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addition, they suggested that
Michelangelo also included an anterior view of the spinal cord in God's chest and an image of the optic nerves and globes in God's abdomen. They showed how a "shadow analysis" of the unusual lines in God's neck correspond to specific spaces around the brainstem known as the "arachnoid cisterns," which were described in detail much later in 1875 but which Michelangelo inadvertently depicted in God's neck since he was able to render images with almost photographic accuracy. They concluded that "being a painter of genius, a master anatomist, and a deeply religious man, Michelangelo cleverly enhanced his depiction of God in the iconographically critical panels on the Sistine Chapel vault with concealed images of the brain and in this way celebrated not only the glory of God, but also that of His most magnificent creation."
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showed that the anatomical details in God's neck are unlike those of either other necks painted by
Michelangelo in the Sistine Chapel or of other necks painted by Michelangelo's contemporaries, such as Leonardo da Vinci and Raffaello Sanzio (Raphael). The unusual anatomy of God's neck is particularly evident when it is contrasted with the anatomy of the neck of the ignudo facing God in the upper left corner of the panel. The position of the neck of this ignudo is almost identical to that of God's neck, yet the ignudo's neck does not have any of the unusual lines found in God's neck. It is possible that Michelangelo placed these two analogous neck perspectives side by side to emphasize and contrast the hidden image in God's neck.
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addition it has been noted that the anatomy of God's neck is too complex and does not resemble the normal contour of the neck. The lighting scheme of the image has been noted to be inconsistent; whereas the entire scene is illuminated from the bottom left, God's neck appears to have a different light source from the right.
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Art historians have noted several unusual features of this fresco. Andrew Graham-Dixon has pointed out that God has exaggerated pectoral muscles suggestive of female breasts, which he interprets as
Michelangelo's attempt to illustrate "male strength but also the fecundity of the female principle." In
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in
December 2003, Lennart Bondeson and Anne-Greath Bondeson from Malmo University Hospital in Sweden, argued that the abnormality in God's neck is a goiter. This interpretation has been challenged on the basis that goiters typically occur lower in the neck and, as stated by Suk and Tamargo, that "it
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Suk and
Tamargo suggested that Michelangelo concealed a sophisticated image of the undersurface of the brainstem in God's neck and that by following Michelangelo's lines in God's neck, one can outline an anatomically correct image of the brainstem, cerebellum, temporal lobes, and optic chiasm. In
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Suk and
Tamargo explained that Michelangelo started to dissect cadavers at the age of 17–19 years and continued his anatomical studies throughout his life. As a result of his dissections, Michelangelo probably developed a detailed understanding of gross anatomy of the brain and spinal cord. They
292:"Furthermore, to demonstrate the perfection of his art and the greatness of God, Michelangelo depicted God dividing the light from darkness in these scenes, where He is seen in all His majesty as He sustains himself alone with open arms with the demonstration of love and creative energy.
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and which depict scenes from the Book of
Genesis. Michelangelo probably completed this panel in the summer of 1512, the last year of the Sistine ceiling project. It is one of five smaller scenes that alternate with four larger scenes that run along the center of the Sistine ceiling. The
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was the last of the nine panels painted by
Michelangelo. Michelangelo painted the Sistine ceiling in two stages. Between May 1508 and the summer of 1511, he completed the "entrance half" of the Sistine chapel and ended this stage by painting the
410:, the third panel in the Genesis series. Michelangelo was particularly interested in kidney function because he suffered from kidney stones throughout his adult life and documented this interest in his letters and poems, according to Eknoyan.
396:, along with two other Genesis panels, as a single thematic unit between the winter of 1511 and October 1512, it is possible that these four central panels have an underlying anatomical motif. Indeed, Garabed Eknoyan, a nephrologist from
183:. These figures are all different and appear less constrained within their space than the Ancestors of Christ or the Bronze Nudes. In the earliest frescoes painted by Michelangelo toward the entrance of the Sistine chapel, the
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and noted that God's upper chest and outstretched arms define a "U" shape, which they suggested is reminiscent of the hyoid bone, although they do not offer a thematic explanation for this structure in the fresco.
