82:. From the age of 13, he also enrolled for a time at the Brendan Smith Academy of Acting. While he was still at school, Bodley received his first lessons in composition privately from the Dublin-based German choral conductor Hans Waldemar Rosen (1904–1994), which continued, on and off, until 1956. From his student days he performed as an accompanist to singers and took part in chamber music performances. An important element in his musical education was the twice-weekly free concerts given by the Radio Éireann Symphony Orchestra in the Phoenix Hall, Dame Court, where he had the opportunity to hear leading Irish and international performers and conductors presenting both classics and modern repertory.
216:. Though not universally applauded, particularly in Ireland, it has also been hailed as the "most coherent and challenging use of traditional music in a modern context" that "no longer sought to fuse the traditional with the sophisticated, but openly confronted the different musical materials, traditional melodies clashing with modern discords, triads with clusters". A less clearly defined fourth work-phase followed during the 1980s and '90s, with Bodley's compositions reflecting both Irish and European influences. Examples of this mature style can be found in
178:, the Violin Sonata (1959) or the Symphony No. 1 (1959), when he arranged numerous Irish traditional tunes for choir and for orchestra, and when he also wrote a number of songs to the baritone voice of Tomás Ó Súilleabháin. This is a largely tonal phase, rather reflecting his technical skills than any great degree of originality. There is a marked development in works of the 1960s beginning with the Divertimento for string orchestra (1961) and continuing particularly after his three visits to the
220:(1989), a 20-minute chamber piece for flute, clarinet, harp, and cello, and his String Quartet No. 2 (1992), in which melodic traits of Irish traditional music are applied in a very subtle way. In large-scale works such as his Symphonies Nos 4 and 5 (both completed in 1991), the "public" commissions partly led to a neo-Romantic style with very little resemblance to earlier phases in Bodley's output.
231:(2002). "Bodley now allows himself to include tonal elements within his freely atonal language and to use serially generated material ". Late works like the String Quartets No. 3 (2004) and No. 4 (2007) and the Piano Trio (2014) display a remarkable energy and density of expression. He also continues to be drawn to setting poetic texts and has produced highly original scores in
182:(1963, '64, '65). Cox noted "The instrumental writing is notably more experimental than in Bodley's previous orchestral works, with its frequent recourse to colouristic string effects. It musical language is also more adventurous, and the piece also displays his first tentative foray into using all twelve tones of the chromatic within a theme ."
189:"the principal Irish exponent of post-serial compositional procedures". The visits to Darmstadt, made possible with the awarding of the Macauley Fellowship in 1962, led to the belief that the avant-garde style taught there "was almost the only way that music could develop". Key works of this phase include the piano piece
43:, in 2008. Bodley is widely regarded as one of the most important composers of twentieth-century art music in Ireland, having been "integral to Irish musical life since the second half of the twentieth century, not just as a composer, but also as a teacher, arranger, accompanist, adjudicator, broadcaster, and conductor".
120:
Bodley's development as a composer saw several distinct phases. In the 1970s he merged avant-garde styles with elements from Irish traditional music and became a figure of national importance. He received several prestigious commissions for large-scale works, such as
Symphony No. 3 (1981), written
754:
Numerous arrangements of Irish traditional music for orchestra; choir & orchestra; solo voice, choir & orchestra; solo voice and piano/harp; unaccompanied choirs; choir & organ; choir & piano; and others
116:
From 1959 until his retirement in 1998, Bodley lectured at the university's music department, becoming associate professor in 1984. During the 1960s, Bodley was conductor of the
Culwick Choral Society.
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Music was encouraged in his parents' home, and he received initial lessons on the mandolin from his father and on the piano from his mother. He studied the piano, harmony and counterpoint at the
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200:
A third work-phase from 1972 to 1980 is characterised by an intense discourse between the idioms of Irish traditional music and the
European avant-garde. This is obvious in works like
163:. Among his subsequent works are seven symphonies, five for full orchestra and two for chamber ensemble. a wide range of instrumental and vocal music, including the orchestral piece
903:
307:(1988). Probably Bodley's most widely heard work is his orchestral arrangement of the traditional Irish tune "The Palatine's Daughter", which was used as the theme music for
94:
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781:(folksong arrangement for orchestra), performed by Radio Éireann Light Orchestra, Éimear Ó Broin (cond.), on: Gael-Linn CEF 001 (LP, 1958), re-issued as
89:
degree from
University College Dublin (UCD), mainly with Anthony Hughes. He obtained the degree in 1955. From 1957 to 1959 he studied composition (with
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197:(1971). The String Quartet has been described as a work of "extreme complexity", representing "a peak of abstraction unique in Bodley's output".
