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727:(1867), which cites Chevreul's work. Blanc's book was directed at artists and art connoisseurs. Because of colour's emotional significance to him, he made explicit recommendations that were close to the theories later adopted by the Neo-Impressionists. He said that colour should not be based on the "judgment of taste", but rather it should be close to what we experience in reality. Blanc did not want artists to use equal intensities of colour, but to consciously plan and understand the role of each hue in creating a whole.
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377:, and followed a conventional academic training, drawing from casts of antique sculpture and copying drawings by old masters. Seurat's studies resulted in a well-considered and fertile theory of contrasts: a theory to which all his work was thereafter subjected. His formal artistic education came to an end in November 1879, when he left the École des Beaux-Arts for a year of military service.
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855:"With the advent of monochromatic Cubism in 1910–1911," writes art historian Robert Herbert, "questions of form displaced color in the artists' attention, and for these Seurat was more relevant. Thanks to several exhibitions, his paintings and drawings were easily seen in Paris, and reproductions of his major compositions circulated widely among the Cubists.
429:, a monumental work showing young men relaxing by the Seine in a working-class suburb of Paris. Although influenced in its use of color and light tone by Impressionism, the painting with its smooth, simplified textures and carefully outlined, rather sculptural figures, shows the continuing impact of his neoclassical training; the critic
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The concept was well established among the French artists that painting could be expressed mathematically, in terms of both color and form; and this mathematical expression resulted in an independent and compelling "objective truth", perhaps more so than the objective truth of the object represented.
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Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colours, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance
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In a letter to the writer
Maurice Beaubourg in 1890 he wrote: "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of colour and of line. In tone, lighter against darker. In colour, the complementary, red-green, orange-blue, yellow-violet. In line, those that form
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and variation to create harmony in music. He theorized that the scientific application of colour was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set
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persistence. Neo-Impressionist painters interested in the interplay of colours made extensive use of complementary colors in their paintings. In his works, Chevreul advised artists to think and paint not just the colour of the central object, but to add colours and make appropriate adjustments to
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The painting shows members of each of the social classes participating in various park activities. The tiny juxtaposed dots of multi-colored paint allow the viewer's eye to blend colors optically, rather than having the colors physically blended on the canvas. It took Seurat two years to complete
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red, green and blue-violet. Like
Chevreul, he said that if two colours are placed next to each other, from a distance they look like a third distinctive colour. He also pointed out that the juxtaposition of primary hues next to each other would create a far more intense and pleasing colour, when
704:. Chevreul discovered that two colours juxtaposed, slightly overlapping or very close together, would have the effect of another colour when seen from a distance. The discovery of this phenomenon became the basis for the pointillist technique of the Neo-Impressionist painters.
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Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work
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perceived by the eye and mind, than the corresponding color made simply by mixing paint. Rood advised artists to be aware of the difference between additive and subtractive qualities of colour, since material pigments and optical pigments (light) do not mix in the same way:
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from 1911. Seurat in his few years of activity, was able, with his observations on irradiation and the effects of contrast, to create afresh without any guiding tradition, to complete an esthetic system with a new technical method perfectly adapted to its expression.
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was rejected by the Paris Salon, and instead he showed it at the Groupe des
Artistes Indépendants in May 1884. Soon, however, disillusioned by the poor organization of the Indépendants, Seurat and some other artists he had met through the group – including
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Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de
Magenta (now 110 boulevard de Magenta) in 1862 or 1863. His father, Antoine Chrysostome Seurat, originally from
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a right-angle. The frame is in a harmony that opposes those of the tones, colours and lines of the picture, these aspects are considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
361:, was a former legal official who had become wealthy from speculating in property, and his mother, Ernestine Faivre, was from Paris. Georges had a brother, Émile Augustin, and a sister, Marie-Berthe, both older. His father lived in
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While
Chevreul based his theories on Newton's thoughts on the mixing of light, Ogden Rood based his writings on the work of Helmholtz. He analyzed the effects of mixing and juxtaposing material pigments. Rood valued as
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When
Madeleine became pregnant, the couple moved to a studio at 39 passage de l'Élysée-des-Beaux-Arts (now rue André Antoine). There she gave birth to their son, who was named Pierre-Georges, on 16 February 1890.
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Seurat took to heart the colour theorists' notion of a scientific approach to painting. He believed that a painter could use colour to create harmony and emotion in art in the same way that a musician uses
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Georges Seurat first studied art at the École
Municipale de Sculpture et Dessin, near his family's home in the boulevard Magenta, which was run by the sculptor Justin Lequien. In 1878, he moved on to the
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this 10-foot-wide (3.0 m) painting, much of which he spent in the park sketching in preparation for the work. There are about 60 studies for the large painting, including a smaller version,
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It is not clear whether Seurat read all of
Chevreul's book on colour contrast, published in 1859, but he did copy out several paragraphs from the chapter on painting, and he had read
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Chevreul was perhaps the most important influence on artists at the time; his great contribution was producing a colour wheel of primary and intermediary hues. Chevreul was a French
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388:, while also renting a small apartment at 16 rue de Chabrol. For the next two years, he worked at mastering the art of monochrome drawing. His first exhibited work, shown at the
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437:". Seurat also departed from the Impressionist ideal by preparing for the work with a number of drawings and oil sketches before starting on the canvas in his studio.
711:). For example: After looking at a red object, one may see a cyan echo/halo of the original object. This complementary colour (as an example, cyan for red) is due to
755:(1880), in which he wrote that "the laws of harmony can be learned as one learns the laws of harmony and music". He heard lectures in the 1880s by the mathematician
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Seurat died in Paris in his parents' home on 29 March 1891 at the age of 31. The cause of his death is uncertain, and has been variously attributed to a form of
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Indeed, the Neo-Impressionists had succeeded in establishing an objective scientific basis in the domain of color (Seurat addresses both problems in
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Seurat concealed his relationship with
Madeleine Knobloch (or Madeleine Knoblock, 1868–1903), an artist's model whom he portrayed in his painting
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of warm and cold colours, and by lines that are horizontal. Sadness is achieved by using dark and cold colours and by lines pointing downward.
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properties and symbolic meaning of lines and colour. There remains controversy over the extent to which Henry's ideas were adopted by Seurat.
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achieve a harmony among colours. It seems that the harmony
Chevreul wrote about is what Seurat came to call "emotion".
1770:; Grout, Rachel; Roy, Ashok; White, Raymond (2003). "Seurat's painting Practice: Theory, Development and Technology".
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Chevreul also realized that the "halo" that one sees after looking at a colour is the opposing colour (also known as
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and he set out to show this language using lines, colour intensity and colour schema. Seurat called this language
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At the time of Seurat's death, Madeleine was pregnant with a second child who died during or shortly after birth.
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Solomon R. Guggenheim Collection of Non-Objective Paintings, South Carolina, 1938, Gibbes Memorial Art Gallery
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2251:"Google Doodle goes neo-impressionist to celebrate the anniversary of artist Georges Seurat's 162nd birthday"
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into a form accessible to laypeople. Artists followed new discoveries in perception with great interest.
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were to have an especially strong influence on Signac, who subsequently painted in the same idiom.
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Agence Photographique de la Réunion des musées nationaux et du Grand Palais des Champs-Elysées
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in Brussels, the eighth Impressionist exhibition, and other exhibitions in France and abroad.
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was called by André Salmon 'one of the great icons of the new devotion', and both it and the
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512:. The full work is also part of the permanent collection of the Art Institute of Chicago.
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He spent 1883 working on his first major painting – a large canvas titled
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The Genesis of Modernism: Seurat, Gauguin, Van Gogh & French Symbolism in the 1880s
2003:
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Ruhrberg, Karl; Honnef, Klaus; Fricke, Christiane; Schneckenburger, Manfred (2000).
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573:. In 1889, she moved in with Seurat in his studio on the seventh floor of 128 bis
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State of the Modern Art World, The Essence of Cubism and its Evolution in Time
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and visited his wife and children once a week at boulevard de Magenta.
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30:"Seurat" redirects here. For the surname and other people with it, see
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give a true black when mixed; Red, Yellow and Blue generally do not.)
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2225:"Who was Georges Seurat? Google Doodle honours Frenchman's birthday"
1952:"John Hughes video explains 'Ferris Bueller' scene at Art Institute"
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L'Écho, study for Une Baignade, Asnières (Bathing Place, Asnières)
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Salon des Indépendants, Paris, 10 December 1884 – 17 January 1885
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Seurat: Correspondences, témoignages, notes inédites, critiques
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Tweede Jaarlijksche Tentoonstelling der Nederlandsche Etsclub,
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1884:"Sunday in the Park with George – Chicago Shakespeare Theater"
2499:, ed., Hélène Seyrès, Paris: Acropole, 1991 (NYU ND 553.S5A3)
1926:"New Line Theatre 2003–2004 – Sunday in the Park with George"
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Study for A Sunday Afternoon on the Island of La Grande Jatte
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Jooren, Marieke; Veldink, Suzanne; Berger, Helewise (2014).