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in the five smaller
Genesis panels along the center of the Sistine ceiling. They are often described as painted to resemble bronze. Each is decorated with a picture from either the Old Testament or the
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Several authors have proposed that
Michelangelo concealed anatomical images in this fresco and that these anatomical images account for its unusual features. In an article published in the journal
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the shield above God shows Abraham sacrificing his son Isaac (Genesis 22:9–12), and the one below God shows the prophet Elijah as he is carried up to heaven in a chariot of fire (2 Kings 2:11).
284:, that is, a single working day of approximately eight hours. During Michelangelo's lifetime, this fresco was considered evidence of the painter's technical prowess at its peak. For instance,
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in October 1990, Frank Meshberger, an obstetrician-gynecologist from Indiana, explained that Michelangelo similarly concealed an image of the brain in the shroud surrounding God in the
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are young, nude males that Michelangelo painted as supporting figures at each corner of the five smaller narrative scenes along the center of the ceiling. There are a total of 20
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274:("from below, upward"), which makes a figure appear as if it is rising above the viewer by using foreshortening. The contrapposto pose was also used by Michelangelo in his
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rising into the sky, with arms outstretched separating the light from the darkness. Michelangelo employed in this fresco the challenging ceiling fresco technique of
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next to God's left arm is falling asleep and signifies nighttime. Pfeiffer and other scholars have also suggested that in Michelangelo's Sistine iconography the
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are paired, and their poses are similar but with minor variations. The variations in the poses increase with each set until the poses of the final set of four
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543:
Suk, Ian; Tamargo, Rafael J. (May 2010). "Concealed Neuroanatomy in Michelangelo's Separation of Light From Darkness in the Sistine Chapel (abstract)".
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Barreto, G., and de Oliveira, M. G.. A Arte Secreta de Michelangelo. Uma Licao de Anatomia na Capela Sistina. Editoria Arx, Sao Paulo, Brasil, 2004
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is unlikely that Michelangelo, a deeply religious individual, would have defiled the image of God in this important panel by giving God a goiter."
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below God's knee (on the side of light) is carrying a heavy bundle of oak garlands on his shoulders, representing a daytime activity, and that the
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next to God's right hand (on the side of darkness) is stretching as if awakening from sleep in the morning, that the diagonally opposed
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Although the meaning of these figures has never been completely clear, the Sistine scholar Heinrich Pfeiffer has proposed that the four
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and the scenes flanking this central panel. After an idle period of about 6 months, he painted the "altar half," starting with the
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God called the light "day," and the darkness he called "night." And there was evening, and there was morning—the first day.
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Meshberger, Frank Lynn (10 October 1990). "An Interpretation of Michelangelo's Creation of Adam Based on Neuroanatomy".
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Although in terms of the Genesis chronology it is the first of nine central panels along the Sistine ceiling, the
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Bondeson, L., and Bondeson, A. G.. Michelangelo's divine goitre. J. R. Soc. Med. 96: 609–611, December 2003
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represent day and night, which echo the theme of light and darkness. For instance, he points out that the
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Along these lines, Gilson Barreto and Marcelo G. de Oliveira, in a book published in 2004, analyzed the
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Meshberger wrote that Michelangelo concealed an image of the brain in the shroud surrounding God in the
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According to Vasari, Michaelangelo has “lifted the veil” of darkness typically found in artwork of the
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242:(1501-1504). The shoulders of the figure are seen to angle in one direction, the pelvis in another.
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585:"Michelangelo's secret message in the Sistine Chapel: A juxtaposition of God and the human brain"
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in May 2010, Ian Suk, a medical illustrator, and Rafael Tamargo, a neurosurgeon, both from the
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has been interpreted as a goiter (an enlarged thyroid gland). In an article published in the
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Suk and Tamargo proposed that there are three concealed neuroanatomical images in the
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280:(1501-1504). It is reported that Michelangelo painted this fresco in a single
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God saw that the light was good, and he separated the light from the darkness.
