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vision of what might happen if the count cannot restrain his jealousy and the suitors continue to make advances towards his wife. The count challenges the man he perceives as his rival (Gustav von
Wangenheim) to a duel. The film has a happy ending as violence is averted and the count and his wife save their marriage. However, it is left unclear whether events at the party actually occurred, or whether it was all an illusion conjured up by the magician.
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Troy
Howarth writes "The film is fascinating primarily on a visual level. As an exercise in Expressionism, it fully deserves inclusion in the canon of great German horror films", comparing Robison's film to the best of F.W. Murnau and Fritz Lang. He says however that the film runs out of steam toward
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During a dinner given by a wealthy count (Fritz
Kortner), his beautiful wife (Ruth Weyher) and four of her suitors come together at the 19th-century German manor. A magician (Alexander Granach), referred to as "Shadowplayer" in the cast list, rescues the count's marriage by giving all the guests a
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Director Arthur
Robison was born in Chicago, Illinois in 1883, but grew up in Germany where he became an established writer-director in the German silent film industry. His first film was the 1916 German horror film
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Anthony Blanche's description of Sebastian's companion Kurt: "He is like the footman in "Warning Shadows" - a great clod of a German..." (presumably the character portrayed by
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ranked it among the masterpieces of German cinema, but lamented that it came and went all but unnoticed by the general public.
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the end and the characters were too stereotypical to be very interesting.
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Caligari To Hitler: A Psychological History of the German Film
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617:Jenny Lind
347:References
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282:Production
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142:85 minutes
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