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From 1883 until his death, Seurat exhibited his work at the
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Félix Fénéon: Aesthete and Anarchist in Fin-de-Siècle Paris
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2439:, 2nd ed., Bloomington, IN: Indiana University Press, 1971
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Salon des Indépendants, Paris, 21 August–21 September 1886
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Gage, John T., "The Technique of Seurat: A Reappraisal,"
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Salon des Indépendants, Paris, 3 September–4 October 1889
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On 30 March 1891 a commemorative service was held in the
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Letter to the writer Maurice Beaubourg, 28 August 1890,
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The American Heritage Dictionary of the English Language
594:, as well as eight oil panels, and made a few drawings.
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Hôtel Drouot, Paris, 1–3 March 1888 (sales exhibition)
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Works in Oil and Pastel by the Impressionists of Paris
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Essay, 'The Dial', Camden, New Jersey, September 1926
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Salon des Indépendants, Paris, 20 March–27 April 1891
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Salon des Indépendants, Paris, 20 March–27 April 1890
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Galerie Martinet, Paris, December 1886 – January 1887
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Impressionist exhibition, Paris, 15 May–15 June 1886
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artist. He devised the painting techniques known as
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
661:During the 19th century, scientist-writers such as
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A Sunday Afternoon on the Island of La Grande Jatte
487:, 1884–1886, oil on canvas, 207.5 × 308.1 cm,
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
2467:, 3rd ed., revised, NY: Museum of Modern Art, 1978
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2061:, New York, Solomon R. Guggenheim Foundation, 1968
1372:Salon des Indépendants, Paris, 22 March–3 May 1888
1346:Salon des Indépendants, Paris, 26 March–3 May 1887
1291:Salon des Indépendants, Paris, 15 May–30 June 1884
560:), 1888–1890, oil on canvas, 95.5 x 79.5 cm,
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1325:Un dimanche après-midi à l'Île de la Grande Jatte
893:On 2 December 2021, Google honored Seurat with a
747:Optical / Light : Red + Green + Blue = White
740:Material pigments: Red + Yellow + Blue = Black (
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620:, was left unfinished at the time of his death.
584:Seurat spent the summer of 1890 on the coast at
287:; 2 December 1859 – 29 March 1891) was a French
508:(1884–1885), which is now in the collection of
2658:The Channel of Gravelines, Petit Fort Philippe
2555:in the MoMA Online Collection (requires Flash)
2314:. New York: Metropolitan Museum of Art. 1991.
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2738:
2574:
2401:, ed., J. U. Halperin, 2v, Geneva: Droz, 1970
2161:
2159:
2157:
1737:
1551:(18th ed.). Cambridge University Press.
1366:, La Revue indépendante, Paris, February 1888
396:carefully, making notes on his use of color.
6160:
6149:
3343:
3332:
3286:
3275:
2517:, New Haven, CT: Yale University Press, 1997
2425:, New Haven, CT: Yale University Press, 1988
2190:
1660:Random House Webster's Unabridged Dictionary
1360:, La Revue indépendante, Paris, January 1888
669:and David Sutter wrote treatises on colour,
303:for drawings on paper with a rough surface.
3414:
2510:, Englewood Cliffs, NJ: Prentice-Hall, 1978
2479:Seurat and the Evolution of La Grande Jatte
1761:
1759:
1757:
1755:
657:(1889) showing pointillism and color theory
588:, where he painted four canvases including
3245:
3231:
2745:
2731:
2581:
2567:
2492:, (1965) London: Thames & Hudson, 1985
2154:
1974:
1972:
1072:The Seine and la Grande Jatte – Springtime
677:. They adapted the scientific research of
529:and played a significant symbolic role in
415:, 1884, oil on canvas, 201 × 301 cm,
49:
1600:
1411:Les XX, Brussels, 7 February–8 March 1891
1752:
1712:
1710:
1708:
1548:Cambridge English Pronouncing Dictionary
1253:
1140:California Palace of the Legion of Honor
871:, 'almost belong to Synthetic Cubism'."
821:
774:
646:
546:
477:
405:
332:
1969:
751:Seurat was also influenced by Sutter's
627:. Seurat was interred 31 March 1891 at
351:
14:
6484:
2752:
2546:Port-en-Bessin, Entrance to the Harbor
2274:Works exhibited by Georges Seurat. In
2268:
2070:
1949:
399:
6086:Six Characters in Search of an Author
3226:
2726:
2562:
2248:
2187:, Camden, New Jersey, September 1926.
1705:
1529:
1501:
1354:Works by Seurat, Signac and van Gogh.
1352:, Paris, November 1887 – January 1888
1284:The Salon showed Seurat's drawing of
1076:Royal Museums of Fine Arts of Belgium
998:, 1883, Musée d'art moderne de Troyes
867:, Musée d'Orsay, Paris, according to
770:
642:
515:The painting was the inspiration for
494:In summer 1884, Seurat began work on
313:(1884–1886) altered the direction of
282:
6537:Infectious disease deaths in France
1772:National Gallery Technical Bulletin
1426:and four paintings from Gravelines.
1162:Seated Nude, Study for Une Baignade
907:List of paintings by Georges Seurat
24:
6527:French Post-impressionist painters
5281:Nude Descending a Staircase, No. 2
2588:
2485:, 1935), NY: Greenwood Press, 1969
2430:Seurat and the Science of Painting
2348:
1950:Judkis, Maura (16 November 2011).
828:Circus Sideshow (Parade de Cirque)
654:Circus Sideshow (Parade de Cirque)
25:
6558:
6542:Burials at Père Lachaise Cemetery
2684:Société des Artistes Indépendants
2521:
2249:Musil, Steven (2 December 2021).
2222:
2198:"Georges Seurat's 162nd Birthday"
1871:Heilbrunn Timeline of Art History
462:Société des Artistes Indépendants
460:– set up a new organization, the
6547:19th-century French male artists
6468:
6467:
2432:, Cambridge, MA: MIT Press, 1964
2359:Seurat: Le rêve de l'art-science
1507:Longman Pronunciation Dictionary
1464:
1452:
1282:Salon, Paris, 1 May–20 June 1883
1231:
1208:
1190:
1172:
1154:
1125:
1107:
1082:
1064:
1045:
1022:
1003:
988:
970:
951:
932:
913:
637:
246:
203:
178:
2281:
2242:
2216:
2174:
2141:
2104:
2064:
2022:
1996:
1943:
1918:
1901:
1876:
1864:
1797:
1392:Les XX, Brussels, February 1889
1343:Les XX, Brussels, February 1887
1312:, New York, April and May 1886.
625:church of Saint-Vincent-de-Paul
343:, oil on canvas, 170 x 141 cm,
6235:Grosvenor School of Modern Art
6228:Fourth dimension in literature
2705:Sunday in the Park with George
2533:Seurat, Georges, Musée d'Orsay
1991:Georges Seurat, 1859–1891 1991
1915:Playbill.com, 3 September 2004
1911:Sunday in the Park with George
1859:Georges Seurat, 1859–1891 1991
1844:Georges Seurat, 1859–1891 1991
1832:Georges Seurat, 1859–1891 1991
1817:Georges Seurat, 1859–1891 1991
1805:Brief Survey, in Revue Blanche
1792:Georges Seurat, 1859–1891 1991
1732:Georges Seurat, 1859–1891 1991
1679:
1667:
1650:
1635:Merriam-Webster.com Dictionary
1622:
1594:
1565:
1523:
1495:
1249:
839:Where the dialectic nature of
543:Later career and personal life
526:Sunday in the Park with George
13:
1:
3252:
2642:Young Woman Powdering Herself
2549:in the MoMA Online Collection
2472:Studies in Post-Impressionism
2369:Everdell, William R. (1998).
1610:(5th ed.). HarperCollins
1484:
982:Musée d'art moderne de Troyes
558:Young Woman Powdering Herself
321:, and is one of the icons of
6507:19th-century French painters
2223:K, Disha (2 December 2021).
1202:Solomon R. Guggenheim Museum
900:
890:would do so with color too.
817:
725:Grammaire des arts du dessin
510:The Art Institute of Chicago
328:
7:
6532:École des Beaux-Arts alumni
6328:List of avant-garde artists
5305:The Cabinet of Dr. Caligari
2553:George Seurat: The Drawings
2483:University of Chicago Press
2474:, NY: Harry N. Abrams, 1986
2460:, NY: Harry N. Abrams, 1986
2446:, new ed., NY: Abrams, 1986
2381:University of Chicago Press
2151:Phaidon Press, London, 1965
1689:. Artic.edu. Archived from
1438:
1184:Yale University Art Gallery
1147:
1115:Gray weather, Grande Jatte,
10:
6563:
6186:Classical Hollywood cinema
2515:Seurat and the Avant-Garde
2399:Oeuvres-plus-que-complètes
2302:
2074:(1992). "Georges Seurat".