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Sistine Chapel ceiling (1508–1512), viewed from the ground near the altar.
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Eknoyan suggested that Michelangelo concealed an image of a kidney in the
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from the Apocrypha. The subjects of the shields are often violent. In the
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chronology, the first of nine central panels that run along the center of
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in March 2000 that Michelangelo concealed an image of a kidney in the
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is based on verses 3–5 from the first chapter of the Book of Genesis:
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Alternatively, the concealed anatomical image in God's neck in the
288:(1511–1574), Michelangelo's student and biographer, wrote in 1550:
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on Mental Health & Illness.com. Retrieved 21 September 2010.
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Lives of the Most Excellent Painters, Sculptors, and Architects
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and two shields or medallions surround the image of God in the
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484:. London, England: The Orion Publishing Group Ltd., 2008
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And God said, "Let there be light," and there was light.
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Two shields or medallions accompany each set of four
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represent angels and that the Bronze Nudes below the
471:. New York/London, Abbeville Press Publishers, 2007
262:At the center of the composition, God is shown in
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1558:Study of a Kneeling Nude Girl for The Entombment
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493:Vasari, Giorgio. The Lives of the Artists. 1550.
376:Of note is that in an article published in the
140:, between the winter of 1511 and October 1512.
1970:The Fall and Expulsion from the Garden of Eden
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673:"Michelangelo: Art, anatomy, and the kidney"
379:Journal of the American Medical Association
348:Johns Hopkins University School of Medicine
2148:Restoration of the Sistine Chapel frescoes
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1699:Restoration of the Sistine Chapel frescoes
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16:1512 Sistine Chapel fresco by Michelangelo
1947:The Creation of the Sun, Moon, and Plants
1340:The Creation of the Sun, Moon, and Plants
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431:Journal of the Royal Society of Medicine
421:, the third panel in the Genesis series.
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324:, the first panel in the Genesis series.
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1518:Santa Maria degli Angeli e dei Martiri
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400:, proposed in an article published in
175:and by two shields or medallions. The
1940:The Separation of Light from Darkness
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169:, the image of God is framed by four
1122:Giuliano de' Medici, Duke of Nemours
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32:Separazione della luce dalle tenebre
2297:Paintings based on the Hebrew Bible
1833:The Punishment of the Sons of Korah
509:Source: Notes in the History of Art
505:"The Divine Origins of Chiaroscuro"
482:Michelangelo and the Sistine Chapel
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583:Fields, R. Douglas (27 May 2010).
559:10.1227/01.NEU.0000368101.34523.E1
352:Separation of Light from Darkness.
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1333:Separation of Light from Darkness
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439:Separation of Light from Darkness
427:Separation of Light from Darkness
394:Separation of Light from Darkness
388:. Since Michelangelo painted the
334:Separation of Light from Darkness
322:Separation of Light from Darkness
257:Separation of Light from Darkness
204:Separation of Light from Darkness
193:Separation of Light from Darkness
167:Separation of Light from Darkness
159:Separation of Light from Darkness
129:Separation of Light from Darkness
111:Separation of Light from Darkness
93:Separation of Light from Darkness
22:Separation of Light from Darkness
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1953:The Separation of Land and Water
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1705:The Titan: Story of Michelangelo
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700:10.1046/j.1523-1755.2000.00947.x
639:10.1001/jama.1990.03450140059034
469:The Sistine Chapel: A New Vision
195:bear no relation to each other.
96:is, from the perspective of the
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671:Eknoyan, Garabed (March 2000).
1411:The Crucifixion of Saint Peter
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1884:The Vocation of the Apostles
1840:Testament and Death of Moses
1826:The Descent from Mount Sinai
1572:Studies for the Libyan Sibyl
1540:Works on paper, milieu, etc.
