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Moholy-Nagy, László |d 1895–1946 & Witkovsky, Matthew S., 1967–, (editor.) & Eliel, Carol S., 1955–, (editor.) & Vail, Karole P. B., (editor.) & Pâenichon, Sylvie, (writer of added text.) et al. (2016). Moholy-Nagy : future present (First edition). Art
Institute of Chicago,
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was released. The film centers on Moholy-Nagy's life and legacy in
Chicago, featuring his daughter Hattula Moholy-Nagy, grandsons Andreas Hug and Daniel Hug, curator Hans-Ulrich Obrist, and artists Jan Tichy, Barbara Kasten, Barbara Crane, Kenneth Josephson, Debbie Millman, and Olafur Eliasson.
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However, the school lost the financial backing of its supporters after only a single academic year, and it closed in 1938. Moholy-Nagy resumed doing commercial design work, which he continued to do for the rest of his life. Moholy-Nagy was also the Art
Advisor for the mail-order house of
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leanings and moved it closer towards its original aims as a school of design and industrial integration. The
Bauhaus became known for the versatility of its artists, and Moholy-Nagy was no exception. Throughout his career, he became proficient and innovative in the fields of photography,
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from 1927 to 1929. He designed stage sets for successful and controversial operatic and theatrical productions, designed exhibitions and books, created ad campaigns, wrote articles, and made films. His studio employed artists and designers such as Istvan Seboek,
560:(Light Prop for an Electric Stage) (1928–1930), a device with moving parts designed to have light projected through it to create shifting light reflections and shadows on nearby surfaces. It was made with the help of the Hungarian architect Istvan Seboek for the
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in
Budapest is named in his honor. In 1998 a Tribute Marker from the City of Chicago was installed. In the autumn of 2003, the Moholy-Nagy Foundation, Inc. was established as a source of information about Moholy-Nagy's life and works. In 2016, the
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Paepcke continued to support the artist, and in 1939 Moholy-Nagy opened the School of Design in
Chicago. He also started making static and mobile sculptures in transparent plastic, often accented with chromed metal.
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came to power in
Germany in 1933, as a foreign citizen, he was no longer allowed to work there. He worked in 1934 in the Netherlands (doing mostly commercial work) before moving with his family to London in 1935.
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The remainder of the family took protection and support from the maternal uncle, Gusztáv Nagy. The uncle was a lawyer, and sponsored the education of László and his younger brother, Ákos. In turn, László took the
355:, which was the second-largest city in the country. Initially he wanted to become a writer or poet, and in 1911 some of his poems were published in local daily newspapers. Starting in 1913, he studied law at the
530:; the process of exposing light-sensitive paper with objects laid upon it. His teaching practice covered a diverse range of media, including painting, sculpture, photography, photomontage, and metalworking.
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American citizen in April 1946. He continued to produce artworks in multiple media, to teach, and to attend conferences until he died of the disease in
Chicago on November 24, 1946. He was buried at
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Moholy-Nagy was the first interwar artist to suggest the use of scientific equipment such as the telescope, microscope, and radiography in the making of art. With Lucia, he experimented with the
523:(New Vision) for his belief that the camera could create a whole new way of seeing the outside world that the human eye could not. This theory encapsulated his approach to his art and teaching.
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as an artillery officer. In service, he also made crayon sketches, watercolors, and writings to document his wartime experiences. He was injured on the
Russian Front during the
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in New York exhibited a retrospective of Moholy-Nagy's work that included painting, film, photography, and sculpture. In 2019, a documentary film The New
Bauhaus directed by
673:. Gropius and Moholy-Nagy planned to establish an English version of the Bauhaus but could not secure backing, and then Moholy-Nagy was turned down for a teaching job at the
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572:. Given his interest in the light patterns it produced more than its appearance when viewed directly, it might more accurately be seen as one of the earliest examples of
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In 1943, Moholy-Nagy began work on an account of his efforts to develop the curriculum of the School of Design. It would be posthumously published in his 1947 book
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called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.
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Botar, O. (2004). Lszl Moholy-Nagys New Vision and the Aestheticization of Scientific Photography in Weimar Germany. Science in Context, 17(4), 525–556.
