Société des Artistes Indépendants

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Signac?" in 1897, and in 1899 declared the society "almost dead" did an abrupt about-face in 1901, highly praising the Salon. Art critic Roger Marx highly praised that year's exhibition and importantly, he continued to link its success to the ideals of freedom on which the society had been founded. "Overall, the exhibition of the Independents is more and better than the protesting Salon des Refusés; it gives the example of an open society where the rights of all are equal, where everyone is answerable only to himself and remains individually responsible. The artist admits and shows himself as he is, openly without pretense; the viewer, meanwhile, receives no watchword from the jury, follows the inclination of his preferences and decides, in his own way, from beginning to end. Fortunate training for the will, is it not true, that which accustoms man to use his independence to act, to think by himself and for himself, consulting no-one, in the blissfulness of free will!"

913: 1016:"Picasso, keen as a whip, spirited as a devil, mad as a hatter, runs to his studio and contrives a huge nude woman composed entirely of triangles, and presents it in triumph. What wonder Matisse shakes his head and does not smile! He chats thoughtfully of the "Harmony and volume" and "architectural values," and wild Braque climbs to his attic and builds an architectural monster which he names Woman, with balanced masses and parts, with openings and columnar legs and cornices. Matisse praises the direct appeal to instinct of the African wood images, and even a sober Dérain, a co-experimenter, loses his head, moulds a neolithic man into a solid cube, creates a woman of spheres, stretches a cat out into a cylinder, and paints it red and yellow!" 1445: 1420: 1006:"Though the school was new to me, it was already an old story in Paris. It had been a nine-days’ wonder. Violent discussions had raged over it; it had taken its place as a revolt and held it, despite the fulmination of critics and the contempt of academicians. The school was increasing in numbers, in importance. By many it was taken seriously. At first, the beginners had been called "The Invertebrates." In the Salon of 1905 they were named "The Incoherents." But by 1906, when they grew more perfervid, more audacious, more crazed with theories, they received their present appellation of "Les Fauves"—the Wild Beasts. And so, and so, a-hunting I would go!" 1060: 135: 901: 304: 1661: 1021:"Metzinger once did gorgeous mosaics of pure pigment, each little square of color not quite touching the next, so that an effect of vibrant light should result. He painted exquisite compositions of cloud and cliff and sea; he painted women and made them fair, even as the women upon the boulevards fair. But now, translated into the idiom of subjective beauty, into this strange Neo-Classic language, those same women, redrawn, appear in stiff, crude, nervous lines in patches of fierce color." 787: 10642: 7381: 1291: 281: 1149: 888:. Cézanne's explorations of geometric simplification and optical phenomena inspired not just Matisse, Derain, Braque and Metzinger, but the other artists who exhibited earlier with the Fauves. Those who had not transited through a Fauve stage, such as Picasso, experimented, too, with the complex fracturing of form. Cézanne had thus sparked a wholesale transformation in the area of artistic investigation that would profoundly affect the development 1898:

eight other members in 1925. Lhote was of the opinion that the change was mainly intended for the "Sunday painters". Signac and his supporters defended the alphabetical order stressing 'equal attention to all participants' and that there was no place for 'les petites chapelles' (the little chapels). The latter was especially directed against the neo-cubists, who after the First World wished to be associated with well-known artists.

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amounts to a wavering schematicism that proscribes modeling and volumes in the name of I-don't-know-what pictorial abstraction. This new religion hardly appeals to me. I don't believe in this Renaissance... M. Matisse, fauve-in-chief; M. Derain, fauve deputy; MM. Othon Friesz and Dufy, fauves in attendance... and M. Delaunay (a fourteen-year-old-pupil of M. Metzinger...), infantile fauvelet. (Vauxcelles, Gil Blas, 20 March 1907)

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resulting in the obscurity of the subject matter. The predominance of sharp geometrical faceting and the fact that a group of artists are all working in similar directions, gives rise to the term 'Cubism'. Although this and similar terms have been used before in artistic circles (usually in relation to the works of Metzinger, Delaunay and Braque), this is the first time the use of the term becomes widespread.

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to Meudon. Both are discontent with the conventional perspective mechanism. They have long conversations about the nature of form and perception. They agree that traditional painting gives a static and incomplete idea of the subject as experienced in life. Things, they conclude, are in fact dynamic, observed to move, are seen from different angles and can be captured at successive moments in time.

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simplified form began to overtake the representational aspect of the works. The simplification of representational form gave way to a new complexity; the subject matter of the paintings progressively became dominated by a network of interconnected geometric planes, the distinction between foreground and background no longer sharply delineated, and the depth of field limited.

354:—created the Salon des Indépendants. The right to present their works to the public with no restrictions was their only condition. Article no. 1 of the By-laws of the organization: "The purpose of Société des Artistes Indépendants—based on the principle of abolishing admission jury—is to allow the artists to present their works to public judgement with complete freedom". 1642:

Every season it appeared renewed, growing like a living body. Its enemies could, eventually, have forgiven it if only it had passed away, like a fashion; but they became even more violent when they realised that it was destined to live a life that would be longer than that of those painters who had been the first to assume the responsibility for it.

1011:"It was Matisse who took the first step into the undiscovered land of the ugly. Matisse himself, serious, plaintive, a conscientious experimenter, whose works are but studies in expression, who is concerned at present with but the working out of the theory of simplicity, denies all responsibility for the excesses of his unwelcome disciples." 1532:. At stake was more than just the future of public funding for exhibitions that included Cubist art. Le Fauconnier, Gleizes, Léger, Metzinger and Archipenko formed the core of the hanging committee at the 1912 Indépendants. The common hall, room 20, in which the Cubists placed themselves became the nucleus of the exhibition. 10877: 143: 1819:, the cubists regrouped. Their first chance to exhibit together presented itself at the Salon des Indépendants of 1920. But the fight wasn't going to be easy. Opening on 28 January, over three thousand works were display, a large number of which were Cubist paintings. For the first time the exhibition took place at the 2985: 1407:, 1910-11 (Haags Gemeentemuseum, Den Haag), partly due to its large size and partly to the treatment of its subject matter, was an eye-catcher, causing a sensation. This painting was soon bought by the Dutchman art critic and painter Conrad Kickert (1882-1965), who was secretary of the Contemporary Art Society ( 950:(1 May 1908) Apollinaire claims that Braque's work is the most original effort presented at the salon. Even in the absence of Matisse and Picasso, Vauxcelles, in Gil Blas (20 March 1908) refers to the most innovative artists of the exposition as 'barbarous schematizers'... who want to create an 'abstract art'. 1330:) together with other young painters who also want to emphasise a research into form (as opposed to color) take over the hanging committee of the Salon des Indépendants ensuring that the works of painters now dubbed 'Cubists' would be shown together. Gleizes, Metzinger, Le Fauconnier, Delaunay, Léger and 162:(Salon des Artistes Indépendants) is an annual independent art exhibition aimed at a large audience that takes place in Paris. It was established in response to the rigid traditionalism of the official government-sponsored Salon. Since the first exhibition of 1884, at the Pavilion de la ville de Paris ( 1897:

The hanging commission was conducted in opposition to Signac, who was in favor of the alphabetical order system. Léger left the placement committee in 1923. In 1924 placement was classified by nationality and alphabetically. Lhote left the placement committee, which consisted of 20 people, along with

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1902-04 continued the success seen in the 1901 Salon. Critics increasingly praised the harmony and beauty of Neo-Impressionist paintings of the Mediterranean coast. The art critic Fagus wrote in La Revue Blanche that Henri-Edmond Cross's works that year showed "the quivering of these Provencal pines,

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In the following years the exhibition continued to grow in both numbers and importance. 2,395 works were exhibited in 1904, and in 1905, the Salon showed 4,269 works by 669 artists. By 1908 six thousand works were displayed at the Indépendants. In 1910 the number of artists increased to 1,182, rising

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The term 'Cubism' is employed in June 1911 by Apollinaire, speaking in the context of 'Les Indépendants', Musée Moderne de Bruxelles in Brussels, which includes works by Gleizes, Delaunay, Léger, and Le Fauconnier. During the summer, Gleizes is in close contact with Metzinger, who has recently moved

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In 1901, however, the society rebounded with more than 1000 paintings exhibited, and critics paying it serious attention again. Reviews of that years show were decidedly positive, even calling it "one of the most brilliant exhibitions" in the group's 17-year history. Fontainas, who had cried "Why M.

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in Paris. After some initial successes in the 1880s, response to the Indépendants waned in the 1890s. By 1897 art critic Andre Fontainas would complain "The Salon of the Independants reveals itself to be more and more sterile every year. Nothing, nothing and nothing! ... Why M. Signac? Why M. Luce?"

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The changes it had already undergone since the Indépendants of 1911 could leave people in no doubt as to its nature. Cubism was not a school, distinguished by some superficial variation on a generally accepted norm. It was a total regeneration, indicating the emergence of a wholly new cast of mind.

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A movement I consider dangerous (despite the great sympathy I have for its perpetrators) is taking shape among a small clan of youngsters. A chapel has been established, two haughty priests officiating. MM Derain and Matisse; a few dozen innocent catechumens have received their baptism. Their dogma

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At the Salon des Indépendants of 1906 the elected members of the hanging committee included Matisse, Signac and Metzinger. Following the Salon d'Automne of 1905 which marked the beginning of Fauvism, the Salon des Indépendants of 1906 marked the first time all the Fauves would exhibit together. The

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The Salon des Indépendants transpired in Paris from 20 March to 16 May 1912. This massive exhibition occurred exactly one year after Metzinger, Gleizes, Le Fauconnier, Delaunay, Léger and Laurencin were shown together in Room 41 of the 1911 Salon des Indépendants, which provoked the scandal out of

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In the spring of 1911 the cubists made sure they were shown together, infiltrating the placement committee. That Le Fauconnier was the secretary of the salon facilitated the goal of hanging their works together. Until then, works in alphabetical order of the artists names. In room 41 hung works by

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The Fauvism of Matisse and Derain was virtually over by the spring of the 1907 Indépendants. And by the Salon d'Automne of 1907 it had ended for many others as well. The shift from bright pure colors loosely applied to the canvas gave way to a more calculated geometric approach. The priority of

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On 1 December 1884, Lucien Boué, President of the Paris City Council, opened the first Salon des Artistes Indépendants at the Palais Polychrome (near the Palais de l'Industrie). The Salon became the refuge for artworks deemed unacceptable by the traditional Salon. Among the works exhibited were

166:), the organizing Société des Artistes Indépendants has vowed to bring together the works of artists claiming a certain independence in their art. The event is characterized by the absence of both awards and a selection jury. There are however placement or hanging committees. In contrast to the 1050:

The evolution towards a more linear style with simplified forms continues with greater emphasis on clear geometric principles (derived from Cézanne) not solely visible in the works of Braque, but too in the works of Metzinger, Gleizes, Le Fauconnier and Delaunay (Picasso being absent from the

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The result of the group show is a major scandal. Even though the pictures shown are still conventional representations that generally observe the rules of classical perspective (according to Gleizes), the public is outraged by the representation of subject matter as cones, cubes and spheres,

661:. The painting is Matisse's most important work in which he used the Divisionist technique advocated by Signac, which Matisse had first adopted after reading Signac's essay, "D'Eugène Delacroix au Néo-impressionisme" in 1898. Signac purchased the work after the 1905 Salon des Indépendants. 1650:

Never had a crowd been seen thrown into such a turmoil by works of the spirit, and especially over esemplastic works, paintings, whose nature it is to be silent", writes Albert Gleizes, "Never had the critics been so violent as they were at that time. From which it became clear that these

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Due to space constraints stemming from preparations for the 1900 Exposition Universelle, the 1899 exhibition had only 187 artists, down from more than 1000 in 1897. In 1900, the Indépendants reached its lowpoint, with only 55 exhibitors and few serious or substantial critical reviews.

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The Salon des Indépendants of 1921, which opened in January, had less Cubist paintings than the previous year. Braque and Metzinger were not represented. The artists that did exhibit included Gleizes, Ferat, Hayden, Marcoussis, Hellesen and Survage. With the Cubists were also

205:" was authorised by the Ministry of Fine Arts to arrange an exhibition, while the City of Paris agreed to supply rooms for the presentation. So, from May 15 through July 15, the first "free" exhibition of contemporary art showed more than 5000 works by more than 400 artists. 883:

of 1904, 1905 and 1906. After Cézanne died in 1906, his paintings were exhibited in Paris in the form of a retrospective at the Salon d'Automne of 1907, greatly attracting interest and affecting the direction taken by the avant-garde artists in Paris prior to the advent of

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paintings—and I specify the names of the painters who were, alone, the reluctant causes of all this frenzy: Jean Metzinger, Henri Le Fauconnier, Fernand Léger, Robert Delaunay and myself—appeared as a threat to an order that everyone thought had been established forever.

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by Guillaume Apollinaire. Braque's works were still Fauve in nature. It wasn't until the autumn of 1907 at L’Estaque that Braque began his transition away from bright hues to more subdued colors, possibly as a result of the memorial exhibition of Cézanne's work at the

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In 1906 Metzinger had acquired enough prestige to be elected to the hanging committee of the Salon des Indépendants, in addition to his entry of eight works. He formed a close friendship at this time with Robert Delaunay, with whom he would share an exhibition at

1400:, who died 2 September 1910. Articles and reviews were numerous and extensive in sheer words employed; including in Gil Blas, Comoedia, Excelsior, Action, L'Oeuvre, and Cri de Paris. Apollinaire wrote a long review in the 20 April 1911 issue of L'Intransigeant. 1830:

The most outrageous Dada eruption to date transpired at the Salon des Indépendants of 1920. The Dadaist saw the Indépendants as decisive in the push to the top of the avant-garde food chain of the Parisian art scene. The plan was as cunning as it was devious:

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Louis Vauxcelles, in his review of the 26th Salon des Indépendants (1910), made a passing and imprecise reference to Metzinger, Gleizes, Delaunay, Léger and Le Fauconnier, as "ignorant geometers, reducing the human body, the site, to pallid cubes."

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exhibited his works for the first time at the Salon des Indépendants. At the exhibition of 1907, held from 20 March to 30 April, six paintings by Braque were exhibited. Five were purchased directly at the Salon des Indépendants by the art dealer

170:, which takes place in Paris during autumn months, the Indépendants is held during the springtime, inspiring artistic production during winter months, as artists prepare for the show. Several important dates have marked the history of the salon. 271:

epidemic", inaugurated December 1, 1884, by Lucien Boué, President of the Paris City Council. But financially the result was a catastrophe. Nevertheless, in spring 1885, the "Groupe" organised its next exhibition, this time with some success.

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I admit to not understanding. An ugly nude woman is stretched out upon grass of an opaque blue under the palm trees... This is an artistic effect tending toward the abstract that escapes me completely. (Vauxcelles, Gil Blas, 20 March

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Signac becomes president of the 24th Salon des Indépendants. At the exhibition of 1908, held 20 March through 2 May, a painting by Braque strikes Apollinaire by its originality. Though not listed in the catalog, it was described in

912: 1180:, the 'excessivist' from Genoa was exhibited at the 1910 Salon des Indépendants. Boronali was in fact a Parisian donkey (Lolo), who made the painting with his tail. It is suspected that Lolo belonged to Frédéric Gérard ( 1030:

According to John Golding's influential history of Cubism published in 1959, it was at the Salon des Indépendants of 1909, held 25 March through 2 May, that one of the first Cubist painting was exhibited to the public:

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From 24 March to 30 April, the burgeoning of Fauvism was visible at the Indépendants, prior to the infamous Salon d'Automne exhibition of 1905 which historically marks the birth of the term Fauvism, after critic

1165: 1626:'s reviewed the 1912 Salon des Indépendants in the March–April 1912 issue of La Revue de France et des Pays, noting Metzinger's 'refined choice of colors' and the 'precious rarity' of the painting's 'matière'. 187:

or without support supplied by actual political constellations had little chance to advance. From year to year the number of artists working in Paris, the number of artists submitting works to the official

737:'s gallery early in 1907. The two of them were singled out by one critic (Louis Vauxcelles) in 1907 as Divisionists who used large, mosaic-like 'cubes' to construct small but highly symbolic compositions. 1843:

would appear "in the flesh" on February 5. The crowd heckled when Chaplin (not even aware of the event) never showed up, and Tzara was ready: his group hurled insults back at the crowd from the stage.

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of 1913 in New York City. The painting, already a certain distance from Fauvism, was deemed so ugly students burned it in effigy at the 1913 Armory Show in Chicago, where it had toured from New York.

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present in the audience, fooled as the others, described the happening: "Some young people, solemn, stilted, tied up in knots, got up on the platform and as a chorus declaimed insincere inanities".

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The Salon des Indépendants arose through the need by artists to present their works to the general public independently, rather than through the official selective method of the "Salon" (created by

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The 1914 exhibition, held from 1 March to 30 April, was composed of many Orphist works of large dimension and took place in one of the largest rooms on the ground floor: Robert and Sonia Delaunay,

855: 1090:, two paintings in which the emphasis on simplified geometric form overwhelms to a large extent the representational interest of the painting. The same tendency is evident in Metzinger's 2763:(The Art of Measure: The Salon d'Automne Exhibition (1903-1914), the Avant-Garde, its Foreigners and the French Nation), electronic distribution Caim for Éditions de l'EHESS (in French) 2487:

Société des artistes indépendants: catalogue de la 21ème exposition, 1905, Digital collection: Rare Books in the Thomas J. Watson Library, Metropolitan Museum of Art (New York, N.Y.)

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sent three paintings to the Salon des Indépendants, and subsequently moved to Paris with the proceeds from their sale. He again exhibiting several paintings, this time along with

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progressively to 2,175 by 1930. But the Société's inclusive principles meant it would always be subject to the criticism that it valued quantity over quality: in 1926 the critic

1357:. The studios of Jacques Villon and Raymond Duchamp-Villon at 7, rue Lemaître, become, together with Gleizes' studio at Courbevoie, regular meeting places for the newly formed 1827:. Picasso was nowhere to be seen, but others were, such as Archipenko, Braque, Csaky, Gleizes, Gris, Hayden, Herbin, Léger, Lhote, Lipchitz, Metzinger, Severini and Survage. 541:

the beautiful rise towards the arabesque, towards the beautiful line, towards a new classical canon!". This year also featured a retrospective of works by Toulouse-Lautrec.

1463: 1204:, attached a paint brush to the tail of the animal. The donkey did the rest. The painting sold for 400FF (equal to 1,257 Euros today) and was donated by Dorgelès to the 1620:, are close to this real and magnificent result, this victory comes from several centuries: the creation of a school of painting, 'French' and absolutely independent." 1265: 1795:

During the First World War there were no exhibitions. After the war, however, there was a revival of Cubism, led by Gleizes and others, which included exhibitions at

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which Cubism emerged and spread throughout Paris. Its wide-ranging repercussions were felt in Germany, Holland, Italy, Russia, Spain and elsewhere (influencing

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For the first time, the establishment journal Gazette des Beaux-Arts reviewed the annual Salon in 1903, marking the coming of age of the Indépendants. In 1903,

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Another Cubist scandal is produced several months later at the Salon d'Automne, where the Indépendants exhibitors develop relations with the Duchamp brothers,

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where the Cubists exhibited their works, this quarrel involved both the French and non-French avant-garde artists. On 3 December 1912 the polemic reached the

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In addition to the works of Matisse, Derain and Braque, the Indépendants of 1907 included six works (each) by Vlaminck, Dufy, Metzinger, Delaunay, Camoin,

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and visited his studio in Courbevoie several days later. In 1907, at Max Jacob's place, Metzinger met Guillaume Krotowsky, who already signed his works

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were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the

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Many avant-garde artists, including those associated with the Société des Artistes Indépendants shifted towards commercial venues in the 1890s.

