piet Damsté, d.d. 17 februari 1952.
524:
Toscanini en Debussy: magie der werkelijkheid (Rotterdam, 1938)
134:. He also attracted attention in 1938 with an important essay:
99:
71:
and the Swiss Emma Brosy. His father was a son of the engineer
286:
221:
126:
as minor. From 1934 to 1937 he also studied composition with
122:
in 1931. Until 1937 he studied the piano as major with the
782:
Toccata (Arcana Musae Dona) 1944 by Sepp Grotenhuis, piano
489:
1952 Strange meeting (Wilfred Owen) for bariton and piano
431:
1944 Arcana suite for piano (formerly Arcana Musae Dona)
190:
In 1958 Escher was present at the 32nd ISCM festival in
82:. At the age of four, Escher moved with his family to
837:
Le tombeau de Ravel part 1 by the Zvezdoliki ensemble
545:
E. Voermans, ed.: Brieven, 1958–1961 (Zutphen, 1992)
495:
1955 Songs of Love and Eternity for choir a cappella
452:
1953 Air pour charmer un lézard op.28 for flute solo
130:
as his teacher. Escher's debut was in 1935 with his
504:
1975 Three Poems by W.H. Auden for choir a cappella
406:
1969 Summer Rites at Noon (1962–1969) to be revised
527:‘Maurice Ravel’, Groot Nederland (Amsterdam, 1939)
434:1946 Trio d'anches for oboe, clarinet and bassoon
236:. From 3 to 7 November 1960 he visited Boulez in
198:. In 1960 he was present at the ISCM festival in
94:In 1922, five years later, they were back in the
853:
179:After 1946 Escher befriended the Dutch composer
739:Rudolf Escher: het oeuvre, catalogue raisonné
600:
598:
596:
64:Escher was born the son of the geologist and
27:Dutch composer and music theorist (1912–1980)
687:Moore, David W. ‘Guide to records: Escher.’
573:
571:
569:
567:
565:
563:
561:
559:
425:1943 Sonata concertante for cello and piano
722:Overzicht van de composities van R. Escher
593:
470:1978 Sonata for flute and piano (1975–78)
440:1949 Non Troppo ten easy pieces for piano
556:
473:1978 Trio for clarinet, viola and piano.
31:
752:. Oxford Music Online. 19 Januari 2011.
612:. Oxford Music Online. 19 januari 2011.
212:. Thus Escher began experimenting with
136:Toscanini and Debussy, magic of reality
14:
854:
642:
640:
256:In 1960–61 Escher gave lessons at the
242:Improvisations sur Mallarmé I & II
761:. Amsterdam: Querido, 1991: 264–289.
240:. Those days were spent on analyzing
590:. Amsterdam: Querido, 1991: 264–289.
455:1959 Trio for violin, viola en cello
648:Zonder restrictie de nek omgedraaid
637:
508:
467:1976 Sinfonia per dieci instrumenti
458:1967 Wind Quintet Quintetto a fiati
386:1943 Musique pour l'esprit en deuil
380:
24:
702:Nieuw fonds voor jonge componisten
25:
938:
927:20th-century Dutch male musicians
793:Hymne du Grand Meaulnes (1950–51)
774:
758:Erflaters van de twintigste eeuw
580:Erflaters van de twintigste eeuw
443:1949 Sonata for flute solo op.16
413:
281:Escher died at the age of 68 in
714:
428:1944 Sonata for two flutes op.8
403:nr. 2 (revised in 1964 en 1971)
165:During the war Escher composed
872:Dutch male classical composers
826:Musique pour l'esprit en deuil
694:
681:
668:
653:
624:
615:
477:
342:Musique pour l'esprit en deuil
167:Musique pour l'esprit en deuil
13:
1:
731:
549:
464:1973 Sonata for clarinet solo
202:. Here he got excited about
54:
7:
724:. Amsterdam: Donemus, 1978.