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One of his main focuses was photography; starting in 1922, he had been initially guided by the technical expertise of his first wife and collaborator
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782:. The philosophy of the school was basically unchanged from that of the original, and its headquarters was the Prairie Avenue mansion that architect
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After his discharge from the military in October 1918, he abandoned his law studies and attended the private art school of the Hungarian
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After the defeat of the Communist regime in August, he withdrew to Szeged. An exhibition of his work was held there, before he left for
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Marginalien zu Moholy-Nagy : documentarische ungereimtheiten... = Moholy-Nagy : marginal notes : documentary absurdities
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of July 1917, and convalesced in Budapest. While on leave and during convalescence, Moholy-Nagy became involved first with the journal
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on light-sensitized paper. He also began sketching ideas for what would become his most well-known sculpture, the
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1702:. New York: Art Gallery of the Graduate Center, the City University of New York. pp. 10–15, 18–20, 163–169.
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and was seen as a pioneer achievement of kinetic sculpture using industrial materials like reflective metals and
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In England, Moholy-Nagy formed part of the circle of émigré artists and intellectuals who based themselves in
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Forbes, M. (2016). "What could I lose": The fate of Lucia Moholy. Michigan Quarterly Review, 55(1), 24-0_7.
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Moholy-Nagy earned a living in London by taking on various commercial design jobs, including work for
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1934:"From the Harvard Art Museums' collections: Light Prop for an Electric Stage (Light-Space Modulator)"
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took over his role as Head of the Metal Workshop. He separated from his first wife Lucia in 1929.
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and a strong advocate of the integration of technology and industry into the arts. The art critic
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surname of his mentor. Later, he added "Moholy" to his surname, after the name of the town of
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In the summer of 1931 Moholy-Nagy travelled to Finland with his then girlfriend actress
1727:(1st ed.). Munich: Prestel Publishing. pp. 198, 199, 205, 210, 216–221, 334.
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Moholy-Nagy left the Bauhaus in 1928 and established his own design studio in Berlin.
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2158:. 1925. Trans. Katrin Schamun, Jillian DeMair. Zürich: Lars Müller Publishers, 2019,
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The New Vision: fundamentals of Bauhaus design, painting, sculpture, and architecture
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576:. This was a form that he continued to develop in the 1940s in the United States, in
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who commissioned Moholy-Nagy to make documentary photographs to illustrate his book
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444:. That summer, he vacationed on the Rhone with Lucia, who introduced him to making
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378:("The Present Age"), edited by Hevesy, and then with the "Activist" circle around
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as Head of the Metal Workshop. This effectively marked the end of the school's
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715:(1936). He began to experiment with painting on transparent plastics, such as
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Montagen ins Blaue: Laszlo Moholy-Nagy, Fotomontagen und -collagen 1922–1943
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exhibition held in Paris during the summer of 1930; it was later dubbed the
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He also worked collaboratively with other artists, including his first wife
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In 1937, on the recommendation of Walter Gropius, and at the invitation of
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2252:. 1925. Trans. Janet Seligman. Cambridge, Massachusetts: MIT Press, 1973.
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403:; his godfather was his Roman Catholic university friend, the art critic
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Findeli, A. (1987). 'Laszlo Moholy-Nagy, Alchemist of Transparency', in
1971:
Alvar Aalto vs the Modern Movement, International Alvar Aalto Symposium
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885:
851:, the first institution in the United States to offer a PhD in design.
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333:
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1420:– kinetic sculptor directly inspired by Moholy-Nagy's work, including
1364:, Munich: Albert Langen, 1925, 115 pp; 2nd ed., 1927, 140 pp.(German)
744:, he gave a lecture to the architecture school of Hull School of Art.
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The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917–1946
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411:, declared early in 1919, though he assumed no official role in it.
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634:("A Lightplay: Black White Gray"), a now-classic film based on the
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In 1923, Moholy-Nagy was invited by Walter Gropius to teach at the
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Picturing Modernity: Moholy-Nagy and Photography in Weimar Germany
1597:. Los Angeles, California: The J. Paul Getty Museum. p. 123.
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In 1940, the summer session of the School of Design was held at
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In 1936, he was commissioned by fellow Hungarian film producer
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László Moholy-Nagy: Photographs from the J. Paul Getty Museum
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Moholy-Nagy, László; Hoffmann, Daphne M. (translator) (2005)
778:, Moholy-Nagy moved to Chicago to become the director of the
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2026:"László Moholy-Nagy. A Lightplay: Black White Gray. c. 1926"
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An iconic achievement was Moholy-Nagy's construction of the
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2203:. New York: Art Gallery of the CUNY Graduate Center, 2006.
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Sensing the Future: Moholy-Nagy, die Medien und die Künste
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Albers and Moholy-Nagy: From the Bauhaus to the New World
2054:(25th anniversary ed.). Köln: Taschen. p. 485.
