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An invitation to one of Rogers's breakfasts was a formal entry into literary society, and his dinners were even more select. His social success was due less to his literary position than to his powers as a conversationalist, his educated taste in all matters of art, and no doubt to his sarcastic and
283:(1792) – regarded by some as the last embodiment of the poetic diction of the 18th century. The theory of elevating and refining familiar themes by abstract treatment and lofty imagery is taken to extremes. In this art of "raising a subject", as the 18th century phrase was, the
628:, but declined the honour on account of his age. For the last five years of his life he was confined to his chair in consequence of a fall in the street. He died in London at 92, a remarkable age for the time, and is buried in the family tomb in the churchyard of
279:, many of the treasures of which were later to pass into his possession. With Gray as his model, Rogers took great pains in polishing his verses, and six years elapsed after the publication of his first volume before he printed his elaborate poem on
608:. The first part was published anonymously in 1822; the second, with his name attached, in 1828. It was at first a failure, but Rogers was determined to make it a success. He enlarged and revised the poem, and commissioned illustrations from
171:. Thomas married Mary, the only daughter of his father's partner, Daniel Radford, becoming himself a partner shortly afterwards. On his mother's side Samuel Rogers was connected with the well-known Welsh Dissenting clergymen
407:
bitter wit, for which he excused himself by saying that he had such a small voice that no one listened if he said pleasant things. "He certainly had the kindest heart and unkindest tongue of any one I ever knew," said
134:
are key sources for information about London artistic and literary life, with which he was intimate, and which he used his wealth to support. He made his money as a banker and was also a discriminating art collector.
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427:'s difficulties in the last days of his life. Moore, who refused help from all his friends, and would only owe debts to his publishers, found it possible to accept help from Rogers. He procured a pension for
470:, from the time of his first introduction to Rogers, was in the habit of writing down the anecdotes with which his conversation abounded. In 1856 he arranged and published selections as
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In 1814 Rogers made a tour on the
Continent with his sister Sarah. He travelled through Switzerland to Italy, keeping a full diary of events and impressions, and had made his way to
443:, while maintaining his country livings, rented permanent lodgings in Sloane Street, where he enjoyed "the most perfect intimacy with Samuel Rogers for more than twenty years".
620:. These were engraved on steel in the sumptuous edition of 1830. The book then proved a great success, and Rogers followed it up with an equally sumptuous edition of his
351:
had a share in the decoration of the house, which Rogers virtually rebuilt, and proceeded to fill with works of art. His collections at his death realised ÂŁ50,000.
259:
In 1788 his elder brother Thomas died, and Samuel's business responsibilities were increased. In the next year he paid a visit to
Scotland, where he met
250:. He learned Gray's poems by heart, and his family wealth allowed him the leisure to try writing poetry himself. He began with contributions to the
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Finding aid to Alan H. Kempner papers with Samuel Rogers correspondence at
Columbia University. Rare Book & Manuscript Library.
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In 1793 his father's death gave Rogers the principal share in the banking house in
Cornhill, and a considerable income. He left
478:. Rogers himself kept a notebook in which he entered impressions of the conversation of many of his distinguished friends—Fox,
256:, and in 1786 he published a volume containing some imitations of Goldsmith and an "Ode to Superstition" in the style of Gray.
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In the mid-nineteenth century, social breakfasts were in vogue in London. Rogers hosted social breakfasts with guests such as
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858:(2 vols., 1889). One of the best accounts of Rogers, containing many examples of his caustic wit, is by
114:, during his lifetime one of the most celebrated, although his fame has long since been eclipsed by his
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obliged him to hurry home. Seven years later he returned to Italy, paying a visit to Byron and
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Reminiscences and Table-Talk of Samuel Rogers, Banker, poet, and Patron of the Arts, 1763–1855
339:, with whom he visited the galleries in Paris in 1802, and whose friendship introduced him to
785:"Monument to Samuel Rodgers and family in north east corner of St Marys Churchyard (1244865)"
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581:(1819), on which he had been engaged for twelve years, is written in his earlier manner.
