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222:. Miscasting in professional productions of McLellan's Scots plays was a regular complaint for the playwright, often in contrast to amateur productions of his Scots in which actors without formal training gave sympathetic and authentic delivery of the language.
192:, first developed their skills and methods through performance with the more innovative non-professional companies listed above. Similarly, native playwrights who wished to present authentic representations of Scottish life on the stage, such as
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during the 1950s, the number of amateur companies in
Scotland, in common with the situation elsewhere, began to decline from its peak in the 1940s, but it still remains a vigorous part of Scottish cultural life.
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The SCDA has maintained a successful annual one-act drama festival since its inception, with one interregnum of five years (1940–45) during the Second World War.
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playwrights in particular were well served by non-professional theatre at a time when voicing for professional actors in
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No teaching institutions offered formal provision for training in
Scottish styles of performance or
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and others, first came to attention generally through amateur productions of their plays.
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until the establishment of the
Glasgow College of Dramatic Art in 1950 (as part of the
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in 1942, Scotland finally began to develop a native professional theatre.
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Playing for
Scotland: A History of the Scottish Stage, 1715-1965
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with the goal to promote native theatre. During the
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48:but its sources remain unclear because it lacks
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16:Scottish association of amateur dramatic clubs
289:Scottish Community Drama Association History
79:Learn how and when to remove this message
354:Arts organizations established in 1926
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303:Glasgow University Library Archive Hub
125:was founded during the period of the
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153:movement, in particular Glasgow's
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269:A History of Scottish Theatre
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276:The Modern Scottish Theatre
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229:'s establishment of the
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220:received pronunciation
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157:(1932–39) founded by
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339:Scottish Renaissance
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329:Theatre in Scotland
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334:History of theatre
260:Campbell, Donald
253:Barlow, Priscilla
206:Ena Lamont Stewart
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36:list of references
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61:introducing
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69:April 2012
104:Scotland
248:Sources
216:Britain
174:diction
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