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The art critic Olivier-Hourcade writes of this exhibition in 1912 and its relation to the creation of a new French school: "Metzinger with his

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as "bizarreries cubiques" (cubic oddities). In Room 16 hung works by Derain, Dufy, Friesz, Laprade, Matisse, Jean Puy, Rouault and Vlaminck.

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exhibited in the same salon. According to Apollinaire this was the 'first Cubist portrait'. Apollinaire himself has pointed out in his book

708:. The triangular composition is closely related to Cézanne's Bathers; a series that would soon become a source of inspiration for Picasso's 10901: 3013: 664:

Matisse is in charge of the hanging committee, assisted by Metzinger, Bonnard, Camoin, Laprade Luce, Manguin, Marquet, Puy and Vallotton.

6211: 2845: 2559:, 1985, Jean Metzinger in Retrospect, The University of Iowa Museum of Art, J. Paul Getty Trust, University of Washington Press, pp. 9-23 552:, at the Indépendants of 1904, where Cross presented his Venice series. In 1905 the salon featured retrospectives of works by Seurat and 1815:

In an attempt to regain their pre-war status at the forefront of the avant-garde, and faced with the possibility of being overthrown by

6718: 2982:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on the Société des Artistes Indépendants 1109:

The work of Metzinger, Le Fauconnier and Robert Delaunay were exhibited together. Le Fauconnier showed the geometrically simplified

17: 10676: 1098:(1913), that Metzinger, following Picasso and Braque, was chronologically the third Cubist artist. According to Gleizes's memoirs, 10878:

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890

1257:, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911. Stolen by Nazi occupiers from the home of collector 1252: 864: 498:). Between 1901 and 1907, the exhibition was held in the Grandes Serres de la Ville de Paris (Cours-la-Reine, Paris), also called 144:

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890

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Hommage à Marcel Duchamp, Boîte-en-catalogue, 1912-2012, Salon des Indépendants, 1912, n. 1001 of the catalogue, Marcel Duchamp,

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http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious

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The offensive event witnessed by the more respectable Cubists solicited a vehement denunciation, declaring Dada an abomination.

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The submission payment was 10 francs for four works. In 1906 ten works could be submitted for 25 francs and from 1909 only two.

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of France, by Frédéric Hattat, chairman of the Fine Art commission in the same council, by Albert Dubois-Pillet, commanding the

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Remarkably, the presence of a painting made by a donkey named Lolo passed by practically unnoticed. The painting was entitled

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As translated and quoted in Anne Dymond, Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900

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For years, the artists had counted on official support. In 1884, finally, the artists began to organise themselves, and a "

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introduces him to Metzinger, but only after the Salon d'Automne do they become seriously interested in each other's work.

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and so on). Just five months prior to this show another polemic developed at the Salon d'Automne of 1912. Originating in

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And regarding the reception received by the Cubists at the Salon des Indépendants and Salon d'Automne Gleizes writes:

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painting based on analogies with music and the progressive abstraction of a subject in motion, joins the discussions.

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on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "

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and praised its 'French grace', while noting Metzinger 'illuminated a cubist figure with the virtues of a smile'.

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rented an auditorium at the Grand Palais. A group guided by Tzara distributed flyers and posters saying that

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The newly formed Montparnasse group (who held meetings not just at Le Fauconnier's studio, but at the cafés

10972: 10669: 9429: 7543: 7084: 6456: 6297: 6125: 4930: 4842: 4815: 3572: 3393: 2947: 2942: 2474:, The Oxford Dictionary of Art, Oxford University Press, 2004. Retrieved from enotes.com, 26 December 2007. 1713: 1685: 1140:, which had a circulation of about 50,000, about the exhibition that consisted of close to 6000 paintings. 710: 2937: 2932: 2617: 2201: 1419: 1386: 10500: 10428: 9477: 9262: 6745: 6446: 5112: 2999: 2797: 6399: 2690:

S. E. Johnson, 1964, Metzinger, Pre-Cubist and Cubist Works, 1900-1930, International Galleries, Chicago

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Matisse, Henri." Encyclopædia Britannica. 2007. Encyclopædia Britannica Online. Retrieved 30 July 2007.

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challenged this foundation and succeeded to have an exhibition arranged "for the victims of the recent

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Picasso and the Chess Player: Pablo Picasso, Marcel Duchamp, and the Battle for the Soul of Modern Art

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Picasso and the Chess Player: Pablo Picasso, Marcel Duchamp, and the Battle for the Soul of Modern Art

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L'art de la mesure, Le Salon d'Automne (1903-1914), l'avant-garde, ses étranger et la nation française

1159:, oil on canvas, 54 x 80 cm, painted by the donkey Lolo. Exhibited at the Salon des Indépendants, 1910 10833: 8746: 7832: 6241: 6120: 6076: 5484: 5127: 5095: 4993: 4479: 3506: 3188: 2236: 1315: 1059: 395: 331: 3418: 2403:

Martha Ward, Pissarro, Neo-Impressionism and the Spaces of the Avant-Garde, Chicago UP, 1996, p. 193

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The Salon des Indépendants was held March 9 through 18 May, the Cubist works were shown in room 46.

1283: 1044: 633: 9367: 8913: 8305: 8214: 7005: 6988: 6643: 6486: 6471: 6282: 6152: 6026: 5818: 5773: 5734: 5675: 5646: 5046: 4412: 4387: 4297: 3671: 3639: 3168: 2196: 1537: 1525: 1472: 1456: 1433: 1319: 1302: 1279: 1043:). On 25 March 1909, Louis Vauxcelles qualifies the works of Braque (Bracke, sic) exhibited at the 1040: 134: 8006: 6182: 6142: 3213: 2637:, The Architectural Record, May 1910, documents p. 3, Interview with Jean Metzinger, circa 1908-09 10662: 10507: 10393: 9569: 8104: 7410: 7166: 6503: 6343: 6098: 5707: 5653: 5257: 5100: 5015: 4942: 4881: 3769: 3362: 2226: 1396:

This exhibition involved more than 6,400 paintings. In room 42 was a retrospective exhibition of

1236: 800: 755: 217: 6275: 6093: 5585: 2459: 10917: 10885: 10634: 10591: 10442: 9513: 8794: 8226: 8130: 8027: 7384: 7277: 6925: 6875: 6835: 6798: 6698: 6338: 5658: 5636: 5496: 4464: 4035: 3666: 3537: 3398: 3352: 2171: 1350: 714:. Critics were horrified by the flatness, bright colors, eclectic style and mixed technique of 221: 10705: 3403: 2888:

Monneret, Jean: "Catalogue raisonné des artistes Indépendants" Paris, 1999, ed. Eric Koehler *

983:

begins a series of interviews with the avant-garde working currently in Paris and surrounding

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Gleizes, on the other hand, would write in 1913 of the Cubist movements continual evolution:

726: 303: 209: 195: 194:

and the number of works refused by the jury increased, but neither the Second Empire nor the

9727: 5343: 1377:

Metzinger, Gleizes, Léger, Delaunay, Le Fauconnier and Archipenko. In room 43 hung works by

1326: 106:

remained active. Since 1920, the headquarters has been located in the vast basements of the

11029: 10826: 10627: 10414: 10270: 9123: 7477: 7037: 6618: 6387: 6292: 6086: 6016: 5932: 5806: 5609: 5435: 5235: 4925: 4760: 4665: 4599: 4530: 4449: 4439: 4429: 4163: 4127: 4112: 3649: 3557: 3499: 2081: 2011: 1941: 1784: 1552: 1513: 1382: 934: 900: 780: 371: 339: 174: 148: 79: 9713: 9158: 3444: 2568: 2447: 1911: 8: 11024: 10761: 10472: 9929: 9922: 9501: 9297: 9211: 9130: 8885: 8878: 8634: 7825: 7527: 7260: 6845: 6761: 6730: 6608: 6571: 6372: 6258: 6105: 5778: 5464: 5450: 5056: 4979: 4857: 4777: 4755: 3629: 3428: 3148: 2271: 2161: 2036: 1956: 1780: 1590: 1228: 1099: 703: 681: 613: 163: 10966: 9489: 8753: 7339: 6583: 5117: 4005: 3676: 3223: 3138: 2711: 2471: 2266: 2021: 1796: 1129:. In the same hall hung the works of Matisse, Vlaminck, Dufy, Laurencin, van Dongen and 721:

According to Metzinger's memoirs, it was at the 1906 Salon des Indépendants that he met

641:

technique and brightly colored, it was painted in 1904, after a summer spent working in

42: 10645: 10456: 10351: 10308: 10246: 10234: 10150: 9825: 9783: 9374: 9109: 8927: 8466: 8452: 8347: 8202: 8178: 8062: 7648: 7403: 7302: 6910: 6850: 6593: 6515: 6451: 6265: 6226: 6069: 5970: 5897: 5724: 5511: 5286: 5160: 5090: 4952: 4947: 4724: 4489: 4454: 4242: 4147: 4030: 3971: 3754: 3614: 3413: 3128: 3022: 2041: 1986: 1976: 1928: 1573: 1428: 1408: 880: 764: 658: 573:

chez les fauves" ("Donatello among the wild beasts"), contrasting the paintings with a

449: 363: 307: 167: 123: 95: 10174: 10082: 9936: 7360: 6541: 6221: 3218: 2452:, Gil Blas, 17 October 1905. Screen 5 and 6. Gallica, Bibliothèque nationale de France 2256: 2221: 2071: 1736: 1366: 1193: 10956: 10794: 10721: 10379: 10282: 10019: 9971: 9943: 9850: 9811: 9776: 9599: 9067: 9039: 8899: 8592: 8508: 8410: 8375: 8142: 7922: 7888: 7030: 6983: 6953: 6813: 6683: 6598: 6588: 6253: 6236: 6110: 5729: 5692: 5663: 5616: 5479: 5425: 5415: 5405: 5296: 4974: 4886: 4876: 4863: 4852: 4515: 4444: 4419: 4375: 4284: 4269: 4107: 3906: 3891: 3849: 3829: 3779: 3609: 3547: 3317: 3040: 2896: 2853: 2815: 2517: 2455: 2141: 2066: 1311: 686: 650: 461: 379: 9685: 7769: 5267: 4687: 2972: 2391:"Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900" 1824: 1213: 754:

for a total price of 505 FF. The sixth work was presumably bought by the art dealer

10729: 10612: 10605: 10344: 10124: 10033: 10026: 9957: 9859: 9769: 9615: 9525: 9417: 9311: 9304: 9137: 8962: 8920: 8739: 8655: 8550: 8459: 8319: 8291: 7906: 7776: 7741: 7734: 7699: 7614: 7507: 7366: 7312: 7270: 6973: 6766: 6404: 6311: 6189: 5902: 5885: 5843: 5838: 5833: 5751: 5697: 5420: 5365: 5262: 5230: 5201: 5080: 5073: 5068: 5041: 4903: 4898: 4575: 4336: 4279: 4188: 4132: 3983: 3978: 3961: 3954: 3949: 3869: 3584: 3408: 3357: 3251: 3208: 3072: 2676: 2246: 2241: 2106: 1981: 1891: 1744: 987:. These interviews and Burgess' impressions of the works produced are published in 976:

In excess of 1,314 artists exhibit 6,701 works. Matisse does not submit any works.

566: 553: 529: 457: 410: 399: 335: 296: 9818: 9720: 8557: 8543: 8536: 8361: 7720: 7094: 3173: 3103: 2962: 2753: 2091: 1705: 1582: 1551:

was listed in the catalogue (n. 1001) but was withdrawn prior to the exhibition —

10598: 10549: 10535: 10528: 10089: 9992: 9804: 9797: 9699: 9671: 9664: 9636: 9588: 9441: 9360: 9332: 9227: 9151: 9102: 8990: 8955: 8843: 8836: 8780: 8732: 8641: 8529: 8382: 8354: 8154: 8076: 8069: 8048: 7985: 7943: 7853: 7846: 7804: 7748: 7639: 7287: 7144: 7119: 7069: 6993: 6818: 6808: 6703: 6688: 6668: 6551: 6461: 6424: 6409: 6157: 6064: 6006: 5828: 5823: 5580: 5549: 5501: 5191: 5122: 5107: 4935: 4913: 4834: 4782: 4772: 4744: 4697: 4680: 4604: 4545: 4535: 4474: 4137: 3924: 3686: 3480: 3342: 3203: 3118: 3098: 2952: 2647: 2166: 2101: 2031: 1996: 1840: 1804: 1728: 1698: 1660: 1623: 1560: 1488: 1362: 1331: 1294: 758:. It was around this time that Braque first met Kahnweiler and was introduced to 605: 549: 383: 225: 58: 9234: 9053: 8829: 8333: 7685: 5171: 3287: 3123: 2967: 2957: 1836: 1759:

mentioned la Salle hollandaise (room 43), which included Jacoba van Heemskerck,

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obtained the Grand Palais for its salon exhibitions. After World War II, the

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Although sustained by Mesureur, deputy chairman of the Council of Paris and

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Salon Annuel du Cercle d'Art 'Les Indépendants', Musée Moderne de Bruxelles

2276: 2251: 2176: 2151: 2126: 2061: 1991: 1966: 1820: 1764: 1370: 1282:, Sweden. Exhibited at the first Cubist manifestation, Room 41 of the 1911 992: 751: 734: 694: 690: 597: 507: 481: 391: 375: 367: 343: 327: 107: 83: 8585: 7324: 5185: 2136: 98:. This is where artworks were often first displayed and widely discussed. 10951: 10849: 10789: 10784: 10584: 10465: 10324: 10315: 10131: 10054: 9095: 9060: 8976: 8969: 8711: 8613: 8501: 8431: 8368: 8245: 8111: 7971: 7929: 7881: 7818: 7797: 7790: 7762: 7678: 7621: 7461: 7245: 7208: 7149: 7025: 7020: 7015: 6963: 6958: 6900: 6803: 6740: 6693: 6633: 6603: 6525: 6367: 6205: 6194: 6167: 6137: 6001: 5975: 5892: 5813: 5801: 5756: 5746: 5741: 5719: 5680: 5516: 5491: 5376: 5338: 5245: 5213: 5165: 4893: 4821: 4614: 4555: 4469: 4407: 4367: 4254: 4020: 3993: 3824: 3711: 3696: 3624: 3619: 3594: 3542: 3522: 3183: 3153: 3077: 3055: 3050: 3045: 2968:

Société des artistes indépendants: catalogue de la 29ème exposition, 1913

2963:

Société des artistes indépendants: catalogue de la 27ème exposition, 1911

2958:

Société des artistes indépendants: catalogue de la 26ème exposition, 1910

2953:

Société des artistes indépendants: catalogue de la 25ème exposition, 1909

2948:

Société des artistes indépendants: catalogue de la 24ème exposition, 1908

2943:

Société des artistes indépendants: catalogue de la 23ème exposition, 1907

2938:

Société des artistes indépendants: catalogue de la 22ème exposition, 1906

2933:

Société des artistes indépendants: catalogue de la 21ème exposition, 1905

2700:

The Mechanics of Expression: Donkeys, Humans, Monkeys, Cats and Elephants

2211: 2181: 1920: 1752: 1509: 1185: 833: 654: 638: 574: 465: 441: 351: 213: 190: 138: 99: 91: 3589: 3491: 444:

exhibited at the Indépendants. The works exhibited ranged in style from

409:. The second exhibition was held in 1886 in a temporary building in the 10514: 10068: 9839: 9762: 9741: 9622: 9290: 9276: 9025: 9011: 8948: 8871: 8760: 8627: 8564: 8424: 8254: 8055: 8013: 7950: 7607: 7292: 7104: 7064: 7010: 6978: 6870: 6708: 6663: 6556: 6362: 6172: 6040: 5761: 5563: 5355: 5196: 4984: 4750: 4655: 4619: 4609: 4587: 4402: 4392: 4380: 4332: 4274: 4212: 4055: 3901: 3896: 3864: 3475: 3327: 3292: 3093: 3067: 2926: 2772: 2231: 2026: 2006: 1883: 1768: 1437: 1290: 1189: 889: 642: 601: 280: 1148: 429:

had exhibited there. During the period between 1890 and 1914 known as

10745: 10563: 10521: 10386: 10096: 9179: 8934: 8801: 8522: 8473: 8438: 7999: 7426: 7354: 7344: 7307: 7139: 7129: 7109: 6935: 6905: 6638: 6561: 5980: 5766: 5603: 5360: 5061: 5010: 4908: 4719: 4525: 4496: 4207: 4040: 4025: 3966: 3939: 3886: 3874: 3784: 3759: 3721: 3470: 3061: 2991: 2786: 2377: 2056: 1717: 1664: 1598: 1448: 570: 453: 437: 319: 4327: 1411:). In 1934 he donated the painting to the Gemeentemuseum, Den Haag. 8403: 8270: 7628: 7589: 7573: 7559: 7450: 7334: 7255: 7203: 7134: 7047: 6968: 6920: 6786: 6771: 6628: 6566: 6498: 6392: 6377: 6051: 5965: 5955: 5943: 5687: 5150: 4847: 4787: 4227: 4202: 4183: 4097: 4092: 4060: 3929: 3804: 3706: 3659: 3634: 1517: 1505: 1274: 1243: 1080:

Gleizes exhibits in the Salon des Indépendants for the first time:

984: 625: 589: 1076:. Exhibited at the 1910 Indépendants a few months before his death 672: 10654: 10162: 9200: 8662: 8277: 7566: 7550: 7536: 6673: 6476: 6414: 6231: 6130: 5870: 5597: 5430: 5036: 4636: 4520: 4015: 3789: 3691: 3599: 3577: 3241: 759: 532:

estimated that only 100 of the 3,726 artworks were of any value.