650:. Volkskrant 30 April 1999.
630:Groot, Rokus de. 'Review.'
518:
419:1935 Sonata No. 1 for piano
10:
943:
422:1937 Passacaglia for organ
258:Conservatoire of Amsterdam
104:Stedelijk Gymnasium Leiden
892:20th-century male writers
877:Dutch classical composers
678:. Zutphen: Walburg, 1993.
350:Le vrai visage de la paix
331:
276:
912:Musicians from Amsterdam
887:20th-century Dutch poets
461:1969 Monologue for flute
449:1952 Le tombeau de Ravel
375:
340:for his orchestral work
89:
75:and half-brother of the
59:
446:1951 Sonatina for piano
437:1949 Due Voci for piano
145:
80:Maurits Cornelis Escher
922:20th-century essayists
882:20th-century composers
815:Sonata No. 1 for piano
737:Escher, Beatrijs, ed.
691:Vol. 62(4), 1999: 102.
285:on the Frisian Island
37:
689:American Record Guide
634:43(2), 1993: 131–134.
226:Institute of Sonology
114:. The Dutch composer
102:. Escher went to the
35:
917:Dutch male essayists
764:Voermans, Erik, ed.
707:17 July 2011 at the
659:Voermans, Erik, ed.
185:Politics and Culture
160:bombing of Rotterdam
73:George Arnold Escher
69:Berend George Escher
358:Le tombeau de Ravel
174:Groene Amsterdammer
47:– 17 March 1980 in
43:(8 January 1912 in
770:. Zutphen, 1992. .
767:Brieven, 1958–1961
750:Grove Music Online
741:. Amsterdam, 1998.
700:Waltmans, Astrid.
662:Brieven, 1958–1961
610:Grove Music Online
370:Sonata concertante
181:Matthijs Vermeulen
154:expanded into the
132:First piano sonata
38:
665:. Zutphen, 1992.
646:Beer, Ronald de.
16:(Redirected from
934:
907:Dutch male poets
897:Dutch communists
838:
827:
816:
805:
794:
783:
725:
718:
712:
698:
692:
685:
679:
672:
666:
657:
651:
644:
635:
628:
622:
619:
613:
602:
591:
585:24 July 2011 at
575:
509:Electronic music
381:Orchestral music
269:sign system and
214:electronic music
152:Second World War
116:Peter van Anrooy
21:
942:
941:
937:
936:
935:
933:
932:
931:
902:Dutch essayists
852:
851:
847:Donemus: Escher
836:
825:
814:
803:
792:
781:
777:
734:
729:
728:
719:
715:
709:Wayback Machine
699:
695:
686:
682:
673:
669:
658:
654:
645:
638:
629:
625:
620:
616:
603:
594:
576:
557:
552:
521:
511:
480:
416:
396:nr. 1 (1953–54)
383:
378:
364:(1961) and the
334:
279:
148:
92:
62:
57:
28:
23:
22:
15:
12:
11:
5:
940:
930:
929:
924:
919:
914:
909:
904:
899:
894:
889:
884:
879:
874:
869:
864:
850:
849:
844:
833:
822:
811:
800:
789:
776:
775:External links
773:
772:
771:
762:
753:
746:Escher, Rudolf
744:Samama, Leo. ‘
742:
733:
730:
727:
726:
713:
693:
680:
674:Schat, Peter.
