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1193:, etc.) would include his autobiography and raagnis in their curriculum.In 1998, The Government of India has honored this renowned poet by the award from Rohtak Aakashwani for his incredible support to the rise of Haryanvi Lok Sahitya.His younger son, Satyanarayan Shastri is also continuing their task to rise the Haryanvi Lok Sahitya by his writing. Satyanarayan Shastri is a singer of 'Ragnis' at aakashvani since 1983.
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1025:. In temple based religious theatre, Indian epics and Puranas are the major source material for characters, while the community-based secular theatre is of lighter variety. Several themes may be mixed together - mythological love, popular history, and religious themes, all with overtones of secular values. All dramas typically end with the victory of good over evil.
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1185:', is a celebrity in the field of Haryanvi Saangs and Raagnis. He invented various concepts in presenting the raagnis to the public e.g. Soni and others. In addition, he has been deputed as Counseller and Consultants by Rohtak Aakashvani & Kurukshetra Aakashvani. Haryana Government has also declared that the dominant universities of Haryana (
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Stage is similar to operatic performance. The stage may consist of a clear circular open area, or at the most, a wooden platform about three and a half metre in length. There are no elaborate stage arrangements similar to modern dramatic performances. There are no backdrops, curtains or green-rooms.
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who is a noted theatre director of India belongs to Hisar is also known for developing Swang in
Haryana. In year 2012 his recent production Lakhmiprem was a milestone work on Pandit Lakhmichand. Manish Joshi is recipient of Ustaad Bismillah Khan Yuva Puraskar by Sangeet Natak Akademi. He is working
904:) accompanied by song and dialogue. It is dialogue-oriented rather than movement-oriented. Religious stories and folk tales are enacted by a group of ten or twelve persons in an open area or an open-air theatre surrounded by the audience. Swang as an art of imitation means Rang-Bharna, Naqal-Karna.
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had done revolutionary changes in Swang performance. Revival of Swang traditions is utmost need to oxygen to the dying art. Dr Satish
Kashyap, an internationally acclaimed Swang artist, is leading the only surviving Mandali of Swang. He performs both in Operatic as well as proscenium stage. They
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Hardeva polished his
Chambola style and made some changes to Haryanvi ragni (folk song). Bjae Nai, a disciple of Hardeva, mixed both the styles of folk music. Pt. Nathu Ram, another well known Swaangi coached a number of talented pupils, which included Maan Singh, Bulli, Dina Lohar and Ram Singh.
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Tradition credits Kishan Lal Bhaat for laying the foundation of the present style of Swang about two hundred years ago. During the Mughal period, and specifically at the time of the
Aurangzeb, women were strictly banned from public performances. Since women did not participate in the dance-drama
1125:рдПрдХ рд╕реМ рд╕рддреНрддрд░ рд╕рд╛рд▓ рдмрд╛рдж, рдлреЗрд░ рджреАрдкрдЪрдВрдж рд╣реЛрдЧреНрдпрд╛, рд╕рд╛рдЬрд┐рдиреНрджреЗ рддреЛ рдмрдгрд╛ рджрд┐рдпреЗ, рдШреЛрдбрд╝реЗ рдХрд╛ рдирд╛рдЪ рдмрдВрдж рд╣реЛрдЧреНрдпрд╛, рдирд┐рдЪреНрдЪреИ рдХрд╛рд▓рд╛ рджрд╛рдордг рдКрдкрд░, рд▓рд╛рд▓ рдХрдиреНрдж рд╣реЛрдЧреНрдпрд╛, рдЪрдореЛрд▓реЗ рдХреЛ рднреВрд▓ рдЧрдпреЗ, рдиреНрдпреВ рдиреНрдпрд╛рд░рд╛ рдЫрдиреНрдж рд╣реЛрдЧреНрдпрд╛, рддреАрди рдХрд╛рдлрд┐рдП рдЧрд╛рдпреЗ, рдпрд╛ рдмрдгреА рд░рдВрдЧрдд рд╣рд╛рд▓ рдХреА, рд╣рд░рд┐рдпрд╛рдгреЗ рдХреА рдХрд╣рд╛рдгреА рд╕реБрдгрд▓реНрдпреЛ, рджреЛ рд╕реМ рд╕рд╛рд▓ рдХреА, рдХрдИ рдХрд┐рд╕реНрдо рдХреА рд╣рд╡рд╛ рдЪрд╛рд▓рдЧреА, рдпреЗ рдирдИ рдЪрд╛рд▓ рдХреАред - рдк. рдорд╛рдВрдЧреЗрд░рд╛рдо
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means disguise or impersonation). Also featured prominently are long question and answer sessions between the actors. Much of the dialogue is improvised and the actors must be able to trade quotations, puns, proverbs and songs at the drop of a hat. There is much singing and dancing and there is