1909:"McDonald-LuPone-Cerveris
1687:"Art Institute of Chicago"
1226:, 1887, private collection
1119:Philadelphia Museum of Art
926:Metropolitan Museum of Art
904:
833:Metropolitan Museum of Art
629:Cimetière du Père-Lachaise
562:Courtauld Institute of Art
323:late 19th-century painting
29:
27:French painter (1859–1891)
6449:
6127:
5968:
5836:
5676:
5425:
5414:
5257:Les Demoiselles d'Avignon
5211:
5037:
4597:
4080:
4071:
3948:
3732:
3474:
3465:
3260:
3189:
3168:
3107:
3001:
2963:
2920:Henri de Toulouse-Lautrec
2817:
2762:
2676:
2596:
2421:Halperin, Joan Ungersma,
2333:. Kröller-Müller Museum.
2311:Georges Seurat, 1859–1891
1766:Kirby, Jo; Stonor, Kate;
1509:(3rd ed.). Longman.
1328:shown for the first time.
1262:, shown at the 1883 Salon
1166:Scottish National Gallery
610:, infectious angina, and
337:Georges Seurat, 1889–90,
186:
177:
172:
168:
160:
152:
134:
110:
102:
86:
60:
48:
41:
4042:The Master and Margarita
2458:Studies in Impressionism
2328:
2275:
2028:
2010:. Cdc.gov. 14 April 2011
1978:
1746:
1716:
1573:"Seurat, Georges Pierre"
1489:
1430:Posthumous exhibitions:
1310:American Art Association
1239:Study after "The Models"
1038:Art Institute of Chicago
742:Magenta, Yellow and Cyan
597:
536:Ferris Bueller's Day Off
489:Art Institute of Chicago
464:. Seurat's new ideas on
433:described it as a "faux
6335:List of modernist poets
6221:Fourth dimension in art
5397:Meshes of the Afternoon
2411:' Camden, NJ Sept. 1926
2115:Art of the 20th Century
1873:Retrieved 25 April 2010
1584:Oxford University Press
1406:Jeune femme se poudrant
1243:National Gallery of Art
1015:National Gallery of Art
922:Landscape at Saint-Ouen
897:on his 162nd birthday.
570:Jeune femme se poudrant
553:Jeune femme se poudrant
373:where he was taught by
6419:Second Viennese School
6161:
6150:
4054:The Sound and the Fury
3958:In Search of Lost Time
3415:
3344:
3333:
3287:
3276:
3150:Salon des Indépendants
3130:Le Barc de Boutteville
3084:Robert Antoine Pinchon
2428:Homer, William Innes,
1417:and 6 other paintings.
1379:, Amsterdam, June 1888
1296:Une Baignade, Asnières
1272:Salon des Indépendants
1263:
836:
789:
663:Michel Eugène Chevreul
658:
564:
491:
420:
382:Brest Military Academy
348:
284:[ʒɔʁʒpjɛʁsœʁa]
6398:Reactionary modernism
6321:List of art movements
3115:Artistes Indépendants
3044:Karl Schmidt-Rottluff
3039:Ernst Ludwig Kirchner
2945:Théo van Rysselberghe
2508:Seurat in Perspective
2477:Rich, Daniel Catton,
2363:Découvertes Gallimard
1580:UK English Dictionary
1364:Exposition de Février
1358:Exposition de Janvier
1257:
869:Guillaume Apollinaire
825:
778:
679:Hermann von Helmholtz
650:
550:
481:
409:
345:Kröller-Müller Museum
336:
193:Georges Pierre Seurat
65:Georges-Pierre Seurat
6517:Divisionist painters
6512:French male painters
6242:Hanshinkan Modernism
6098:The Threepenny Opera
6014:Pelléas et Mélisande
2538:1 April 2019 at the
2057:Herbert, Robert L.,
1888:Theatreinchicago.com
1335:Les impressionnistes
996:Fishing in The Seine
964:Dallas Museum of Art
763:, who discussed the
454:Albert Dubois-Pillet
380:After a year at the
371:École des Beaux-Arts
352:Family and education
6502:Painters from Paris
6300:International Style
6050:Afternoon of a Faun
5329:Battleship Potemkin
5233:Mont Sainte-Victoir
3160:Salon des Tuileries
3135:La Libre Esthétique
2900:René Schützenberger
2880:Hippolyte Petitjean
2610:Bathers at Asnières
2418:69:3 (87 September)
2289:"Guggenheim Museum"
1956:The Washington Post
1590:on 2 December 2021.
1479:History of painting
1053:View of Fort Samson
753:Phenomena of Vision
709:complementary color
575:Boulevard de Clichy
441:Bathers at Asnières
426:Bathers at Asnières
412:Bathers at Asnières
401:Bathers at Asnières
124:Bathers at Asnières
6179:Buddhist modernism
6136:American modernism
6062:The Rite of Spring
4030:The Sun Also Rises
4006:The Magic Mountain
3125:Volpini Exhibition
2860:Henri-Edmond Cross
2755:Post-Impressionism
2465:Post-Impressionism
2453:, NY: Abrams, 1990
1930:Newlinetheatre.com
1861:, pp. 147–48.
1408:and 9 other works.
1264:
1216:Joueur de trombone
837:
790:
771:Language of colour
659:
643:Contemporary ideas
565:
492:
450:Henri-Edmond Cross
435:Puvis de Chavannes
421:
349:
289:post-Impressionist
156:Madeleine Knobloch
139:Post-Impressionism
6479:
6478:
6207:Experimental film
6123:
6122:
6110:Waiting for Godot
5410:
5409:
4067:
4066:
3970:The Metamorphosis
3220:
3219:
3049:Wassily Kandinsky
2772:Neo-Impressionism
2720:
2719:
2699:Neo-Impressionism
2604:List of paintings
2495:Seurat, Georges,
2374:The First Moderns
2355:Cachin, Françoise
2204:. 2 December 2021
2166:Alex Mittelmann,
2059:Neo-impressionism
1638:. Merriam-Webster
1558:978-0-521-15255-6
1516:978-1-4058-8118-0
1377:Arti et Amicitiae
1100:Barnes Foundation
962:, oil on canvas,
943:, oil on canvas,
941:Flowers in a vase
920:Seurat, 1879–80,
319:Neo-Impressionism
190:
189:
143:Neo-Impressionism
129:List of paintings
16:(Redirected from
6554:
6471:
6470:
6442:
6440:Vulgar modernism
6435:
6433:Underground film
6428:
6421:
6414:
6407:
6400:
6393:
6386:
6379:
6372:
6365:
6358:
6351:
6344:
6337:
6330:
6323:
6316:
6309:
6302:
6295:
6286:
6279:
6272:
6265:
6258:
6256:Hippie modernism
6251:
6244:
6237:
6230:
6223:
6216:
6209:
6202:
6195:
6188:
6181:
6174:
6172:Bloomsbury Group
6167:
6166:
6156:
6155:
6145:
6138:
6116:
6115:
6104:
6103:
6092:
6091:
6080:
6079:
6068:
6067:
6056:
6055:
6044:
6043:
6032:
6031:
6020:
6019:
6008:
6007:
5996:
5995:
5984:
5983:
5961:
5954:
5947:
5940:
5933:
5926:
5919:
5912:
5905:
5898:
5891:
5884:
5877:
5870:
5863:
5856:
5849:
5829:
5822:
5815:
5808:
5801:
5794:
5787:
5780:
5773:
5766:
5759:
5752:
5745:
5738:
5731:
5724:
5717:
5710:
5703:
5696:
5689:
5669:
5662:
5655:
5648:
5641:
5634:
5627:
5620:
5613:
5606:
5599:
5592:
5585:
5578:
5571:
5564:
5557:
5550:
5543:
5536:
5529:
5522:
5515:
5508:
5501:
5494:
5487:
5480:
5473:
5466:
5459:
5452:
5445:
5438:
5423:
5422:
5403:
5402:
5391:
5390:
5379:
5378:
5369:
5368:
5359:
5358:
5353:Un Chien Andalou
5347:
5346:
5335:
5334:
5323:
5322:
5317:Ballet Mécanique
5311:
5310:
5299:
5298:
5287:
5286:
5275:
5274:
5263:
5262:
5251:
5250:
5245:The Starry Night
5239:
5238:
5227:
5226:
5204:
5197:
5190:
5183:
5176:
5169:
5162:
5155:
5148:
5141:
5134:
5127:
5120:
5113:
5106:
5099:
5092:
5085:
5078:
5071:
5064:
5057:
5050:
5030:
5023:
5016:
5009:
5002:
4995:
4988:
4981:
4974:
4967:
4960:
4953:
4946:
4939:
4932:
4925:
4918:
4911:
4904:
4897:
4890:
4883:
4876:
4869:
4862:
4855:
4848:
4841:
4834:
4827:
4820:
4813:
4806:
4799:
4792:
4785:
4778:
4771:
4764:
4757:
4750:
4743:
4736:
4729:
4722:
4715:
4708:
4701:
4694:
4687:
4680:
4673:
4666:
4659:
4652:
4645:
4638:
4631:
4624:
4617:
4610:
4590:
4583:
4576:
4574:Toulouse-Lautrec
4569:
4562:
4555:
4548:
4541:
4534:
4527:
4520:
4513:
4506:
4499:
4492:
4485:
4478:
4471:
4464:
4457:
4450:
4443:
4436:
4429:
4422:
4415:
4408:
4401:
4394:
4387:
4380:
4373:
4366:
4359:
4352:
4345:
4338:
4331:
4324:
4317:
4310:
4303:
4296:
4289:
4282:
4275:
4268:
4261:
4254:
4247:
4240:
4233:
4226:
4219:
4212:
4205:
4198:
4191:
4184:
4177:
4170:
4163:
4156:
4149:
4142:
4135:
4128:
4121:
4114:
4107:
4100:
4093:
4078:
4077:
4060:
4059:
4048:
4047:
4036:
4035:
4024:
4023:
4012:
4011:
4000:
3999:
3988:
3987:
3976:
3975:
3964:
3963:
3941:
3934:
3927:
3920:
3913:
3906:
3899:
3892:
3885:
3878:
3871:
3864:
3857:
3850:
3843:
3836:
3829:
3822:
3815:
3808:
3801:
3794:
3787:
3780:
3773:
3766:
3759:
3752:
3745:
3725:
3718:
3711:
3704:
3697:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3634:
3627:
3620:
3613:
3606:
3599:
3592:
3585:
3578:
3571:
3564:
3557:
3550:
3543:
3536:
3529:
3522:
3515:
3508:
3501:
3494:
3487:
3472:
3471:
3458:
3451:
3444:
3437:
3430:
3421:
3420:
3410:
3403:
3396:
3389:
3380:
3373:
3366:
3357:
3350:
3349:
3339:
3338:
3335:Der Blaue Reiter
3328:
3321:
3314:
3307:
3300:
3293:
3292:
3282:
3281:
3271:
3247:
3240:
3233:
3224:
3223:
3140:Ambroise Vollard
3089:Henriette Tirman
2983:Der Blaue Reiter
2955:Édouard Vuillard
2940:Vincent van Gogh
2870:Georges Dufrénoy
2756:
2747:
2740:
2733:
2724:
2723:
2634:Parade de cirque
2583:
2576:
2569:
2560:
2559:
2394:
2378:
2344:
2325:
2297:
2296:
2285:
2279:
2272:
2266:
2265:
2263:
2261:
2246:
2240:
2239:
2237:
2235:
2220:
2214:
2213:
2211:
2209:
2194:
2188:
2178:
2172:
2163:
2152:
2145:
2139:
2138:
2136:
2134:
2108:
2102:
2101:
2081:
2068:
2062:
2055:
2032:
2026:
2020:
2019:
2017:
2015:
2000:
1994:
1988:
1982:
1976:
1967:
1966:
1964:
1962:
1947:
1941:
1940:
1938:
1936:
1922:
1916:
1905:
1899:
1898:
1896:
1894:
1880:
1874:
1868:
1862:
1856:
1847:
1841:
1835:
1829:
1820:
1814:
1808:
1801:
1795:
1789:
1780:
1779:
1768:Burnstock, Aviva
1763:
1750:
1744:
1735:
1729:
1720:
1714:
1703:
1702:
1700:
1698:
1683:
1677:
1671:
1665:
1664:
1654:
1648:
1647:
1645:
1643:
1626:
1620:
1619:
1617:
1615:
1598:
1592:
1591:
1586:. Archived from
1569:
1563:
1562:
1527:
1521:
1520:
1499:
1469:
1468:
1467:
1457:
1456:
1448:
1316:Paul Durand-Ruel
1286:Edmond Aman-Jean
1260:Edmond Aman-Jean
1235:
1222:Parade de cirque
1212:
1194:
1176:
1158:
1129:
1111:
1086:
1068:
1059:, St. Petersburg
1057:Hermitage Museum
1049:
1026:
1007:
992:
974:
955:
936:
924:, oil on panel,
917:
804:Chromoluminarism
521:Stephen Sondheim
417:National Gallery
394:Eugène Delacroix
293:chromoluminarism
286:
281:
275:
269:
268:
265:
264:
261:
258:
255:
252:
245:
234:
229:
228:
225:
224:
219:
218:
215:
212:
209:
202:
182:
113:
93:
74:
72:
53:
39:
38:
32:Seurat (surname)
21:
6562:
6561:
6557:
6556:
6555:
6553:
6552:
6551:
6482:
6481:
6480:
6475:
6466:
6458:
6445:
6438:
6431:
6426:Structural film
6424:
6417:
6410:
6403:
6396:
6389:
6382:
6377:New Objectivity
6375:
6368:
6363:Neo-romanticism
6361:
6356:Neo-primitivism
6354:
6347:
6340:
6333:
6326:
6319:
6312:
6305:
6298:
6291:
6282:
6275:
6268:
6261:
6254:
6247:
6240:
6233:
6226:
6219:
6212:
6205:
6198:
6191:
6184:
6177:
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6159:
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6141:
6134:
6119:
6113:
6107:
6101:
6095:
6089:
6083:
6077:
6071:
6065:
6059:
6053:
6047:
6041:
6035:
6029:
6023:
6017:
6011:
6005:
6002:Verklärte Nacht
5999:
5993:
5987:
5981:
5975:
5964:
5957:
5950:
5943:
5936:
5929:
5922:
5915:
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3997:
3991:
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3961:
3955:
3944:
3937:
3930:
3923:
3916:
3909:
3902:
3895:
3888:
3881:
3874:
3867:
3860:
3853:
3848:Lowell (Robert)
3846:
3839:
3832:
3825:
3818:
3811:
3804:
3797:
3790:
3783:
3776:
3769:
3762:
3755:
3748:
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3728:
3721:
3714:
3707:
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3693:
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3665:
3658:
3651:
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3595:
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3504:
3497:
3490:
3483:
3461:
3454:
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3440:
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3426:
3413:
3406:
3399:
3392:
3385:
3376:
3369:
3362:
3353:
3342:
3331:
3324:
3317:
3310:
3303:
3296:
3285:
3274:
3267:
3256:
3251:
3221:
3216:
3185:
3164:
3145:Salon d'Automne
3103:
3074:Francis Picabia
2997:
2965:
2959:
2950:Félix Vallotton
2935:Maximilien Luce
2850:Marius Borgeaud
2830:Charles Angrand
2813:
2764:
2758:
2754:
2751:
2721:
2716:
2672:
2592:
2587:
2540:Wayback Machine
2524:
2488:Russell, John,
2435:Lövgren, Sven,
2397:Fénéon, Félix,
2391:
2351:
2349:Further reading
2341:
2322:
2305:
2300:
2287:
2286:
2282:
2273:
2269:
2259:
2257:
2247:
2243:
2233:
2231:
2221:
2217:
2207:
2205:
2196:
2195:
2191:
2179:
2175:
2164:
2155:
2146:
2142:
2132:
2130:
2128:
2117:, Karl Ruhrberg
2109:
2105:
2098:
2084:Harry N. Abrams
2069:
2065:
2056:
2035:
2027:
2023:
2013:
2011:
2006:Death of Seurat
2002:
2001:
1997:
1989:
1985:
1977:
1970:
1960:
1958:
1948:
1944:
1934:
1932:
1924:
1923:
1919:
1913:Begins Sept. 3"
1906:
1902:
1892:
1890:
1882:
1881:
1877:
1869:
1865:
1857:
1850:
1842:
1838:
1830:
1823:
1815:
1811:
1802:
1798:
1790:
1783:
1764:
1753:
1745:
1738:
1730:
1723:
1715:
1706:
1696:
1694:
1685:
1684:
1680:
1672:
1668:
1656:
1655:
1651:
1641:
1639:
1628:
1627:
1623:
1613:
1611:
1599:
1595:
1571:
1570:
1566:
1559:
1528:
1524:
1517:
1500:
1496:
1492:
1487:
1475:
1465:
1463:
1451:
1443:
1441:
1421:
1412:
1399:
1383:Au café concert
1380:
1353:
1322:
1313:
1292:
1283:
1252:
1245:
1236:
1227:
1213:
1204:
1198:Child in White,
1195:
1186:
1177:
1168:
1159:
1150:
1143:
1142:, San Francisco
1130:
1121:
1112:
1103:
1087:
1078:
1069:
1060:
1050:
1041:
1027:
1018:
1017:Washington, DC.