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791:(folksong arrangement for orchestra), performed by Radio Éireann Light Orchestra, Éimear Ó Broin (cond.), on: Gael-Linn CEF 004 (LP, c.1960).
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Chamber
Symphony no. 1, performed by New Irish Chamber Orchestra, André Prieur (cond.), on: New Irish Recording Company NIR 012 (LP, 1974).
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Besides concert and liturgical music, Bodley has written music for film and television for many years, examples being the TV documentaries
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Klein (1996) distinguishes four creative phases in Bodley's work. The first encompasses the early years until 1961 when influences of
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859:(folksong arrangement f. choir), performed by Cór Naomh Mhúire, Fintan Ó Murchu (cond.), on: Corkfest Records 94 (CD, 1994).
109:, and in piano with Alfred Kreutz. He returned to Germany several times in the early 1960s to participate in courses at the
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Axel Klein: "'Aber was ist heute schon noch abenteuerlich?'. Ein
Portrait des irischen Komponisten Seóirse Bodley", in:
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Bodley's liturgical music stands somewhat apart from these stylistic shifts. It includes congregational masses like the
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on him in
November 2008. McAleese said that Bodley "has helped us to recast what it means to be an artist in Ireland".
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at
Parnell Square. He later studied at the School of Commerce in Rathmines, where he obtained his Leaving Certificate.
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A potential fifth phase occurred after around 1999, beginning with works like the substantial piano compositions
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101:, Germany, and a year later he obtained a Doctorate in Music from UCD. He also took classes in conducting with
67:. He attended schools in the Dublin suburbs of Phibsboro and Glasnevin before he moved at the age of nine to
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String
Quartet No. 1, performed by RTÉ String Quartet, on: New Irish Recording Company NIR 006 (LP, 1973).
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797:(arr.), performed by RTÉ Singers, Hans Waldemar Rosen (cond.), on: Harmonia Mundi HMS 30691 (LP, 1965).
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825:, performed by Clonliffe College Choir, S. Bodley (cond.), on: Network Tapes NTO 55C (MC, 1977).
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31:; 4 April 1933 – 17 November 2023) was an Irish composer and associate professor of music at
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A Hazardous Melody of Being: Seóirse Bodley's Song Cycles on the Poems of
Micheal O'Siadhail
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The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One
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971:(songcycle), performed by Aylish Kerrigan (mezzo) and Dearbhla Collins (piano), on:
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193:(1963), the Chamber Symphony No. 1 (1964), the String Quartet No. 1 (1968) and the
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59:(Dublin office), and later of the Dublin Ports and Docks Board. His mother, Mary (
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Axel Klein: "Irish Composers and Foreign Education. A Study of Influences", in:
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String Quartet No. 1 (first movement), performed by RTÉ ConTempo Quartet, on:
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Axel Klein: "Roots and Directions in Twentieth-Century Irish Art Music", in:
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and of his Stuttgart teacher J. N. David were audible in works like his
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1185:"Tributes paid to Irish composer Seóirse Bodley, who has died aged 90"
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for two pianos (1972; one-piano version, 1977), the orchestral score
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55:. His father was George James Bodley (1879–1956), an employee of the
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Benjamin Dwyer: "An Interview with Seóirse Bodley", in: B. Dwyer:
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A Community of the Imagination: Seóirse Bodley's Goethe Settings
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A Community of the Imagination: Seóirse Bodley's Goethe Settings
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State University of Music and Performing Arts Stuttgart alumni
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Based on Klein (2001), with more recent ones as linked below.
167:(1975), four string quartets, and several large song cycles.
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Irish Classical Recordings. A Discography of Irish Art Music
819:(cond.), on: New Irish Recording Company DEB 002 (LP, 1974).
