31:
300:
curriculum at the Pratt
Institute, offering students up-to-date, visually attractive and engaging lectures, and exposing students to the architectural legacy of other continents. She positioned herself as a teacher for the next generation of architects. She taught courses on such subjects as urban history and design, becoming Pratt's first female full professor in 1960. She became a respected and acclaimed teacher, a commanding classroom presence using her experiences in acting. In spite of this, she retained a secret insecurity about her lack of extensive formal university training.
520:
disseminate his ideas. This commitment to sustaining Moholy-Nagy's influence went hand in hand with practical considerations, as she skillfully managed her and her children's financial well-being through a combination of Moholy-Nagy's life insurance, the sale of some of his paintings, and her income from teaching. Through her dual role as a custodian of his legacy and a provider for her family, Sibyl demonstrated a multifaceted dedication to preserving the impact of Moholy-Nagy's contributions to the world of art and design.
550:
324:
429:
speechwriter, and as an independent freelance writer. These ambitions were largely put on hold as she poured herself into the support of her husband and their children following their immigration to the United States in 1937. However, following the establishment of the School of Design alongside her husband, she pursued recognition for her writing with renewed vigor.
519:
In the years following LĂĄszlĂł Moholy-Nagy's death, Sibyl Moholy-Nagy actively engaged in preserving and promoting her husband's legacy. Not only did she undertake the responsibility of organizing exhibitions and delivering lectures on his art, but she also initiated contact with publishers to further
271:
in
October 1937, which was sponsored by the Association of Arts and Industries. After the New Bauhaus closed in June 1938, Moholy-Nagy helped her husband open his own school, the School of Design in Chicago in February 1939. In 1944 this school was reorganized and renamed the Institute of Design. Her
225:
Moholy-Nagy was an intelligent and rebellious girl who did well in school but suffered from extreme anxiety. As the youngest daughter in a family of four, her parents believed in a privileged Bilden education, prioritizing a humanitarian focus on classics, an idea popular among
Dresden bourgeois. Her
432:
She first found success with a semi-autobiographical essay submitted to
Harvard that described her experience living in Germany before and after 1933. The success of this work, which provided a vivid, if partially fictitious, account of the role women play in maintaining family cohesion under the
509:
In 1933 Hitler shook the tree and
America picked up the fruit of German genius. In the best of Satanic traditions some of this fruit was poisoned, although it looked at first sight as pure and wholesome as a newborn concept. The lethal harvest was functionalism, and the Johnnies who spread the
299:
in New York City on the recommendation of Jose Luis Sert. She had fabricated her CV that she had studied at prestigious German universities. Despite this, she has been called âthe pillar on which Pratt
Institute was builtâ by Ron Shiffman, for her contributions to broadening and deepening the
428:
Moholy-Nagy long harbored the ambition of becoming a professional writer, and following her intermittently successful acting career pursued roles alternately as an editor for the publishing house RĂźtten & Loening, as an assistant dramaturg at the
Hessisches Landestheater Darmstadt, as a
233:
in 1923), she became an actress, performing on stage and in a couple of films. While performing she went under the stage name "Sibyl Peech". In 1929, she married the
Frankfurt intellectual and industrialist Carl Dreyfuss, a close friend of social philosopher
226:
deepest desire was to pursue a creative field, as a poet or literary author contributing to German culture. Her father, Martin
Pietzsch, had an objection to females pursuing higher education however, and she was not allowed to pursue a university education.
283:
After her husband's death, Moholy-Nagy decided to become an architectural historian and teacher, beginning a productive career publishing many articles and books. Her writings built on knowledge from her father, and from her friendships with
292:, who she had met through her husband. Although she lacked formal credentials, her deep knowledge of architectural history allowed her to secure successive teaching positions in Chicago, Peoria, San Francisco, and Berkeley.
264:, LĂĄszlĂł Moholy-Nagy worked for a year in Amsterdam in 1934, while Sibyl and Hattula remained in Berlin. The family reunited in London in 1935, where the couple formally married. A second daughter, Claudia, was born in 1936.
433:
strain of impending war, sparked her continued success as a writer until her death. She went on to publish prolifically both fiction works and, in her later professional life, on the topic of architectural theory.