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and (ii) Nautanki Style. Deep Chand's style of performance incorporated elements from music, dance, pantomime, versification, and ballad recitation. During the First World War, when Deep Chand's capacity for improvisation and adaptation was at its peak, the
British Government made him a
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Pt Surya Bhanu
Shastri his disciple Dr Satish Kashyap and Dr Sandhya Sharma though belongs to Pt Lakhmi Chand gharana and staged major Swangs/saangs like Padmavat, Kichak Draupadi, Phool Singh Nautani and famous Jaani Chor but had performed in every major Gharanas breaking the orthodox
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After
Bhawani there are Chamolas, Kafias, Savias the main ingredients of performance. Googa Dhamoda a dance form starts at the beginning. With a brief introduction about the play, the performance starts. It consists mainly of mimicry, from which the name of the theater form derives
1122:рджреЛ рд╕реМ рд╡рд░реНрд╖ рдХреЗ рдмрд╛рдж рдореНрдп, рд╕рд╛рдВрдЧреА рджреАрдкрдЪрдВрдж рдЖрдЧреНрдпрд╛, рддрдЦрд╝реНрдд рдмрд┐рдЫрд╛ рд╕рд╛рдЬрд┐рдиреНрджреЗ рдмрд┐рдард╛, рдЖрд╕рдорд╛рдиреЗ рддрдгрд╡рд╛рдЧреНрдпрд╛, рджреЗрд╢ рдЪрдореЛрд▓реЗ рддреАрди рдмреЛрд▓ рдХреЗ, рдЗрд╕реЗ рдХрд╛рдлрд┐рдпреЗ рдЧрд╛рдЧреНрдпрд╛, рд╕рд░рдХрд╛рд░ рдХрд░реИ рдереА рдкреВрдЫ, рджреАрдкрдЪрдВрдж рд╕рд╛рдВрдЧреА рд╕реНрдпрд╛рдгреЗ рдХреА, рдмрд╣реБрдд рдкреБрд░рд╛рдгреА рдХрд╣рд╛рдгреА, рд╕реБрдгрд┐рдпреЛ рд╣рд░рд┐рдпрд╛рдгреЗ рдХреА, рдШрдЧреНрдЧрд░ рдпрдордирд╛ рдмреАрдЪ рдХреА, рдзрд░рддреА рд╣рд░реА рд╕рдорд╛рдгреЗ рдХреАред - рдк. рд░рд╛рдордХрд┐рд╢рди рд╡реНрдпрд╛рд╕
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The origin of swang is traced to be Kishan Lal Bhaat, who some two hundred years ago is said to have laid the foundation of the present style of folk theatre. Another view gives credit for this to Kavi
Shankar Dass, a poet artiste, who belonged to
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Typically, there are no microphones or loudspeakers either. An hour or so before the show, the musicians of the orchestra begin to sing religious or other songs connected with the play in order to create the proper atmosphere for the play. The '
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Dr. Sandhya Sharma is the sole female performer of Swang and has written and produced two new Swangs with her stage partner and mentor Dr Satish
Kashyap. They are based on Mahabharata. New Swangs are GOPI-UDDAV and VEER- BARBRIK.
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Swang themes draw variously from themes of morality, folk tales, lives of inspiring personalities, stories from Indian mythology and in recent times, more current themes like health and hygiene, literacy, AIDS awareness and
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Anoop Lather a well known theatre person introduced Swang in
Kurukshetra University and organised Swang Youth festivals and first time produced Swang Jaani Chor in proscenium with Satish Kashyap in 1999.
995:(jester). Swang theatre is traditionally restricted to men, who also play the female roles, the latter often involving elaborate make-up and costumes. But female troupes are not altogether unknown.
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Volume 1 - 1996 817141298X p416 "DANCE DETAILS One of the major dance forms of the Saharia is 'Swang' meaning imitation. In this form of dance the Saharias imitate human beings, "
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and Shashi Lakarhara. Pt. Tuleram, son of Pt Lakhmi Chand continued the tradition of performance and after him his son Vishnu is still performing in the remote villages of
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in leadership of Dr. Satish Kashyap, also set up a unit for the promotion and preservation of Swang and produced and staged best productions, viz, Jaani Chor,
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and chambolas. The stage was most elementary, the actors performed from a central place among the audience. The light was provided by mashals (Roman torches).