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Contemporary Music Centre profile and list of compositions
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For the remainder of the decade, he was, according to the
155:, which was given its premiere on 10 December 1952 by the
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vol. 7) (Dublin: Four Courts Press, 2003), pp. 178–179.
884:, performed by National Symphony Orchestra of Ireland,
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Charles Acton: "Interview with Seóirse Bodley", in:
143:Bodley died on 17 November 2023, at the age of 90.
1385:(Westport, Conn.: Greenwood Press, 2001), p. 12-4.
1074:Different Voices. Irish Music and Music in Ireland
632:(for voice and piano, if not otherwise mentioned)
1275:vol. 4 (Dublin: Four Courts Press, 1996), p. 282.
992:Malcolm Barry: "Examining the Great Divide", in:
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1302:Malcolm Barry: "Examining the Great Divide", in
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295:James Joyce: 'Is there one who understands me?'
251:for soprano and guitar (2004), both on poems by
912:, performed by Isabelle O'Connell (piano), on:
853:(piano), Gael-Linn CEF 085 (LP & MC, 1980).
725:(J.W. von Goethe) for soprano and guitar (2004)
689:, song cycle (Antonio González-Guerrero) (1988)
151:Bodley's first significant composition was his
1149:(Hildesheim: Georg Olms Verlag, 1996), p. 362.
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1097:(Dublin: Field Day Publications, 2010), p. 1.
1076:(Hofheim: Wolke Verlag, 2014), p. 82–93.
815:(arr.), performed by Culwick Choral Society,
57:London Midland & Scottish Railway Company
35:(UCD). He was the first composer to become a
1168:"Presidential approval for honoured artists"
247:for soprano, baritone and piano (2004) and
1493:Alumni of the Royal Irish Academy of Music
898:; Chamber Symphony No. 1; Symphony No. 2:
835:, , on: Network Tapes NTO 102C (MC, 1979).
547:for 2 pianos (1972), for piano solo (1977)
497:for flute, clarinet, harp and cello (1989)
128:In 1982 Bodley became a founder-member of
78:, and obtained a Licentiate in piano from
1518:Irish classical composers of church music
1423:Video interview recorded on 20 April 2008
400:Mediations on Lines from Patrick Kavanagh
259:(2011) for soprano and piano on words by
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1046:(Dublin: Field Day Publications, 2010),
719:) for soprano, baritone and piano (2004)
195:Meditations on Lines of Patrick Kavanagh
51:Bodley was born George Pascal Bodley in
896:A Small White Cloud Drifts over Ireland
485:Trio for flute, violin and piano (1986)
361:A Small White Cloud Drifts over Ireland
206:A Small White Cloud Drifts over Ireland
187:Grove Dictionary of Music and Musicians
165:A Small White Cloud Drifts over Ireland
1473:21st-century Irish classical composers
1453:20th-century Irish classical composers
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1249:(Hildesheim: Olms, 1996), pp. 361–363.
1014:7) (Dublin: Four Courts Press, 2003),
1483:21st-century Irish conductors (music)
1478:21st-century Irish classical pianists
1463:20th-century Irish conductors (music)
1458:20th-century Irish classical pianists
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208:(1975), and the 40-minute song cycle
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1317:Irish Music in the Twentieth Century
1247:Die Musik Irlands im 20. Jahrhundert
1147:Die Musik Irlands im 20. Jahrhundert
1008:Irish Music in the Twentieth Century
1006:Gareth Cox & Axel Klein (eds.):
959:The Tightrope Walker Presents a Rose
551:The Tightrope Walker Presents a Rose
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1498:Alumni of University College Dublin
996:16 (Oct./Nov. 1983), p. 15–20.
683:, song cycle (M. O'Siadhail) (1987)
278:(1980) and smaller works such as a
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1306:16 (October/November 1983), p. 18.
522:for violin, cello and piano (2014)
491:for string trio and speaker (1987)
387:Metamorphoses on the Name Schumann
291:Michael Davitt and the Land League
63:Gough, 1891–1977), worked for the
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1488:21st-century Irish male musicians
1468:20th-century Irish male musicians
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1372:Details in Cox (2010), pp. 180–4.
