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by
Gallipido Tallier - published in 1704 - and the painter was addressed with these words «... knowing the world the virtue, which she generally possesses of coloring and painting; And I am going to say, that the opre of his penoron have a not that of celestial, which dazzles the sight to whom they
302:
Sebastiano
Bombelli was also an art expert: being the greatest connoisseur of Paolo Veronese, he was often contacted to verify the authenticity of works that surfaced on the market. Concurrently with this activity, Bombelli was also a restorer. Unfortunately, to give new brilliance to ancient
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Nuovo plico d'ogni sorta di tinture, arricchito di rari, e bellissimi secreti per colorire animali, vegetabili, e minerali. Raccolti da
Gallipido Tallier, e datti [!] in luce dal medesimo Ă beneficio comune. Consecrato al molt'illustre signor kau. Sebastiano Bombelli pittore
360:"Raccolta di lettere sulla pittura, scultura ed architettura scritte da' piĂą celebri personaggi dei secoli 15., 16. E 17. Pubblicata da m. Gio. Bottari e continuata fino ai nostri giorni da Stefano Ticozzi. Volume primo [-ottavo ed ultimo]: 5"
508:
Storia pittorica della Italia dal
Risorgimento delle belle arti fin presso al fine del 18. secolo di Luigi Lanzi Volume 1. [-4.]: Volume 3. ove si descrivono la scuola veneziana e le scuole lombarde di Mantova, Modena, Parma, Cremona e
303:
artworks, he used paints and lacquers that - with the passing of time - oxidized blackening the paint film. Various sources, contemporary and non-contemporary, refer to this information, in particular
162:); the two artists remained on excellent terms throughout their lives, as demonstrated by a beautiful letter from Bombelli addressed to the former student in 1716. He was also the master of
57:
on 14 or 15 October 1635 (baptized on the 15th), educated and trained under the guidance of his father
Valentino and the godfather Girolamo Lugaro, he moved from a young age to
150:(Giuseppe Vittore Ghislandi) who spent a decade in Venice and had the opportunity to meet and collaborate with Bombelli. For a time he also studied in his workshop a young man
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122:, Venice) and in the most simplified ones. His characters emerge from the shadows although described to the smallest detail, showy with their showy and festive attires.
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and lent his service to some cardinals. . His atelier in Venice was very famous and frequented by important personalities passing through Venice, in particular during
564:
Cafagna, Ettore; Dal Cin, Valentina; Harivel, Maud (April 2017). "Linguaggi del potere: l'Ă©lite della
Repubblica di Venezia fra legittimazione e rappresentazione".
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Infirm in the last years of his life, he died in Venice on 4 May 1719. His executors were the beloved and powerful nephews Paolo and
Girolamo Celotti, both
170:, a personal friend of the friulian painter; Bombelli's fame as a skilled portrait painter was known internationally, so much so that one of his pupils was
110:
Among the peculiar characteristics of his works emerge vitality, expressiveness and communicability, both in the portraits anchored to the tradition
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129:(Civici Musei, Galleria d'Arte Antica, Udine), characterized by a marked introspective vein and free from the embellishments typical of the
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376:
Vite de'pittori, scultori, ed architetti
Genovesi. Seconda edizione riveduta, accresciuta, ed arrichita di note da Carlo Giuseppe Ratti
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and of the contemporary taste of the "tenebrosi" was addressed by
Bombelli in the sector in which he specialized most, namely
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307:. His mastery of the use of colors, however, was much appreciated, to the extent that he was the dedicatee of the text
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Bombelli had a half brother, Raffaele, also a painter, less well known than
Sebastiano and active in the Friuli area.
726:
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https://books.google.com/books?id=4GYCAAAAYAAJ&printsec=titlepage&dq=DICTIONARY+AACHEN+AALST&as_brr=1
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dizionariobiograficodeifriulani.it – Dizionario biografico dei friulani. Nuovo Liruti online
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103:(Civici Musei, Galleria d'Arte Antica, Udine), a painting that shows influences from
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Rosalba Carriera: 1673-1757: maestra del pastello nell'Europa ancien régime
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193:. His portraiture style later also influenced other painters, including
259:(future emperor's Leopold I second wife) and Mary Magdalene, for the
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29:(October 1635; 4 May 1719) was an Italian painter, mainly active in
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Vol. I: A-K, Robert Edmund Graves, p. 150, London, 1886, url=
512:(in Italian). dalla SocietĂ tipog. de' Classici italiani. p.