206:
eulogized her as "the most formidable of the group of lady-critics (Jane Jacobs, Ada Louise
Huxtable, etc) who kept the U.S. architectural establishment continually on the run during the 50s and 60s".
484:(1968), focused on the development of cities and the influence of landscape, regional climate, tradition, culture, and form. She made numerous contributions to architecture magazines, such as
480:(1957), one of the first books on vernacular design for architects, calling attention to traditional buildings compatible with the natural environment. One of her most important books,
1152:
499:
In her architectural writings, she was not afraid to criticize the postwar architecture of her husband's former colleagues. In 1968, she published an essay in
183:; October 29, 1903 â January 8, 1971) was an architectural and art historian. Originally a German citizen, she accompanied her second husband, the Hungarian
441:
Throughout the 1950s and 1960s, Moholy-Nagy had a parallel career as an architecture critic, maintaining professional relationships with such figures as
572:
1177:
303:
Moholy-Nagy resigned in 1969 over a conflict with other faculty about the future direction of the school, then became a visiting professor at
1172:
202:
She was an outspoken critic of what she regarded as the excesses of postwar modernist architecture. After her death in 1971, fellow writer
1137:
987:
272:
husband died in November 1946 (ten years later, the Institute of Design became a department of the Illinois Institute of Technology,
396:
267:
In 1937, the family emigrated to the United States, settling in Chicago. There, Moholy-Nagy assisted her husband in opening the
1162:
1142:
368:
863:
375:
1157:
1048:
1023:
628:
560:
345:
415:
353:
1132:
382:
1182:
1147:
605:
349:
364:
1167:
887:
763:
686:
732:
677:
492:
334:
810:"Anonymous architecture as counter-image: Sibyl Moholy-Nagy's perspective on American vernacular"
473:
338:
273:
250:
188:
143:
661:
446:
389:
1072:
1127:
1122:
568:
465:
496:. She was one of the first critics to study postwar Latin American architecture in depth.
8:
486:
304:
510:
appleseed were the Bauhaus masters Walter Gropius, Mies van der Rohe, and Marcel Breuer.
837:
219:
1107:
935:
253:(1895â1946) who was trying to get support for what would become his most famous film,
1054:
1044:
1019:
1013:
841:
829:
809:
634:
624:
618:
601:
821:
771:
694:
289:
296:
295:
In 1951, Moholy-Nagy was hired as associate professor of architecture history at
241:
In 1931, she left Frankfurt for Berlin, working as a scriptwriter and editor for
102:
257:. They became a couple by 1932, and had a daughter Hattula the next year, 1933.
501:
469:
442:
285:
235:
825:
1116:
833:
230:
203:
192:
593:
222:) and Fanny (Clauss) Pietzsch. Her father also headed the Dresden Academy.
623:(2nd revised, original 1950 ed.). Cambridge, Mass.: MIT Press. 1969.
30:
638:
268:
529:
1953 â Arnold W. Brunner Grant, The Architectural League, New York City
242:
646:
549:
454:
960:
776:
699:
651:(Introduction and translations). New York: Praeger, 1953 (rev. 1968)
505:
titled "Hitler's Revenge". She started this polemic with the words:
323:
733:"Guide to the Sibyl Moholy-Nagy Collection MS.043 at UC Santa Cruz"
1058:
246:
215:
184:
58:
229:
After working at a variety of jobs (including clerical work for
1043:. London, England: London: Bloomsbury Visual Arts. p. 34.
261:
1041:
Sibyl Moholy-Nagy: Architecture, modernism and its discontents
598:
Sibyl Moholy-Nagy: Architecture, Modernism and its Discontents
457:"S. D. Peech". In 1950 she wrote a biography of her husband,
1108:
Pioneering Women of American Architecture, Sibyl Moholy-Nagy
670:
Matrix of Man: An Illustrated History of Urban Environment
482:
Matrix of Man: An Illustrated History of Urban Environment
532:
1967 â John Guggenheim Fellowship, Guggenheim Foundation
199:, plus several other books on architectural history.
1093:
Paine, Judith, "Sibyl Moholy-Nagy: A Complete Life",
276:). She finished copyediting her late husband's book
614:(writing as S.D. Peech). New York: H. Bittner, 1945
1018:( ed.). Cambridge, Massachusetts: MIT Press.