667:
652:
636:
623:
614:
606:Escher, Rudolf
592:
554:
553:
551:
548:
547:
546:
543:
540:
537:
534:
531:
528:
525:
520:
517:
516:
515:
510:
507:
506:
505:
502:
499:
496:
493:
490:
487:
484:
479:
476:
475:
474:
471:
468:
465:
462:
459:
456:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
420:
415:
412:
411:
410:
407:
404:
397:
390:
387:
382:
379:
377:
374:
333:
330:
278:
275:
147:
144:
91:
88:
77:graphic artist
61:
58:
56:
53:
26:
9:
6:
4:
3:
2:
939:
928:
925:
923:
920:
918:
915:
913:
910:
908:
905:
903:
900:
898:
895:
893:
890:
888:
885:
883:
880:
878:
875:
873:
870:
868:
865:
863:
860:
859:
857:
848:
845:
843:
839:
834:
832:
828:
823:
821:
817:
812:
810:
806:
801:
799:
795:
790:
788:
784:
779:
778:
769:
768:
763:
760:
759:
754:
751:
747:
743:
740:
736:
735:
723:
720:Samama, Leo.
717:
710:
706:
703:
697:
690:
684:
677:
671:
664:
663:
656:
649:
643:
641:
633:
627:
618:
611:
607:
604:Leo Samama. "
601:
599:
597:
589:
588:
587:archive.today
584:
581:
574:
572:
570:
568:
566:
564:
562:
560:
555:
544:
541:
538:
535:
532:
529:
526:
523:
522:
513:
512:
503:
500:
497:
494:
491:
488:
485:
482:
481:
472:
469:
466:
463:
460:
457:
454:
451:
448:
445:
442:
439:
436:
433:
430:
427:
424:
421:
418:
417:
414:Chamber music
408:
405:
402:
398:
395:
391:
388:
385:
384:
373:
371:
367:
363:
359:
355:
351:
347:
343:
339:
329:
326:
321:
318:
313:
309:
307:
303:
299:
294:
290:
288:
284:
274:
272:
268:
263:
259:
254:
252:
247:
243:
239:
235:
231:
227:
223:
219:
215:
211:
210:Pierre Boulez
207:
206:
205:Pli selon pli
201:
197:
193:
188:
186:
182:
177:
175:
170:
168:
163:
161:
157:
153:
143:
141:
137:
133:
129:
128:Willem Pijper
125:
121:
117:
113:
109:
105:
101:
97:
87:
85:
81:
78:
74:
70:
67:
52:
50:
46:
42:
41:Rudolf Escher
36:Escher (1960)
34:
30:
19:
18:Rudolf Escher
765:
756:
749:
738:
721:
716:
696:
688:
683:
675:
670:
660:
655:
631:
626:
617:
609:
578:
369:
366:Wind Quintet
365:
361:
357:
349:
345:
341:
335:
322:
314:
310:
295:
291:
280:
255:
246:Wind Quintet
245:
241:
203:
189:
184:
178:
171:
166:
164:
149:
139:
135:
131:
93:
66:mineralogist
63:
40:
39:
29:
867:1980 deaths
862:1912 births
478:Vocal music
323:There is a
298:Peter Schat
238:Baden-Baden
196:Peter Schat
156:Netherlands
108:visual arts
96:Netherlands
856:Categories
732:Literature
550:References
362:Nostalgies
354:a cappella
352:for choir
325:foundation
317:Leo Samama
302:aesthetics
262:Musicology
192:Strasbourg
338:Amsterdam
306:serialism
271:Audiology
218:serialism
150:When the
120:Rotterdam
98:, now in
55:Biography
45:Amsterdam
705:Archived
583:Archived
519:Articles
401:Symphony
394:Symphony
267:semantic
842:YouTube
831:YouTube
820:YouTube
809:YouTube
798:YouTube
787:YouTube
283:De Koog
251:Donemus
234:Cologne
230:Utrecht
200:Cologne
112:Cologne
84:Batavia
49:De Koog
356:. For
346:Arcana
332:Prizes
277:Legacy
100:Leiden
399:1958
392:1954
376:Works
287:Texel
222:Delft
140:Forum
124:cello
90:Study
60:Youth
216:and
146:Work
840:on
829:on
818:on
807:on
796:on
785:on
748:.'
608:."
228:in
208:of
858::
639:^
595:^
558:^
308:.
289:.
273:.
142:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