1254:The Torment of Saint Anthony
631:American Medical Association
419:Separation of Land and Water
408:Separation of Land and Water
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1819:The Crossing of the Red Sea
1678:Michelangelo and the Medici
1508:San Giovanni dei Fiorentini
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2143:Art patronage of Julius II
1661:Art patronage of Julius II
1586:PietĂ for Vittoria Colonna
398:Baylor College of Medicine
312:Anatomical interpretations
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300:, employing the skill of
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1898:The Delivery of the Keys
1579:The Punishment of Tityus
2254:Vatican City portal
1985:The Drunkenness of Noah
1891:The Sermon on the Mount
1805:Moses Leaving for Egypt
1736:Michelangelo quadrangle
1466:Basilica of San Lorenzo
503:Barolsky, Paul (2003).
236:pose in Michelangelo's
51:Michelangelo Buonarroti
2292:Sistine Chapel ceiling
2266:Catholicism portal
2224:Bartolomeo della Gatta
1487:Piazza del Campidoglio
1418:The Conversion of Saul
1294:Salone dei Cinquecento
966:Piccolomini Altarpiece
846:Battle of the Centaurs
480:Graham-Dixon, Andrew.
467:Pfeiffer, Heinrich W.
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106:Sistine Chapel ceiling
2307:God the Father in art
1975:The Sacrifice of Noah
1870:The Baptism of Christ
1731:Michelangelo (crater)
1635:Sebastiano del Piombo
1615:Tommaso dei Cavalieri
1565:Male Back with a Flag
1080:The Genius of Victory
839:Madonna of the Stairs
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2203:Domenico Ghirlandaio
2153:Sistine Chapel Choir
1959:The Creation of Adam
1497:St. Peter's Basilica
1347:The Creation of Adam
871:Arca di San Domenico
678:Kidney International
403:Kidney International
202:associated with the
1965:The Creation of Eve
1610:Cecchino dei Bracci
1104:Florence, 1516–1534
944:Florence, 1501–1505
590:Scientific American
226:are fallen angels.
1812:The Youth of Moses
1724:A Season of Giants
1707:(1950 documentary)
1482:Capitoline Museums
1462:Laurentian Library
1261:Manchester Madonna
1011:Rothschild Bronzes
863:Bologna, 1494–1495
523:– via JSTOR.
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60:First half of 1512
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2108:The Last Judgment
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1319:(ceiling gallery)
1303:Battle of Cascina
1282:Leda and the Swan
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1021:Tomb of Julius II
964:Additions to the
959:Madonna of Bruges
869:Additions to the
533:Graham-Dixon 2008
253:Book of Maccabees
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1213:Rondanini PietĂ
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1443:
1433:
1432:
1429:
1428:
1425:
1424:
1422:
1421:
1414:
1406:
1404:
1402:Pauline Chapel
1398:
1397:
1395:
1394:
1387:
1386:
1385:
1378:
1371:
1364:
1361:Prophet Isaiah
1357:
1354:Prophet Daniel
1350:
1343:
1336:
1323:
1321:
1315:Sistine Chapel
1311:
1310:
1308:
1307:
1298:
1296:
1290:
1289:
1287:
1286:
1278:
1271:
1268:The Entombment
1264:
1257:
1249:
1247:
1239:
1238:
1228:
1227:
1224:
1223:
1220:
1219:
1217:
1216:
1209:
1201:
1194:
1186:
1184:
1180:
1179:
1177:
1176:
1169:
1162:
1161:
1160:
1157:Medici Madonna
1153:
1146:
1139:
1132:
1125:
1117:Medici Chapel
1115:
1107:
1105:
1101:
1100:
1098:
1097:
1090:
1083:
1076:
1069:
1062:
1055:
1048:
1041:
1034:
1026:
1024:
1017:
1016:
1014:
1013:
1008:
1001:
994:
987:
986:
985:
962:
955:
947:
945:
941:
940:
938:
937:
930:
926:Standing Cupid
922:
915:
911:Sleeping Cupid
906:
904:
900:
899:
897:
896:
895:
894:
887:
884:Saint Proculus
880:
866:
864:
860:
859:
857:
856:
849:
842:
835:
831:Head of a Faun
826:
824:
810:
809:
799:
798:
796:
795:
792:
789:
781:
778:
777:
770:
769:
762:
755:
747:
740:
739:
730:
721:
660:
603:
572:
553:(5): 851–861.