1219:Contemporary Music Centre profile
1061:(Dublin: Carysfort Press, 2013);
1029:(Dublin: Carysfort Press, 2008),
936:, performed by Fidelio Trio, on:
910:The Narrow Road to the Deep North
900:I Have Loved the Lands of Ireland
843:The Narrow Road to the Deep North
545:The Narrow Road to the Deep North
368:I Have Loved the Lands of Ireland
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202:The Narrow Road to the Deep North
180:Darmstadt New Music Summer School
1354:(Dublin: Carysfort Press, 2013).
1003:no. 52, Jan. 1994, p. 21–5.
880:Symphony No. 4; Symphony No. 5:
693:By the Margins of the Great Deep
665:(B. Kennelly), song cycle (1978)
1533:Irish male film score composers
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1187:. Hot Press. 17 November 2023
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539:Prelude, Toccata and Epilogue
373:Chamber Symphony No. 2 (1982)
351:Chamber Symphony No. 1 (1964)
243:, 2002) for mezzo and piano,
191:Prelude, Toccata and Epilogue
136:conferred the distinction of
1513:Composers from Dublin (city)
989:5 (1970) 3, pp. 117–33.
305:W. B. Yeats: Cast a Cold Eye
76:Royal Irish Academy of Music
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1350:See Lorraine Byrne Bodley:
657:Never to have Lived is Best
516:String Quartet No. 4 (2007)
500:String Quartet No. 2 (1992)
470:String Quartet No. 1 (1968)
410:Ceathrúintí Mháire Ní Ógáin
339:for string orchestra (1952)
85:From 1952 he studied for a
10:
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717:Johann Wolfgang von Goethe
482:for flute and piano (1973)
476:for flute and piano (1971)
16:Irish composer (1933–2023)
474:In Memory of Seán Ó Riada
257:The Hiding Places of Love
157:Dublin Orchestral Players
33:University College Dublin
1363:Cox (2010), pp. 178–179.
1205:"Symphony Concert", in:
813:I Will Walk with My Love
795:I Will Walk with My Love
467:for 2 Irish harps (1968)
286:(2007) for mixed choir.
146:
93:) and conducting at the
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1025:Lorraine Byrne Bodley:
833:Hymn to St. John of God
695:(George Russell) (1995)
671:(Seóirse Bodley) (1985)
603:(Tomás Ó Floinn) (1956)
297:(1981), the RTÉ series
121:for the opening of the
111:Darmstädter Ferienkurse
80:Trinity College, London
857:Laoi Chainte an Tombac
731:(M. O'Siadhail) (2006)
713:Mignon und der Harfner
569:An Exchange of Letters
503:String Quartet No. 3:
343:Movement for Orchestra
311:'s rural drama series
300:Caught in a Free State
280:Hymn to St John of God
245:Mignon und der Harfner
229:An Exchange of Letters
1538:Irish music arrangers
1332:Klein (2003), p. 178.
1321:Irish Musical Studies
1284:Klein (1996), p. 362.
1273:Irish Musical Studies
1172:The Irish Independent
1158:Klein (1996), p. 361.
1012:Irish Musical Studies
914:Diatribe DIACDSOL 001
882:The Limerick Symphony
875:Echo Classics Digital
779:Iníon an Phailitínigh
378:The Limerick Symphony
348:Symphony No. 1 (1959)
123:National Concert Hall
651:William Butler Yeats
615:(B. Kennelly) (1977)
461:Violin Sonata (1959)
394:Voice with orchestra
91:Johann Nepomuk David
1508:Composers for piano
1341:Cox (2010), p. 143.
1209:, 11 December 1952.
1174:, 25 November 2008.
1118:Cox (2010), p. 1–2.
945:RTÉ lyric fm CD 153
934:Dancing in Daylight
904:RTÉ Lyric fm CD 121
890:Marco Polo 8.225157
783:Gael-Linn CEFCD 001
659:(W.B. Yeats) (1965)
520:Dancing in Daylight
414:Máire Mhac an tSaoi
212:(1978) to words by
159:under the baton of
1293:Cox (2010), p. 57.
1258:Cox (2010), p. 29.
1235:Grove Music Online
1136:Cox (2010), p. 20.