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Swang can be considered as the most ancient folk theatre form in India. Nautanki, Saang, Tamasha originated from the Swang traditions. Old Swang
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form, men have traditionally enacted their roles. Later on different performers changed the style according to the socio-political situations.
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of Haryana. He polished the style of Ali Bux and gave a new color to this folk art. The Saang of that time had two categories: (i)
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Chir Haran, Jaani Chor, Pingla Bharthri and other tales from old literature. Also popular are Punjabi romances like Pooran Bhagat,
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and granted him other favours. His catchy song-compositions with martial tunes attracted large recruits to the army.
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1599:"World Theatre Day: From 'Theyyam' to 'Bhavai' here are regional folk forms that are integral to Indian culture"
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Dr. Satish Kashyap and Dr. Sandhya Sharma in the able guidance of Pandit Suraj Bhan Shastri, a disciple of Pt.
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may continue for up to five or six hours. There is much song and music, especially the famous
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player joins the performance. This Swang/Saang performance was active at the time of
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There are six major Lok Kavi who puts the Haryanvi Culture at the Peak.
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Swang Duet GOPI_UDDHAV by Dr. Sandhya Sharma and Dr. Satish Kashyap
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Swang Performance by Dr. Sandhya Sharma and Dr. Satish Kashyap
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means one male and one female performers start the story.
1277:) were some of the leaders of such troupes. Pandit
90:. Unsourced material may be challenged and removed.
1650:"Haryana- Folk theatre of Haryana- State in India"
1064:, etc. Other popular tales include romances like
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923:"EK SAARANGI EK DHOLAKIA SAATH MEIN ADE THE RAI"
1249:Towards the end of the 19th century, all-women
1133:. Another notable early pioneer was Ali Bux of
1088:In Haryana the most celebrated name is that of
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978:Rasna par basa karo maai shudh shabd mukh bol
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915:"EK MARDANA EK JANANA MANCH PAR ADE THE RAI"
896:. Swang incorporates suitable theatrics and
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53:Learn how and when to remove these messages
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1625:"Folk theatre of Haryana- State in India"
1293:. important Swang staged by him included
249:known for his extensive contributions to
223:Learn how and when to remove this message
205:Learn how and when to remove this message
150:Learn how and when to remove this message
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1273:), Natni of Gangaru, and Bali of Indri (
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950:
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1586:Encyclopaedic Profile of Indian Tribes
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1461:Rai Dhanpat Singh- during (1916-1979)
1028:Popular mythological themes include
991:always a clown character called the
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88:adding citations to reliable sources
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18:
1232:CCS Haryana Agricultural University
13:
1712:
1455:Pandit Jagdish Chandra (1916-1997)
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177:tone or style may not reflect the
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1340:List of Famous Artists in Haryana
1032:, Ranveer- Padmavat, Jaani Chor,
927:means one sarangi player and one
598:Nationalistic and patriotic songs
34:This article has multiple issues.
1482:Kishan Chand Sharma- during 1922
1403:Man Singhingh Bahman (1885-1955)
1345:Brahman Biharilal - 13th century
1177:Pt. Ramkishan Vyas of Narnaund (
240:
187:guide to writing better articles
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64:
23:
16:Popular Indian folk theatre form
1678:Swang тАУ The Folk Dance of Malwa
1551:List of Haryanvi-language films
1530:Chaturbhuj Bansal - during 1951
1518:Mahashay Saruppal - (1937-2013)
1390:Jaswant Singh Verma (1881-1957)
75:needs additional citations for
42:or discuss these issues on the
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1521:Pandit Jagannath - during 1939
1491:Gyaniram Shahstri -during 1923
1:
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1512:Banwari Lal Theth (1932-1983)
1485:Khem Chand Swami -during 1923
1415:Pandit Sarupchand (1890-1956)
1360:Kishanlal Bhat - 16th century
1351:Balmukund Gupt - 16th century
1253:troupes performed in western
1242:, Phool Singh- Nautanki etc.