988:"Sibyl MoholyâNagy, Architectural Critic, Is Dead"
218:on October 29, 1903 to architect Martin Pietzsch (
1153:Emigrants from Nazi Germany to the United States
1114:
888:"Sibyl and Laszlo Moholy-Nagy papers, 1918-1971"
535:1970 â American Institute "Critic of the Year"
310:She died in New York City on January 8, 1971.
757:
755:
753:
195:. She was the author of a study of his work,
181:Dorothea Maria Pauline Alice Sybille Pietzsch
94:Professor, architectural historian and critic
1011:
761:
715:56, no. 5 (September/October 1968): p42â43)
684:
352:. Unsourced material may be challenged and
982:
980:
857:
855:
853:
851:
750:
29:
1178:20th-century American non-fiction writers
940:Pioneering Women of American Architecture
864:"Women of the Bauhaus: Sibyl Moholy-Nagy"
775:
698:
416:Learn how and when to remove this message
313:
942:. Beverly Willis Architecture Foundation
861:
803:
801:
799:
797:
795:
793:
539:
977:
929:
927:
848:
655:Native Genius In Anonymous Architecture
478:Native Genius in Anonymous Architecture
158: 1935; died 1946)
1115:
1038:
925:
923:
921:
919:
917:
915:
913:
911:
909:
907:
807:
762:Stratigakos, Despina (16 March 2015).
685:Stratigakos, Despina (16 March 2015).
790:
543:
523:
350:adding citations to reliable sources
317:
249:professor, artist, and photographer
1173:20th-century American women writers
1015:Moholy-Nagy: experiment in totality
904:
620:Moholy-Nagy: experiment in totality
459:Moholy-Nagy: Experiment in Totality
197:Moholy-Nagy: Experiment in Totality
13:
933:
862:Stephens, Suzanne (June 1, 2019).
14:
1194:
1138:American architectural historians
1101:
664:and the Architecture of Venezuela
449:. In 1945 she published a novel,
245:Berlin. There she met the former
133: 1929, divorced)
1095:Archives of American Art Journal
1077:John Simon Guggenheim Foundation
657:. New York: Horizon Press, 1957.
548:
476:, and she subsequently produced
322:
1065:
1032:
681:. (Introduction). Praeger, 1970
280:, which was published in 1947.
155:
130:
1005:
953:
880:
725:
1:
1163:20th-century German actresses
1143:American architecture critics
719:
214:Sibylle Pietzsch was born in
16:German-American art historian
737:Online Archive of California
255:A Lightplay black white gray
209:
7:
1012:Moholy-Nagy, Sibyl (1969).
814:The Journal of Architecture
468:of New York awarded her an
436:
10:
1199:
666:. New York: Praeger, 1964.
1158:American women historians
826:10.1080/13602360802328008
514:
166:
109:
98:
90:
82:
66:
40:
35:Moholy-Nagy as an actress
28:
21:
711:Originally published in
649:: Pedagogical Sketchbook
493:Progressive Architecture
472:research grant to study
1133:American art historians
474:vernacular architecture
274:IIT Institute of Design
1183:Actresses from Dresden
1039:Heynen, Hilde (2016).
965:Moholy-Nagy Foundation
808:Heynen, Hilde (2008).
662:Carlos Raul Villanueva
600:. London, Bloomsbury.
512:
447:Carlos Raul Villanueva
314:Professional ambitions
1148:German film actresses
540:Selected publications
507:
191:, in his move to the
1168:Women art historians
868:Architectural Record
676:The Architecture of
563:for the books listed
466:Architectural League
346:improve this section
1097:15:4 (1975), 11â16.