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family. His mother's second cousin was the conductor Sir
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PDF version: Bauhaus Bücher 8. Malerei, Fotografie, Film
623:, and in 1933 he would name his first daughter Hattula.
483:'s role co-teaching the Bauhaus foundation course with
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painter and photographer as well as a professor in the
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Moholy, Lucia; Moholy-Nagy, László, 1895–1946 (1972),
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Technical Detours: The Early Moholy-Nagy Reconsidered
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Technical Detours: The Early Moholy-Nagy Reconsidered
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In 1922, at a joint exhibition with fellow Hungarian
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1581:, Oxford: Oxford University Press, 2009. pp. 471–472
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In 1944, the School of Design in Chicago became the
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In 1937 his artworks were included in the infamous "
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early in 1920, where he met photographer and writer
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1446:"Moholy-Nagy Champion of a Doomed and Heroic Cause"
726:to design special effects for the now-classic film
688:worked with him on various commercial assignments.
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2000:"Sibyl Moholy-Nagy, Architectural Critic, Is Dead"
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691:He photographed contemporary architecture for the
37:Declaration of Intention for US citizenship (1938)
2339:Moholy-Nagy examples of work for London Transport
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591:Moholy-Nagy was photography editor of the Dutch
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836:, in collaboration with his art historian wife
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2245:. Chicago: University of Chicago Press, 1997.
2213:Chilvers, Ian & Glaves-Smith, John eds.,
1860:The new vision, from material to architecture
1577:Chilvers, Ian & Glaves-Smith, John eds.,
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751:" exhibition held by Nazi Germany in Munich.
626:Also in 1931 he met actress and scriptwriter
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517:The New Vision, from Material to Architecture
2231:. Cambridge, Massachusetts: MIT Press, 1995.
1805:: CS1 maint: multiple names: authors list (
1154:Cover of book published by the Bauhaus(1925)
813:. In 1942, he taught a summer course at the
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638:. She would also work with him on the films
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2392:Hungarian Calvinist and Reformed Christians
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619:. During the trip, Moholy-Nagy visited the
269:; July 20, 1895 – November 24, 1946) was a
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1809:) CS1 maint: numeric names: authors list (
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1579:Dictionary of Modern and Contemporary Art
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888:) was named in part to honor Moholy-Nagy.
786:had designed for department store magnate
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2259:. Trans. London: Thames and Hudson, 1985.
2215:Dictionary of Modern and Contemporary Art
2210:. New Haven: Yale University Press, 2006.
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828:Moholy-Nagy's grave at Graceland Cemetery
2457:Hungarian emigrants to the United States
2422:Illinois Institute of Technology faculty
2351:László Moholy-Nagy. Photograms 1922–1943
2217:, Oxford: Oxford University Press, 2009.
2188:. Zürich: Lars Müller Publishers, 2018,
2173:. Zürich: Lars Müller Publishers, 2014,
1862:. New York: Brewer, Warren & Putnam.
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890:Moholy-Nagy University of Art and Design
847:, and in 1949 it would become a part of
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707:. He was commissioned to make the films
684:and a shop display for men's underwear.
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399:. In 1918, he formally converted to the
2437:Burials at Graceland Cemetery (Chicago)
2224:Cincinnati, Flying Trapeze Press, 2009.
2050:Fiell, Charlotte; Fiell, Peter (2005).
1968:
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1227:Erwin Piscator – Das politische Theater
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2312:(Chicago), founded by Moholy-Nagy as '
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558:Lichtrequisit einer elektrischen Bühne
108:Painting, photography, sculpture, film
2282:László Moholy-Nagy's Composition A.XX
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1697:
1505:"A Bauhaus Artist's Modernist Utopia"
1010:Architecture (Eccentric Construction)
669:for eight months and then settled in
316:Moholy-Nagy was born László Weisz in
260:
2353:Exhibition at Fundació Antoni Tàpies
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312:Early life and education (1895–1922)
277:school. He was highly influenced by
2018:
1926:
1444:Schjeldahl, Peter (March 8, 1970).
713:New Architecture and the London Zoo
615:), as a guest of Finnish architect
13:
2447:Converts to Calvinism from Judaism
1503:Schjeldahl, Peter (May 30, 2016).
632:Ein Lichtspiel: schwarz weiss grau
16:Hungarian painter and photographer
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2222:Moholy-Nagy: Mentor to Modernism.