469: 406: 405:

The proceeds of the first show were earmarked for the victims of

268: 5592: 1882:. At the exhibition were also the works of Bissière, Blanchard, 1630:

too, in his review, noted Metzinger's 'refined use of color' in

7484: 7297: 7156: 6648: 6578: 6147: 6059: 5914: 5145: 4232: 4178: 3819: 3814: 3701: 3567: 3388: 3261: 1334:(at the request of Apollinaire) are shown together in Room 41. 885: 477: 30: 10818: 5381: 413:

with 200 paintings exhibited, including the first showing by

71: 7395: 1535:

At the 1912 Salon des Indépendants Albert Gleizes exhibited

1261:

during World War II, returned to its rightful owners in 1997

490:

In 1895 and 1897 the Salon des Indépendants was held at the

7957: 7491: 7233: 6035: 4168: 3839: 1816: 1073: 535: 2986:

Catalogues of the Société des artistes indépendants online

2909:, Grand Palais des Champs-Élysées, April 23 - May 16, 1965 2893:

L'Impressionisme et son époque, dictionnaire international

2872:, New York: New Directions, 1990, p. 40, in Larry Witham, 7224:

Art in the Protestant Reformation and Counter-Reformation

2702:. (Cf. Warnod, 1910; Weiss, 1994, pp. 149–151, 304.) 1208:. The painting forms part of the permanent collection at 2441: 224:, the beginning of the Company, considered as a nest of 701:

centerpiece of the exhibition was Matisse's monumental

1710:

Le modèle nu dans l'atelier (Nude Model In The Studio)

879:

Many of Cézanne's paintings had been exhibited at the

45:, Paris. Exhibited at the Salon des Indépendants, 1905 2916:, préface de Serge Lemoyne, L'Echelle de Jacob, 2003. 740: 1219: 10714:

A Sunday Afternoon on the Island of La Grande Jatte

9394:

A Sunday Afternoon on the Island of La Grande Jatte

2905:Socièté des artistes indépendants, 76e exposition: 2724:

Aux commencements du rire moderne. L'esprit fumiste

1697:1912-13, National Gallery of Art, Washington D.C — 1033:

Little Harbor in Normandy (Petit port en Normandie)