1008:
999:
993:
984:
975:
966:
960:Overgrown slope
956:
947:
937:
928:
918:
909:
903:
864:Cirque (Circus)
820:
773:
645:
640:
600:
545:
476:
446:Charles Angrand
404:
354:
331:
279:
273:
249:
240:
239:
232:
221:
206:
197:
196:
127:
121:
111:
98:
95:
91:
82:
76:
75:2 December 1859
70:
68:
67:
66:
56:
44:
35:
28:
23:
22:
15:
12:
11:
5:
6560:
6550:
6549:
6544:
6539:
6534:
6529:
6524:
6519:
6514:
6509:
6504:
6499:
6494:
6477:
6476:
6459:
6451:
6450:
6447:
6446:
6444:
6443:
6436:
6429:
6422:
6415:
6408:
6401:
6394:
6387:
6384:Poetic realism
6380:
6373:
6366:
6359:
6352:
6345:
6338:
6331:
6324:
6317:
6314:Late modernity
6310:
6307:Late modernism
6303:
6296:
6289:
6288:
6287:
6280:
6273:
6259:
6252:
6249:High modernism
6245:
6238:
6231:
6224:
6217:
6210:
6203:
6196:
6193:Degenerate art
6189:
6182:
6175:
6168:
6163:Ballets Russes
6157:
6146:
6139:
6131:
6129:
6125:
6124:
6121:
6120:
6118:
6117:
6105:
6093:
6081:
6069:
6057:
6045:
6033:
6021:
6009:
5997:
5985:
5972:
5970:
5966:
5965:
5963:
5962:
5955:
5948:
5941:
5934:
5927:
5920:
5913:
5906:
5899:
5892:
5885:
5878:
5871:
5864:
5857:
5850:
5842:
5840:
5834:
5833:
5831:
5830:
5823:
5816:
5809:
5802:
5795:
5788:
5781:
5774:
5767:
5760:
5753:
5746:
5739:
5732:
5725:
5718:
5711:
5704:
5697:
5690:
5682:
5680:
5674:
5673:
5671:
5670:
5663:
5656:
5649:
5642:
5635:
5628:
5621:
5614:
5607:
5600:
5593:
5586:
5579:
5572:
5565:
5558:
5551:
5544:
5537:
5530:
5523:
5516:
5509:
5502:
5495:
5488:
5481:
5474:
5467:
5460:
5453:
5446:
5439:
5431:
5429:
5420:
5412:
5411:
5408:
5407:
5405:
5404:
5392:
5380:
5370:
5360:
5348:
5336:
5324:
5312:
5300:
5288:
5276:
5264:
5252:
5240:
5228:
5215:
5213:
5209:
5208:
5206:
5205:
5198:
5191:
5184:
5177:
5170:
5163:
5156:
5149:
5142:
5135:
5128:
5121:
5114:
5107:
5100:
5093:
5086:
5079:
5072:
5065:
5058:
5051:
5043:
5041:
5035:
5034:
5032:
5031:
5024:
5017:
5010:
5003:
4996:
4989:
4982:
4975:
4968:
4961:
4954:
4947:
4940:
4933:
4926:
4919:
4912:
4909:Ray (Satyajit)
4905:
4902:Ray (Nicholas)
4898:
4891:
4884:
4877:
4870:
4863:
4856:
4849:
4842:
4835:
4828:
4821:
4814:
4807:
4800:
4793:
4786:
4779:
4772:
4765:
4758:
4751:
4744:
4737:
4730:
4723:
4716:
4709:
4702:
4695:
4688:
4681:
4674:
4667:
4660:
4653:
4646:
4639:
4632:
4625:
4618:
4611:
4603:
4601:
4595:
4594:
4592:
4591:
4584:
4577:
4570:
4563:
4556:
4549:
4542:
4535:
4528:
4521:
4514:
4507:
4500:
4493:
4486:
4479:
4472:
4465:
4458:
4451:
4444:
4437:
4430:
4423:
4416:
4409:
4402:
4395:
4388:
4381:
4374:
4367:
4360:
4353:
4346:
4339:
4332:
4325:
4318:
4311:
4304:
4297:
4290:
4283:
4276:
4269:
4262:
4255:
4248:
4241:
4234:
4227:
4220:
4213:
4206:
4199:
4192:
4185:
4178:
4171:
4164:
4157:
4150:
4143:
4136:
4129:
4122:
4115:
4108:
4101:
4094:
4086:
4084:
4075:
4069:
4068:
4065:
4064:
4062:
4061:
4049:
4037:
4025:
4013:
4001:
3994:The Waste Land
3989:
3977:
3965:
3952:
3950:
3946:
3945:
3943:
3942:
3935:
3928:
3921:
3914:
3907:
3900:
3893:
3886:
3879:
3872:
3865:
3858:
3851:
3844:
3837:
3830:
3823:
3816:
3809:
3802:
3795:
3788:
3781:
3774:
3767:
3760:
3753:
3746:
3738:
3736:
3730:
3729:
3727:
3726:
3719:
3712:
3705:
3698:
3691:
3684:
3677:
3670:
3663:
3656:
3649:
3642:
3635:
3628:
3621:
3614:
3607:
3600:
3593:
3586:
3579:
3572:
3565:
3558:
3551:
3544:
3537:
3530:
3523:
3516:
3509:
3502:
3495:
3488:
3480:
3478:
3469:
3463:
3462:
3460:
3459:
3452:
3445:
3438:
3431:
3424:
3423:
3422:
3404:
3397:
3390:
3383:
3382:
3381:
3367:
3360:
3359:
3358:
3351:
3340:
3322:
3315:
3308:
3305:Constructivism
3301:
3294:
3283:
3272:
3264:
3262:
3258:
3257:
3250:
3249:
3242:
3235:
3227:
3218:
3217:
3215:
3214:
3209:
3204:
3199:
3193:
3191:
3187:
3186:
3184:
3183:
3178:
3172:
3170:
3166:
3165:
3163:
3162:
3157:
3155:Salon des Cent
3152:
3147:
3142:
3137:
3132:
3127:
3122:
3117:
3111:
3109:
3105:
3104:
3102:
3101:
3096:
3091:
3086:
3081:
3076:
3071:
3066:
3064:Jean Metzinger
3061:
3056:
3054:Sonia Lewitska
3051:
3046:
3041:
3036:
3034:Albert Gleizes
3031:
3026:
3021:
3016:
3014:Charles Camoin
3011:
3009:Georges Braque
3005:
3003:
2999:
2998:
2996:
2995:
2990:
2985:
2980:
2975:
2969:
2967:
2961:
2960:
2958:
2957:
2952:
2947:
2942:
2937:
2932:
2930:Georges Lemmen
2927:
2922:
2917:
2912:
2910:Georges Seurat
2907:
2902:
2897:
2895:Henri Rousseau
2892:
2887:
2882:
2877:
2872:
2867:
2862:
2857:
2852:
2847:
2845:Pierre Bonnard
2842:
2837:
2832:
2827:
2821:
2819:
2815:
2814:
2812:
2811:
2806:
2801:
2796:
2789:
2784:
2779:
2774:
2768:
2766:
2760:
2759:
2750:
2749:
2742:
2735:
2727:
2718:
2717:
2715:
2714:
2709:
2708:(1984 musical)
2701:
2696:
2691:
2686:
2680:
2678:
2674:
2673:
2671:
2670:
2662:
2654:
2646:
2638:
2630:
2622:
2614:
2606:
2600:
2598:
2594:
2593:
2590:Georges Seurat
2586:
2585:
2578:
2571:
2563:
2557:
2556:
2550:
2542:
2530:
2523:
2522:External links
2520:
2519:
2518:
2511:
2500:
2493:
2486:
2475:
2468:
2461:
2454:
2447:
2442:Rewald, John,
2440:
2433:
2426:
2419:
2412:
2402:
2395:
2389:
2366:
2361:, collection "
2350:
2347:
2346:
2345:
2339:
2326:
2320:
2304:
2301:
2299:
2298:
2293:guggenheim.org
2280:
2278:, pp. 121–130.
2267:
2241:
2215:
2202:www.google.com
2189:
2173:
2153:
2140:
2126:
2103:
2096:
2063:
2033:
2021:
1995:
1993:, p. 360.
1983:
1968:
1942:
1917:
1907:Gans, Andrew.
1900:
1875:
1863:
1848:
1846:, p. 150.
1836:
1834:, p. 148.
1821:
1809:
1796:
1781:
1751:
1736:
1721:
1704:
1693:on 4 June 2018
1678:
1666:
1649:
1621:
1593:
1564:
1557:
1522:
1515:
1503:Wells, John C.