1073:"Sibyl Moholy-Nagy"
936:"Sibyl Moholy-Nagy"
612:Children's Children
487:Architectural Forum
451:Children's Children
365:"Sibyl Moholy-Nagy"
305:Columbia University
260:Due to the rise of
992:The New York Times
764:"Hitler's Revenge"
687:"Hitler's Revenge"
251:LĂĄszlĂł Moholy-Nagy
220:Deutscher Werkbund
189:LĂĄszlĂł Moholy-Nagy
144:LĂĄszlĂł Moholy-Nagy
590:
589:
524:Awards and honors
426:
425:
418:
400:
177:Sibyl Moholy-Nagy
174:
173:
77:New York City, US
23:Sibyl Moholy-Nagy
1190:
1087:
1086:
1084:
1083:
1069:
1063:
1062:
1036:
1030:
1029:
1009:
1003:
1002:
1000:
999:
994:. 9 January 1971
984:
975:
974:
972:
971:
957:
951:
950:
948:
947:
931:
902:
901:
899:
898:
884:
878:
877:
875:
874:
859:
846:
845:
805:
788:
787:
785:
784:
779:
759:
748:
747:
745:
743:
729:
710:
708:
707:
702:
642:
585:
582:
576:
552:
544:
421:
414:
410:
407:
401:
399:
358:
326:
318:
290:Sigfried Giedion
278:Vision in Motion
159:
157:
134:
132:
86:German, American
73:
55:October 29, 1903
54:
52:
45:Sibylle Pietzsch
33:
19:
18:
1198:
1197:
1193:
1192:
1191:
1189:
1188:
1187:
1113:
1112:
1104:
1090:
1081:
1079:
1071:
1070:
1066:
1051:
1037:
1033:
1026:
1010:
1006:
997:
995:
986:
985:
978:
969:
967:
959:
958:
954:
945:
943:
934:Heynen, Hilde.
932:
905:
896:
894:
886:
885:
881:
872:
870:
860:
849:
806:
791:
782:
780:
777:10.22269/150316
760:
751:
741:
739:
731:
730:
726:
722:
705:
703:
700:10.22269/150316
672:. Preager, 1968
631:
617:
608:, 9781350094116
586:
580:
577:
566:
553:
542:
526:
517:
439:
422:
411:
405:
402:
359:
357:
343:
327:
316:
297:Pratt Institute
212:
162:
161:
153:
149:
146:
136:
128:
124:
121:
103:Pratt Institute
78:
75:
71:
70:January 8, 1971
62:
56:
50:
48:
47:
46:
36:
24:
17:
12:
11:
5:
1196:
1186:
1185:
1180:
1175:
1170:
1165:
1160:
1155:
1150:
1145:
1140:
1135:
1130:
1125:
1111:
1110:
1103:
1102:External links
1100:
1099:
1098:
1089:
1088:
1064:
1050:978-1350094116
1049:
1031:
1025:978-0262130530
1024:
1004:
976:
952:
903:
892:www.aaa.si.edu
879:
847:
820:(4): 469â491.
789:
768:Places Journal
749:
723:
721:
718:
717:
716:
713:Art in America
691:Places Journal
682:
673:
667:
658:
652:
643:
630:978-0262130530
629:
615:
609:
588:
587:
556:
554:
547:
541:
538:
537:
536:
533:
530:
525:
522:
516:
513:
502:Art in America
470:Arnold Brunner
443:Philip Johnson
438:
435:
424:
423:
406:September 2024
330:
328:
321:
315:
312:
286:Walter Gropius
236:Theodor Adorno
211:
208:
172:
171:
168:
164:
163:
151:
147:
142:
141:
140:
139:
126:
122:
119:
118:
117:
116:
113:
111:
107:
106:
100:
96:
95:
92:
88:
87:
84:
80:
79:
76:
74:(aged 67)
68:
64:
63:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
1195:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1164:
1161:
1159:
1156:
1154:
1151:
1149:
1146:
1144:
1141:
1139:
1136:
1134:
1131:
1129:
1126:
1124:
1121:
1120:
1118:
1109:
1106:
1105:
1096:
1092:
1091:
1078:
1074:
1068:
1060:
1056:
1052:
1046:
1042:
1035:
1027:
1021:
1017:
1016:
1008:
993:
989:
983:
981:
966:
962:
956:
941:
937:
930:
928:
926:
924:
922:
920:
918:
916:
914:
912:
910:
908:
893:
889:
883:
869:
865:
858:
856:
854:
852:
843:
839:
835:
831:
827:
