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context, the notes of a G7 chord would be "G–B–D–F", in jazz, the fifth of the chord is often omitted. The root is also often omitted if playing in a jazz group, as it will usually be played by the bassist. Omitting the root and fifth gives the
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of the following chord. In the key of C major, the dominant seventh chord would be G; the seventh note of this G chord is F, which should resolve downwards to an E in the next bar (typically supported by a C-major chord).
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player might "voice" a printed G chord with the notes "B–E–F–A", which would be the third, sixth (a.k.a. 13th), seventh, and ninth of the chord. Jazz chord-playing musicians may also add
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can have sevenths added to them, using the performer's discretion and "ear". For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer will usually
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In voicing jazz chords, performers focus first on the seventh and the major or minor third of the chord, with the latter indicating the
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This article is about the seventh factor of a chord. For the seventh chord itself, see
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and theory, and classical music theory, the seventh is what defines a chord as a "
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chord in the key of C, built on a G would be to voice the chord as "B–C
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The seventh note of a chord is most commonly a minor seventh (in C, B
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Conventionally, the seventh is fourth in importance to the root,
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Audio playback is not supported in your browser. You can
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chord-playing musician the option to play other notes.
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153:Third inversion G7 chord; the seventh is the bass.
384:chord, resolving to tonic, moves downward to the
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430:. Trans. J.A. Shedlock. Augener, 1900. 730.
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380:downward. For example, the seventh of the
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65:"Seventh" chord
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364:Resolution
288:jazz piano
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184:above the
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520:Bass note
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494:Seventh
368:In the
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