1493:
1491:
1488:
1486:
1483:
1482:
1481:
1474:
1473:
1461:
1440:
1437:
1436:
1435:
1428:
1427:
1418:
1409:
1396:
1393:
1390:
1373:
1370:
1367:
1361:
1355:
1347:
1344:
1341:
1338:
1332:
1329:
1319:
1303:
1300:
1293:Seurat showed
1289:
1251:
1248:
1247:
1246:
1237:
1230:
1228:
1214:
1207:
1205:
1196:
1189:
1187:
1178:
1171:
1169:
1160:
1153:
1149:
1146:
1145:
1144:
1131:
1124:
1122:
1113:
1106:
1104:
1102:, Philadelphia
1098:), 1886–1888,
1088:
1081:
1079:
1070:
1063:
1061:
1051:
1044:
1042:
1028:
1021:
1019:
1009:
1002:
1000:
994:
987:
985:
976:
969:
967:
958:Seurat, 1881,
957:
950:
948:
939:Seurat, 1879,
938:
931:
929:
919:
912:
905:Main article:
902:
899:
819:
816:
772:
769:
749:
748:
745:
733:primary colors
644:
641:
639:
636:
599:
596:
544:
541:
475:
470:
403:
398:
353:
350:
330:
327:
317:by initiating
235:-ah, -ə
188:
187:
184:
183:
175:
174:
170:
169:
166:
165:
162:
158:
157:
154:
150:
149:
136:
132:
131:
114:
108:
107:
104:
103:Known for
100:
99:
96:
94:(aged 31)
88:
84:
83:
77:
64:
62:
58:
57:
55:Seurat in 1888
54:
46:
45:
43:Georges Seurat
42:
26:
9:
6:
4:
3:
2:
6559:
6548:
6545:
6543:
6540:
6538:
6535:
6533:
6530:
6528:
6525:
6523:
6520:
6518:
6515:
6513:
6510:
6508:
6505:
6503:
6500:
6498:
6495:
6493:
6490:
6489:
6487:
6474:
6464:
6463:
6462:Postmodernism
6457:
6456:
6448:
6441:
6437:
6434:
6430:
6427:
6423:
6420:
6416:
6413:
6409:
6406:
6405:Metamodernism
6402:
6399:
6395:
6392:
6388:
6385:
6381:
6378:
6374:
6371:
6370:New Hollywood
6367:
6364:
6360:
6357:
6353:
6350:
6346:
6343:
6339:
6336:
6332:
6329:
6325:
6322:
6318:
6315:
6311:
6308:
6304:
6301:
6297:
6294:
6290:
6285:
6281:
6278:
6274:
6271:
6267:
6266:
6264:
6263:Impressionism
6260:
6257:
6253:
6250:
6246:
6243:
6239:
6236:
6232:
6229:
6225:
6222:
6218:
6215:
6211:
6208:
6204:
6201:
6197:
6194:
6190:
6187:
6183:
6180:
6176:
6173:
6169:
6165:
6164:
6158:
6154:
6153:
6147:
6144:
6140:
6137:
6133:
6132:
6130:
6126:
6112:
6111:
6106:
6100:
6099:
6094:
6088:
6087:
6082:
6076:
6075:
6070:
6064:
6063:
6058:
6052:
6051:
6046:
6040:
6039:
6034:
6028:
6027:
6022:
6016:
6015:
6010:
6004:
6003:
5998:
5992:
5991:
5986:
5980:
5979:
5974:
5973:
5971:
5967:
5960:
5956:
5953:
5949:
5946:
5942:
5939:
5935:
5932:
5928:
5925:
5921:
5918:
5914:
5911:
5907:
5904:
5900:
5897:
5893:
5890:
5886:
5883:
5879:
5876:
5872:
5869:
5865:
5862:
5858:
5855:
5851:
5848:
5844:
5843:
5841:
5839:
5835:
5828:
5824:
5821:
5817:
5814:
5810:
5807:
5803:
5800:
5796:
5793:
5789:
5786:
5782:
5779:
5775:
5772:
5768:
5765:
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5758:
5754:
5751:
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5740:
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5709:
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5688:
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5608:
5605:
5601:
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5398:
5393:
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5136:
5133:
5129:
5126:
5122:
5119:
5115:
5112:
5108:
5105:
5101:
5098:
5094:
5091:
5090:Hundertwasser
5087:
5084:
5080:
5077:
5073:
5070:
5066:
5063:
5059:
5056:
5052:
5049:
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5011:
5008:
5004:
5001:
4997:
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4987:
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4955:
4952:
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4906:
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4707:
4703:
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4609:
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3507:
3503:
3500:
3496:
3493:
3489:
3486:
3482:
3481:
3479:
3477:
3473:
3470:
3468:
3467:Literary arts
3464:
3457:
3453:
3450:
3446:
3443:
3439:
3436:
3432:
3429:
3425:
3419:
3418:
3412:
3411:
3409:
3408:Neoplasticism
3405:
3402:
3398:
3395:
3391:
3388:
3384:
3379:
3375:
3374:
3372:
3371:Functionalism
3368:
3365:
3361:
3356:
3352:
3348:
3347:
3341:
3337:
3336:
3330:
3329:
3327:
3326:Expressionism
3323:
3320:
3316:
3313:
3309:
3306:
3302:
3299:
3298:Ashcan School
3295:
3291:
3290:
3284:
3280:
3279:
3273:
3270:
3266:
3265:
3263:
3259:
3255:
3248:
3243:
3241:
3236:
3234:
3229:
3228:
3225:
3213:
3210:
3208:
3205:
3203:
3200:
3198:
3197:Impressionism
3195:
3194:
3192:
3188:
3182:
3181:Albert Aurier
3179:
3177:
3174:
3173:
3171:
3167:
3161:
3158:
3156:
3153:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3113:
3112:
3110:
3106:
3100:
3097:
3095:
3094:Jean Marchand
3092:
3090:
3087:
3085:
3082:
3080:
3079:Pablo Picasso
3077:
3075:
3072:
3070:
3069:Henry Ottmann
3067:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3045:
3042:
3040:
3037:
3035:
3032:
3030:
3029:Henri Matisse
3027:
3025:
3022:
3020:
3017:
3015:
3012:
3010:
3007:
3006:
3004:
3000:
2994:
2991:
2989:
2988:Expressionism
2986:
2984:
2981:
2979:
2976:
2974:
2971:
2970:
2968:
2964:20th-century
2962:
2956:
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2925:Charles Laval
2923:
2921:
2918:
2916:
2913:
2911:
2908:
2906:
2905:Paul Sérusier
2903:
2901:
2898:
2896:
2893:
2891:
2888:
2886:
2883:
2881:
2878:
2876:
2873:
2871:
2868:
2866:
2865:Maurice Denis
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2835:Émile Bernard
2833:
2831:
2828:
2826:
2823:
2822:
2820:
2816:
2810:
2807:
2805:
2802:
2800:
2797:
2795:
2794:
2790:
2788:
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2769:
2767:
2763:19th-century
2761:
2757:
2748:
2743:
2741:
2736:
2734:
2729:
2728:
2725:
2713:
2710:
2707:
2706:
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2700:
2697:
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2679:
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2663:
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2655:
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2651:
2647:
2644:
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2639:
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2631:
2628:
2627:
2623:
2620:
2619:
2615:
2612:
2611:
2607:
2605:
2602:
2601:
2599:
2595:
2591:
2584:
2579:
2577:
2572:
2570:
2565:
2564:
2561:
2554:
2551:
2548:
2547:
2543:
2541:
2537:
2534:
2531:
2529:
2526:
2525:
2516:
2513:Smith, Paul,
2512:
2509:
2505:
2502:Seurat, ed.,
2501:
2498:
2494:
2491:
2487:
2484:
2480:
2476:
2473:
2469:
2466:
2462:
2459:
2455:
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2441:
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2434:
2431:
2427:
2424:
2420:
2417:
2413:
2410:
2406:
2403:
2400:
2396:
2392:
2390:0-226-22480-5
2386:
2382:
2377:
2376:
2373:
2367:
2364:
2360:
2356:
2353:
2352:
2342:
2340:9789073313286
2336:
2332:
2327:
2323:
2321:9780870996184
2317:
2313:
2312:
2307:
2306:
2294:
2290:
2284:
2277:
2271:
2256:
2252:
2245:
2230:
2226:
2219:
2203:
2199:
2193:
2186:
2182:
2177:
2171:
2169:
2162:
2160:
2158:
2150:
2144:
2129:
2127:9783822859070
2123:
2119:
2118:
2114:
2107:
2099:
2097:9780810936096
2093:
2089:
2085:
2080:
2079:
2073:
2067:
2060:
2054:
2052:
2050:
2048:
2046:
2044:
2042:
2040:
2038:
2030:
2025:
2009:
2007:
1999:
1992:
1987:
1980:
1975:
1973:
1957:
1953:
1946:
1931:
1927:
1921:
1914:
1912:
1904:
1889:
1885:
1879:
1872:
1867:
1860:
1855:
1853:
1845:
1840:
1833:
1828:
1826:
1819:, p. 48.
1818:
1813:
1806:
1803:Signac, Paul
1800:
1794:, p. 12.
1793:
1788:
1786:
1777:
1773:
1769:
1762:
1760:
1758:
1756:
1748:
1743:
1741:
1734:, p. 11.