823:
819:
815:
811:
804:
802:
800:
798:
796:
794:
778:
773:
769:
765:
758:
756:
754:
738:
734:
728:
724:
714:
701:
696:
692:
688:
683:
680:
679:
674:
671:
668:
665:
663:
659:
656:
653:
650:
648:
644:
640:
636:
632:
626:
622:
621:
616:
613:
610:
607:
603:
599:
595:
592:
591:
584:
574:
570:
569:add the ISBNs
564:
562:
557:This article
555:
551:
546:
545:
534:
531:
528:
527:
521:
511:
506:
504:
503:
497:
495:
494:
489:
488:
483:
479:
475:
471:
467:
464:In 1952, the
462:
460:
456:
452:
448:
444:
434:
430:
420:
417:
409:
398:
395:
391:
388:
384:
381:
377:
374:
370:
367: â
366:
362:
361:Find sources:
355:
351:
347:
341:
340:
336:
331:This section
329:
325:
320:
319:
311:
308:
306:
301:
298:
293:
291:
287:
281:
279:
275:
270:
265:
263:
258:
256:
252:
248:
244:
239:
237:
232:
231:Leo Frobenius
227:
223:
221:
217:
207:
205:
204:Reyner Banham
200:
198:
194:
193:United States
190:
186:
182:
178:
169:
165:
145:
138:
137:
120:Carl Dreyfuss
115:
114:
112:
108:
104:
101:
97:
93:
91:Occupation(s)
89:
85:
81:
69:
65:
60:
43:
39:
32:
27:
20:
1094:
1080:. Retrieved
1076:
1067:
1040:
1034:
1014:
1007:
996:. Retrieved
991:
968:. Retrieved
964:
955:
944:. Retrieved
939:
895:. Retrieved
891:
882:
871:. Retrieved
867:
817:
813:
781:. Retrieved
767:
740:. Retrieved
736:
727:
712:
704:. Retrieved
690:
678:Paul Rudolph
675:
669:
660:
654:
645:
619:
611:
597:
594:Hilde Heynen
578:
573:citation bot
567:Please help
558:
518:
508:
500:
498:
491:
485:
481:
477:
463:
458:
453:, under the
450:
440:
431:
427:
412:
403:
393:
386:
379:
372:
360:
344:Please help
332:
309:
302:
294:
282:
277:
266:
259:
254:
240:
228:
224:
213:
201:
196:
180:
176:
175:
72:(1971-01-08)
1128:1971 deaths
1123:1903 births
571:or run the
269:New Bauhaus
105:(1951-1969)
83:Nationality
1117:Categories
1082:2018-11-02
1059:2019021022
998:2019-03-25
970:2018-11-02
961:"Teaching"
946:2019-06-15
897:2018-11-02
873:2019-06-14
783:2019-06-14
720:References
706:2019-06-14
606:1350094110
376:newspapers
243:Tobis Film
51:1903-10-29
842:143716212
834:1360-2365
647:Paul Klee
581:June 2019
455:pseudonym
333:does not
307:in 1970.
210:Biography
61:, Germany
770:(2015).
693:(2015).
596:(2019).
437:Writings
167:Children
99:Employer
390:scholar
354:removed
339:sources
247:Bauhaus
216:Dresden
187:artist
185:Bauhaus
160:
152:
148:
135:
127:
123:
110:Spouses
59:Dresden
1057:
1047:
1022:
840:
832:
742:7 June
637:
627:
604:
559:lacks
515:Legacy
392:
385:
378:
371:
363:
262:Nazism
179:(born
838:S2CID
639:13372
561:ISBNs
397:JSTOR
383:books
154:(
150:
129:(
125:
1055:LCCN
1045:ISBN
1020:ISBN
830:ISSN
744:2021
635:OCLC
625:ISBN
602:ISBN
490:and
445:and
369:news
337:any
335:cite
288:and
67:Died
41:Born
822:doi
772:doi
695:doi
461:.
348:by
1119::
1075:.
1053:.
990:.
979:^
963:.
938:.
906:^
890:.
866:.
850:^
836:.
828:.
818:13
816:.
812:.
792:^
766:.
752:^
735:.
689:.
633:.
238:.
156:m.
131:m.
1085:.
1061:.
1028:.
1001:.
973:.
949:.
900:.
876:.
844:.
824::
786:.
774::
746:.
709:.
697::
641:.
583:)
579:(
575:.
565:.
419:)
413:(
408:)
404:(
394:¡
387:¡
380:¡
373:¡
356:.
342:.
170:2
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.