775:, painted during the winter of 1906, and his large 2672: 2670: 2668: 2666: 2664: 2662: 2660: 2482: 2480: 925:. Dimensions and location unknown. Illustrated in 2907:Le Premiers Indépendants: Rétrospective 1884-1894 2679:Albert Gleizes, Chronology of his life, 1881-1953 2551: 2549: 2547: 1235:, oil on canvas, 191 x 123 cm (75.25 x 48.5 in.) 812:also appeared at the 1907 Indépendants, entitled 577:-style sculpture that shared the room with them. 10986: 2791: 2749: 2747: 2745: 624:. This exhibition was reviewed by Vauxcelles in 362:" Signac's "Le Pont d'Austerlitz", and works of 246:Article 1 of the organization's statutes reads, 240:, officially confirmed the establishment of the 2657: 2477: 1675:. Exhibited at the 1913 Salon des Indépendants. 1499:. Exhibited at the 1912 Salon des Indépendants. 1480:. Exhibited at the 1912 Salon des Indépendants. 1459:. Exhibited at the 1912 Salon des Indépendants. 1440:. Exhibited at the 1912 Salon des Indépendants. 895: 436:practically all of the artists associated with 41:, oil on canvas, 98.5 × 118.5 cm (37 x 46 in), 10754:The Channel of Gravelines, Petit Fort Philippe 2850:, University Press of New England (ebook) 2013 2758:, no. XXII -1 (2007), Guerre et statistiques, 2626: 2544: 2313: 2311: 2309: 1915:, with the assistance of Dunoyer de Segonzac, 1810: 1414: 569:described their show of work with the phrase " 10834: 10670: 7411: 4313: 3507: 3007: 2821:, published in German, 1928, under the title 2811: 2809: 2742: 2684: 846:Vauxcelles described this group of 'Fauves': 506:. From 1920 the exhibitions were held at the 10333: 10322: 7516: 7505: 7459: 7448: 685:, oil on canvas, 175 x 241 cm (69 × 95 in), 322:). A small collective of innovative artists— 7587: 2988:. Gallica, Bibliothèque nationale de France 2818:The Epic, From immobile form to mobile form 2803:, Manchester University Press, 2004, p. 107 2464: 2306: 1655: 1305:. Exhibited at Salon des Indépendants, 1911 1054: 631:Matisse exhibited the proto-Fauve painting 236:June 11, 1884, Maître Coursault, notary at 102:brought a closure to the salon, though the 10841: 10827: 10677: 10663: 7418: 7404: 4320: 4306: 3514: 3500: 3014: 3000: 2806: 2787:Salon des Indépendants, 1912, kubisme.info 2506: 2504: 2502: 2500: 2498: 2496: 2494: 2373: 2371: 2369: 2367: 2365: 2363: 2361: 2359: 2318:Société des Artistes Indépendants, History 1755:were emphatically present. Apollinaire in 1695:Les Joueurs de football (Football Players) 492:Palais des Beaux-Arts et des Arts libéraux 27:French artists' salon and exhibiting space 3521: 2841: 2839: 2618:Gelett Burgess, "The Wild Men of Paris", 2357: 2355: 2353: 2351: 2349: 2347: 2345: 2343: 2341: 2339: 2327: 2325: 1136:Apollinaire wrote in the daily newspaper 1025: 843:, Puy, and Valtat, and three by Marquet. 59:[sɔsjetedez‿aʁtist(z‿)ɛ̃depɑ̃dɑ̃] 1659: 1497:Musée d'Art Moderne de la Ville de Paris 1483: 1478:Musée d'Art Moderne de la Ville de Paris 1462: 1443: 1418: 1289: 1264: 1242: 1223: 1166:Et le soleil s'endormit sur l'Adriatique 1157:Et le soleil s'endormit sur l'Adriatique 1147: 1143: 1058: 911: 899: 870:Musée d’Art Moderne de la Ville de Paris 854: 785: 671: 536:1902-1904: Towards a New Classical Canon 302: 279: 183:in charge of the exhibits at the annual 133: 29: 2557:Jean Metzinger: At the Center of Cubism 2491: 2332:Salon des Indépendants, Merriam-Webster 1702:The Cardiff Team (L'équipe de Cardiff ) 1574:La Femme au Cheval (Woman with a horse) 1436:, Denmark. Provenance: Jacques Nayral, 1429:La Femme au Cheval (Woman with a horse) 667: 14: 11020:Arts organizations established in 1884 10987: 7001:Contemporary Indigenous Australian art 3021: 2836: 2825:, the French version was published as 2336: 2322: 1747:. This was the first exhibition where 832:would later create a sensation at the 10822: 10658: 10259:Six Characters in Search of an Author 7399: 5021:Art of the late 16th century in Milan 4301: 3495: 2995: 1934: 908:, Museum Kranenburgh, Bergen, Holland 865:Paysage coloré aux oiseaux aquatiques 518: 258: 177:, artists not backed by the official 57: 10995:French artist groups and collectives 2378:Kubisme.info, Salon des Indépendants 1856: 1239:. Exhibited at the 1911 Indépendants 953:This exhibition was reviewed in the 816:. Vauxcelles writes on the topic of 275: 180:Académie de peinture et de sculpture 2833:, 1929. Translation by Peter Brooke 2606:The Response to Matisse's Blue Nude 2532:UCLA Art Council et al. 1966, p. 11 1176:presented by the fictitious artist 198:found an answer to this situation. 24: 10684: 9454:Nude Descending a Staircase, No. 2 6356:Vienna School of Fantastic Realism 5207:Neoclassical architecture in Milan 2882: 2541:Oxford Art Online, "Henri Matisse" 2515:, Greenwood Publishing Group, 1994 2388: 1927:, Yves Brayer, Aristide Caillaud, 1909:was renewed with the artist group 1724:1912, Philadelphia Museum of Art. 1722:L'Homme dans le Café (Man in Café) 1704:1913, Van Abbemuseum, Eindhoven — 1671:, oil on canvas, 127.6 x 88.3 cm, 1548:Nude Descending a Staircase, No. 2 1369:, the Czech painter interested in 741:1907, the wholesale transformation 25: 11041: 10962:Société des Artistes Indépendants 10780:Société des Artistes Indépendants 6430:American Figurative Expressionism 4766:International Gothic art in Italy 2927:Société des Artistes Indépendants 2920: 1903:Société des Artistes Indépendants 1803:and a revival of the Salon de la 1220:1911, the major scandal of Cubism 961:20 March 1908; by C. Le Senne in 252:Société des Artistes Indépendants 147:, oil on canvas, 73.5 x 92.5 cm, 51:Société des Artistes Indépendants 10910:The Lagoon of Saint Mark, Venice 10641: 10640: 7380: 7379: 5939:Neue Künstlervereinigung München 1774: 1361:(soon to exhibit under the name 991:, May 1910, at the heart of the 957:20 March 1908; by Vauxcelles in 948:La Revue des lettres et des arts 937:, Document 3, May 1910, New York 314:, oil on canvas, 54.5 by 65.4 cm 295:), oil on canvas, 201 x 300 cm, 231: 119:Société Nationale des Beaux-Arts 10848: 6861:Tunisian collaborative painting 6334:International Typographic Style 2862: 2780: 2766: 2733: 2716: 2705: 2693: 2641: 2611: 2604:Tyler Green, Modern Art Notes, 2597: 2588: 2584:, MoMA, Oxford University Press 2573: 2562: 2535: 2526: 2295:French art salons and academies 1476:, oil on canvas, 105 x 171 cm, 1432:, oil on canvas, 162 x 130 cm, 1275:Deux Nus (Two Nudes, Two Women) 559: 508:Grand Palais des Champs-Elysées 78:" ("without jury nor reward"). 10801:Sunday in the Park with George 10408:Grosvenor School of Modern Art 10401:Fourth dimension in literature 6614:The Caribbean Artists Movement 2868:Gide quoted in Wayne Andrews, 2432: 2420: 2406: 2397: 2382: 809:Blue Nude (Souvenir de Biskra) 799:, oil on canvas. 92 x 140 cm, 796:Blue Nude (Souvenir de Biskra) 504:Exposition Universelle of 1900 64:Society of Independent Artists 13: 1: 11015:1884 establishments in France 10934:The Pine Tree at Saint Tropez 10870:Cassis, Cap Lombard, Opus 196 10738:Young Woman Powdering Herself 7425: 4970:Dutch and Flemish Renaissance 2914:Dictionnaire des Indépendants 2300: 1727:In room 45 hung the works of 1299:Champs de Mars. La Tour rouge 1278:, oil on canvas, 92 x 66 cm, 979:After this salon, the writer 946:. In his review published in 868:, oil on canvas, 74 x 99 cm, 113:Société des Artistes Français 10973:Jeanne Selmersheim-Desgrange 7085:Modern European ink painting 6457:Bay Area Figurative Movement 2973:Timeline of the Paris salons 1790: 1714:Solomon R. Guggenheim Museum 1538:Les Baigneuses (The Bathers) 1473:Les Baigneuses (The Bathers) 1398:Henri (Le Douanier) Rousseau 896:1908, barbarous schematizers 628:on 4, 18 and 23 March 1905. 203:Group of independent artists 7: 10902:Entrance to the Grand Canal 10501:List of avant-garde artists 9478:The Cabinet of Dr. Caligari 6746:Artificial intelligence art 2283: 1846:The renown literary figure 1811:1920, the emergence of Dada 1415:1912, the scandal continues 1253:Le Chemin, Paysage à Meudon 1210:l'Espace culturel Paul Bédu 904:Henri le Fauconnier, 1908, 10: 11046: 10359:Classical Hollywood cinema 6659:Post-painterly abstraction 6482:Situationist International 5856:Pennsylvania Impressionism 4260:Situationist International 1787:were largely represented. 1673:Philadelphia Museum of Art 1595:Le Chasseur (The Huntsman) 129: 124:Société du Salon d'Automne 11005:Art exhibitions in France 10944: 10856: 10772: 10692: 10622: 10300: 10141: 10009: 9849: 9598: 9587: 9430:Les Demoiselles d'Avignon 9384: 9210: 8770: 8253: 8244: 8121: 7905: 7647: 7638: 7433: 7375: 7179: 6944: 6754: 6534: 6326: 6310: 6242:California Scene Painting 6121:California Scene Painting 6077:Figurative Constructivism 5989: 5794: 5573: 5562: 5392: 5329: 5222: 5138: 5128:Poussinists and Rubenists 5029: 4833: 4566: 4366: 4357: 4344: 4156: 4078: 3917: 3857: 3848: 3730: 3530: 3458: 3437: 3376: 3270: 3232: 3189:Henri de Toulouse-Lautrec 3086: 3031: 2979:Georges Seurat, 1859-1891 2652:, Gil Blas, 25 March 1909 2650:Le Salon des Indépendants 2237:Henri de Toulouse-Lautrec 2202:André Dunoyer de Segonzac 1771:and Lodewijk Schelfhout. 1387:André Dunoyer de Segonzac 1255:(Paysage avec personnage) 1119:Village dans les Montagne 998:Gelett Burgess writes in 711:Les Demoiselles d'Avignon 580:At the 1905 Indépendants 396:Henri de Toulouse-Lautrec 332:Henri de Toulouse-Lautrec 8215:The Master and Margarita 7340:Prehistoric European art 6989:Contemporary African art 6472:Gendai Bijutsu Kondankai 6400:Generación de la Ruptura 6027:Universal Constructivism 5819:California Impressionism 5774:American Barbizon school 2800:Cubism and Its Histories 2775:Nu descendant l’escalier 2754:Béatrice Joyeux-Prunel, 2620:The Architectural Record 2513:Les Fauves: A Sourcebook 1894:, Zadkine and Lipchitz. 1801:Galerie l'Effort Moderne 1656:1913, the peak of Cubism 1457:Art Institute of Chicago 1434:Statens Museum for Kunst 1389:, Luc-Albert Moreau and 1303:Art Institute of Chicago 1280:Gothenburg Museum of Art 1184:), owner of the cabaret 1178:Joachim-Raphaël Boronali 1153:Joachim-Raphaël Boronali 1055:1910, ignorant geometers 1041:Art Institute of Chicago 965:, 22 March 1908; and by 11000:19th-century art groups 10508:List of modernist poets 10394:Fourth dimension in art 9570:Meshes of the Afternoon 7167:Walking Artists Network 6504:Letterist International 6344:Washington Color School 5258:Arts in the Philippines 3770:Experimental literature 2569:Art of the 20th Century 2227:Amadeo de Souza Cardoso 1528:and was debated at the 1237:Gemeentemuseum Den Haag 1233:L'Abondance (Abundance) 1092:Portrait of Apollinaire 801:Baltimore Museum of Art 312:La Plage de Saint-Clair 289:Une baignade à Asnières 238:Montmorency, Val-d'Oise 76:sans jury ni récompense 10918:Le Sentier des Douanes 10886:In the Time of Harmony 10592:Second Viennese School 10334: 10323: 8227:The Sound and the Fury 8131:In Search of Lost Time 7588: 7517: 7506: 7460: 7449: 7278:Illuminated manuscript 6926:The Designers Republic 6876:Neue Slowenische Kunst 6799:Pattern and Decoration 6699:Institutional critique 6339:Abstract expressionism 5319:Latin American Baroque 5275:Colonial Asian Baroque 4036:Second Viennese School 3667:Neue Slowenische Kunst 3538:Abstract expressionism 3419:Salon des Indépendants 3399:Le Barc de Boutteville 3353:Robert Antoine Pinchon 2816:Albert Gleizes, 1925, 2290:Académie de La Palette 2172:Robert Antoine Pinchon 1907:Salon des Indépendants 1676: 1653: 1644: 1563:showed his monumental 1500: 1481: 1460: 1441: 1403:Henri Le Fauconnier's 1351:Raymond Duchamp-Villon 1306: 1287: 1284:Salon des Indépendants 1262: 1240: 1160: 1082:Portrait de René Arcos 1077: 1045:Salon des Indépendants 1026:1909, simplified forms 1023: 938: 909: 872: 853: 827: 803: 745:In the spring of 1906 697: 634:Luxe, Calme et Volupté 500:Grande Serre de l'Alma 360:La baignade à Asnières 315: 300: 287:1884, retouched 1887, 222:Grand Orient de France 160:Salon des Indépendants 155: 68:Salon des Indépendants 46: 39:Luxe, Calme et Volupté 18:Salon des Indépendants 10926:The Port of Marseille 10571:Reactionary modernism 10494:List of art movements 6916:Artist-run initiative 6891:Young British Artists 6856:New European Painting 6792:Moscow Conceptualists 6714:Feminist art movement 6492:Ukrainian underground 6467:Gutai Art Association 5866:Ten American Painters 5370:Western influence in 4347:List of art movements 4143:Theatre of the Absurd 4066:Twelve-tone technique 3945:Electroacoustic music 3384:Artistes Indépendants 3313:Karl Schmidt-Rottluff 3308:Ernst Ludwig Kirchner 3214:Théo van Rysselberghe 2870:The Surrealist Parade 2756:Histoire & Mesure 2730:, Paris, 1997, p.296. 2635:The Wild Men of Paris 1663: 1648: 1639: 1487: 1466: 1455:, oil on canvas, the 1447: 1422: 1320:La Closerie des Lilas 1293: 1268: 1246: 1227: 1151: 1144:1910, Lolo the donkey 1127:Portrait of Maroussia 1066:(Le Douanier), 1910, 1062: 1039:, by Georges Braque ( 1004: 1000:The Wild Men of Paris 931:The Wild Men of Paris 915: 903: 892:of the 20th century. 858: 848: 822: 789: 773:Dancer at Le Rat Mort 727:Guillaume Apollinaire 675: 306: 283: 137: 104:Artistes Indépendants 55:French pronunciation: 33: 11010:Second French Empire 10415:Hanshinkan Modernism 10271:The Threepenny Opera 10187:Pelléas et Mélisande 6726:Saqqakhaneh movement 6619:Chicano art movement 6487:Soviet Nonconformist 6293:Boston Expressionism 6276:Abstraction-Création 6094:Arbeitsrat für Kunst 6087:Cologne Progressives 5807:Art Nouveau in Milan 5610:Anglo-Japanese style 5586:National romanticism 5016:Fontainebleau School 4926:Northern Renaissance 4761:International Gothic 4128:Postdramatic theatre 4113:Experimental theatre 3650:Multidimensional art 2912:Dominique Lobstein, 2511:Russell T. Clement, 2470:Chilver, Ian (Ed.). 2082:Roger de La Fresnaye 2012:Albert Dubois-Pillet 1942:Alexander Archipenko 1785:Arthur Burdett Frost 1683:exhibited his large 1553:Roger de La Fresnaye 1383:Roger de La Fresnaye 1371:non-representational 1035:, no. 215, entitled 989:Architectural Record 935:Architectural Record 922:Baigneuses (Bathers) 781:Museum of Modern Art 668:1906, all the Fauves 372:Albert Dubois-Pillet 340:Albert Dubois-Pillet 149:Museum of Modern Art 80:Albert Dubois-Pillet 10706:Bathers at Asnières 10473:International Style 10223:Afternoon of a Faun 9502:Battleship Potemkin 9406:Mont Sainte-Victoir 7261:Hierarchy of genres 6826:Saint Soleil School 6762:Post-conceptual art 6731:The Stars Art Group 6609:Black Arts Movement 6572:Neo-Dada Organizers 6373:Lyrical abstraction 6106:Australian tonalism 5779:California Tonalism 5451:Hudson River School 5254:Colonial Asian art 4994:English Renaissance 4943:Ghent–Bruges school 4931:Early Netherlandish 4843:Italian Renaissance 4756:Gothic art in Milan 3630:Lyrical Abstraction 3429:Salon des Tuileries 3404:La Libre Esthétique 3169:René Schützenberger 3149:Hippolyte Petitjean 2831:Le Rouge et le Noir 2827:L'Epopée (The Epic) 2722:Daniel Groinowski, 2272:Maurice de Vlaminck 2197:René Schützenberger 2162:Hippolyte Petitjean 2037:Henri Le Fauconnier 1957:Jeanne-Marie Barbey 1781:Patrick Henry Bruce 1616:, Gleizes with his 1603:Portrait of Picasso 1597:— and the newcomer 1591:Henri Le Fauconnier 1530:Assemblée Nationale 1526:Chambre des députés 1453:Portrait of Picasso 1229:Henri Le Fauconnier 1206:Orphelinat des Arts 1100:Alexandre Mercereau 1096:The Cubist Painters 963:Le Courrier du Soir 716:Le Bonheur de Vivre 704:Le Bonheur de Vivre 682:Le bonheur de vivre 614:Maurice de Vlaminck 293:Bathers in Asnières 10352:Buddhist modernism 10309:American modernism 10235:The Rite of Spring 8203:The Sun Also Rises 8179:The Magic Mountain 7303:Landscape painting 6911:New Leipzig School 6851:Neo-conceptual art 6599:Art & Language 6594:Capitalist realism 6516:Florida Highwaymen 6452:Hard-edge painting 6266:Streamline Moderne 6227:Harlem Renaissance 6070:Novecento Italiano 5898:Deutscher Werkbund 5725:Post-Impressionism 5287:Latin American art 5091:Guild of Romanists 4953:German Renaissance 4948:Northern Mannerism 4243:Postmodernist film 4148:Theatre of Cruelty 4031:Rock in Opposition 3972:Free improvisation 3615:Post-Impressionism 3548:Art & Language 3394:Volpini Exhibition 3129:Henri-Edmond Cross 3024:Post-Impressionism 2929:, Official website 2891:Monneret, Sophie: 2798:David Cottington, 2648:Louis Vauxcelles, 2450:Le Salon d'Automne 2448:Louis Vauxcelles, 2042:Alberto Giacometti 1987:Henri-Edmond Cross 1977:Giorgio de Chirico 1935:Notable exhibitors 1931:, amongst others. 1929:Daniel du Janerand 1693:, Albert Gleizes. 