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Sansho the Bailiff

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350:, he goes to the beach she is supposed to have died on. He finds a decrepit old woman sitting on the beach singing the same song he heard years before. Realizing she is his mother, he reveals his identity to her, but Tamaki, who has gone blind, assumes he is a trickster until he gives her the statuette of Kannon, which she recognizes by touch. Zushiō tells her that both Anju and their father have died and apologizes for not coming for her in the pomp of his governor's post. Instead he followed his father's proverb, choosing mercy toward others by freeing Sanshō's slaves. He tells his mother he has been true to his father's teachings, which she acknowledges poignantly. 29: 328:
Anju to escape with him to find their mother. Anju asks him to take Namiji with him, convincing her brother she will stay behind to distract the guards. Zushiō promises to return for Anju. However, after Zushiō's escape, Anju commits suicide by walking into a lake, drowning herself so that she will not be tortured and forced to reveal her brother's whereabouts.
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A virtuous governor is banished by a feudal lord to a far-off province. His wife, Tamaki, and children, Zushiō and Anju, are sent to live with her brother. Just before they are separated, Zushiō's father tells him, "Without mercy, man is like a beast. Even if you are hard on yourself, be merciful to
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As Governor of Tango, Zushiō issues an edict forbidding slavery on both public and private grounds. No one believes he can do this since governors have no power over private grounds. Although Sanshō offers initial resistance, Zushiō orders him and his men arrested, freeing the slaves. When he looks
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Zushiō is ordered to take Namiji, an older woman who is acutely ill, out of the slave camp to die in the wilderness. Anju accompanies them and while they break branches to provide covering for the dying woman, they recall a similar act from their earlier childhood. Zushiō changes his mind and asks
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The children grow to young adulthood at the slave camp. Anju still believes in the teachings of her father but Zushiō has repressed his humanity, becoming one of the brutal overseers, believing that this is the only way to survive. At work, Anju hears a song from a new slave girl from Sado which
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only once, a decade ago, emerging from the cinema a broken man but calm in my conviction that I had never seen anything better; I have not dared watch it again, reluctant to ruin the spell, but also because the human heart was not designed to weather such an ordeal."
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for Anju among Sanshō's slaves, he learns that his sister sacrificed herself for his freedom. The manor is burned down by the ex-slaves while Sanshō and his family are exiled. Zushiō resigns immediately afterwards, stating that he has done what he intended to do.
583:, Jim Emerson extolled the movie: "I don't believe there's ever been a greater motion picture in any language. This one sees life and memory as a creek flowing into a lake out into a river and to the sea." 700:, was produced in 1961 by Toei, directed by Taiji Yabushita and Yuugo Serikawa. It featured many supernatural anthropomorphic elements such as talking animals like Toei's other anime movies of that time. 644:"one of the great emotional and philosophical journeys ever made for the cinema", and "ossibly the high point in an unbroken string of masterpieces made by Kenji Mizoguchi shortly before his death". 324:
mentions her and her brother in the lyrics, leading her to believe their mother is still alive. She tries to convince Zushiō to escape but he refuses, citing the difficulty and their lack of money.
320:, is administered by the eponymous Sanshō. Sanshō's son Tarō, the second-in-charge, is a much more humane master and convinces the children to survive before they can escape to find their mother. 688:. A smaller-scale workshop was mounted by Geisler-Roberdeau under Malick's own direction in Los Angeles in spring 1994. Plans to produce the play on Broadway were postponed indefinitely. 539:
came in at 59th in the critics' poll, with 25 critics having voted for the film. The Sight & Sound is regarded as one of the most important of the "greatest ever film" polls. In 2022,
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to appeal to the Chief Advisor regarding the appalling slave conditions. Although initially refusing to see him, the Chief Advisor realizes who Zushiō is after seeing his statuette of
801: 339:. He then tells Zushiō that his exiled father died the year before and offers him the post of the governor of Tango, the province where Sanshō's manor is situated. 316:
and the children are sold by slave traders to a manorial estate in which slaves are brutalized and branded when they try to escape. The estate, protected under the
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Years later, the wife and children journey to his exiled land but are tricked on the journey by a treacherous priestess. The mother is sold into prostitution in
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at number 1, calling it " strong candidate for Greatest Film Ever Made. A perfect and profound masterpiece, rivaled only by its near companion
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Zushiō goes to Sado for his aged mother, whom he believes is still a courtesan. After hearing a man state that she died in a
1385: 1228: 260:(oral lore) appearing in written form in the 17th century. It follows two aristocratic children who are sold into slavery. 1107: 972: 848: 1540: 1044: 672:. A private workshop of the play was undertaken in fall 1993 at the Brooklyn Academy of Music. It was directed by 331:
After Zushiō escapes, he finds Tarō at an Imperial temple. Zushiō asks him to care for Namiji so that he can go to
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bears many of Mizoguchi's hallmarks, such as portrayals of poverty and elaborately choreographed
926: 510:, which once again brought Mizoguchi to the attention of Western critics and film-makers, after 1377: 1348: 1332: 1164: 717: 526: 823: 1554: 1546: 1532: 1292: 1608: 1340: 1115: 426: 213: 8: 1637: 1220: 629: 227: 1602: 1260: 1188: 391: 255: 99: 1082: 774: 754:
was released by The Criterion Collection in Blu-ray in Region A on February 26, 2013.
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re-released the single film in Blu-ray and DVD in a Dual Format combo in April 2012.
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others." He urges his son to remember his words and gives him a statuette of
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page on the online "Masters of Cinema" catalogue of the distributor"
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on his list of "39 Essential Foreign Films for a Young Filmmaker."
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wrote in his September 2006 profile on Mizoguchi, "I have seen
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In 1990 producers Robert Michael Geisler and John Roberdeau (
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set in the latter part of the eleventh century, during the
1150: 1032: 594:"one of the most devastatingly moving of films". 1629: 243:based on a 1915 short story of the same name by 1027: 217: 1393: 1136: 1409:Venice Film Festival Silver Lion (1953–1994) 270:. Today, the film is often ranked alongside 849:"Sansho the Bailiff: The Lessons of Sansho" 840: 276:(1953) as one of Mizoguchi's finest works. 1400: 1386: 1143: 1129: 27: 799: 1668:Films with screenplays by Yoshikata Yoda 877:. British Film Institute. Archived from 769: 767: 638:1001 Movies You Must See Before You Die 508:15th Venice International Film Festival 1630: 1381: 1124: 979:from the original on February 7, 2015 947:"Elected: 100 Must-See Foreign Films" 764: 222:, known by its Japanese title in the 1229:The Story of the Last Chrysanthemums 921: 720:until 2007, when it was released by 547:came in joint 75th place, tied with 846: 647: 13: 1021: 590:(edited by Chris Fujiwara), calls 14: 1714: 1683:Films produced by Masaichi Nagata 1663:Films directed by Kenji Mizoguchi 1541:Recollections of the Yellow House 1114:—an essay by Mark Le Fanu at the 1054: 975:. Open Culture. 15 October 2014. 901:"The Greatest Films of All Time" 516:(International Award, 1952) and 991: 668:to write a stage play based on 588:The Little Black Book of Movies 1698:Japanese black-and-white films 1678:Films scored by Fumio Hayasaka 1253:The Love of Sumako the Actress 965: 939: 915: 893: 875:"Votes for Sansho Dayu (1954)" 867: 816: 793: 740:in a double DVD twinpack with 716:was unavailable on DVD in the 1: 1653:1950s Japanese-language films 800:Friedrich, Lee (2006-03-01). 757: 708: 691: 1673:Films based on short fiction 1031:; Cavanaugh, Carole (2000). 494: 7: 218: 10: 1719: 1245:Utamaro and His Five Women 1039:. British Film Institute. 855:. The Criterion Collection 703: 696:A separate animated film, 676:with sets and costumes by 506:for best direction in the 1567:J'entends plus la guitare 1524: 1415: 1159: 209: 188: 180: 170: 147: 137: 123: 115: 105: 83: 73: 62: 48: 38: 33:Theatrical release poster 26: 21: 1112:: The Lessons of Sansho" 903:. British Film Institute 722:The Criterion Collection 664:) commissioned director 586:Fred Camper, writing in 416:Minister of Justice Niō 309:, the Goddess of Mercy. 156:March 31, 1954 66:"Sansho the Bailiff" by 1357:Tales of the Taira Clan 1277:Portrait of Madame Yuki 1100:Japanese Movie Database 543:repeated the poll, and 353: 279: 1349:Princess Yang Kwei-Fei 1333:The Woman in the Rumor 1165:The Morning Sun Shines 925:(September 11, 2006). 718:English-speaking world 527:British Film Institute 1555:Raise the Red Lantern 1547:Death of a Tea Master 1533:Landscape in the Mist 1293:The Lady of Musashino 999:"Robin Wood's Top 10" 522:(Silver Lion, 1953). 318:Minister of the Right 1703:1950s Japanese films 1693:Films about siblings 1648:Japanese drama films 1341:The Crucified Lovers 1116:Criterion Collection 881:on November 27, 2016 632:), in his entry for 427:Fujiwara no Morozane 1688:Films about slavery 1221:Sisters of the Gion 953:. 19 September 2007 698:Anju and Zushiomaru 630:Columbia University 359: 131:Tamekichi Mochizuki 1603:Heavenly Creatures 1468:Sansho the Bailiff 1325:Sansho the Bailiff 1261:Women of the Night 1189:The Water Magician 1151:Films directed by 1110:Sansho the Bailiff 1095:Sansho the Bailiff 1084:Sansho the Bailiff 1073:Sansho the Bailiff 1062:Sansho the Bailiff 1005:. 21 November 2008 670:Sansho the Bailiff 545:Sansho the Bailiff 537:Sansho the Bailiff 358: 285:Sansho the Bailiff 264:Sansho the Bailiff 200:Sansho the Bailiff 22:Sansho the Bailiff 1625: 1624: 1587:A Heart in Winter 1462:On the Waterfront 1375: 1374: 1301:The Life of Oharu 828:yab.yomiuri.co.jp 748:Masters of Cinema 730:Masters of Cinema 661:The Thin Red Line 556:Imitation of Life 532:Sight & Sound 513:The Life of Oharu 492: 491: 448:Taira no Masauji 402:Yoshiaki Hanayagi 196: 195: 92:Yoshiaki Hanayagi 1710: 1643:1954 drama films 1514:Le Notti Bianche 1402: 1395: 1388: 1379: 1378: 1269:Flame of My Love 1145: 1138: 1131: 1122: 1121: 1104: 1050: 1038: 1015: 1014: 1012: 1010: 995: 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Index


Kenji Mizoguchi
Fuji Yahiro
Yoshikata Yoda
Mori Ōgai
Masaichi Nagata
Kinuyo Tanaka
Yoshiaki Hanayagi
Kyōko Kagawa
Eitarō Shindō
Kazuo Miyagawa
Fumio Hayasaka
Daiei Film
Japanese
Hepburn
United Kingdom
Ireland
Japanese
period film
Kenji Mizoguchi
Mori Ōgai
sekkyō-bushi
ja
long takes
Ugetsu
jidai-geki
Heian period
feudal Japan
Kannon
Sado

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