1733:
1728:
1726:
1718:
1713:
1711:
1709:
1692:
1688:
1682:
1675:
1670:
1662:
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1609:
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1597:
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1579:
1574:
1568:
1560:
1554:
1550:
1549:
1544:
1540:
1536:
1532:
1531:Jones, Daniel
1526:
1518:
1512:
1508:
1504:
1498:
1494:
1480:
1477:
1476:
1472:
1462:
1460:
1455:
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1433:
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1431:
1425:
1419:
1416:
1410:
1407:
1403:
1397:
1394:
1391:
1388:
1387:Theo van Gogh
1384:
1378:
1374:
1371:
1368:
1365:
1362:
1359:
1356:
1351:
1350:Théâtre Libre
1348:
1345:
1342:
1339:
1336:
1333:
1330:
1327:
1326:
1320:
1317:
1314:Organised by
1311:
1307:
1304:
1301:
1298:
1297:
1290:
1287:
1281:
1280:
1279:
1277:
1273:
1269:
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1256:
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1234:
1229:
1225:
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1217:
1211:
1206:
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1199:
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1188:
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1181:
1175:
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1141:
1137:
1136:
1128:
1123:
1120:
1116:
1110:
1105:
1101:
1097:
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1085:
1080:
1077:
1073:
1067:
1062:
1058:
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1035:
1033:
1025:
1020:
1016:
1012:
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991:
986:
983:
979:
973:
968:
965:
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954:
949:
946:
942:
935:
930:
927:
923:
916:
911:
910:
908:
898:
896:
895:Google Doodle
891:
889:
885:
881:
876:
872:
870:
866:
865:
860:
859:
853:
850:
846:
842:
834:
830:
829:
824:
815:
811:
807:
805:
801:
796:
787:
786:Musée d'Orsay
783:
782:
777:
768:
766:
762:
758:
757:Charles Henry
754:
746:
743:
739:
738:
737:
734:
728:
726:
722:
721:Charles Blanc
717:
714:
710:
705:
703:
699:
695:
692:who restored
691:
686:
684:
680:
676:
672:
668:
664:
656:
655:
649:
638:Colour theory
635:
632:
630:
626:
621:
619:
618:
613:
609:
605:
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593:
592:
587:
582:
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563:
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408:
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397:
395:
391:
387:
383:
378:
376:
375:Henri Lehmann
372:
366:
364:
360:
346:
342:
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335:
326:
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320:
316:
312:
311:
304:
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109:
105:
101:
97:Paris, France
90:29 March 1891
89:
85:
80:
63:
59:
52:
47:
40:
37:
33:
19:
6460:
6453:
6200:Ecomodernism
6108:
6096:
6084:
6072:
6060:
6048:
6038:The Firebird
6036:
6024:
6012:
6000:
5988:
5976:
5395:
5385:Citizen Kane
5383:
5374:Fallingwater
5364:Villa Savoye
5351:
5339:
5327:
5315:
5303:
5293:Black Square
5291:
5279:
5267:
5255:
5243:
5231:
5219:
5111:Le Corbusier
5039:Architecture
4531:
4052:
4040:
4028:
4018:Mrs Dalloway
4016:
4004:
3992:
3980:
3968:
3956:
3841:Lowell (Amy)
3212:Secessionism
3176:Félix Fénéon
3099:Othon Friesz
3019:André Derain
2909:
2890:Odilon Redon
2875:Paul Gauguin
2855:Paul Cézanne
2840:Edvard Munch
2791:
2712:Topiary Park
2703:
2664:
2656:
2648:
2640:
2632:
2624:
2616:
2608:
2589:
2545:
2514:
2507:
2504:Norma Broude
2496:
2489:
2478:
2471:
2464:
2457:
2450:
2443:
2436:
2429:
2422:
2416:Art Bulletin
2415:
2398:
2375:
2372:
2358:
2330:
2310:
2292:
2283:
2270:
2258:. Retrieved
2254:
2244:
2232:. Retrieved
2228:
2218:
2206:. Retrieved
2201:
2192:
2176:
2167:
2148:
2143:
2131:. Retrieved
2116:
2113:
2106:
2082:. New York:
2077:
2066:
2058:
2024:
2012:. Retrieved
2005:
1998:
1986:
1959:. Retrieved
1955:
1945:
1933:. Retrieved
1929:
1920:
1910:
1903:
1891:. Retrieved
1887:
1878:
1866:
1839:
1812:
1804:
1799:
1775:
1771:
1695:. Retrieved
1691:the original
1681:
1669:
1658:
1652:
1640:. Retrieved
1633:
1624:
1612:. Retrieved
1605:
1596:
1588:the original
1576:
1567:
1546:
1543:Esling, John
1539:Setter, Jane
1535:Roach, Peter
1525:
1506:
1497:
1429:
1423:
1414:
1405:
1401:
1382:
1363:
1357:
1334:
1323:
1305:
1294:
1265:
1258:Portrait of
1238:
1219:
1215:
1197:
1179:
1161:
1135:Eiffel Tower
1132:
1114:
1096:Les Poseuses
1095:
1089:
1071:
1052:
1029:
1011:The Laborers
1010:
995:
977:
959:
940:
921:
892:
883:
879:
877:
873:
862:
856:
854:
845:proto-Cubism
841:Paul Cézanne
838:
826:
812:
808:
795:counterpoint
791:
779:
752:
750:
729:
724:
718:
706:
687:
683:Isaac Newton
673:effects and
660:
652:
651:Detail from
633:
622:
615:
601:
589:
583:
579:
568:
566:
557:
551:
534:
524:
517:James Lapine
514:
505:
502:
495:
493:
482:
472:
440:
439:
424:
422:
410:
400:
379:
367:
355:
338:
308:
305:
301:conté crayon
192:
191:
122:
116:
112:Notable work
92:(1891-03-29)
36:
6522:Pointillism
6497:1891 deaths
6492:1859 births
6455:Romanticism
6412:Remodernism
6293:Incoherents
6152:Avant-garde
6143:Armory Show
5750:Maeterlinck
5653:Villa-Lobos
5639:Szymanowski
5618:Stockhausen
5555:Lutosławski
5273:(1909–1910)
4073:Visual arts
4046:(1928–1940)
3962:(1913–1927)
3485:Apollinaire
3449:Synchromism
3289:Art Nouveau
3108:Exhibitions
2915:Paul Signac
2885:Paul Ranson
2809:Art Nouveau
2787:Cloisonnism
2782:Pointillism
2777:Divisionism
2694:Pointillism
2689:Divisionism
2669:(1890–1891)
2653:(1889–1890)
2645:(1889–1890)
2637:(1887–1888)
2629:(1884–1886)
2621:(1884–1886)
2379:. Chicago:
2120:. Taschen.
2072:Hunter, Sam
1981:: pp. 18–22
1893:18 December
1250:Exhibitions
1182:, 1883–84,
980:, 1882–83,
978:The Suburbs
945:Fogg Museum
831:, 1887–88,
531:John Hughes
523:'s musical
466:pointillism
458:Paul Signac
431:Paul Alexis
297:pointillism
147:Pointillism
6486:Categories
6342:Maximalism
6277:Literature
5952:Wiesenthal
5854:Cunningham
5847:Balanchine
5827:Witkiewicz
5799:Strindberg
5785:Pirandello
5757:Mayakovsky
5632:Stravinsky
5604:Schoenberg
5416:Performing
5341:Metropolis
5132:Mendelsohn
4937:Rossellini
4930:Richardson
4741:Fassbinder
4727:Eisenstein
4664:Cassavetes
4420:Modigliani
4294:Goncharova
4280:Giacometti
3674:Dos Passos
3476:Literature
3435:Surrealism
3346:Die Brücke
3207:Modern art
3059:Franz Marc
3024:Raoul Dufy
2978:Die Brücke
2825:Cuno Amiet
2799:Synthetism
2666:The Circus
2260:2 December
2234:2 December
2208:2 December
2181:Fry, Roger
2086:. p.
2078:Modern Art
1961:9 December
1935:20 January
1807:Paris 1899
1674:Fry, Roger
1657:"Seurat".
1485:References
1385:, lent by
1220:Study for
1030:Study for
858:The Chahut
835:, New York
800:heuristics
781:The Circus
694:tapestries
675:perception
667:Ogden Rood
617:The Circus
612:diphtheria
604:meningitis
586:Gravelines
315:modern art
71:1859-12-02
6391:Pulp noir
6349:Modernity
6214:Film noir
5938:St. Denis
5861:Diaghilev
5597:Schaeffer
5520:Hindemith
5492:Dutilleux
5464:Boulanger
5269:The Dance
4965:Tarkovsky
4958:Sternberg
4790:Hitchcock
4706:Dovzhenko
4622:Antonioni
4567:Stieglitz
4406:Metzinger
4357:Kokoschka
4336:Kandinsky
3750:Aldington
3743:Akhmatova
3660:Marinetti
3653:Mansfield
3604:Hemingway
3442:Symbolism
3261:Movements
3254:Modernism
3202:Modernism
2966:movements
2804:Symbolism
2793:Les Nabis
2765:movements
2650:Le Chahut
2597:Paintings
2405:Fry Roger
2183:Essay in
1471:Biography
1424:Le Cirque
1415:Le Chahut
1402:Le Chahut
1200:1884–85,
1040:, Chicago
1036:1884–85,
901:Paintings
818:Influence
765:emotional
608:pneumonia
386:Aman-Jean
363:Le Raincy
359:Champagne
347:, Otterlo
340:Le Chahut
329:Biography
299:and used
173:Signature
6473:Category
6074:Fountain
5978:Don Juan
5917:Nijinsky
5813:Wedekind
5792:Piscator
5687:Anderson
5611:Scriabin
5527:Honegger
5181:Sullivan
5167:Saarinen
5160:Rietveld
5153:Niemeyer
5125:Melnikov
5055:Bunshaft
4986:Truffaut
4951:Sjöström
4895:Pudovkin
4867:Minnelli
4832:Kurosawa
4825:Kuleshov
4755:Flaherty
4581:Vuillard
4560:Steichen
4518:Rousseau
4483:Pissarro
4462:O'Keeffe
4427:Mondrian
4378:Malevich
4371:Magritte
4343:Kirchner
4287:van Gogh
4238:Doesburg
4217:Delaunay
4210:Delaunay
4133:Brâncuși
4119:Boccioni
4082:Painting
3932:Williams
3855:Mallarmé
3771:Cendrars
3681:Platonov
3639:Lawrence
3632:Koestler
3569:Flaubert
3562:Faulkner
3527:Bulgakov
3456:Tonalism
3417:De Stijl
3401:Lettrism
3387:Futurism
3278:Art Deco
2536:Archived
2470:Rewald,
2463:Rewald,
2456:Rewald,
2449:Rewald,
2409:The Dial
2407:Essay, '
2185:The Dial
2133:13 March
2014:13 March
1697:13 March
1642:3 August
1630:"Seurat"
1614:3 August
1602:"Seurat"
1545:(eds.).