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557:), published in 1798, describes Rogers's ideal of a happy life. This was followed by
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Rogers was in effect a literary dictator in
England. He made his reputation by
315:. Within his intimate circle at this time were his best friend, Richard Sharp (
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841:. Vol. 23 (11th ed.). Cambridge University Press. pp. 457–458.
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624:(1834). In 1850, on Wordsworth's death, Rogers was asked to succeed him as
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Rogers held various honorary positions: he was one of the trustees of the
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and Byron, and lived long enough to give an opinion as to the fitness of
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Two nephews, orphaned young and for whom he assumed responsibility, were
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ministry, but his father persuaded him to join the banking business in
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Committee members of the
Society for the Diffusion of Useful Knowledge
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521:; and he served on a commission to inquire into the management of the
604:. Out of the earlier of these tours arose his last and longest work,
454:'s fame was still in the making. He became the friend of Wordsworth,
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922:(1 ed.). London: Chatto and Windus. pp. 13–22 – via
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The banker poet : the rise and fall of Samuel Rogers, 1763-1855
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of the newer writers, and published in the same volume with Byron's
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514:(1903), by GH Powell, is an amalgamation of these two authorities.
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This article incorporates text from a publication now in the
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The
Maclise Portrait-Gallery of "Illustrious Literary Characters"
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506:. They were published by his nephew William Sharpe in 1859 as
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130:. His recollections of these and other friends such as
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said of it, "There is not a vulgar line in the poem."
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and others. In 1791 he was in Paris, and enjoyed the
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717:. New York: Harper & Brothers. pp. 76–80.
846:A full account of Rogers is given in two works by
688:"Macaulay, Thomas Babington Macaulay, Baron"
183:circles, and became a long-standing member of the
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892:, Brighton : Sussex Academic Press, 2013,
472:Recollections of the Table-Talk of Samuel Rogers
167:glass manufacturer, who was also a merchant in
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697:(11th ed.). Cambridge University Press.
295:, published a few years later in imitation.
747:. London: Smith, Elder & Co. 1885–1900.
525:, and on another for the rebuilding of the
871:See also the Aldine edition (1857) of his
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19:For other people named Samuel Rogers, see
185:Unitarian congregation at Newington Green
110:(30 July 1763 – 18 December 1855) was an
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549:His literary production remained slow.
439:his sinecure as distributor of stamps.
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738:"John Mitford (1781–1859)"
714:Letters from abroad to kindred at home
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660:Miscellanea genealogica et heraldica
657:Mitchell, Hughes and Clarke (1877).
368:George Howard, 7th Earl of Carlisle
335:. He also made the acquaintance of
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790:National Heritage List for England
372:Philip Stanhope, 5th Earl Stanhope
226:Samuel Rogers wished to enter the
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1035:People from Islington (district)
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759:"Library and Archives Catalogue"
744:Dictionary of National Biography
502:, Scott, Lord Grenville and the
423:and with Byron, and he relieved
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187:, then led by the remarkable Dr
986:Works by or about Samuel Rogers
852:The Early Life of Samuel Rogers
877:Journals of Byron and of Moore
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508:Recollections by Samuel Rogers
21:Samuel Rogers (disambiguation)
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856:Rogers and his Contemporaries
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545:A photograph of Samuel Rogers
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1055:Fellows of the Royal Society
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1001:(public domain audiobooks)
531:Fellow of the Royal Society
311:and established himself in
303:Middle life and friendships
238:, particularly the work of
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1065:19th-century English poets
287:is much more perfect than
216:his younger brother Daniel
147:, then a village north of
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709:Sedgwick, Catharine Maria
577:. His reflective poem on
343:. In 1803 he moved to 22
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903:Bates, William (1883).