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Musicians of the court of the Grand Prince Ferdinando de 'Medici
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Dictionary of Painters and Engravers, Biographical and Critical
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659:. Istituto Pio Paschini per la storia della Chiesa in Friuli
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The artist also traveled and worked abroad, for example in
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and Giovanni Battista Parodi, sons of the Genoese sculptor
92:, during which he was able to appreciate the technique of
348:. Vol. II. Novara: De Agostini. 1964. p. 337.
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His first surviving work dates back to 1665, it is the
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219:
Portrait of Maximilian Philip Jerome of Bavaria, 1666
73:, quickly becoming one of his greatest connoisseurs.
295:: on this occasion he portrayed the prince in 1692
174:, famous painter and miniaturist at the court of
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69:, he began his career studying the manner of
61:where, after a period of specialization with
414:Sani, Bernardina; Carriera, Rosalba (2007).
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141:Portrait of Isabella del Sera, around 1671
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319:pictorial of Venice from 1687 to 1700.
277:Wilhelmina Amalia of Brunswick-LĂĽneburg
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601:, Thames and Hudson, 1970, p. 131
599:A Concise History of Venetian Painting
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211:Portrait of Joseph Clement of Bavaria
621:Dizionario Biografico degli Italiani
552:nuovo plico d'ogni sorta di tinture.
543:(in Italian). presso Lorenzo Basegio
454:Dizionario Biografico degli Italiani
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133:which had made it famous to Venice.
627:Istituto dell'Enciclopedia Italiana
459:Istituto dell'Enciclopedia Italiana
309:Nuovo plico d'ogni sorte di tinture
249:Maximilian Philip Jerome of Bavaria
88:. Not to underestimate his stay in
76:The synthesis of the techniques of
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742:18th-century Italian male artists
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396:(in Italian). Tipi del Gondoliere
379:(in Italian). Stamperia Casamara.
227:, where he portrayed the Elector
185:and with the young and promising
680:"Dizionario biografico friulano"
645:Mostra del Bombelli e del Carneo
591:"Galleria Web di arte biografia"
241:Maximilian II Emanuel of Bavaria
623:, Volume 11: Boccadibue–Bonetti
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267:where he portrayed the emperor
101:Portrait of Benedetto Mangilli
49:Portrait of Antonio Carli, 1670
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237:Maria Anna Vittoria of Bavaria
146:One of his many followers was
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722:18th-century Italian painters
712:17th-century Italian painters
233:Enrichetta Adelaide di Savoia
420:(in Italian). U. Allemandi.
299:(future king Frederick IV).
120:Querini Stampalia Foundation
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261:dukes of Brunswick-LĂĽneburg
257:Claudia Felicita of Austria
23:Italian painter (1635–1719)
10:
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536:Tallier, Galipido (1704).
487:(in Italian). Electa. 1988
373:Soprani, Raffaele (1769).
229:Ferdinand Maria of Bavaria
80:, of the impulse given by
732:Italian portrait painters
390:de Boni, Filippo (1840).
245:Joseph Clement of Bavaria
179:Peter the Great of Russia
172:Johann Gottfried Tannauer
727:Italian Baroque painters
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393:Biografia degli artisti
315:He was a member of the
160:Galleria dell'Accademia
152:Anton Domenico Gabbiani
220:
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125:Del 1675 is the first
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717:Italian male painters
653:"BOMBELLI SEBASTIANO"
647:, Doretti -Udine 1964
574:10.3280/ss2017-155001
505:Lanzi, Luigi (1825).
279:, was also active in
269:Leopold I of Habsburg
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737:Painters from Venice
651:Giuseppe Bergamini.
625:(in Italian). Rome:
457:(in Italian). Rome:
297:Frederick of Denmark
273:Joseph I of Habsburg
191:Academia di San Luca
618:Aldo Rizzi (1969).
27:Sebastiano Bombelli
255:and the daughters
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131:official portrait
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707:People from Udine
195:Alessandro Longhi
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183:Luca Carlevarijs
105:Bernardo Strozzi
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53:He was born in
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231:, his wife
86:portraiture
82:naturalists
78:Cinquecento
691:Categories
663:3 November
547:2018-11-03
519:2018-11-02
491:2018-11-02
433:2018-11-02
400:2018-11-02
312:aim ...».
94:Sustermans
90:Florentine
118:of 1684 (
114:like the
41:Biography
293:Carnival
281:Florence
164:Domenico
63:Guercino
37:period.
362:. 1822.
346:le muse
317:fraglia
225:Bavaria
158:at the
112:Baroque
67:Bologna
35:Baroque
633:
509:Milano
465:
424:
285:Mantua
265:Vienna
59:Venice
31:Venice
330:Notes
305:Lanzi
289:Parma
55:Udine
665:2018
631:ISBN
463:ISBN
422:ISBN
287:and
275:and
197:and
176:Tsar
570:doi
514:238
65:in
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