1191:Maharishi Dayanand University
1603:Economictimes.Indiatimes.Com
1524:Pandit Tuleram - (1939-2008)
1503:Pandit Raghunath (1922-1977)
1497:Master Dayachand (1925-1945)
1494:Pandit Ramkishan (1925-2003)
1476:Sultan Shashtri -during 1919
1467:Pandit Ramanand -during 1917
1464:Dayachand Gopal- during 1916
1458:Pandit Maichand- during 1916
1452:Munshiram Jandli (1915-1950)
1440:Pandit Mange Ram (1906-1967)
1430:Pandit Nathu Ram (1902-1990)
1372:Pandit Bastiram- (1841-1958)
1348:Chetan Sharma - 13th Century
1308:, Poorjan, Seth Tara Chand,
1096:. He was popularly known as
971:, the Goddess of Knowledge:
561:Harivallabh Sangeet Sammelan
7:
2313:Hindi cinema song and dance
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1527:Ranbir Dahiya - during 1950
1509:Bharat Bhushan -during 1932
1488:Chandralal Bhat (1923-2004)
1449:Dayachand Mayna (1915-1993)
1446:Pandit Nand Lal (1913-1963)
1427:Pandit Harikesh (1898-1954)
1412:Pandit Shadiram (1889-1973)
1409:Surajbhan Verma (1889-1942)
955:Haryanvi artist performing
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643:Andaman and Nicobar Islands
520:Sangeet Natak Akademi Award
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1605:. 25 March 2023. p. 1
1546:List of Indian folk dances
1541:Indian musical instruments
1506:Pandit Tejram -during 1931
1479:Master Nekiram (1915-1996)
1443:Shriram Sharma (1907-1966)
1418:Pandit Netram -during 1890
1381:Hiradas Udasi- during 1861
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1006:style of singing known as
858:(meaning "imitiation") or
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546:Dover Lane music festival
2461:Musical theatre in India
1384:Tau Saangi - during 1878
1228:National School of Drama
536:Saptak Festival of Music
1375:Ahmad Baksh-(1800-1850)
1357:Shivkaur - 16th century
2441:Uttar Pradesh folklore
1500:Chandgiram (1926-1991)
1366:Bansilal тАУ during 1802
1354:Girdhar - 16th century
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1335:with Dr Sandhya Sharma
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1187:Kurukshetra University
1181:), formerly known as '
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551:Purandaradasa Aradhana
2232:Poikkal Kuthiraiattam
1387:Jamua Mir (1879-1959)
1378:Ali Baksh (1854-1899)
1363:Saadulla- during 1760
1331:Dr Satish Kashyap as
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498:Media and performance
1369:AmbaramтАУ during 1819
1214:on Pandit Mangeram'
541:Chennai Music Season
84:improve this article
1728:Perini Sivatandavam
1654:www.webindia123.com
1211:Manish Joshi Bismil
1116:Deep Chand Bahman:
1023:women's empowerment
2471:Rajasthani culture
1473:Dahiya (1918-1944)
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1257:and the adjoining
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556:Tyagaraja Aradhana
2466:Haryanavi culture
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1395:Deep Chand Bahman
1240:Raja Vikramaditya
1173:Pt Ramkishan Vyas
1150:Deep Chand Bahman
1090:Deep Chand Bahman
1066:Sorath Rai Diyach
1030:Raja Vikramaditya
854:), also known as
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2451:Culture of Malwa
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2306:Contemporary
2262:Singhi Chham
2256:
2102:Kachhi Ghodi
1997:Dandiya Raas
1937:Bedara Vesha
1867:Divine forms
1803:Mohiniyattam
1657:. Retrieved
1653:
1644:
1632:. Retrieved
1628:
1619:
1607:. Retrieved
1602:
1593:
1585:
1580:
1566:Hindi Cinema
1435:Lakhmi Chand
1339:
1338:
1333:Vikramaditya
1310:Puran Bhagat
1286:
1279:Lakhmi Chand
1258:
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1219:Lakhmi Chand
1216:
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1170:Pt Mange Ram
1156:Lakhmi Chand
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1106:Kirtan Style
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673:Chhattisgarh