1677: 1632:La Femme au Cheval 1501: 1482: 1461: 1442: 1409:Moderne Kunstkring 1327:Café de la Rotonde 1307: 1288: 1263: 1241: 1161: 1123:Femme à l'éventail 1078: 939: 910: 873: 804: 698: 659:Henri-Edmond Cross 519:1901 Turning Point 450:post-Impressionist 364:Henri-Edmond Cross 316: 308:Henri-Edmond Cross 301: 259:Groupe vs. Société 250:...the purpose of 228:, were difficult. 156: 110:(next door to the 47: 10982: 10981: 10957:Neo-Impressionism 10864:List of paintings 10816: 10815: 10795:Neo-Impressionism 10700:List of paintings 10652: 10651: 10380:Experimental film 10296: 10295: 10283:Waiting for Godot 9583: 9582: 8240: 8239: 8143:The Metamorphosis 7393: 7392: 7175: 7174: 7031:Corporate Memphis 6984:Classical Realism 6954:Amazonian pop art 6846:Appropriation art 6814:Neo-expressionism 6684:Environmental art 6589:Nouvelle tendance 6306: 6305: 6254:Socialist realism 6111:Dresden Secession 5730:Neo-Impressionism 5693:Decadent movement 5664:Heidelberg School 5558: 5557: 5456:American luminism 5441:Düsseldorf School 5436:Shoreham Ancients 5426:Nazarene movement 5416:Danish Golden Age 5297:Indochristian art 4975:Antwerp Mannerism 4864:Pittura infamante 4858:Florentine School 4853:Proto-Renaissance 4295: 4294: 4285:Russian symbolism 4270:Socialist realism 4108:Experimental film 4074: 4073: 3780:Hungry generation 3755:Conceptual poetry 3610:Neo-Impressionism 3489: 3488: 3318:Wassily Kandinsky 3041:Neo-Impressionism 2858:978-1-61168-349-3 2829:, in the journal 2142:Amedeo Modigliani 2067:Wassily Kandinsky 1857:1921, a new epoch 1763:, Otto van Rees, 1495:, oil on canvas, 1493:La Ville de Paris 1359:Groupe de Puteaux 1196:and two friends, 973:, 10 April 1908. 706:(The Joy of Life) 687:Barnes Foundation 651:neo-Impressionist 462:Neo-impressionist 380:Armand Guillaumin 276:Early exhibitions 16:(Redirected from 11037: 10967:Françoise Cachin 10843: 10836: 10829: 10820: 10819: 10730:Parade de cirque 10679: 10672: 10665: 10656: 10655: 10644: 10643: 10615: 10613:Vulgar modernism 10608: 10606:Underground film 10601: 10594: 10587: 10580: 10573: 10566: 10559: 10552: 10545: 10538: 10531: 10524: 10517: 10510: 10503: 10496: 10489: 10482: 10475: 10468: 10459: 10452: 10445: 10438: 10431: 10429:Hippie modernism 10424: 10417: 10410: 10403: 10396: 10389: 10382: 10375: 10368: 10361: 10354: 10347: 10345:Bloomsbury Group 10340: 10339: 10329: 10328: 10318: 10311: 10289: 10288: 10277: 10276: 10265: 10264: 10253: 10252: 10241: 10240: 10229: 10228: 10217: 10216: 10205: 10204: 10193: 10192: 10181: 10180: 10169: 10168: 10157: 10156: 10134: 10127: 10120: 10113: 10106: 10099: 10092: 10085: 10078: 10071: 10064: 10057: 10050: 10043: 10036: 10029: 10022: 10002: 9995: 9988: 9981: 9974: 9967: 9960: 9953: 9946: 9939: 9932: 9925: 9918: 9911: 9904: 9897: 9890: 9883: 9876: 9869: 9862: 9842: 9835: 9828: 9821: 9814: 9807: 9800: 9793: 9786: 9779: 9772: 9765: 9758: 9751: 9744: 9737: 9730: 9723: 9716: 9709: 9702: 9695: 9688: 9681: 9674: 9667: 9660: 9653: 9646: 9639: 9632: 9625: 9618: 9611: 9596: 9595: 9576: 9575: 9564: 9563: 9552: 9551: 9542: 9541: 9532: 9531: 9526:Un Chien Andalou 9520: 9519: 9508: 9507: 9496: 9495: 9490:Ballet Mécanique 9484: 9483: 9472: 9471: 9460: 9459: 9448: 9447: 9436: 9435: 9424: 9423: 9418:The Starry Night 9412: 9411: 9400: 9399: 9377: 9370: 9363: 9356: 9349: 9342: 9335: 9328: 9321: 9314: 9307: 9300: 9293: 9286: 9279: 9272: 9265: 9258: 9251: 9244: 9237: 9230: 9223: 9203: 9196: 9189: 9182: 9175: 9168: 9161: 9154: 9147: 9140: 9133: 9126: 9119: 9112: 9105: 9098: 9091: 9084: 9077: 9070: 9063: 9056: 9049: 9042: 9035: 9028: 9021: 9014: 9007: 9000: 8993: 8986: 8979: 8972: 8965: 8958: 8951: 8944: 8937: 8930: 8923: 8916: 8909: 8902: 8895: 8888: 8881: 8874: 8867: 8860: 8853: 8846: 8839: 8832: 8825: 8818: 8811: 8804: 8797: 8790: 8783: 8763: 8756: 8749: 8747:Toulouse-Lautrec 8742: 8735: 8728: 8721: 8714: 8707: 8700: 8693: 8686: 8679: 8672: 8665: 8658: 8651: 8644: 8637: 8630: 8623: 8616: 8609: 8602: 8595: 8588: 8581: 8574: 8567: 8560: 8553: 8546: 8539: 8532: 8525: 8518: 8511: 8504: 8497: 8490: 8483: 8476: 8469: 8462: 8455: 8448: 8441: 8434: 8427: 8420: 8413: 8406: 8399: 8392: 8385: 8378: 8371: 8364: 8357: 8350: 8343: 8336: 8329: 8322: 8315: 8308: 8301: 8294: 8287: 8280: 8273: 8266: 8251: 8250: 8233: 8232: 8221: 8220: 8209: 8208: 8197: 8196: 8185: 8184: 8173: 8172: 8161: 8160: 8149: 8148: 8137: 8136: 8114: 8107: 8100: 8093: 8086: 8079: 8072: 8065: 8058: 8051: 8044: 8037: 8030: 8023: 8016: 8009: 8002: 7995: 7988: 7981: 7974: 7967: 7960: 7953: 7946: 7939: 7932: 7925: 7918: 7898: 7891: 7884: 7877: 7870: 7863: 7856: 7849: 7842: 7835: 7828: 7821: 7814: 7807: 7800: 7793: 7786: 7779: 7772: 7765: 7758: 7751: 7744: 7737: 7730: 7723: 7716: 7709: 7702: 7695: 7688: 7681: 7674: 7667: 7660: 7645: 7644: 7631: 7624: 7617: 7610: 7603: 7594: 7593: 7583: 7576: 7569: 7562: 7553: 7546: 7539: 7530: 7523: 7522: 7512: 7511: 7508:Der Blaue Reiter 7501: 7494: 7487: 7480: 7473: 7466: 7465: 7455: 7454: 7444: 7420: 7413: 7406: 7397: 7396: 7383: 7382: 7367:Western painting 7313:Modern sculpture 7271:History painting 6974:Art intervention 6767:Installation art 6584:Nouveau réalisme 6324: 6323: 6298:Leningrad School 6190:Mexican muralism 6163:Grosvenor School 5903:American Realism 5886:Der Blaue Reiter 5844:Berlin Secession 5839:Vienna Secession 5834:Munich Secession 5752:Pont-Aven School 5571: 5570: 5421:Troubadour style 5399:(c. 1770 – 1862) 5366:Qing handicrafts 5332:Western elements 5263:Letras y figuras 5236:African-American 5231:African diaspora 5202:Directoire style 5113:Heptanese school 5096:Dutch Golden Age 5081:Stroganov School 5074:Lutheran Baroque 5069:Louis XIII style 5042:Baroque in Milan 4904:Bolognese School 4899:High Renaissance 4882:Forlivese School 4877:Ferrarese School 4600:Migration Period 4364: 4363: 4322: 4315: 4308: 4299: 4298: 4189:Russian Futurism 4133:Remodernist film 4051:Stochastic music 4006:Musique concrète 3984:Microtonal music 3962:Experimental pop 3955:Industrial music 3950:Electronic music 3855: 3854: 3677:Nouveau réalisme 3585:Grosvenor School 3516: 3509: 3502: 3493: 3492: 3409:Ambroise Vollard 3358:Henriette Tirman 3252:Der Blaue Reiter 3224:Édouard Vuillard 3209:Vincent van Gogh 3139:Georges Dufrénoy 3025: 3016: 3009: 3002: 2993: 2992: 2877: 2866: 2860: 2843: 2834: 2813: 2804: 2795: 2789: 2784: 2778: 2770: 2764: 2751: 2740: 2737: 2731: 2720: 2714: 2712:Conversion table 2709: 2703: 2697: 2691: 2688: 2682: 2674: 2655: 2645: 2639: 2633:Gelett Burgess, 2630: 2624: 2615: 2609: 2601: 2595: 2592: 2586: 2577: 2571: 2566: 2560: 2555:Daniel Robbins, 2553: 2542: 2539: 2533: 2530: 2524: 2508: 2489: 2484: 2475: 2468: 2462: 2445: 2439: 2436: 2430: 2424: 2418: 2417: 2410: 2404: 2401: 2395: 2394: 2386: 2380: 2375: 2334: 2329: 2320: 2315: 2267:Édouard Vuillard 2247:Vincent van Gogh 2242:Henriette Tirman 2107:Kazimir Malevich 2022:Georges Dufrénoy 1982:Luigi Corbellini 1797:Léonce Rosenberg 1745:Macdonald-Wright 1612:, Delaunay with 1174: 567:Louis Vauxcelles 554:Vincent van Gogh 530:Louis Vauxcelles 502:, built for the 411:Tuileries Garden 400:Vincent van Gogh 336:Camille Pissarro 297:National Gallery 220:, member of the 218:Republican Guard 61: 56: 21: 11045: 11044: 11040: 11039: 11038: 11036: 11035: 11034: 10985: 10984: 10983: 10978: 10969:(granddaughter) 10940: 10852: 10847: 10817: 10812: 10768: 10688: 10683: 10653: 10648: 10639: 10631: 10618: 10611: 10604: 10599:Structural film 10597: 10590: 10583: 10576: 10569: 10562: 10555: 10550:New Objectivity 10548: 10541: 10536:Neo-romanticism 10534: 10529:Neo-primitivism 10527: 10520: 10513: 10506: 10499: 10492: 10485: 10478: 10471: 10464: 10455: 10448: 10441: 10434: 10427: 10420: 10413: 10406: 10399: 10392: 10385: 10378: 10371: 10364: 10357: 10350: 10343: 10332: 10321: 10314: 10307: 10292: 10286: 10280: 10274: 10268: 10262: 10256: 10250: 10244: 10238: 10232: 10226: 10220: 10214: 10208: 10202: 10196: 10190: 10184: 10178: 10175:Verklärte Nacht 10172: 10166: 10160: 10154: 10148: 10137: 10130: 10123: 10116: 10109: 10102: 10095: 10088: 10081: 10074: 10067: 10060: 10053: 10046: 10039: 10032: 10025: 10018: 10005: 9998: 9991: 9984: 9977: 9970: 9963: 9956: 9949: 9942: 9935: 9928: 9921: 9914: 9907: 9900: 9893: 9886: 9879: 9872: 9865: 9858: 9845: 9838: 9831: 9824: 9817: 9810: 9803: 9796: 9789: 9782: 9775: 9768: 9761: 9754: 9747: 9740: 9733: 9726: 9719: 9712: 9705: 9698: 9691: 9684: 9677: 9670: 9663: 9656: 9649: 9642: 9635: 9628: 9621: 9614: 9607: 9590: 9579: 9573: 9567: 9561: 9555: 9549: 9545: 9539: 9535: 9529: 9523: 9517: 9511: 9505: 9499: 9493: 9487: 9481: 9475: 9469: 9463: 9457: 9451: 9445: 9439: 9433: 9427: 9421: 9415: 9409: 9403: 9397: 9391: 9380: 9373: 9366: 9359: 9352: 9345: 9338: 9331: 9324: 9317: 9310: 9303: 9296: 9289: 9282: 9275: 9268: 9261: 9254: 9247: 9240: 9233: 9226: 9219: 9206: 9199: 9192: 9185: 9178: 9171: 9164: 9157: 9150: 9143: 9136: 9129: 9122: 9115: 9108: 9101: 9094: 9087: 9080: 9073: 9066: 9059: 9052: 9045: 9038: 9031: 9024: 9017: 9010: 9003: 8996: 8989: 8982: 8975: 8968: 8961: 8954: 8947: 8940: 8933: 8926: 8919: 8912: 8905: 8898: 8891: 8884: 8877: 8870: 8863: 8856: 8849: 8842: 8835: 8828: 8821: 8814: 8807: 8800: 8793: 8786: 8779: 8766: 8759: 8752: 8745: 8738: 8731: 8724: 8717: 8710: 8703: 8696: 8689: 8682: 8675: 8668: 8661: 8654: 8647: 8640: 8633: 8626: 8619: 8612: 8605: 8598: 8591: 8584: 8577: 8570: 8563: 8556: 8549: 8542: 8535: 8528: 8521: 8514: 8507: 8500: 8493: 8486: 8479: 8472: 8465: 8458: 8451: 8444: 8437: 8430: 8423: 8416: 8409: 8402: 8395: 8388: 8381: 8374: 8367: 8360: 8353: 8346: 8339: 8332: 8325: 8318: 8311: 8304: 8297: 8290: 8283: 8276: 8269: 8262: 8236: 8230: 8224: 8218: 8212: 8206: 8200: 8194: 8188: 8182: 8176: 8170: 8164: 8158: 8152: 8146: 8140: 8134: 8128: 8117: 8110: 8103: 8096: 8089: 8082: 8075: 8068: 8061: 8054: 8047: 8040: 8033: 8026: 8021:Lowell (Robert) 8019: 8012: 8005: 7998: 7991: 7984: 7977: 7970: 7963: 7956: 7949: 7942: 7935: 7928: 7921: 7914: 7901: 7894: 7887: 7880: 7873: 7866: 7859: 7852: 7845: 7838: 7831: 7824: 7817: 7810: 7803: 7796: 7789: 7782: 7775: 7768: 7761: 7754: 7747: 7740: 7733: 7726: 7719: 7712: 7705: 7698: 7691: 7684: 7677: 7670: 7663: 7656: 7634: 7627: 7620: 7613: 7606: 7599: 7586: 7579: 7572: 7565: 7558: 7549: 7542: 7535: 7526: 7515: 7504: 7497: 7490: 7483: 7476: 7469: 7458: 7447: 7440: 7429: 7424: 7394: 7389: 7371: 7288:Interactive art 7171: 7145:SoFlo Superflat 7070:Kitsch movement 6994:Africanfuturism 6946: 6940: 6819:Transavantgarde 6750: 6704:Light and Space 6689:Performance art 6669:Psychedelic art 6552:Nueva Presencia 6542:Otra Figuración 6530: 6462:Les Plasticiens 6447:New York School 6425:Action painting 6410:Metcalf Chateau 6319: 6314: 6302: 6222:Cercle et Carré 6158:New Objectivity 6065:Return to order 6007:School of Paris 5985: 5829:School of Paris 5790: 5676:Arts and Crafts 5581:Neo-romanticism 5566: 5554: 5550:Etching revival 5502:Barbizon school 5446:Pre-Raphaelites 5398: 5395: 5388: 5331: 5325: 5218: 5192:Louis XVI style 5134: 5123:Louis XIV style 5086:Animal painting 5047:Flemish Baroque 5025: 4936:World landscape 4887:Venetian School 4829: 4816:Majorcan school 4783:Novgorod School 4773:Lucchese School 4745:Opus Anglicanum 4737:Norman-Sicilian 4681:Italo-Byzantine 4581:Early Christian 4562: 4546:Pompeian Styles 4359: 4353: 4340: 4326: 4296: 4291: 4152: 4138:Structural film 4080: 4070: 3925:Aleatoric music 3913: 3844: 3732: 3726: 3687:Performance art 3526: 3520: 3490: 3485: 3454: 3433: 3414:Salon d'Automne 3372: 3343:Francis Picabia 3266: 3234: 3228: 3219:Félix Vallotton 3204:Maximilien Luce 3119:Marius Borgeaud 3099:Charles Angrand 3082: 3033: 3027: 3023: 3020: 2923: 2885: 2883:Further reading 2880: 2867: 2863: 2844: 2837: 2814: 2807: 2796: 2792: 2785: 2781: 2771: 2767: 2752: 2743: 2738: 2734: 2721: 2717: 2710: 2706: 2698: 2694: 2689: 2685: 2675: 2658: 2654:, Gallica (BnF) 2646: 2642: 2631: 2627: 2616: 2612: 2602: 2598: 2593: 2589: 2578: 2574: 2567: 2563: 2554: 2545: 2540: 2536: 2531: 2527: 2509: 2492: 2485: 2478: 2469: 2465: 2446: 2442: 2437: 2433: 2425: 2421: 2412: 2411: 2407: 2402: 2398: 2387: 2383: 2376: 2337: 2330: 2323: 2316: 2307: 2303: 2286: 2281: 2257:Félix Vallotton 2222:Léopold Survage 2167:Francis Picabia 2102:Maximilien Luce 2072:František Kupka 2032:Alexandra Exter 1997:Robert Delaunay 1937: 1864:Hélène Pordriat 1859: 1841:Charlie Chaplin 1813: 1793: 1777: 1757:L'Intransigeant 1737:František Kupka 1729:Robert Delaunay 1699:Robert Delaunay 1658: 1561:Robert Delaunay 1489:Robert Delaunay 1417: 1367:František Kupka 1332:Marie Laurencin 1295:Robert Delaunay 1222: 1194:Roland Dorgelès 1168: 1146: 1138:L'Intransigeant 1057: 1028: 1018: 1017: 1013: 1012: 1008: 1007: 971:La Grande revue 955:New York Herald 944:L'Intransigeant 898: 881:Salon d'Automne 814:Tableau no. III 765:Salon d'Automne 743: 670: 606:Kees van Dongen 584:exhibited with 562: 550:Robert Delaunay 538: 521: 384:Charles Angrand 278: 263:Members of the 261: 234: 226:revolutionaries 168:Salon d'Automne 132: 126:, and others). 96:Salon d'Automne 54: 28: 23: 22: 15: 12: 11: 5: 11043: 11033: 11032: 11027: 11022: 11017: 11012: 11007: 11002: 10997: 10980: 10979: 10977: 10976: 10970: 10964: 10959: 10954: 10948: 10946: 10942: 10941: 10939: 10938: 10930: 10922: 10914: 10906: 10898: 10890: 10882: 10874: 10866: 10860: 10858: 10854: 10853: 10846: 10845: 10838: 10831: 10823: 10814: 10813: 10811: 10810: 10805: 10804:(1984 musical) 10797: 10792: 10787: 10782: 10776: 10774: 10770: 10769: 10767: 10766: 10758: 10750: 10742: 10734: 10726: 10718: 10710: 10702: 10696: 10694: 10690: 10689: 10686:Georges Seurat 10682: 10681: 10674: 10667: 10659: 10650: 10649: 10632: 10624: 10623: 10620: 10619: 10617: 10616: 10609: 10602: 10595: 10588: 10581: 10574: 10567: 10560: 10557:Poetic realism 10553: 10546: 10539: 10532: 10525: 10518: 10511: 10504: 10497: 10490: 10487:Late modernity 10483: 10480:Late modernism 10476: 10469: 10462: 10461: 10460: 10453: 10446: 10432: 10425: 10422:High modernism 10418: 10411: 10404: 10397: 10390: 10383: 10376: 10369: 10366:Degenerate art 10362: 10355: 10348: 10341: 10336:Ballets Russes 10330: 10319: 10312: 10304: 10302: 10298: 10297: 10294: 10293: 10291: 10290: 10278: 10266: 10254: 10242: 10230: 10218: 10206: 10194: 10182: 10170: 10158: 10145: 10143: 10139: 10138: 10136: 10135: 10128: 10121: 10114: 10107: 10100: 10093: 10086: 10079: 10072: 10065: 10058: 10051: 10044: 10037: 10030: 10023: 10015: 10013: 10007: 10006: 10004: 10003: 9996: 9989: 9982: 9975: 9968: 9961: 9954: 9947: 9940: 9933: 9926: 9919: 9912: 9905: 9898: 9891: 9884: 9877: 9870: 9863: 9855: 9853: 9847: 9846: 9844: 9843: 9836: 9829: 9822: 9815: 9808: 9801: 9794: 9787: 9780: 9773: 9766: 9759: 9752: 9745: 9738: 9731: 9724: 9717: 9710: 9703: 9696: 9689: 9682: 9675: 9668: 9661: 9654: 9647: 9640: 9633: 9626: 9619: 9612: 9604: 9602: 9593: 9585: 9584: 9581: 9580: 9578: 9577: 9565: 9553: 9543: 9533: 9521: 9509: 9497: 9485: 9473: 9461: 9449: 9437: 9425: 9413: 9401: 9388: 9386: 9382: 9381: 9379: 9378: 9371: 9364: 9357: 9350: 9343: 9336: 9329: 9322: 9315: 9308: 9301: 9294: 9287: 9280: 9273: 9266: 9259: 9252: 9245: 9238: 9231: 9224: 9216: 9214: 9208: 9207: 9205: 9204: 9197: 9190: 9183: 9176: 9169: 9162: 9155: 9148: 9141: 9134: 9127: 9120: 9113: 9106: 9099: 9092: 9085: 9082:Ray (Satyajit) 9078: 9075:Ray (Nicholas) 9071: 9064: 9057: 9050: 9043: 9036: 9029: 9022: 9015: 9008: 9001: 8994: 8987: 8980: 8973: 8966: 8959: 8952: 8945: 8938: 8931: 8924: 8917: 8910: 8903: 8896: 8889: 8882: 8875: 8868: 8861: 8854: 8847: 8840: 8833: 8826: 8819: 8812: 8805: 8798: 8791: 8784: 8776: 8774: 8768: 8767: 8765: 8764: 8757: 8750: 8743: 8736: 8729: 8722: 8715: 8708: 8701: 8694: 8687: 8680: 8673: 8666: 8659: 8652: 8645: 8638: 8631: 8624: 8617: 8610: 8603: 8596: 8589: 8582: 8575: 8568: 8561: 8554: 8547: 8540: 8533: 8526: 8519: 8512: 8505: 8498: 8491: 8484: 8477: 8470: 8463: 8456: 8449: 8442: 8435: 8428: 8421: 8414: 8407: 8400: 8393: 8386: 8379: 8372: 8365: 8358: 8351: 8344: 8337: 8330: 8323: 8316: 8309: 8302: 8295: 8288: 8281: 8274: 8267: 8259: 8257: 8248: 8242: 8241: 8238: 8237: 8235: 8234: 8222: 8210: 8198: 8186: 8174: 8167:The Waste Land 8162: 8150: 8138: 8125: 8123: 8119: 8118: 8116: 8115: 8108: 8101: 8094: 8087: 8080: 8073: 8066: 8059: 8052: 8045: 8038: 8031: 8024: 8017: 8010: 8003: 7996: 7989: 7982: 7975: 7968: 7961: 7954: 7947: 7940: 7933: 7926: 7919: 7911: 7909: 7903: 7902: 7900: 7899: 7892: 7885: 7878: 7871: 7864: 7857: 7850: 7843: 7836: 7829: 7822: 7815: 7808: 7801: 7794: 7787: 7780: 7773: 7766: 7759: 7752: 7745: 7738: 7731: 7724: 7717: 