838:Encyclopædia Britannica
694:Encyclopædia Britannica
448:The Pleasures of Memory
349:Charles Alfred Stothard
281:The Pleasures of Memory
218:, the early geologist.
212:translator of the Bible
159:, a banker and briefly
118:colleagues and friends
1050:English art collectors
995:Works by Samuel Rogers
977:Works by Samuel Rogers
954:Quotations related to
559:The Voyage of Columbus
551:An Epistle to a Friend
546:
392:George Cornewall Lewis
313:chambers in the Temple
906:"Samuel Rogers"
553:(the above-mentioned
544:
411:. He helped the poet
191:. He was educated in
139:Early life and family
946:at Wikimedia Commons
527:Houses of Parliament
474:, to which is added
431:, the translator of
396:Sylvain Van de Weyer
253:Gentleman's Magazine
179:, was brought up in
1070:People from Hornsey
888:Martin Blocksidge:
761:. The Royal Society
529:. He was elected a
319:), and the artists
285:Pleasures of Memory
163:, was the son of a
143:Rogers was born at
1075:Conversationalists
1060:English male poets
966:Works by or about
555:Conversation Sharp
547:
533:in November 1796.
504:Duke of Wellington
404:Catharine Sedgwick
317:Conversation Sharp
273:Orleans Collection
236:English literature
1040:Poets from London
981:Project Gutenberg
942:Media related to
918:. Illustrated by
898:978-1-84519-580-9
588:when the news of
571:iambic tetrameter
569:, written in the
413:Robert Bloomfield
384:Henry Hart Milman
337:Charles James Fox
333:John Henry Fuseli
293:Pleasures of Hope
132:Charles James Fox
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248:Oliver Goldsmith
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592:'s escape from
561:(1810), and by
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460:Alfred Tennyson
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421:Francis Jeffrey
400:Charles Babbage
388:Anthony Panizzi
356:Thomas Macaulay
309:Newington Green
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289:Thomas Campbell
265:Henry Mackenzie
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197:Stoke Newington
177:his son Matthew
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829:Chisholm, Hugh
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567:narrative poem
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523:British Museum
488:Richard Porson
468:Alexander Dyce
452:William Cowper
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275:of art at the
240:Samuel Johnson
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618:Samuel Prout
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500:Lord Erskine
480:Edmund Burke
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441:John Mitford
417:Thomas Moore
409:Fanny Kemble
364:Sydney Smith
360:Henry Hallam
353:
321:John Flaxman
306:
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277:Palais Royal
258:
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228:Presbyterian
225:
208:Egyptologist
201:
173:Philip Henry
153:Inner London
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112:English poet
107:
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70:(1855-12-18)
51:30 July 1763
16:British poet
1030:1855 deaths
1025:1763 births
854:(1887) and
329:Martin Shee
244:Thomas Gray
165:Stourbridge
1019:Categories
972:Wikisource
924:Wikisource
875:, and the
809:References
579:Human Life
565:(1814), a
563:Jacqueline
537:Later life
496:Talleyrand
476:Porsoniana
437:Wordsworth
261:Adam Smith
120:Wordsworth
96:Occupation
765:8 October
667:27 August
325:John Opie
169:Cheapside
149:Islington
124:Coleridge
76:Islington
55:Islington
999:LibriVox
723:03017185
711:(1841).
638:Haringey
590:Napoleon
425:Sheridan
232:Cornhill
116:Romantic
988:at the
862:in the
826::
634:Hornsey
598:Shelley
429:HF Cary
193:Hackney
80:England
59:England
915:
896:
820:
796:25 May
721:
586:Naples
214:, and
206:, the
99:Writer
644:Notes
622:Poems
606:Italy
450:when
433:Dante
419:with
297:Byron
128:Byron
894:ISBN
798:2009
767:2010
719:LCCN
669:2018
616:and
602:Pisa
594:Elba
575:Lara
402:and
331:and
246:and
210:and
195:and
175:and
126:and
65:Died
48:Born
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979:at
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