1533:(2011).
1505:(2008).
1439:See also
1381:Drawing
1241:, 1888,
1164:, 1883,
1148:Drawings
784:, 1891,
761:Sorbonne
419:, London
161:Children
135:Movement
106:Painting
81:, France
6128:Related
5990:Ubu Roi
5945:Tamiris
5931:Sokolow
5910:Massine
5778:Osborne
5771:O'Neill
5764:O'Casey
5722:Chekhov
5708:Beckett
5694:Anouilh
5678:Theatre
5625:Strauss
5583:Russolo
5562:Milhaud
5541:Janáček
5513:Górecki
5506:Feldman
5485:Debussy
5478:Copland
5436:Antheil
5174:Steiner
5097:Johnson
5076:Guimard
5069:Gropius
4916:Resnais
4818:Kubrick
4748:Fellini
4734:Epstein
4720:Edwards
4685:Cocteau
4671:Chaplin
4643:Bresson
4636:Bergman
4615:Aldrich
4608:Akerman
4553:Soutine
4525:Schiele
4476:Picasso
4469:Picabia
4399:Matisse
4273:Gauguin
4245:Duchamp
4203:Kooning
4182:Claudel
4175:Chirico
4168:Chagall
4161:Cézanne
4154:Cassatt
4126:Bonnard
4112:Bellows
4105:Balthus
3982:Ulysses
3904:Stevens
3897:Seferis
3716:Unamuno
3555:Forster
3534:Chekhov
3499:Beckett
3428:Orphism
3394:Imagism
3378:Bauhaus
3364:Fauvism
3269:Acmeism
3190:Related
3169:Critics
3002:Artists
2973:Fauvism
2818:Artists
2677:Related
2444:Cézanne
2303:Sources
2031:: p. 18
1749:: p. 17
1719:: p. 16
1445:Portals
1422:Showed
1413:Showed
1400:Showed
888:Orphism
884:Dancers
849:Cubists
788:, Paris
759:at the
713:retinal
690:chemist
671:optical
280:French:
153:Partner
6114:(1953)
6102:(1928)
6090:(1921)
6078:(1917)
6066:(1913)
6054:(1912)
6042:(1910)
6030:(1905)
6026:Salome
6018:(1902)
6006:(1899)
5994:(1896)
5982:(1888)
5959:Wigman
5889:Graham
5882:Fuller
5875:Fokine
5868:Duncan
5820:Wilder
5806:Toller
5743:Kaiser
5715:Brecht
5701:Artaud
5660:Webern
5646:Varèse
5576:Partch
5548:Ligeti
5471:Boulez
5443:Bartók
5401:(1943)
5389:(1941)
5377:(1936)
5367:(1931)
5357:(1929)
5345:(1927)
5333:(1925)
5321:(1923)
5309:(1920)
5297:(1915)
5285:(1912)
5261:(1907)
5249:(1889)
5237:(1887)
5225:(1886)
5202:Wright
5188:Tatlin
5146:Neutra
5048:Breuer
5014:Welles
5000:Vertov
4923:Renoir
4874:Murnau
4860:Marker
4853:Lupino
4811:Keaton
4797:Hubley
4783:Godard
4769:Fuller
4713:Dreyer
4692:Dassin
4650:Buñuel
4546:Sisley
4539:Signac
4532:Seurat
4504:Renoir
4322:Hopper
4224:Demuth
4147:Calder
4140:Braque
4091:Albers
4058:(1929)
4034:(1926)
4022:(1925)
4010:(1924)
3998:(1922)
3986:(1922)
3974:(1915)
3925:Valéry
3911:Thomas
3876:Pessoa
3820:George
3813:Elytis
3806:Éluard
3792:Desnos
3764:Cavafy
3734:Poetry
3695:Proust
3688:Porter
3590:Hamsun
3548:Döblin
3541:Conrad
3513:Breton
3492:Barnes
3312:Cubism
3120:Les XX
2993:Cubism
2661:(1890)
2626:Models
2613:(1884)
2490:Seurat
2451:Seurat
2387:
2337:
2331:Seurat
2318:
2276:Seurat
2170:, 2011
2149:Seurat
2124:
2094:
2029:Seurat
2008:, CDC"
1979:Seurat
1747:Seurat
1717:Seurat
1578:Lexico
1555:
1513:
1276:Les XX
1270:, the
1138:1889,
1117:1888,
1091:Models
1074:1888,
1055:1885,
1013:1883,
880:Circus
18:Seurat
6284:Post-
6270:Music
5969:Works
5924:Shawn
5903:Laban
5838:Dance
5736:Jarry
5729:Ibsen
5667:Weill
5590:Satie
5499:Falla
5457:Berio
5427:Music
5212:Works
5139:Nervi
5083:Horta
5062:Gaudí
5021:Wiene
4993:Varda
4979:Trnka
4888:Pabst
4846:Losey
4804:Jones
4776:Gance
4699:Deren
4678:Clair
4657:Carné
4629:Avery
4511:Rodin
4497:Redon
4455:Nolde
4448:Munch
4441:Moore
4434:Monet
4385:Manet
4364:Léger
4329:Kahlo
4308:Grosz
4266:Ernst
4259:Ensor
4196:Degas
3949:Works
3939:Yeats
3918:Tzara
3890:Rilke
3883:Pound
3862:Moore
3834:Lorca
3827:Jacob
3799:Eliot
3778:Crane
3757:Auden
3723:Woolf
3709:Svevo
3702:Stein
3667:Musil
3625:Kafka
3618:Joyce
3611:Hesse
3597:Hašek
3520:Broch
3355:Music
1490:Notes
1268:Salon
598:Death
390:Salon
79:Paris
5896:Holm
5569:Nono
5534:Ives
5450:Berg
5418:arts
5195:Mies
5118:Loos
5104:Kahn
5028:Wood
5007:Vigo
4972:Tati
4944:Sirk
4839:Lang
4762:Ford
4599:Film
4588:Wood
4413:Miró
4392:Marc
4350:Klee
4315:Höch
4301:Gris
4252:Dufy
4189:Dalí
3869:Owen
3785:H.D.
3646:Mann
3583:Gide
3576:Ford
3506:Bely
3319:Dada
2385:ISBN
2335:ISBN
2316:ISBN
2262:2021
2255:CNET
2236:2021
2229:HITC
2210:2021
2135:2014
2122:ISBN
2092:ISBN
2016:2014
1963:2021
1937:2018
1895:2016
1699:2014
1644:2019
1616:2019
1553:ISBN
1511:ISBN
1459:Arts
1133:The
882:and
702:dyes
698:wool
681:and
519:and
456:and
295:and
272:suu-
87:Died
61:Born
4881:Ozu
4490:Ray
4231:Dix
4098:Arp
798:of
723:'s
274:RAH
233:SUR
214:ɜːr
6488::
6452:←
2506:,
2383:.
2357:,
2291:.
2253:.
2227:.
2200:.
2156:^
2090:.
2088:27
2036:^
1971:^
1954:.
1928:.
1886:.
1851:^
1824:^
1784:^
1776:24
1774:.
1754:^
1739:^
1724:^
1707:^
1632:.
1604:.
1582:.
1575:.
1541:;
1537:;
1404:,
1308:,
1274:,
806:.
665:,
631:.
606:,
577:.
539:.
533:'
500:.
452:,
448:,
325:.
278:;
263:ɑː
244::
242:US
238:,
220:,-
217:ɑː
201::
199:UK
145:,
141:,
6465:→
3246:e
3239:t
3232:v
2746:e
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2582:e
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2481:(
2393:.
2343:.
2324:.
2295:.
2264:.
2238:.
2212:.
2137:.
2100:.
2018:.
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1965:.
1939:.
1897:.
1778:.
1701:.
1663:.
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1618:.
1561:.
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1447::
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251:s
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223:ə
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