7710: 7703: 7696: 7689: 7682: 7675: 7668: 7661: 7653: 7651: 7642: 7636: 7635: 7633: 7632: 7625: 7618: 7611: 7604: 7597: 7596: 7595: 7577: 7570: 7563: 7556: 7555: 7554: 7540: 7533: 7532: 7531: 7524: 7513: 7495: 7488: 7481: 7478:Constructivism 7474: 7467: 7456: 7445: 7437: 7435: 7431: 7430: 7423: 7422: 7415: 7408: 7400: 7391: 7390: 7388: 7387: 7376: 7373: 7372: 7370: 7369: 7364: 7357: 7352: 7347: 7342: 7337: 7332: 7327: 7322: 7321: 7320: 7318:Late modernism 7315: 7305: 7300: 7295: 7290: 7285: 7280: 7275: 7274: 7273: 7268: 7266:Genre painting 7258: 7253: 7248: 7243: 7242: 7241: 7236: 7231: 7226: 7216: 7214:Ballets Russes 7211: 7206: 7201: 7200: 7199: 7197:Asemic writing 7189: 7187:History of art 7183: 7181: 7180:Related topics 7177: 7176: 7173: 7172: 7170: 7169: 7164: 7159: 7154: 7153: 7152: 7147: 7137: 7132: 7127: 7122: 7117: 7115:Relational art 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7072: 7067: 7062: 7061: 7060: 7050: 7045: 7040: 7038:Hypermodernism 7035: 7034: 7033: 7023: 7018: 7013: 7008: 7003: 6998: 6997: 6996: 6986: 6981: 6976: 6971: 6966: 6961: 6956: 6950: 6948: 6942: 6941: 6939: 6938: 6933: 6928: 6923: 6918: 6913: 6908: 6903: 6898: 6893: 6888: 6883: 6878: 6873: 6868: 6863: 6858: 6853: 6848: 6843: 6838: 6833: 6828: 6823: 6822: 6821: 6811: 6806: 6801: 6796: 6795: 6794: 6784: 6779: 6777:Postminimalism 6774: 6769: 6764: 6758: 6756: 6752: 6751: 6749: 6748: 6743: 6738: 6733: 6728: 6723: 6722: 6721: 6711: 6706: 6701: 6696: 6691: 6686: 6681: 6676: 6671: 6666: 6661: 6656: 6654:Generative art 6651: 6646: 6641: 6636: 6631: 6626: 6624:Conceptual art 6621: 6616: 6611: 6606: 6601: 6596: 6591: 6586: 6581: 6576: 6575: 6574: 6564: 6559: 6554: 6549: 6544: 6538: 6536: 6532: 6531: 6529: 6528: 6523: 6521:Cybernetic art 6518: 6513: 6512: 6511: 6509:Ultra-Lettrist 6506: 6496: 6495: 6494: 6484: 6479: 6474: 6469: 6464: 6459: 6454: 6449: 6444: 6439: 6438: 6437: 6427: 6422: 6417: 6412: 6407: 6402: 6397: 6396: 6395: 6390: 6385: 6383:Arte Informale 6380: 6370: 6365: 6360: 6359: 6358: 6348: 6347: 6346: 6336: 6330: 6328: 6321: 6320:(1945–present) 6308: 6307: 6304: 6303: 6301: 6300: 6295: 6290: 6285: 6280: 6279: 6278: 6268: 6263: 6262: 6261: 6256: 6249:Heroic realism 6246: 6245: 6244: 6234: 6229: 6224: 6219: 6214: 6209: 6202: 6197: 6192: 6187: 6186: 6185: 6183:Latin American 6180: 6170: 6165: 6160: 6155: 6153:Group of Seven 6150: 6145: 6140: 6135: 6134: 6133: 6123: 6118: 6116:Social realism 6113: 6108: 6103: 6102: 6101: 6099:November Group 6091: 6090: 6089: 6084: 6074: 6073: 6072: 6062: 6057: 6056: 6055: 6043: 6038: 6033: 6032: 6031: 6030: 6029: 6022:Latin American 6017:Constructivism 6014: 6012:Crystal Cubism 6009: 6004: 5999: 5993: 5991: 5987: 5986: 5984: 5983: 5978: 5973: 5968: 5963: 5958: 5953: 5952: 5951: 5941: 5936: 5929: 5928: 5927: 5922: 5912: 5911: 5910: 5900: 5895: 5890: 5889: 5888: 5883: 5873: 5868: 5863: 5858: 5853: 5852: 5851: 5846: 5841: 5836: 5826: 5821: 5816: 5811: 5810: 5809: 5798: 5796: 5792: 5791: 5789: 5788: 5783: 5782: 5781: 5771: 5770: 5769: 5764: 5759: 5754: 5749: 5744: 5739: 5738: 5737: 5722: 5717: 5715:Volcano School 5712: 5711: 5710: 5705: 5695: 5690: 5685: 5684: 5683: 5673: 5668: 5667: 5666: 5661: 5656: 5651: 5650: 5649: 5644: 5629: 5624: 5619: 5614: 5613: 5612: 5600: 5595: 5590: 5589: 5588: 5577: 5575: 5568: 5560: 5559: 5556: 5555: 5553: 5552: 5547: 5546: 5545: 5540: 5539: 5538: 5523: 5522: 5521: 5520: 5519: 5509: 5504: 5494: 5489: 5488: 5487: 5477: 5472: 5470:Norwich School 5467: 5462: 5461: 5460: 5459: 5458: 5448: 5443: 5438: 5433: 5428: 5423: 5418: 5413: 5411:Fairy painting 5402: 5400: 5390: 5389: 5387: 5386: 5385: 5384: 5379: 5368: 5363: 5358: 5353: 5348: 5347: 5346: 5335: 5333: 5327: 5326: 5324: 5323: 5322: 5321: 5316: 5315: 5314: 5309: 5304: 5302:Chilote School 5294: 5292:Casta painting 5284: 5283: 5282: 5277: 5272: 5271: 5270: 5268:Tipos del País 5265: 5252: 5251: 5250: 5249: 5248: 5238: 5226: 5224: 5220: 5219: 5217: 5216: 5211: 5210: 5209: 5204: 5199: 5194: 5189: 5177: 5176: 5175: 5168: 5163: 5158: 5156:Louis XV style 5153: 5142: 5140: 5136: 5135: 5133: 5132: 5131: 5130: 5125: 5115: 5110: 5105: 5104: 5103: 5093: 5088: 5083: 5078: 5077: 5076: 5071: 5066: 5065: 5064: 5059: 5049: 5044: 5033: 5031: 5027: 5026: 5024: 5023: 5018: 5013: 5008: 5003: 5002: 5001: 4991: 4990: 4989: 4988: 4987: 4982: 4977: 4967: 4966: 4965: 4960: 4958:Cologne School 4950: 4945: 4940: 4939: 4938: 4923: 4922: 4921: 4920: 4919: 4911: 4906: 4901: 4891: 4890: 4889: 4884: 4879: 4869: 4868: 4867: 4860: 4855: 4839: 4837: 4831: 4830: 4828: 4827: 4826: 4825: 4818: 4813: 4811:Italian school 4802: 4797: 4796: 4795: 4793:Sienese School 4785: 4780: 4775: 4770: 4769: 4768: 4763: 4758: 4748: 4741: 4740: 4739: 4729: 4728: 4727: 4722: 4712: 4707: 4706: 4705: 4703:Pre-Romanesque 4700: 4695: 4685: 4684: 4683: 4678: 4673: 4668: 4658: 4653: 4652: 4651: 4639: 4634: 4632:Donor portrait 4629: 4628: 4627: 4622: 4617: 4612: 4607: 4597: 4596: 4595: 4585: 4584: 4583: 4572: 4570: 4564: 4563: 4561: 4560: 4559: 4558: 4553: 4548: 4543: 4541:Julio-Claudian 4538: 4533: 4523: 4518: 4513: 4508: 4503: 4502: 4501: 4500: 4499: 4494: 4493: 4492: 4490:Greco-Buddhist 4482: 4472: 4467: 4462: 4457: 4452: 4447: 4442: 4437: 4432: 4430:Protogeometric 4427: 4417: 4416: 4415: 4410: 4405: 4400: 4390: 4385: 4384: 4383: 4372: 4370: 4361: 4355: 4354: 4345: 4342: 4341: 4325: 4324: 4317: 4310: 4302: 4293: 4292: 4290: 4289: 4288: 4287: 4277: 4272: 4267: 4265:Social realism 4262: 4257: 4252: 4250:Late modernism 4247: 4246: 4245: 4235: 4230: 4225: 4223:Neo-minimalism 4220: 4218:Postminimalism 4215: 4210: 4205: 4200: 4199: 4198: 4197: 4196: 4181: 4176: 4171: 4166: 4164:Constructivism 4160: 4158: 4154: 4153: 4151: 4150: 4145: 4140: 4135: 4130: 4125: 4123:Poetic realism 4120: 4118:Modernist film 4115: 4110: 4105: 4100: 4095: 4090: 4084: 4082: 4076: 4075: 4072: 4071: 4069: 4068: 4063: 4058: 4056:Textural music 4053: 4048: 4046:Spectral music 4043: 4038: 4033: 4028: 4023: 4018: 4013: 4011:New Complexity 4008: 4003: 3998: 3997: 3996: 3986: 3981: 3976: 3975: 3974: 3964: 3959: 3958: 3957: 3947: 3942: 3937: 3932: 3927: 3921: 3919: 3915: 3914: 3912: 3911: 3910: 3909: 3904: 3899: 3889: 3884: 3883: 3882: 3877: 3867: 3861: 3859: 3852: 3846: 3845: 3843: 3842: 3837: 3832: 3827: 3822: 3817: 3812: 3807: 3802: 3800:Neoavanguardia 3797: 3795:Language poets 3792: 3787: 3782: 3777: 3772: 3767: 3762: 3757: 3752: 3750:Asemic writing 3747: 3745:Angry Penguins 3742: 3736: 3734: 3728: 3727: 3725: 3724: 3719: 3714: 3709: 3704: 3699: 3694: 3689: 3684: 3679: 3674: 3669: 3664: 3663: 3662: 3652: 3647: 3642: 3637: 3632: 3627: 3622: 3617: 3612: 3607: 3602: 3597: 3592: 3587: 3582: 3581: 3580: 3570: 3565: 3560: 3558:Constructivism 3555: 3553:Conceptual art 3550: 3545: 3540: 3534: 3532: 3528: 3527: 3519: 3518: 3511: 3504: 3496: 3487: 3486: 3484: 3483: 3478: 3473: 3468: 3462: 3460: 3456: 3455: 3453: 3452: 3447: 3441: 3439: 3435: 3434: 3432: 3431: 3426: 3424:Salon des Cent 3421: 3416: 3411: 3406: 3401: 3396: 3391: 3386: 3380: 3378: 3374: 3373: 3371: 3370: 3365: 3360: 3355: 3350: 3345: 3340: 3335: 3333:Jean Metzinger 3330: 3325: 3323:Sonia Lewitska 3320: 3315: 3310: 3305: 3303:Albert Gleizes 3300: 3295: 3290: 3285: 3283:Charles Camoin 3280: 3278:Georges Braque 3274: 3272: 3268: 3267: 3265: 3264: 3259: 3254: 3249: 3244: 3238: 3236: 3230: 3229: 3227: 3226: 3221: 3216: 3211: 3206: 3201: 3199:Georges Lemmen 3196: 3191: 3186: 3181: 3179:Georges Seurat 3176: 3171: 3166: 3164:Henri Rousseau 3161: 3156: 3151: 3146: 3141: 3136: 3131: 3126: 3121: 3116: 3114:Pierre Bonnard 3111: 3106: 3101: 3096: 3090: 3088: 3084: 3083: 3081: 3080: 3075: 3070: 3065: 3058: 3053: 3048: 3043: 3037: 3035: 3029: 3028: 3019: 3018: 3011: 3004: 2996: 2990: 2989: 2983: 2975: 2970: 2965: 2960: 2955: 2950: 2945: 2940: 2935: 2930: 2922: 2921:External links 2919: 2918: 2917: 2910: 2903: 2889: 2884: 2881: 2879: 2878: 2861: 2846:Larry Witham, 2835: 2805: 2790: 2779: 2765: 2741: 2732: 2715: 2704: 2692: 2683: 2677:Peter Brooke, 2656: 2640: 2625: 2610: 2596: 2587: 2582:Georges Braque 2580:Lewis Kachur, 2572: 2561: 2543: 2534: 2525: 2490: 2476: 2463: 2440: 2438:Dymond, op cit 2431: 2419: 2414:"RIHA Journal" 2405: 2396: 2389:Dymond, Anne. 2381: 2335: 2321: 2304: 2302: 2299: 2298: 2297: 2292: 2285: 2282: 2280: 2279: 2274: 2269: 2264: 2262:Jacques Villon 2259: 2254: 2249: 2244: 2239: 2234: 2229: 2224: 2219: 2214: 2209: 2207:Georges Seurat 2204: 2199: 2194: 2192:Olga Sacharoff 2189: 2187:Henri Rousseau 2184: 2179: 2174: 2169: 2164: 2159: 2154: 2149: 2144: 2139: 2134: 2132:Jean Metzinger 2129: 2124: 2119: 2114: 2109: 2104: 2099: 2094: 2089: 2087:Henri Lebasque 2084: 2079: 2074: 2069: 2064: 2059: 2054: 2049: 2047:Albert Gleizes 2044: 2039: 2034: 2029: 2024: 2019: 2017:Marcel Duchamp 2014: 2009: 2004: 2002:Sonia Delaunay 1999: 1994: 1989: 1984: 1979: 1974: 1972:Georgette Chen 1969: 1964: 1962:Charles Camoin 1959: 1954: 1952:Bernard Buffet 1949: 1947:Georges Braque 1944: 1938: 1936: 1933: 1925:Maurice Boitel 1917:Bernard Buffet 1912:Jeune création 1901:From 1920 the 1880:Sonia Lewitska 1868:Marthe Laurens 1858: 1855: 1825:Champs-Elysées 1812: 1809: 1792: 1789: 1776: 1773: 1741:Morgan Russell 1733:Sonia Delaunay 1691:Albert Gleizes 1681:Jean Metzinger 1657: 1654: 1601:exhibited his 1569:Jean Metzinger 1565:Ville de Paris 1543:Marcel Duchamp 1514:Constructivism 1468:Albert Gleizes 1424:Jean Metzinger 1416: 1413: 1355:Marcel Duchamp 1347:Jacques Villon 1270:Jean Metzinger 1248:Albert Gleizes 1221: 1218: 1214:Milly-la-Forêt 1202:Jules Depaquit 1145: 1142: 1131:Henri Rousseau 1064:Henri Rousseau 1056: 1053: 1027: 1024: 981:Gelett Burgess 927:Gelett Burgess 917:Jean Metzinger 897: 894: 860:Jean Metzinger 771:exhibited his 747:Georges Braque 742: 739: 723:Albert Gleizes 669: 666: 649:alongside the 647:French Riviera 622:Jean Metzinger 618:Charles Camoin 586:Albert Marquet 561: 558: 546:Jean Metzinger 537: 534: 520: 517: 423:Jean Metzinger 419:Pierre Bonnard 415:Henri Rousseau 348:Georges Seurat 285:Georges Seurat 277: 274: 260: 257: 256: 255: 233: 230: 196:Third Republic 164:Champs-Élysées 131: 128: 88:Georges Seurat 70:was formed in 26: 9: 6: 4: 3: 2: 11042: 11031: 11028: 11026: 11023: 11021: 11018: 11016: 11013: 11011: 11008: 11006: 11003: 11001: 10998: 10996: 10993: 10992: 10990: 10974: 10971: 10968: 10965: 10963: 10960: 10958: 10955: 10953: 10950: 10949: 10947: 10943: 10936: 10935: 10931: 10928: 10927: 10923: 10920: 10919: 10915: 10912: 10911: 10907: 10904: 10903: 10899: 10896: 10895: 10891: 10888: 10887: 10883: 10880: 10879: 10875: 10872: 10871: 10867: 10865: 10862: 10861: 10859: 10855: 10851: 10844: 10839: 10837: 10832: 10830: 10825: 10824: 10821: 10809: 10806: 10803: 10802: 10798: 10796: 10793: 10791: 10788: 10786: 10783: 10781: 10778: 10777: 10775: 10771: 10764: 10763: 10759: 10756: 10755: 10751: 10748: 10747: 10743: 10740: 10739: 10735: 10732: 10731: 10727: 10724: 10723: 10719: 10716: 10715: 10711: 10708: 10707: 10703: 10701: 10698: 10697: 10695: 10691: 10687: 10680: 10675: 10673: 10668: 10666: 10661: 10660: 10657: 10647: 10637: 10636: 10635:Postmodernism 10630: 10629: 10621: 10614: 10610: 10607: 10603: 10600: 10596: 10593: 10589: 10586: 10582: 10579: 10578:Metamodernism 10575: 10572: 10568: 10565: 10561: 10558: 10554: 10551: 10547: 10544: 10543:New Hollywood 10540: 10537: 10533: 10530: 10526: 10523: 10519: 10516: 10512: 10509: 10505: 10502: 10498: 10495: 10491: 10488: 10484: 10481: 10477: 10474: 10470: 10467: 10463: 10458: 10454: 10451: 10447: 10444: 10440: 10439: 10437: 10436:Impressionism 10433: 10430: 10426: 10423: 10419: 10416: 10412: 10409: 10405: 10402: 10398: 10395: 10391: 10388: 10384: 10381: 10377: 10374: 10370: 10367: 10363: 10360: 10356: 10353: 10349: 10346: 10342: 10338: 10337: 10331: 10327: 10326: 10320: 10317: 10313: 10310: 10306: 10305: 10303: 10299: 10285: 10284: 10279: 10273: 10272: 10267: 10261: 10260: 10255: 10249: 10248: 10243: 10237: 10236: 10231: 10225: 10224: 10219: 10213: 10212: 10207: 10201: 10200: 10195: 10189: 10188: 10183: 10177: 10176: 10171: 10165: 10164: 10159: 10153: 10152: 10147: 10146: 10144: 10140: 10133: 10129: 10126: 10122: 10119: 10115: 10112: 10108: 10105: 10101: 10098: 10094: 10091: 10087: 10084: 10080: 10077: 10073: 10070: 10066: 10063: 10059: 10056: 10052: 10049: 10045: 10042: 10038: 10035: 10031: 10028: 10024: 10021: 10017: 10016: 10014: 10012: 10008: 10001: 9997: 9994: 9990: 9987: 9983: 9980: 9976: 9973: 9969: 9966: 9962: 9959: 9955: 9952: 9948: 9945: 9941: 9938: 9934: 9931: 9927: 9924: 9920: 9917: 9913: 9910: 9906: 9903: 9899: 9896: 9892: 9889: 9885: 9882: 9878: 9875: 9871: 9868: 9864: 9861: 9857: 9856: 9854: 9852: 9848: 9841: 9837: 9834: 9830: 9827: 9823: 9820: 9816: 9813: 9809: 9806: 9802: 9799: 9795: 9792: 9788: 9785: 9781: 9778: 9774: 9771: 9767: 9764: 9760: 9757: 9753: 9750: 9746: 9743: 9739: 9736: 9732: 9729: 9725: 9722: 9718: 9715: 9711: 9708: 9704: 9701: 9697: 9694: 9690: 9687: 9683: 9680: 9676: 9673: 9669: 9666: 9662: 9659: 9655: 9652: 9648: 9645: 9641: 9638: 9634: 9631: 9627: 9624: 9620: 9617: 9613: 9610: 9606: 9605: 9603: 9601: 9597: 9594: 9592: 9586: 9572: 9571: 9566: 9560: 9559: 9554: 9548: 9544: 9538: 9534: 9528: 9527: 9522: 9516: 9515: 9510: 9504: 9503: 9498: 9492: 9491: 9486: 9480: 9479: 9474: 9468: 9467: 9462: 9456: 9455: 9450: 9444: 9443: 9438: 9432: 9431: 9426: 9420: 9419: 9414: 9408: 9407: 9402: 9396: 9395: 9390: 9389: 9387: 9383: 9376: 9372: 9369: 9365: 9362: 9358: 9355: 9351: 9348: 9344: 9341: 9337: 9334: 9330: 9327: 9323: 9320: 9316: 9313: 9309: 9306: 9302: 9299: 9295: 9292: 9288: 9285: 9281: 9278: 9274: 9271: 9267: 9264: 9263:Hundertwasser 9260: 9257: 9253: 9250: 9246: 9243: 9239: 9236: 9232: 9229: 9225: 9222: 9218: 9217: 9215: 9213: 9209: 9202: 9198: 9195: 9191: 9188: 9184: 9181: 9177: 9174: 9170: 9167: 9163: 9160: 9156: 9153: 9149: 9146: 9142: 9139: 9135: 9132: 9128: 9125: 9121: 9118: 9114: 9111: 9107: 9104: 9100: 9097: 9093: 9090: 9086: 9083: 9079: 9076: 9072: 9069: 9065: 9062: 9058: 9055: 9051: 9048: 9044: 9041: 9037: 9034: 9030: 9027: 9023: 9020: 9016: 9013: 9009: 9006: 9002: 8999: 8995: 8992: 8988: 8985: 8981: 8978: 8974: 8971: 8967: 8964: 8960: 8957: 8953: 8950: 8946: 8943: 8939: 8936: 8932: 8929: 8925: 8922: 8918: 8915: 8911: 8908: 8904: 8901: 8897: 8894: 8890: 8887: 8883: 8880: 8876: 8873: 8869: 8866: 8862: 8859: 8855: 8852: 8848: 8845: 8841: 8838: 8834: 8831: 8827: 8824: 8820: 8817: 8813: 8810: 8806: 8803: 8799: 8796: 8792: 8789: 8785: 8782: 8778: 8777: 8775: 8773: 8769: 8762: 8758: 8755: 8751: 8748: 8744: 8741: 8737: 8734: 8730: 8727: 8723: 8720: 8716: 8713: 8709: 8706: 8702: 8699: 8695: 8692: 8688: 8685: 8681: 8678: 8674: 8671: 8667: 8664: 8660: 8657: 8653: 8650: 8646: 8643: 8639: 8636: 8632: 8629: 8625: 8622: 8618: 8615: 8611: 8608: 8604: 8601: 8597: 8594: 8590: 8587: 8583: 8580: 8576: 8573: 8569: 8566: 8562: 8559: 8555: 8552: 8548: 8545: 8541: 8538: 8534: 8531: 8527: 8524: 8520: 8517: 8513: 8510: 8506: 8503: 8499: 8496: 8492: 8489: 8485: 8482: 8478: 8475: 8471: 8468: 8464: 8461: 8457: 8454: 8450: 8447: 8443: 8440: 8436: 8433: 8429: 8426: 8422: 8419: 8415: 8412: 8408: 8405: 8401: 8398: 8394: 8391: 8387: 8384: 8380: 8377: 8373: 8370: 8366: 8363: 8359: 8356: 8352: 8349: 8345: 8342: 8338: 8335: 8331: 8328: 8324: 8321: 8317: 8314: 8310: 8307: 8303: 8300: 8296: 8293: 8289: 8286: 8282: 8279: 8275: 8272: 8268: 8265: 8261: 8260: 8258: 8256: 8252: 8249: 8247: 8243: 8229: 8228: 8223: 8217: 8216: 8211: 8205: 8204: 8199: 8193: 8192: 8187: 8181: 8180: 8175: 8169: 8168: 8163: 8157: 8156: 8151: 8145: 8144: 8139: 8133: 8132: 8127: 8126: 8124: 8120: 8113: 8109: 8106: 8102: 8099: 8095: 8092: 8088: 8085: 8081: 8078: 8074: 8071: 8067: 8064: 8060: 8057: 8053: 8050: 8046: 8043: 8039: 8036: 8032: 8029: 8025: 8022: 8018: 8015: 8011: 8008: 8004: 8001: 7997: 7994: 7990: 7987: 7983: 7980: 7976: 7973: 7969: 7966: 7962: 7959: 7955: 7952: 7948: 7945: 7941: 7938: 7934: 7931: 7927: 7924: 7920: 7917: 7913: 7912: 7910: 7908: 7904: 7897: 7893: 7890: 7886: 7883: 7879: 7876: 7872: 7869: 7865: 7862: 7858: 7855: 7851: 7848: 7844: 7841: 7837: 7834: 7830: 7827: 7823: 7820: 7816: 7813: 7809: 7806: 7802: 7799: 7795: 7792: 7788: 7785: 7781: 7778: 7774: 7771: 7767: 7764: 7760: 7757: 7753: 7750: 7746: 7743: 7739: 7736: 7732: 7729: 7725: 7722: 7718: 7715: 7711: 7708: 7704: 7701: 7697: 7694: 7690: 7687: 7683: 7680: 7676: 7673: 7669: 7666: 7662: 7659: 7655: 7654: 7652: 7650: 7646: 7643: 7641: 7640:Literary arts 7637: 7630: 7626: 7623: 7619: 7616: 7612: 7609: 7605: 7602: 7598: 7592: 7591: 7585: 7584: 7582: 7581:Neoplasticism 7578: 7575: 