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507:Music awards
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343:Nazrul Geeti
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82:Please help
77:verification
74:
50:
43:
37:
36:Please help
33:
2408:Accessories
2277:Thirayattam
2267:Sword dance
1952:Bommalattam
1927:Bardo Chham
1917:Baagh Naach
1753:Veeranatyam
1743:Parai Attam
1437:(1903-1945)
1424:(1898-1936)
1422:Baje Bhagat
1397:(1884-1940)
1166:Baje Bhagat
1098:Shakespeare
1092:of village
1068:, Nihalde,
1058:Heer Ranjha
805:West Bengal
800:Uttarakhand
728:Maharashtra
569:Music media
353:Atulprasadi
275:Traditional
2476:Folk plays
2435:Categories
2394:Tamil Nadu
2332:Literature
2297:Yakshagana
2252:Raut Nacha
2242:Puliyattam
2222:Pavri Nach
2212:Paampattam
2182:Mayilattam
2112:Karakattam
1987:Corridinho
1977:Chheih Lam
1771:Recognised
1733:Margamkali
1659:5 December
1634:28 October
1572:References
1287:Surya Kavi
1224:SPIC MACAY
937:Guru Nanak
933:Kabir Sant
909:traditions
892:region of
870:folk dance
778:Tamil Nadu
585:The Record
446:Goa trance
417:Bhangragga
333:Ramprasadi
296:Hindustani
110:newspapers
39:improve it
2292:Veeragase
2237:Puli Kali
2207:Oyilattam
2127:Khual Lam
2122:Keisabadi
2082:Hulivesha
2027:Duffmuttu
1922:Bagurumba
1884:Rasa lila
1793:Kuchipudi
1788:Kathakali
1763:Classical
1322:Rajasthan
1302:Meera Bai
1111:Rai Sahib
1046:Raja Bhoj
1038:Bharthari
993:makhaulia
878:Rajasthan
768:Rajasthan
738:Meghalaya
713:Karnataka
708:Jharkhand
429:Bollywood
281:Classical
247:Tyagaraju
45:talk page
2415:Ghungroo
2362:By state
2227:Phulpati
2217:Padayani
2137:Kolattam
2107:Kalbelia
2087:Jhijhiya
2077:Hojagiri
2067:Gombhira
2007:Dhunachi
1982:Chholiya
1967:Chang Lo
1874:Nataraja
1813:Sattriya
1798:Manipuri
1609:25 March
1535:See also
1298:Damyanti
1261:area of
1259:Khaaddar
1070:Padmavat
1062:Ramdevji
1054:Draupadi
1004:Haryanvi
947:Features
888:and the
876:form in
748:Nagaland
667:Maithili
456:Indi-pop
286:Carnatic
195:May 2022
2420:Silambu
2399:Tripura
2287:Tippani
2272:Tertali
2187:Mussoll
2152:Lahasua
2097:Jhumair
2062:Ghumura
2057:Ghoomar
2017:Domkach
1992:Dalkhai
1942:Bhangra
1879:Tandava
1849:Gotipua
1844:Gaudiya
1748:Theyyam
1721:Ancient
1314:Haryana
1283:Sonipat
1267:Kalayat
1263:Haryana
1183:Vyas ji
1139:khayals
1102:Kalidas
1076:History
1072:, etc.
1009:Raagani
969:Bhawani
898:mimicry
882:Haryana
874:theatre
790:Tripura
783:Ancient
743:Mizoram
733:Manipur
688:Haryana
683:Gujarat
490:Hip hop
478:Bengali
439:Qawwali
412:Bhangra
393:Qawwali
323:Kirtana
308:Borgeet
124:scholar
99:"Saang"
2389:Punjab
2384:Odisha
2353:Mudras
2323:Nautch
2247:Rasiya
2202:Oppana
2147:Lavani
2132:Kikkli
2092:Jhumar
2052:Giddha
2042:Garadi
2032:Dumhal
1972:Cheraw
1854:Mahari
1839:Deknni
1822:Others
1808:Odissi
1783:Kathak
1738:Koothu
1275:Karnal
1251:Swaang
1179:Hissar
1135:Rewari
1131:Meerut
1052:Badh,
1050:Kichak
1016:Themes
1000:swaang
988:swaang
957:Raagni
929:dholak
865:рд╕реНрд╡рд╛рдВрдЧ
773:Sikkim
758:Punjab
753:Odisha
718:Kerala
703:Ladakh
434:Ghazal
406:Modern
388:Ghazal
378:Kajari
373:Chaiti
363:Thumri
318:Bhajan
291:Odissi
268:Genres
126:
119:
112:
105:
97:
2374:Assam
2257:Saang
2192:Nacn─л
2177:Matki
2162:Maach
2157:Lezim
2142:Kummi
2117:Karma
2072:Grida
2047:Garba
2037:Fugdi
2022:Domni
2002:Dhalo
1962:Chang
1912:Alkap
1889:Lasya
1834:Chhau
1236:Hisar
911:are:
902:naqal
890:Malwa
860:Svang
856:Swang
848:Hindi
844:Saang
663:Bihar
658:Assam
619:Other
578:Sruti
451:Dance
424:Filmi
368:Dadra
131:JSTOR
117:books
2197:Nati
1947:Bihu
1903:list
1899:Folk
1661:2017
1636:2018
1611:2023
1320:and
1271:Jind
965:Guru
935:and
900:(or
852:рд╕рд╛рдВрдЧ
762:Folk
483:Raga
473:Rock
468:Jazz
400:Sikh
383:Sufi
313:Baul
303:Folk
103:news
1433:Pt
1393:Pt
1295:Nal
1154:Pt
1148:Pt
1100:or
678:Goa
86:by
2437::
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