535:
526:
495:
486:
473:
459:
457:
454:
449:
313:
310:
286:Giorgio Vasari
152:
145:
142:
125:
124:
121:
118:
86:
85:
79:Sistine Chapel
76:
72:
71:
66:
62:
61:
58:
54:
53:
48:
44:
43:
35:
34:
24:
23:
15:
9:
6:
4:
3:
2:
2319:
2308:
2305:
2303:
2300:
2298:
2295:
2293:
2290:
2288:
2285:
2284:
2282:
2267:
2262:
2257:
2255:
2245:
2244:
2241:
2238:
2235:
2232:
2230:
2227:
2225:
2222:
2220:
2217:
2215:
2212:
2209:
2206:
2204:
2201:
2199:
2196:
2194:
2191:
2189:
2185:
2182:
2181:
2178:
2171:
2170:
2166:
2164:
2161:
2159:
2158:Room of Tears
2156:
2154:
2151:
2149:
2146:
2144:
2141:
2140:
2138:
2134:
2128:
2127:
2123:
2122:
2120:
2116:
2110:
2109:
2105:
2104:
2102:
2098:
2088:
2087:
2083:
2081:
2080:
2079:Cumaean Sibyl
2076:
2074:
2073:
2072:Delphic Sibyl
2069:
2067:
2066:
2062:
2060:
2059:
2058:Persian Sibyl
2055:
2054:
2052:
2048:
2042:
2041:
2037:
2035:
2034:
2030:
2028:
2025:
2023:
2022:
2018:
2016:
2013:
2011:
2010:
2006:
2004:
2003:
1999:
1998:
1996:
1992:
1986:
1983:
1981:
1978:
1976:
1973:
1971:
1968:
1966:
1963:
1961:
1960:
1956:
1954:
1951:
1949:
1948:
1944:
1942:
1941:
1937:
1936:
1934:
1928:
1925:
1922:
1917:
1913:
1907:
1906:
1902:
1900:
1899:
1895:
1893:
1892:
1888:
1886:
1885:
1881:
1879:
1878:
1874:
1872:
1871:
1867:
1866:
1864:
1862:
1857:
1852:
1842:
1841:
1837:
1835:
1834:
1830:
1828:
1827:
1823:
1821:
1820:
1816:
1814:
1813:
1809:
1807:
1806:
1802:
1801:
1799:
1797:
1792:
1788:
1780:
1775:
1773:
1768:
1766:
1761:
1760:
1757:
1737:
1734:
1732:
1729:
1727:
1725:
1721:
1719:
1716:
1714:
1710:
1708:
1706:
1702:
1700:
1697:
1695:
1694:
1689:
1687:
1686:
1681:
1679:
1676:
1674:
1673:
1669:
1667:
1664:
1662:
1659:
1658:
1656:
1652:
1646:
1643:
1641:
1638:
1636:
1633:
1631:
1628:
1626:
1623:
1621:
1618:
1616:
1613:
1611:
1608:
1607:
1605:
1601:
1595:
1594:
1590:
1588:
1587:
1583:
1581:
1580:
1576:
1574:
1573:
1569:
1567:
1566:
1562:
1560:
1559:
1555:
1554:
1552:
1548:
1544:
1537:
1533:
1519:
1516:
1514:
1511:
1509:
1506:
1503:
1500:
1498:
1495:
1493:
1490:
1488:
1485:
1483:
1480:
1479:
1477:
1473:
1467:
1463:
1459:
1456:
1455:
1453:
1449:
1445:
1438:
1434:
1420:
1419:
1415:
1413:
1412:
1408:
1407:
1405:
1403:
1399:
1393:
1392:
1388:
1384:
1383:
1382:Prophet Jonah
1379:
1377:
1376:
1372:
1370:
1369:
1365:
1363:
1362:
1358:
1356:
1355:
1351:
1349:
1348:
1344:
1342:
1341:
1337:
1335:
1334:
1330:
1329:
1328:
1325:
1324:
1322:
1320:
1316:
1312:
1305:
1304:
1300:
1299:
1297:
1295:
1291:
1284:
1283:
1279:
1277:
1276:
1272:
1270:
1269:
1265:
1263:
1262:
1258:
1256:
1255:
1251:
1250:
1248:
1244:
1240:
1233:
1229:
1215:
1214:
1210:
1207:
1206:
1202:
1200:
1199:
1195:
1193:
1192:
1188:
1187:
1185:
1181:
1175:
1174:
1173:Crouching Boy
1170:
1168:
1167:
1163:
1159:
1158:
1154:
1152:
1151:
1147:
1145:
1144:
1140:
1138:
1137:
1133:
1131:
1130:
1126:
1124:
1123:
1119:
1118:
1116:
1114:
1113:
1109:
1108:
1106:
1102:
1096:
1095:
1091:
1089:
1088:
1084:
1082:
1081:
1077:
1075:
1074:
1070:
1068:
1067:
1063:
1061:
1060:
1059:Bearded Slave
1056:
1054:
1053:
1049:
1047:
1046:
1042:
1040:
1039:
1035:
1033:
1032:
1028:
1027:
1025:
1022:
1018:
1012:
1009:
1007:
1006:
1005:Saint Matthew
1002:
1000:
999:
995:
993:
992:
988:
984:
980:
976:
972:
969:
968:
967:
963:
961:
960:
956:
954:
953:
949:
948:
946:
942:
936:
935:
931:
928:
927:
923:
921:
920:
916:
913:
912:
908:
907:
905:
901:
893:
892:
888:
886:
885:
881:
879:
878:
874:
873:
872:
868:
867:
865:
861:
855:
854:
850:
848:
847:
843:
841:
840:
836:
833:
832:
828:
827:
825:
815:
811:
804:
800:
793:
790:
788:
787:
786:List of works
783:
782:
779:
775:
768:
763:
761:
756:
754:
749:
748:
745:
734:
725:
710:
706:
701:
696:
693:: 1190–1201.
692:
688:
684:
680:
679:
674:
667:
665:
657:
653:
648:
644:
640:
636:
632:
628:
624:
620:
616:
615:
607:
592:
591:
586:
579:
577:
568:
564:
560:
556:
552:
548:
547:
539:
530:
522:
518:
514:
510:
506:
499:
490:
483:
477:
470:
464:
460:
447:
443:
440:
435:
432:
428:
420:
415:
411:
409:
405:
404:
399:
395:
391:
387:
386:
381:
380:
371:
370:
364:
360:
356:
353:
349:
345:
344:
335:
330:
323:
318:
309:
305:
303:
299:
293:
289:
287:
283:
279:
278:
273:
272:
267:
266:
260:
258:
254:
249:
241:
240:
235:
231:
227:
225:
221:
217:
213:
209:
205:
201:
196:
194:
190:
186:
182:
178:
174:
173:
168:
160:
156:
150:
141:
139:
135:
130:
122:
119:
116:
115:
114:
112:
107:
103:
99:
95:
94:
84:
80:
77:
73:
70:
67:
63:
59:
55:
52:
49:
45:
41:
36:
33:
29:
25:
20:
2229:Michelangelo
2183:
2167:
2163:Vatican City
2124:
2106:
2086:Libyan Sibyl
2084:
2077:
2070:
2063:
2056:
2038:
2031:
2026:
2019:
2014:
2007:
2000:
1984:
1979:
1974:
1969:
1964:
1957:
1952:
1945:
1939:
1938:
1903:
1896:
1889:
1882:
1875:
1868:
1838:
1831:
1824:
1817:
1810:
1803:
1723:
1715:(1961 novel,
1712:
1704:
1692:
1684:
1683:Replicas of
1670:
1591:
1584:
1577:
1570:
1563:
1556:
1458:New Sacristy
1441:Architecture
1416:
1409:
1389:
1380:
1375:Prophet Joel
1373:
1366:
1359:
1352:
1345:
1338:
1332:
1331:
1301:
1280:
1273:
1266:
1259:
1252:
1211:
1203:
1196:
1189:
1171:
1164:
1155:
1148:
1141:
1134:
1127:
1120:
1110:
1092:
1085:
1078:
1071:
1064:
1057:
1050:
1043:
1036:
1029:
1003:
998:Taddei Tondo
996:
989:
982:
978:
974:
971:Saints Peter
970:
957:
950:
932:
924:
917:
909:
889:
882:
875:
851:
844:
837:
829:
791:âś» attributed
784:
774:Michelangelo
733:
724:
712:. Retrieved
682:
676:
618:
612:
606:
594:. Retrieved
588:
550:
546:Neurosurgery
544:
538:
529:
512:
508:
498:
489:
481:
476:
468:
463:
438:
436:
430:
426:
424:
418:
407:
401:
393:
389:
383:
377:
375:
367:
357:
351:
343:Neurosurgery
341:
339:
333:
321:
306:
295:
291:
281:
275:
269:
265:contrapposto
263:
261:
256:
247:
245:
237:
234:Contrapposto
233:
223:
219:
215:
211:
207:
203:
199:
197:
192:
188:
184:
180:
176:
170:
166:
164:
158:
154:
137:
133:
128:
126:
110:
102:Michelangelo
92:
91:
89:
83:Vatican City
31:
2172:(1965 film)
1930:Scenes from
1785:Art of the
1066:Atlas Slave
1052:Young Slave
1045:Dying Slave
1023:, 1505–1545
991:Pitti Tondo
633:: 1837–41.
302:chiaroscuro
298:Renaissance
271:sotto in su
144:Composition
2281:Categories
2118:Tapestries
2100:Altar wall
1718:1965 film)
1275:Doni Tondo
817:Florence,
807:Sculptures
714:11 January
515:(4): 8–9.
456:References
2027:Zechariah
1980:The Flood
1513:Porta Pia
1236:Paintings
687:Amsterdam
2009:Jeremiah
1994:Prophets
1859:Life of
1794:Life of
1593:Epifania
1451:Florence
853:Crucifix
709:10720972
691:Elsevier
627:Illinois
567:20404688
521:23206787
392:and the
282:giornata
75:Location
2234:Raphael
2136:Related
2015:Ezekiel
1932:Genesis
1921:Gallery
1916:Ceiling
1654:Related
1464:in the
1327:Ceiling
983:Gregory
919:Bacchus
656:Excerpt
647:2205727
623:Chicago
191:in the
165:In the
98:Genesis
28:Italian
2050:Sibyls
2040:Daniel
2033:Isaiah
1861:Christ
1603:Milieu
1191:Brutus
1166:Apollo
1087:Rachel
707:
645:
621:(14).
596:9 June
565:
519:
248:ignudi
224:ignudi
220:ignudi
216:ignudo
212:ignudo
208:ignudo
200:ignudi
189:ignudi
185:ignudi
181:ignudi
177:ignudi
172:ignudi
155:ignudi
69:Fresco
47:Artist
2002:Jonah
1796:Moses
1693:PietĂ
1685:David
1129:Night
1031:Moses
952:David
934:PietĂ
891:Angel
794:†lost
685:(1).
517:JSTOR
277:David
239:David
153:Four
2021:Joel
1475:Rome
1460:and
1150:Dawn
1143:Dusk
1094:Leah
981:and
979:Pius
975:Paul
716:2017
705:PMID
643:PMID
614:JAMA
598:2016
563:PMID
90:The
65:Type
57:Year
2186::
2184:Key
1136:Day
695:doi
652:Pdf
635:doi
619:264
555:doi
104:'s
2283::
977:,
973:,
819:c.
703:.
689::
683:57
681:.
675:.
663:^
654:.
641:.
629::
625:,
617:.
587:.
575:^
561:.
551:66
549:.
513:22
511:.
507:.
81:,
30::
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1764:v
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1306:â€
1285:â€
1208:âś»
929:â€
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834:â€
766:e
759:t
752:v
718:.
697::
649:.
637::
600:.
569:.
557::
372:.
336:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