7571: 7568: 7564: 7561: 7557: 7552: 7548: 7547: 7545: 7544:Functionalism 7541: 7538: 7534: 7529: 7525: 7521: 7520: 7514: 7510: 7509: 7503: 7502: 7500: 7499:Expressionism 7496: 7493: 7489: 7486: 7482: 7479: 7475: 7472: 7471:Ashcan School 7468: 7464: 7463: 7457: 7453: 7452: 7446: 7443: 7439: 7438: 7436: 7432: 7428: 7421: 7416: 7414: 7409: 7407: 7402: 7401: 7398: 7386: 7378: 7377: 7374: 7368: 7365: 7363: 7362: 7358: 7356: 7353: 7351: 7348: 7346: 7343: 7341: 7338: 7336: 7333: 7331: 7328: 7326: 7323: 7319: 7316: 7314: 7311: 7310: 7309: 7306: 7304: 7301: 7299: 7296: 7294: 7291: 7289: 7286: 7284: 7281: 7279: 7276: 7272: 7269: 7267: 7264: 7263: 7262: 7259: 7257: 7254: 7252: 7251:Fantastic art 7249: 7247: 7244: 7240: 7237: 7235: 7232: 7230: 7227: 7225: 7222: 7221: 7220: 7219:Christian art 7217: 7215: 7212: 7210: 7207: 7205: 7202: 7198: 7195: 7194: 7193: 7190: 7188: 7185: 7184: 7182: 7178: 7168: 7165: 7163: 7160: 7158: 7155: 7151: 7148: 7146: 7143: 7142: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7120:Skeuomorphism 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7080:Massurrealism 7078: 7076: 7075:Lightpainting 7073: 7071: 7068: 7066: 7063: 7059: 7058:Post-Internet 7056: 7055: 7054: 7051: 7049: 7046: 7044: 7041: 7039: 7036: 7032: 7029: 7028: 7027: 7024: 7022: 7019: 7017: 7014: 7012: 7009: 7007: 7004: 7002: 6999: 6995: 6992: 6991: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6970: 6967: 6965: 6962: 6960: 6957: 6955: 6952: 6951: 6949: 6943: 6937: 6934: 6932: 6931:Grunge design 6929: 6927: 6924: 6922: 6919: 6917: 6914: 6912: 6909: 6907: 6904: 6902: 6899: 6897: 6894: 6892: 6889: 6887: 6886:Retrofuturism 6884: 6882: 6881:Scratch video 6879: 6877: 6874: 6872: 6869: 6867: 6866:Memphis Group 6864: 6862: 6859: 6857: 6854: 6852: 6849: 6847: 6844: 6842: 6841:Telematic art 6839: 6837: 6834: 6832: 6831:Guerrilla art 6829: 6827: 6824: 6820: 6817: 6816: 6815: 6812: 6810: 6807: 6805: 6802: 6800: 6797: 6793: 6790: 6789: 6788: 6785: 6783: 6782:Endurance art 6780: 6778: 6775: 6773: 6770: 6768: 6765: 6763: 6760: 6759: 6757: 6753: 6747: 6744: 6742: 6739: 6737: 6734: 6732: 6729: 6727: 6724: 6720: 6717: 6716: 6715: 6712: 6710: 6707: 6705: 6702: 6700: 6697: 6695: 6692: 6690: 6687: 6685: 6682: 6680: 6677: 6675: 6672: 6670: 6667: 6665: 6662: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6642: 6640: 6637: 6635: 6632: 6630: 6627: 6625: 6622: 6620: 6617: 6615: 6612: 6610: 6607: 6605: 6602: 6600: 6597: 6595: 6592: 6590: 6587: 6585: 6582: 6580: 6577: 6573: 6570: 6569: 6568: 6565: 6563: 6560: 6558: 6555: 6553: 6550: 6548: 6545: 6543: 6540: 6539: 6537: 6533: 6527: 6524: 6522: 6519: 6517: 6514: 6510: 6507: 6505: 6502: 6501: 6500: 6497: 6493: 6490: 6489: 6488: 6485: 6483: 6480: 6478: 6475: 6473: 6470: 6468: 6465: 6463: 6460: 6458: 6455: 6453: 6450: 6448: 6445: 6443: 6442:New media art 6440: 6436: 6433: 6432: 6431: 6428: 6426: 6423: 6421: 6420:Nanyang Style 6418: 6416: 6413: 6411: 6408: 6406: 6403: 6401: 6398: 6394: 6391: 6389: 6386: 6384: 6381: 6379: 6376: 6375: 6374: 6371: 6369: 6366: 6364: 6361: 6357: 6354: 6353: 6352: 6351:Visionary art 6349: 6345: 6342: 6341: 6340: 6337: 6335: 6332: 6331: 6329: 6325: 6322: 6318: 6313: 6309: 6299: 6296: 6294: 6291: 6289: 6286: 6284: 6281: 6277: 6274: 6273: 6272: 6269: 6267: 6264: 6260: 6257: 6255: 6252: 6251: 6250: 6247: 6243: 6240: 6239: 6238: 6235: 6233: 6230: 6228: 6225: 6223: 6220: 6218: 6217:Scuola Romana 6215: 6213: 6210: 6208: 6207: 6203: 6201: 6198: 6196: 6193: 6191: 6188: 6184: 6181: 6179: 6176: 6175: 6174: 6171: 6169: 6166: 6164: 6161: 6159: 6156: 6154: 6151: 6149: 6146: 6144: 6143:Anthropophagy 6141: 6139: 6136: 6132: 6129: 6128: 6127: 6126:Functionalism 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6100: 6097: 6096: 6095: 6092: 6088: 6085: 6083: 6080: 6079: 6078: 6075: 6071: 6068: 6067: 6066: 6063: 6061: 6058: 6054: 6053: 6049: 6048: 6047: 6046:Neoplasticism 6044: 6042: 6039: 6037: 6034: 6028: 6025: 6024: 6023: 6020: 6019: 6018: 6015: 6013: 6010: 6008: 6005: 6003: 6000: 5998: 5995: 5994: 5992: 5988: 5982: 5979: 5977: 5974: 5972: 5969: 5967: 5964: 5962: 5959: 5957: 5954: 5950: 5949:Cubo-Futurism 5947: 5946: 5945: 5942: 5940: 5937: 5935: 5934: 5930: 5926: 5923: 5921: 5918: 5917: 5916: 5913: 5909: 5908:Ashcan School 5906: 5905: 5904: 5901: 5899: 5896: 5894: 5891: 5887: 5884: 5882: 5879: 5878: 5877: 5876:Expressionism 5874: 5872: 5869: 5867: 5864: 5862: 5861:Mir iskusstva 5859: 5857: 5854: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5831: 5830: 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5808: 5805: 5804: 5803: 5800: 5799: 5797: 5793: 5787: 5784: 5780: 5777: 5776: 5775: 5772: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5743: 5740: 5736: 5733: 5732: 5731: 5728: 5727: 5726: 5723: 5721: 5718: 5716: 5713: 5709: 5706: 5704: 5701: 5700: 5699: 5696: 5694: 5691: 5689: 5686: 5682: 5679: 5678: 5677: 5674: 5672: 5669: 5665: 5662: 5660: 5657: 5655: 5652: 5648: 5647:Boston School 5645: 5643: 5642:Hoosier Group 5640: 5639: 5638: 5635: 5634: 5633: 5632:Impressionism 5630: 5628: 5627:Peredvizhniki 5625: 5623: 5620: 5618: 5617:Beuron School 5615: 5611: 5608: 5607: 5606: 5605: 5601: 5599: 5596: 5594: 5591: 5587: 5584: 5583: 5582: 5579: 5578: 5576: 5572: 5569: 5565: 5561: 5551: 5548: 5544: 5541: 5537: 5534: 5533: 5532: 5531:Munich School 5529: 5528: 5527: 5524: 5518: 5515: 5514: 5513: 5510: 5508: 5505: 5503: 5500: 5499: 5498: 5495: 5493: 5490: 5486: 5483: 5482: 5481: 5478: 5476: 5473: 5471: 5468: 5466: 5463: 5457: 5454: 5453: 5452: 5449: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5408: 5407: 5404: 5403: 5401: 5397: 5391: 5383: 5380: 5378: 5375: 5374: 5373: 5369: 5367: 5364: 5362: 5359: 5357: 5354: 5352: 5349: 5345: 5342: 5341: 5340: 5337: 5336: 5334: 5330:Art borrowing 5328: 5320: 5317: 5313: 5310: 5308: 5305: 5303: 5300: 5299: 5298: 5295: 5293: 5290: 5289: 5288: 5285: 5281: 5280:Company style 5278: 5276: 5273: 5269: 5266: 5264: 5261: 5260: 5259: 5256: 5255: 5253: 5247: 5244: 5243: 5242: 5239: 5237: 5234: 5233: 5232: 5228: 5227: 5225: 5221: 5215: 5212: 5208: 5205: 5203: 5200: 5198: 5195: 5193: 5190: 5188: 5187: 5183: 5182: 5181: 5180:Neoclassicism 5178: 5174: 5173: 5169: 5167: 5164: 5162: 5159: 5157: 5154: 5152: 5149: 5148: 5147: 5144: 5143: 5141: 5137: 5129: 5126: 5124: 5121: 5120: 5119: 5116: 5114: 5111: 5109: 5106: 5102: 5099: 5098: 5097: 5094: 5092: 5089: 5087: 5084: 5082: 5079: 5075: 5072: 5070: 5067: 5063: 5060: 5058: 5055: 5054: 5053: 5050: 5048: 5045: 5043: 5040: 5039: 5038: 5035: 5034: 5032: 5028: 5022: 5019: 5017: 5014: 5012: 5009: 5007: 5006:Cretan School 5004: 5000: 4997: 4996: 4995: 4992: 4986: 4983: 4981: 4978: 4976: 4973: 4972: 4971: 4968: 4964: 4963:Danube school 4961: 4959: 4956: 4955: 4954: 4951: 4949: 4946: 4944: 4941: 4937: 4934: 4933: 4932: 4929: 4928: 4927: 4924: 4918: 4917: 4912: 4910: 4907: 4905: 4902: 4900: 4897: 4896: 4895: 4892: 4888: 4885: 4883: 4880: 4878: 4875: 4874: 4873: 4870: 4866: 4865: 4861: 4859: 4856: 4854: 4851: 4850: 4849: 4846: 4845: 4844: 4841: 4840: 4838: 4836: 4832: 4824: 4823: 4819: 4817: 4814: 4812: 4809: 4808: 4807: 4803: 4801: 4798: 4794: 4791: 4790: 4789: 4786: 4784: 4781: 4779: 4776: 4774: 4771: 4767: 4764: 4762: 4759: 4757: 4754: 4753: 4752: 4749: 4747: 4746: 4742: 4738: 4735: 4734: 4733: 4730: 4726: 4723: 4721: 4718: 4717: 4716: 4713: 4711: 4708: 4704: 4701: 4699: 4696: 4694: 4691: 4690: 4689: 4686: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4664: 4663: 4662: 4659: 4657: 4654: 4650: 4649: 4645: 4644: 4643: 4640: 4638: 4635: 4633: 4630: 4626: 4623: 4621: 4618: 4616: 4613: 4611: 4608: 4606: 4603: 4602: 4601: 4598: 4594: 4591: 4590: 4589: 4586: 4582: 4579: 4578: 4577: 4574: 4573: 4571: 4569: 4565: 4557: 4554: 4552: 4549: 4547: 4544: 4542: 4539: 4537: 4534: 4532: 4529: 4528: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4509: 4507: 4504: 4498: 4495: 4491: 4488: 4487: 4486: 4483: 4481: 4478: 4477: 4476: 4473: 4471: 4468: 4466: 4463: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4443: 4441: 4440:Orientalizing 4438: 4436: 4433: 4431: 4428: 4426: 4425:Sub-Mycenaean 4423: 4422: 4421: 4418: 4414: 4411: 4409: 4406: 4404: 4401: 4399: 4396: 4395: 4394: 4391: 4389: 4386: 4382: 4379: 4378: 4377: 4374: 4373: 4371: 4369: 4365: 4362: 4356: 4352: 4348: 4343: 4339:art movements 4338: 4334: 4330: 4323: 4318: 4316: 4311: 4309: 4304: 4303: 4300: 4286: 4283: 4282: 4281: 4278: 4276: 4273: 4271: 4268: 4266: 4263: 4261: 4258: 4256: 4253: 4251: 4248: 4244: 4241: 4240: 4239: 4238:Postmodernism 4236: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4195: 4194:Cubo-Futurism 4192: 4191: 4190: 4187: 4186: 4185: 4182: 4180: 4177: 4175: 4174:Expressionism 4172: 4170: 4167: 4165: 4162: 4161: 4159: 4155: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4126: 4124: 4121: 4119: 4116: 4114: 4111: 4109: 4106: 4104: 4101: 4099: 4096: 4094: 4091: 4089: 4086: 4085: 4083: 4077: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 4001:Music theatre 3999: 3995: 3992: 3991: 3990: 3989:Minimal music 3987: 3985: 3982: 3980: 3977: 3973: 3970: 3969: 3968: 3965: 3963: 3960: 3956: 3953: 3952: 3951: 3948: 3946: 3943: 3941: 3938: 3936: 3935:Ars subtilior 3933: 3931: 3928: 3926: 3923: 3922: 3920: 3916: 3908: 3905: 3903: 3900: 3898: 3895: 3894: 3893: 3890: 3888: 3885: 3881: 3878: 3876: 3873: 3872: 3871: 3868: 3866: 3863: 3862: 3860: 3856: 3853: 3851: 3847: 3841: 3838: 3836: 3835:Visual poetry 3833: 3831: 3828: 3826: 3823: 3821: 3818: 3816: 3813: 3811: 3810:Nouveau roman 3808: 3806: 3803: 3801: 3798: 3796: 3793: 3791: 3788: 3786: 3783: 3781: 3778: 3776: 3773: 3771: 3768: 3766: 3763: 3761: 3758: 3756: 3753: 3751: 3748: 3746: 3743: 3741: 3738: 3737: 3735: 3729: 3723: 3720: 3718: 3717:Temporary art 3715: 3713: 3710: 3708: 3705: 3703: 3700: 3698: 3695: 3693: 3690: 3688: 3685: 3683: 3680: 3678: 3675: 3673: 3672:Nonconformism 3670: 3668: 3665: 3661: 3658: 3657: 3656: 3655:Neoplasticism 3653: 3651: 3648: 3646: 3645:Mir iskusstva 3643: 3641: 3638: 3636: 3633: 3631: 3628: 3626: 3623: 3621: 3618: 3616: 3613: 3611: 3608: 3606: 3605:Impressionism 3603: 3601: 3598: 3596: 3593: 3591: 3588: 3586: 3583: 3579: 3576: 3575: 3574: 3573:Functionalism 3571: 3569: 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3549: 3546: 3544: 3541: 3539: 3536: 3535: 3533: 3529: 3524: 3517: 3512: 3510: 3505: 3503: 3498: 3497: 3494: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3466:Impressionism 3464: 3463: 3461: 3457: 3451: 3450:Albert Aurier 3448: 3446: 3443: 3442: 3440: 3436: 3430: 3427: 3425: 3422: 3420: 3417: 3415: 3412: 3410: 3407: 3405: 3402: 3400: 3397: 3395: 3392: 3390: 3387: 3385: 3382: 3381: 3379: 3375: 3369: 3366: 3364: 3363:Jean Marchand 3361: 3359: 3356: 3354: 3351: 3349: 3348:Pablo Picasso 3346: 3344: 3341: 3339: 3338:Henry Ottmann 3336: 3334: 3331: 3329: 3326: 3324: 3321: 3319: 3316: 3314: 3311: 3309: 3306: 3304: 3301: 3299: 3298:Henri Matisse 3296: 3294: 3291: 3289: 3286: 3284: 3281: 3279: 3276: 3275: 3273: 3269: 3263: 3260: 3258: 3257:Expressionism 3255: 3253: 3250: 3248: 3245: 3243: 3240: 3239: 3237: 3233:20th-century 3231: 3225: 3222: 3220: 3217: 3215: 3212: 3210: 3207: 3205: 3202: 3200: 3197: 3195: 3194:Charles Laval 3192: 3190: 3187: 3185: 3182: 3180: 3177: 3175: 3174:Paul Sérusier 3172: 3170: 3167: 3165: 3162: 3160: 3157: 3155: 3152: 3150: 3147: 3145: 3142: 3140: 3137: 3135: 3134:Maurice Denis 3132: 3130: 3127: 3125: 3122: 3120: 3117: 3115: 3112: 3110: 3107: 3105: 3104:Émile Bernard 3102: 3100: 3097: 3095: 3092: 3091: 3089: 3085: 3079: 3076: 3074: 3071: 3069: 3066: 3064: 3063: 3059: 3057: 3054: 3052: 3049: 3047: 3044: 3042: 3039: 3038: 3036: 3032:19th-century 3030: 3026: 3017: 3012: 3010: 3005: 3003: 2998: 2997: 2994: 2987: 2984: 2981: 2980: 2976: 2974: 2971: 2969: 2966: 2964: 2961: 2959: 2956: 2954: 2951: 2949: 2946: 2944: 2941: 2939: 2936: 2934: 2931: 2928: 2925: 2924: 2915: 2911: 2908: 2904: 2902: 2901:2-221-05222-6 2898: 2895:, Paris 1980 2894: 2890: 2887: 2886: 2875: 2871: 2865: 2859: 2855: 2851: 2849: 2842: 2840: 2832: 2828: 2824: 2820: 2819: 2812: 2810: 2802: 2801: 2794: 2788: 2783: 2777: 2776: 2769: 2762: 2761: 2757: 2750: 2748: 2746: 2736: 2729: 2725: 2719: 2713: 2708: 2701: 2696: 2687: 2681: 2680: 2673: 2671: 2669: 2667: 2665: 2663: 2661: 2653: 2651: 2644: 2638: 2636: 2629: 2623: 2621: 2614: 2608: 2607: 2600: 2591: 2585: 2583: 2576: 2570: 2565: 2558: 2552: 2550: 2548: 2538: 2529: 2523: 2522:0-313-28333-8 2519: 2516: 2514: 2507: 2505: 2503: 2501: 2499: 2497: 2495: 2488: 2483: 2481: 2473: 2467: 2461: 2457: 2453: 2451: 2444: 2435: 2429: 2423: 2415: 2409: 2400: 2392: 2385: 2379: 2374: 2372: 2370: 2368: 2366: 2364: 2362: 2360: 2358: 2356: 2354: 2352: 2350: 2348: 2346: 2344: 2342: 2340: 2333: 2328: 2326: 2319: 2314: 2312: 2310: 2305: 2296: 2293: 2291: 2288: 2287: 2278: 2275: 2273: 2270: 2268: 2265: 2263: 2260: 2258: 2255: 2253: 2250: 2248: 2245: 2243: 2240: 2238: 2235: 2233: 2230: 2228: 2225: 2223: 2220: 2218: 2217:Alfred Sisley 2215: 2213: 2210: 2208: 2205: 2203: 2200: 2198: 2195: 2193: 2190: 2188: 2185: 2183: 2180: 2178: 2175: 2173: 2170: 2168: 2165: 2163: 2160: 2158: 2157:Henry Ottmann 2155: 2153: 2150: 2148: 2147:Piet Mondrian 2145: 2143: 2140: 2138: 2135: 2133: 2130: 2128: 2125: 2123: 2122:Henri Matisse 2120: 2118: 2117:Albert Marque 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2098: 2095: 2093: 2092:Fernand Léger 2090: 2088: 2085: 2083: 2080: 2078: 2077:Kiki of Paris 2075: 2073: 2070: 2068: 2065: 2063: 2060: 2058: 2055: 2053: 2052:Henryk Gotlib 2050: 2048: 2045: 2043: 2040: 2038: 2035: 2033: 2030: 2028: 2025: 2023: 2020: 2018: 2015: 2013: 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1993: 1990: 1988: 1985: 1983: 1980: 1978: 1975: 1973: 1970: 1968: 1965: 1963: 1960: 1958: 1955: 1953: 1950: 1948: 1945: 1943: 1940: 1939: 1932: 1930: 1926: 1922: 1918: 1914: 1913: 1908: 1904: 1899: 1895: 1893: 1889: 1885: 1881: 1877: 1876:Alice Halicka 1873: 1869: 1865: 1854: 1851: 1849: 1844: 1842: 1838: 1834: 1833:Tristan Tzara 1828: 1826: 1822: 1818: 1808: 1806: 1802: 1798: 1788: 1786: 1782: 1775:1914, Orphism 1772: 1770: 1766: 1762: 1761:Piet Mondrian 1758: 1754: 1750: 1746: 1742: 1738: 1734: 1730: 1725: 1723: 1719: 1716:, New York — 1715: 1711: 1707: 1706:Fernand Léger 1703: 1700: 1696: 1692: 1688: 1687: 1686:L'Oiseau bleu 1682: 1674: 1670: 1669:Man in a Café 1666: 1662: 1652: 1647: 1643: 1638: 1635: 1633: 1629: 1625: 1621: 1619: 1615: 1611: 1606: 1604: 1600: 1596: 1592: 1588: 1584: 1583:Fernand Léger 1580: 1576: 1575: 1570: 1566: 1562: 1559:(no. 1235) — 1558: 1554: 1550: 1549: 1544: 1541:(no. 1347) — 1540: 1539: 1533: 1531: 1527: 1523: 1519: 1515: 1511: 1507: 1498: 1494: 1490: 1486: 1479: 1475: 1474: 1469: 1465: 1458: 1454: 1450: 1446: 1439: 1435: 1431: 1430: 1426:, 1911-1912, 1425: 1421: 1412: 1410: 1406: 1401: 1399: 1394: 1392: 1388: 1384: 1380: 1374: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1343: 1339: 1335: 1333: 1329: 1328: 1323: 1321: 1317: 1313: 1304: 1300: 1296: 1292: 1285: 1281: 1277: 1276: 1271: 1267: 1260: 1259:Alphonse Kann 1256: 1254: 1249: 1245: 1238: 1234: 1230: 1226: 1217: 1215: 1211: 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1182:Le Père Frédé 1179: 1175: 1172: 1167: 1158: 1154: 1150: 1141: 1139: 1134: 1132: 1128: 1124: 1121:, along with 1120: 1116: 1112: 1107: 1103: 1101: 1097: 1093: 1089: 1088: 1083: 1075: 1071: 1070: 1065: 1061: 1052: 1048: 1046: 1042: 1038: 1034: 1022: 1019: 1014: 1009: 1003: 1001: 996: 994: 990: 986: 982: 977: 974: 972: 968: 967:Maurice Denis 964: 960: 956: 951: 949: 945: 936: 932: 928: 924: 923: 918: 914: 907: 902: 893: 891: 887: 882: 877: 871: 867: 866: 861: 857: 852: 847: 844: 842: 837: 835: 831: 826: 821: 819: 815: 811: 810: 802: 798: 797: 792: 791:Henri Matisse 788: 784: 782: 778: 774: 770: 766: 761: 757: 753: 748: 738: 736: 730: 728: 724: 719: 717: 713: 712: 707: 705: 696: 692: 688: 684: 683: 678: 677:Henri Matisse 674: 665: 662: 660: 656: 652: 648: 644: 640: 636: 635: 629: 627: 623: 619: 615: 611: 607: 603: 599: 595: 594:Henri Manguin 591: 587: 583: 582:Henri Matisse 578: 576: 572: 568: 557: 555: 551: 547: 542: 533: 531: 525: 516: 512: 509: 505: 501: 497: 496:Champ de Mars 493: 488: 485: 483: 479: 475: 474:Expressionist 471: 467: 463: 459: 455: 451: 447: 443: 439: 435: 434: 428: 427:Henri Matisse 424: 420: 416: 412: 408: 403: 401: 397: 393: 389: 385: 381: 377: 373: 369: 365: 361: 355: 353: 349: 345: 341: 337: 333: 329: 325: 321: 313: 309: 305: 298: 294: 290: 286: 282: 273: 270: 266: 253: 249: 248: 247: 244: 243: 239: 232:Establishment 229: 227: 223: 219: 215: 211: 206: 204: 199: 