789:Táim Gan Im Gan Ór
739:Christina Rossetti
630:Songs, Song cycles
619:The Radiant Moment
563:News from Donabate
533:Four Little Pieces
480:September Preludes
449:Micheal O'Siadhail
383:Sinfonietta (2000)
225:News from Donabate
107:Karl Maria Zwißler
28:[ˈʃoːɾˠʃə]
1127:Cox (2010), p. 2.
1109:Cox (2010), p. 1.
1067:978-1-909325-31-9
1052:978-0-946755-48-6
1035:978-1-904505-31-0
847:Bernadette Greevy
773:Music for Strings
760:
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723:Zeiten des Jahres
669:A Passionate Love
641:William Allingham
513:for guitar (2006)
337:Music for Strings
284:Amra Cholum Cille
249:Zeiten des Jahres
176:Music for Strings
153:Music for Strings
87:Bachelor of Music
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1464:
1461:
1459:
1456:
1454:
1451:
1449:
1446:
1444:
1441:
1440:
1438:
1429:
1425:
1420:
1418:
1414:
1411:
1409:
1405:
1402:
1400:
1397:
1396:
1384:
1378:
1369:
1360:
1353:
1347:
1338:
1329:
1322:
1318:
1312:
1305:
1299:
1290:
1281:
1274:
1270:
1264:
1255:
1248:
1242:
1236:
1231:
1229:
1227:
1220:
1215:
1208:
1202:
1186:
1180:
1173:
1169:
1164:
1155:
1148:
1142:
1133:
1124:
1115:
1106:
1104:
1096:
1090:
1086:
1075:
1071:
1068:
1064:
1060:
1056:
1053:
1049:
1045:
1044:
1039:
1036:
1032:
1028:
1024:
1021:
1020:1-85182-647-5
1017:
1013:
1009:
1005:
1002:
998:
995:
991:
988:
984:
983:
974:
970:
967:
964:
960:
956:
952:
949:
946:
942:
939:
935:
932:
929:
925:
921:
918:
915:
911:
908:
905:
901:
897:
894:
891:
888:(cond.), on:
887:
886:Colman Pearce
883:
879:
876:
872:
868:
864:
861:
858:
855:
852:
848:
844:
840:
837:
834:
830:
827:
824:
823:Mass of Peace
821:
818:
814:
811:
808:
805:
802:
799:
796:
793:
790:
787:
784:
780:
777:
774:
771:
770:
769:
756:
753:
746:
743:
740:
736:
733:
730:
727:
724:
721:
718:
714:
711:
708:
704:
700:
697:
694:
691:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
658:
655:
652:
648:
645:
642:
638:
635:
634:
633:
631:
624:
620:
617:
614:
611:
608:
605:
602:
599:
596:
592:
589:
586:
583:
582:
581:
579:
575:
570:
567:
564:
561:
558:
555:
552:
549:
546:
543:
540:
537:
534:
531:
530:
529:
528:
521:
518:
515:
512:
509:
506:
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
466:
463:
460:
459:
458:
457:
456:Chamber music
450:
446:
443:
440:
439:Johann Walter
436:
435:Martin Luther
432:
429:
426:
422:
418:
415:
411:
408:
405:
401:
398:
397:
396:
395:
388:
385:
382:
379:
375:
372:
369:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
335:
334:
333:
332:
328:
327:
318:
316:
315:
310:
306:
302:
301:
296:
292:
287:
285:
281:
277:
276:Mass of Glory
273:
269:
268:Mass of Peace
264:
262:
261:Seamus Heaney
258:
254:
250:
246:
242:
238:
234:
230:
226:
221:
219:
215:
211:
207:
203:
198:
196:
192:
188:
183:
181:
177:
173:
168:
166:
162:
161:Brian Boydell
158:
154:
144:
141:
139:
135:
134:Mary McAleese
131:
126:
124:
118:
114:
112:
108:
104:
100:
96:
92:
88:
83:
81:
77:
72:
70:
66:
62:
58:
54:
44:
42:
38:
34:
29:
21:
1382:
1381:Axel Klein:
1377:
1368:
1359:
1351:
1346:
1337:
1328:
1320:
1316:
1311:
1303:
1298:
1289:
1280:
1272:
1268:
1263:
1254:
1246:
1245:Axel Klein:
1241:
1234:
1214:
1206:
1201:
1189:. Retrieved
1179:
1171:
1163:
1154:
1146:
1145:Axel Klein:
1141:
1132:
1123:
1114:
1094:
1093:Gareth Cox:
1089:
1073:
1058:
1042:
1041:Gareth Cox:
1026:
1011:
1007:
1000:
993:
987:Éire-Ireland
986:
980:Bibliography
968:
958:
954:
950:
933:
919:
909:
899:
895:
881:
870:
866:
862:
856:
851:John O'Conor
849:(mezzo) and
842:
838:
832:
828:
822:
817:Eric Sweeney
812:
800:
794:
788:
778:
772:
767:
752:Arrangements
751:
750:
744:
734:
728:
722:
712:
707:Walt Whitman
698:
692:
686:
680:
674:
668:
662:
656:
646:
636:
629:
628:
618:
613:A Chill Wind
612:
606:
600:
590:
584:
580:(a capella)
578:Choral Music
577:
576:
568:
562:
556:
550:
544:
538:
532:
526:
525:
519:
510:
504:
494:
488:
479:
473:
464:
455:
454:
444:
430:
420:
409:
399:
393:
392:
386:
377:
367:
360:
354:
342:
336:
330:
329:
314:The Riordans
312:
304:
298:
294:
290:
288:
283:
279:
275:
271:
267:
265:
256:
248:
244:
241:Walt Whitman
232:
228:
224:
222:
217:
209:
205:
201:
199:
194:
190:
184:
175:
169:
164:
152:
150:
142:
127:
119:
115:
84:
73:
60:
50:
19:
18:
1448:2023 deaths
1443:1933 births
1191:17 November
975:(CD, 2017).
965:(CD, 2016).
947:(CD, 2016).
940:(CD, 2015).
930:(CD, 2010).
924:John Feeley
916:(CD, 2010).
906:(CD, 2008).
892:(CD, 2001).
877:(CD, 1996).
829:Mass of Joy
785:(CD, 2009).
637:The Fairies
527:Piano music
489:The Fiddler
431:Fraw Musica
303:(1983) and
282:(1978) and
272:Mass of Joy
227:(1999) and
1437:Categories
1081:References
1001:MusikTexte
764:Recordings
607:Trí Aortha
465:Scintillae
235:(words by
24:pronounced
1304:Soundpost
994:Soundpost
591:Cúl an Tí
495:Phantasms
331:Orchestra
218:Phantasms
99:Stuttgart
47:Biography
955:Remember
745:Gretchen
741:) (2011)
735:Remember
709:) (2002)
653:) (1953)
643:) (1953)
625:) (1979)
597:) (1955)
557:Aislingí
451:) (2000)
441:) (1996)
427:) (1980)
416:) (1973)
406:) (1971)
293:(1979),
274:(1978),
270:(1976),
1543:Saoithe
1428:YouTube
1408:Discogs
920:Islands
511:Islands
130:Aosdána
41:Aosdána
1065:
1050:
1033:
1018:
969:A Girl
839:A Girl
729:Squall
677:(1986)
663:A Girl
571:(2002)
565:(1999)
559:(1977)
553:(1976)
541:(1963)
535:(1954)
507:(2004)
389:(2004)
380:(1991)
370:(1980)
363:(1975)
357:(1967)
345:(1956)
255:, and
253:Goethe
210:A Girl
53:Dublin
1170:, in
147:Music
1417:IMDb
1193:2023
1063:ISBN
1048:ISBN
1031:ISBN
1016:ISBN
421:Ceol
239:and
138:Saoi
105:and
37:Saoi
1426:on
1415:at
1319:(=
1271:(=
1010:(=
309:RTÉ
97:in
61:née
39:of
1439::
1225:^
1102:^
957:;
953:;
869:;
865:;
841:;
831:;
705:,
437:,
317:.
263:.
125:.
1195:.
1069:.
1054:.
1037:.
1022:.
737:(
715:(
701:(
649:(
639:(
621:(
593:(
447:(
433:(
423:(
412:(
402:(
22:(
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