197: 193: 192: 186: 182: 181: 176: 175:Second Empire 171: 169: 165: 161: 154: 153:New York City 150: 146: 145: 140: 136: 127: 125: 121: 120: 115: 114: 109: 105: 101: 97: 93: 89: 85: 81: 77: 73: 69: 65: 60: 52: 44: 43:Musée d'Orsay 40: 36: 35:Henri Matisse 32: 19: 10961: 10932: 10924: 10916: 10908: 10900: 10894:Capo di Noli 10892: 10884: 10876: 10868: 10808:Topiary Park 10799: 10779: 10760: 10752: 10744: 10736: 10728: 10720: 10712: 10704: 10633: 10626: 10373:Ecomodernism 10281: 10269: 10257: 10245: 10233: 10221: 10211:The Firebird 10209: 10197: 10185: 10173: 10161: 10149: 9568: 9558:Citizen Kane 9556: 9547:Fallingwater 9537:Villa Savoye 9524: 9512: 9500: 9488: 9476: 9466:Black Square 9464: 9452: 9440: 9428: 9416: 9404: 9392: 9284:Le Corbusier 9212:Architecture 8225: 8213: 8201: 8191:Mrs Dalloway 8189: 8177: 8165: 8153: 8141: 8129: 8014:Lowell (Amy) 7361:Trompe-l'œil 7359: 7330:Outsider art 7283:Illustration 7239:Lutheran art 7229:Catholic art 7192:Abstract art 7162:Unilalianism 7125:Software art 7100:Neosymbolism 7090:Neo-futurism 7053:Internet art 7043:Hyperrealism 6896:Superfiction 6679:Photorealism 6547:Afrofuturism 6312:Contemporary 6288:Dimensionism 6271:Concrete art 6204: 6200:Precisionism 6050: 5997:Sosaku-hanga 5971:Productivism 5961:Metaphysical 5931: 5920:Proto-Cubism 5824:Secessionism 5786:Costumbrismo 5671:Aestheticism 5622:Hague School 5602: 5526:Academic art 5507:Costumbrismo 5475:Empire style 5312:Quito School 5307:Cusco School 5223:Colonial art 5184: 5172:Fête galante 5170: 5139:18th century 5101:Delft School 5052:Caravaggisti 5030:17th century 4915: 4872:Quattrocento 4862: 4820: 4743: 4646: 4576:Late antique 4460:Severe style 4450:Black-figure 4337:Contemporary 4103:Epic theatre 3940:Atonal music 3775:Flarf poetry 3765:Ego-Futurism 3563:Proto-Cubism 3481:Secessionism 3445:Félix Fénéon 3383: 3368:Othon Friesz 3288:André Derain 3159:Odilon Redon 3144:Paul Gauguin 3124:Paul Cézanne 3109:Edvard Munch 3060: 2978: 2913: 2906: 2892: 2873: 2869: 2864: 2847: 2830: 2826: 2822: 2817: 2799: 2793: 2782: 2774: 2768: 2759: 2755: 2735: 2723: 2718: 2707: 2695: 2686: 2678: 2649: 2643: 2634: 2628: 2619: 2613: 2605: 2599: 2590: 2581: 2575: 2564: 2556: 2537: 2528: 2512: 2466: 2449: 2443: 2434: 2422: 2408: 2399: 2384: 2277:Othon Friesz 2252:Louis Valtat 2177:Odilon Redon 2152:Edvard Munch 2127:Vadim Meller 2062:Louise Janin 1992:Joseph Csaky 1967:Marc Chagall 1910: 1906: 1902: 1900: 1896: 1860: 1852: 1845: 1837:André Breton 1829: 1821:Grand Palais 1814: 1805:Section d'Or 1800: 1794: 1778: 1765:Jan Sluyters 1756: 1726: 1721: 1709: 1701: 1694: 1684: 1678: 1668: 1649: 1645: 1640: 1636: 1631: 1628:André Salmon 1624:Roger Allard 1622: 1617: 1613: 1609: 1607: 1602: 1594: 1586: 1578: 1572: 1567:(no. 868) — 1564: 1556: 1546: 1536: 1534: 1529: 1521: 1502: 1492: 1471: 1452: 1427: 1404: 1402: 1395: 1375: 1363:Section d'Or 1358: 1344: 1340: 1336: 1325: 1310: 1308: 1298: 1273: 1251: 1232: 1209: 1205: 1198:André Warnod 1164: 1162: 1156: 1137: 1135: 1126: 1122: 1118: 1114: 1113:landscapes: 1110: 1108: 1104: 1095: 1091: 1085: 1081: 1079: 1067: 1049: 1036: 1032: 1029: 1020: 1015: 1010: 1005: 999: 997: 993:proto-Cubist 988: 978: 975: 970: 962: 958: 954: 952: 947: 943: 940: 930: 920: 905: 878: 874: 863: 849: 845: 838: 829: 828: 823: 817: 813: 807: 805: 794: 776: 772: 769:André Derain 752:Wilhelm Uhde 744: 735:Berthe Weill 731: 720: 715: 709: 702: 699: 695:Pennsylvania 691:Philadelphia 680: 663: 632: 630: 610:André Derain 598:Othon Friesz 579: 563: 560:1905 Fauvism 543: 539: 526: 522: 513: 499: 489: 486: 482:Abstract art 433:Belle Époque 430: 404: 392:Paul Gauguin 388:Paul Cézanne 376:Louis Valtat 368:Odilon Redon 356: 344:Odilon Redon 328:Paul Gauguin 324:Paul Cézanne 317: 311: 292: 288: 264: 262: 251: 245: 241: 235: 210:Grand Master 207: 202: 200: 189: 184: 178: 172: 159: 157: 142: 117: 111: 108:Grand Palais 103: 84:Odilon Redon 75: 67: 63: 50: 48: 38: 11030:Western art 10975:(companion) 10952:Pointillism 10850:Paul Signac 10790:Pointillism 10785:Divisionism 10765:(1890–1891) 10749:(1889–1890) 10741:(1889–1890) 10733:(1887–1888) 10725:(1884–1886) 10717:(1884–1886) 10628:Romanticism 10585:Remodernism 10466:Incoherents 10325:Avant-garde 10316:Armory Show 9923:Maeterlinck 9826:Villa-Lobos 9812:Szymanowski 9791:Stockhausen 9728:Lutosławski 9446:(1909–1910) 8246:Visual arts 8219:(1928–1940) 8135:(1913–1927) 7658:Apollinaire 7622:Synchromism 7462:Art Nouveau 7246:Digital art 7209:Avant-garde 7150:Superstroke 7026:Flat design 7021:Fictive art 7016:Excessivism 6964:Art for art 6959:Altermodern 6901:Taring Padi 6836:Lowbrow art 6804:Pliontanism 6741:Yoru no Kai 6694:Process art 6634:Systems art 6604:Arte Povera 6526:Antipodeans 6435:in New York 6405:Jikken Kōbō 6368:Color field 6237:Regionalism 6206:Aeropittura 6195:Neo-Fauvism 6168:Neues Sehen 6138:Kinetic art 6002:Suprematism 5976:Synchromism 5893:Noucentisme 5814:Primitivism 5802:Art Nouveau 5757:Cloisonnism 5747:Pointillism 5742:Divisionism 5720:Incoherents 5681:Art pottery 5567:(1863–1944) 5517:Macchiaioli 5492:Biedermeier 5480:Historicism 5465:Orientalism 5406:Romanticism 5377:Akita ranga 5229:Art of the 5214:Picturesque 5166:Chinoiserie 5161:Frederician 4999:Tudor court 4894:Cinquecento 4835:Renaissance 4822:Mappa mundi 4806:cartography 4698:Carolingian 4693:Merovingian 4676:Palaeologan 4648:Repoblación 4605:Anglo-Saxon 4536:Gallo-Roman 4475:Hellenistic 4470:Kerch style 4408:Minyan ware 4255:Primitivism 4081:and theatre 4021:Noise music 3994:Drone music 3825:Slam poetry 3712:Suprematism 3697:Process art 3625:Incoherents 3620:Color Field 3595:Divisionism 3543:Art Nouveau 3523:Avant-garde 3377:Exhibitions 3184:Paul Signac 3154:Paul Ranson 3078:Art Nouveau 3056:Cloisonnism 3051:Pointillism 3046:Divisionism 2212:Paul Signac 2182:Jelka Rosen 2097:André Lhote 1921:Jean Carzou 1872:Irène Lagut 1753:Synchromism 1510:Suprematism 1379:André Lhote 1322:, Le Select 1272:, 1910-11, 1231:, 1910-11, 1186:Lapin Agile 1169: [ 1111:Ploumanac'h 906:Ploumanac'h 834:Armory Show 679:, 1905-06, 655:Paul Signac 639:Divisionist 575:Renaissance 466:Divisionist 442:avant-garde 352:Paul Signac 338:along with 214:Grand Lodge 173:During the 139:Paul Signac 100:World War I 92:Paul Signac 11025:Modern art 10989:Categories 10762:The Circus 10515:Maximalism 10450:Literature 10125:Wiesenthal 10027:Cunningham 10020:Balanchine 10000:Witkiewicz 9972:Strindberg 9958:Pirandello 9930:Mayakovsky 9805:Stravinsky 9777:Schoenberg 9589:Performing 9514:Metropolis 9305:Mendelsohn 9110:Rossellini 9103:Richardson 8914:Fassbinder 8900:Eisenstein 8837:Cassavetes 8593:Modigliani 8467:Goncharova 8453:Giacometti 7847:Dos Passos 7649:Literature 7608:Surrealism 7519:Die Brücke 7293:Jewish art 7105:Passionism 7065:iPhone art 7011:Cyborg art 7006:Crypto art 6979:Brandalism 6871:Cyberdelic 6736:Tropicália 6709:Street art 6664:Intermedia 6644:Minimalism 6363:Spatialism 6317:Postmodern 6173:Surrealism 6041:Shin-hanga 5881:Die Brücke 5849:Sonderbund 5762:Synthetism 5485:Revivalism 5394:Transition 5351:Manichaean 5197:Adam style 5118:Classicism 5057:in Utrecht 4985:Still life 4715:Romanesque 4671:Macedonian 4666:Iconoclast 4625:Visigothic 4531:Republican 4485:Indo-Greek 4455:Red-figure 4275:Surrealism 4213:Minimalism 4088:Cinéma pur 3733:and poetry 3731:Literature 3640:Minimalism 3531:Visual art 3476:Modern art 3328:Franz Marc 3293:Raoul Dufy 3247:Die Brücke 3094:Cuno Amiet 3068:Synthetism 2728:José Corti 2622:, May 1910 2301:References 2232:Sonia Terk 2112:André Mare 2027:Raoul Dufy 2007:Jean Dries 1848:André Gide 1769:Leo Gestel 1618:Baigneuses 1571:exhibited 1557:Artillerie 1555:exhibited 1438:Niels Bohr 1391:André Mare 1316:La Coupole 1190:Montmartre 919:, c.1908, 890:modern art 806:Matisse's 756:Kahnweiler 643:St. Tropez 602:Raoul Dufy 417:. By 1905 358:Seurat's " 10857:Paintings 10746:Le Chahut 10693:Paintings 10564:Pulp noir 10522:Modernity 10387:Film noir 10111:St. Denis 10034:Diaghilev 9770:Schaeffer 9693:Hindemith 9665:Dutilleux 9637:Boulanger 9442:The Dance 9138:Tarkovsky 9131:Sternberg 8963:Hitchcock 8879:Dovzhenko 8795:Antonioni 8740:Stieglitz 8579:Metzinger 8530:Kokoschka 8509:Kandinsky 7923:Aldington 7916:Akhmatova 7833:Marinetti 7826:Mansfield 7777:Hemingway 7615:Symbolism 7434:Movements 7427:Modernism 7355:Shock art 7345:Queer art 7325:Naïve art 7308:Modernism 7140:Superflat 7130:Sound art 7110:Post-YBAs 7095:Neomodern 6936:Verdadism 6906:Superflat 6755:1970–1999 6719:in the US 6639:Video art 6562:Happening 6535:1960–1969 6327:1945–1959 5990:1915–1944 5981:Vorticism 5933:A Nyolcak 5795:1900–1914 5767:Les Nabis 5698:Symbolism 5654:Amsterdam 5604:Japonisme 5574:1863–1899 5536:in Greece 5396:to modern 5241:Caribbean 5186:Goût grec 5108:Capriccio 5062:Tenebrism 5011:Turquerie 4909:Mannerism 4804:Medieval 4661:Byzantine 4642:Mozarabic 4593:Ethiopian 4497:Neo-Attic 4480:"Baroque" 4465:Classical 4435:Geometric 4413:Mycenaean 4360:(Western) 4358:Premodern 4329:Premodern 4280:Symbolism 4208:Modernism 4041:Serialism 4026:Post-rock 3967:Free jazz 3875:Free funk 3830:Ultraísmo 3785:Imaginism 3760:Cyberpunk 3722:Vorticism 3525:movements 3471:Modernism 3235:movements 3073:Symbolism 3062:Les Nabis 3034:movements 2472:"Fauvism" 2460:1149-9397 2137:Joan Miró 2057:Juan Gris 1791:1915-1919 1718:Juan Gris 1712:1912-13, 1665:Juan Gris 1599:Juan Gris 1449:Juan Gris 1405:Abundance 1069:The Dream 1051:salons). 985:banlieues 830:Blue Nude 767:of 1907. 653:painters 637:. In the 571:Donatello 458:Symbolist 438:modernism 320:Louis XIV 10646:Category 10247:Fountain 10151:Don Juan 10090:Nijinsky 9986:Wedekind 9965:Piscator 9860:Anderson 9784:Scriabin 9700:Honegger 9354:Sullivan 9340:Saarinen 9333:Rietveld 9326:Niemeyer 9298:Melnikov 9228:Bunshaft 9159:Truffaut 9124:Sjöström 9068:Pudovkin 9040:Minnelli 9005:Kurosawa 8998:Kuleshov 8928:Flaherty 8754:Vuillard 8733:Steichen 8691:Rousseau 8656:Pissarro 8635:O'Keeffe 8600:Mondrian 8551:Malevich 8544:Magritte 8516:Kirchner 8460:van Gogh 8411:Doesburg 8390:Delaunay 8383:Delaunay 8306:Brâncuși 8292:Boccioni 8255:Painting 8105:Williams 8028:Mallarmé 7944:Cendrars 7854:Platonov 7812:Lawrence 7805:Koestler 7742:Flaubert 7735:Faulkner 7700:Bulgakov 7629:Tonalism 7590:De Stijl 7574:Lettrism 7560:Futurism 7451:Art Deco 7385:Category 7335:Portrait 7256:Folk art 7204:Anti-art 7135:Stuckism 7048:Idea art 6969:Art game 6921:Artivism 6809:Punk art 6787:Sots Art 6772:Artscene 6629:Land art 6567:Neo-Dada 6499:Lettrism 6393:Nuagisme 6378:Tachisme 6259:Nazi art 6052:De Stijl 5966:Rayonism 5956:Art Deco 5944:Futurism 5735:Luminism 5703:Romanian 5688:Tonalism 5659:Canadian 5637:American 5543:Neo-Grec 5151:Rocaille 4980:Romanism 4914:Counter- 4848:Trecento 4788:Duecento 4778:Crusades 4710:Ottonian 4688:Frankish 4568:Medieval 4551:Trajanic 4511:Scythian 4506:Etruscan 4398:Cycladic 4376:Thracian 4228:Neo-Dada 4203:Lettrism 4184:Futurism 4098:Drop Art 4093:Dogme 95 4061:Totalism 3979:Futurism 3930:Ars nova 3858:By style 3805:Neoteric 3707:Rayonism 3660:De Stijl 3635:Mail art 3590:Devětsil 2823:Kubismus 2284:See also 1667:, 1912, 1522:Salle XI 1518:De Stijl 1506:Futurism 1491:, 1912, 1470:, 1912, 1451:, 1912, 1297:, 1911, 1250:, 1911, 1155:, 1910, 1115:Le Ravin 995:period. 959:Gil Blas 862:, 1907, 793:, 1907, 626:Gil Blas 590:Jean Puy 440:and the 310:, 1896, 299:, London 141:, 1890, 37:, 1904, 10945:Related 10773:Related 10301:Related 10163:Ubu Roi 10118:Tamiris 10104:Sokolow 10083:Massine 9951:Osborne 9944:O'Neill 9937:O'Casey 9895:Chekhov 9881:Beckett 9867:Anouilh 9851:Theatre 9798:Strauss 9756:Russolo 9735:Milhaud 9714:Janáček 9686:Górecki 9679:Feldman 9658:Debussy 9651:Copland 9609:Antheil 9347:Steiner 9270:Johnson 9249:Guimard 9242:Gropius 9089:Resnais 8991:Kubrick 8921:Fellini 8907:Epstein 8893:Edwards 8858:Cocteau 8844:Chaplin 8816:Bresson 8809:Bergman 8788:Aldrich 8781:Akerman 8726:Soutine 8698:Schiele 8649:Picasso 8642:Picabia 8572:Matisse 8446:Gauguin 8418:Duchamp 8376:Kooning 8355:Claudel 8348:Chirico 8341:Chagall 8334:Cézanne 8327:Cassatt 8299:Bonnard 8285:Bellows 8278:Balthus 8155:Ulysses 8077:Stevens 8070:Seferis 7889:Unamuno 7728:Forster 7707:Chekhov 7672:Beckett 7601:Orphism 7567:Imagism 7551:Bauhaus 7537:Fauvism 7442:Acmeism 7350:Realism 6947:present 6674:Nut Art 6477:Pop art 6415:Mono-ha 6283:The Ten 6232:Kapists 6178:Iranian 6131:Bauhaus 5925:Orphism 5871:Fauvism 5708:Russian 5598:Nihonga 5512:Verismo 5497:Realism 5431:Purismo 5344:Moorish 5339:Islamic 5246:Haitian 5037:Baroque 4916:Maniera 4800:Mudéjar 4725:Spanish 4637:Pictish 4620:Lombard 4615:Insular 4556:Severan 4521:Gaulish 4516:Iberian 4445:Archaic 4388:Nuragic 4368:Ancient 4351:periods 4157:General 4016:No wave 3790:Imagism 3740:Acmeism 3692:Pop art 3682:Orphism 3600:Fauvism 3578:Bauhaus 3459:Related 3438:Critics 3271:Artists 3242:Fauvism 3087:Artists 1749:Orphism 1587:La Noce 1585:showed 1579:Le Port 1312:Le Dôme 1286:, Paris 1087:L'Arbre 1037:Paysage 818:Nu bleu 777:Bathers 760:Picasso 645:on the 446:Realist 407:cholera 269:cholera 242:Société 212:of the 130:History 10937:(1909) 10929:(1907) 10921:(1905) 10913:(1905) 10905:(1905) 10897:(1898) 10889:(1895) 10881:(1890) 10873:(1889) 10757:(1890) 10722:Models 10709:(1884) 10287:(1953) 10275:(1928) 10263:(1921) 10251:(1917) 10239:(1913) 10227:(1912) 10215:(1910) 10203:(1905) 10199:Salome 10191:(1902) 10179:(1899) 10167:(1896) 10155:(1888) 10132:Wigman 10062:Graham 10055:Fuller 10048:Fokine 10041:Duncan 9993:Wilder 9979:Toller 9916:Kaiser 9888:Brecht 9874:Artaud 9833:Webern 9819:Varèse 9749:Partch 9721:Ligeti 9644:Boulez 9616:Bartók 9574:(1943) 9562:(1941) 9550:(1936) 9540:(1931) 9530:(1929) 9518:(1927) 9506:(1925) 9494:(1923) 9482:(1920) 9470:(1915) 9458:(1912) 9434:(1907) 9422:(1889) 9410:(1887) 9398:(1886) 9375:Wright 9361:Tatlin 9319:Neutra 9221:Breuer 9187:Welles 9173:Vertov 9096:Renoir 9047:Murnau 9033:Marker 9026:Lupino 8984:Keaton 8970:Hubley 8956:Godard 8942:Fuller 8886:Dreyer 8865:Dassin 8823:Buñuel 8719:Sisley 8712:Signac 8705:Seurat 8677:Renoir 8495:Hopper 8397:Demuth 8320:Calder 8313:Braque 8264:Albers 8231:(1929) 8207:(1926) 8195:(1925) 8183:(1924) 8171:(1922) 8159:(1922) 8147:(1915) 8098:Valéry 8084:Thomas 8049:Pessoa 7993:George 7986:Elytis 7979:Éluard 7965:Desnos 7937:Cavafy 7907:Poetry 7868:Proust 7861:Porter 7763:Hamsun 7721:Döblin 7714:Conrad 7686:Breton 7665:Barnes 7485:Cubism 7298:Kitsch 7157:Toyism 6649:Fluxus 6579:Op art 6148:Mingei 6082:Stupid 6060:Purism 5915:Cubism 5564:Modern 5356:Mughal 5146:Rococo 4751:Gothic 4732:Norman 4656:Viking 4610:Hunnic 4588:Coptic 4403:Minoan 4393:Aegean 4381:Dacian 4333:Modern 4233:Neoism 4179:Fluxus 4079:Cinema 3918:Others 3820:Oulipo 3815:Oberiu 3702:Purism 3568:Cubism 3389:Les XX 3262:Cubism 2899: 2876:, 2013 2856: 2520: 2458: 1892:Tirman 1324:, and 933:, The 886:Cubism 841:Herbin 478:Cubist 398:, and 265:Groupe 122:, the 116:, the 10457:Post- 10443:Music 10142:Works 10097:Shawn 10076:Laban 10011:Dance 9909:Jarry 9902:Ibsen 9840:Weill 9763:Satie 9672:Falla 9630:Berio 9600:Music 9385:Works 9312:Nervi 9256:Horta 9235:Gaudí 9194:Wiene 9166:Varda 9152:Trnka 9061:Pabst 9019:Losey 8977:Jones 8949:Gance 8872:Deren 8851:Clair 8830:Carné 8802:Avery 8684:Rodin 8670:Redon 8628:Nolde 8621:Munch 8614:Moore 8607:Monet 8558:Manet 8537:Léger 8502:Kahlo 8481:Grosz 8439:Ernst 8432:Ensor 8369:Degas 8122:Works 8112:Yeats 8091:Tzara 8063:Rilke 8056:Pound 8035:Moore 8007:Lorca 8000:Jacob 7972:Eliot 7951:Crane 7930:Auden 7896:Woolf 7882:Svevo 7875:Stein 7840:Musil 7798:Kafka 7791:Joyce 7784:Hesse 7770:Hašek 7693:Broch 7528:Music 6945:2000– 6388:COBRA 5382:Uki-e 5372:Japan 5361:Qajar 4720:Mosan 4526:Roman 4420:Greek 3907:Metal 3850:Music 1888:Lhote 1614:Paris 1173:] 969:, in 825:1907) 470:Fauve 454:Nabis 191:Salon 185:Salon 72:Paris 66:) or 10069:Holm 9742:Nono 9707:Ives 9623:Berg 9591:arts 9368:Mies 9291:Loos 9277:Kahn 9201:Wood 9180:Vigo 9145:Tati 9117:Sirk 9012:Lang 8935:Ford 8772:Film 8761:Wood 8586:Miró 8565:Marc 8523:Klee 8488:Höch 8474:Gris 8425:Dufy 8362:Dalí 8042:Owen 7958:H.D. 7819:Mann 7756:Gide 7749:Ford 7679:Bely 7492:Dada 7234:Icon 6557:ZERO 6315:and 6212:Asso 6036:Dada 5593:Yōga 4335:and 4169:Dada 3902:Punk 3897:Prog 3892:Rock 3880:Yass 3870:Jazz 3865:Funk 3840:Zaum 2897:ISBN 2854:ISBN 2518:ISBN 2456:ISSN 1884:Dufy 1878:and 1835:and 1823:des 1817:Dada 1783:and 1751:and 1743:and 1610:Port 1577:and 1353:and 1125:and 1117:and 1084:and 1074:MoMA 657:and 620:and 480:and 425:and 158:The 90:and 49:The 9054:Ozu 8663:Ray 8404:Dix 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