2452:Deaths from leukemia in Illinois
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849:Illinois Institute of Technology
776:Container Corporation of America
306:Illinois Institute of Technology
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119:Light Prop for an Electric Stage
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2084:"History of Interaction Design"
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1881:Bauhaus100. László Moholy-Nagy
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1748:Bauhaus100. Preliminary course.
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1470:MOME Budapest (July 20, 2020).
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854:Moholy-Nagy was diagnosed with
697:where the assistant editor was
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2382:People from Bács-Kiskun County
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429:; they married the next year.
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2417:Academic staff of the Bauhaus
2329:Moholy-Nagy and the Photogram
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2105:"Moholy-Nagy: Future Present"
1723:Hacking, Juliet, ed. (2012).
1302:Vertical black, red, and blue
543:Space modulator with evidence
262:[ˈlaːsloːˈmoholiˌnɒɟ]
2310:Institute of Design web site
1890:(Accessed: February 7, 2017)
1858:Moholy-Nagy, László, (1932)
1779:(Accessed: February 7, 2017)
1757:(Accessed: February 7, 2017)
1725:Photography: The Whole Story
1375:(Accessed: January 12, 2017)
1212:Pont Transbordeur, Marseille
895:Solomon R. Guggenheim Museum
621:Holy Cross Church in Hattula
407:. He was a supporter of the
7:
2442:Hungarian graphic designers
2184:Blencowe, Chris and Judith
1973:. Helsinki: Rakennuskirja.
1847:Malerei, Photographie, Film
1698:Botar, Oliver A.I. (2006).
1401:
661:. Moholy-Nagy lived in the
519:(1932), he coined the term
513:Malerei, Photographie, Film
10:
2473:
2334:Lightplay:Black White Gray
2295:The Moholy-Nagy Foundation
2052:Design of the 20th Century
1923:Retrieved January 17, 2011
1902:Retrieved January 17, 2011
1770:Bauhaus100. Metal workshop
1591:Naef, Weston, ed. (1995).
1473:Moholy-Nagy 125 FILM (HUN)
1039:Typographic collage (1922)
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704:An Oxford University Chest
534:Depression era (1929–1937)
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2250:Painting Photography Film
2156:Painting Photography Film
1845:László Moholy-Nagy 1925.
1362:Malerei, Fotografie, Film
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755:Chicago years (1937–1946)
456:Bauhaus years (1923–1928)
409:Hungarian Soviet Republic
401:Hungarian Reformed Church
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2305:Biography of Moholy-Nagy
2030:The Museum of Modern Art
1886:October 3, 2018, at the
1775:October 3, 2018, at the
1676:. Moholy-Nagy Foundation
1552:. Moholy-Nagy Foundation
1427:
1378:Moholy-Nagy, L. (1947).
965:Great machine of emotion
815:Women's Teachers College
732:, based on the novel by
597:International Revue i 10
479:, Germany. He took over
121:(1928–1930, also called
2402:Hungarian photographers
2300:A Memory of Moholy-Nagy
2238:. Gießen: Anabas, 1980.
2234:Lusk, Irene-Charlotte.
2206:Borchardt-Hume, Achim.
1969:Mikkola, Kirmo (2005).
1849:. Munich: Albert Langen
1408:Artificial obsolescence
604:, and Andor Weininger.
2432:Architecture educators
2344:March 4, 2016, at the
2220:Engelbrecht, Lloyd C.
1753:June 28, 2018, at the
1371:April 4, 2015, at the
1025:25 bankruptcy vultures
829:
774:, the Chairman of the
767:
546:
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418:around November 1919.
357:University of Budapest
351:school in the city of
2320:Long 2006 article in
1938:harvardartmuseums.org
1919:May 20, 2013, at the
1422:Light-Space Modulator
1360:Moholy-Nagy, László.
874:The software company
858:in 1945. He became a
827:
762:
636:Light-Space Modulator
566:Light-Space Modulator
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463:
450:Light-Space Modulator
421:Moholy-Nagy moved to
368:Austro-Hungarian army
366:, he enlisted in the
123:Light-Space Modulator
79:Chicago, Illinois, US
2255:Passuth, Krisztina.
2248:Moholy-Nagy, Lázló.
2199:Botar, Oliver A. I.
2169:Botar, Oliver A. I.
2154:Moholy-Nagy, Lázló.
1940:. Harvard University
1483:– via YouTube.
883:programming language
694:Architectural Review
675:Royal College of Art
586:B-10 Space Modulator
487:, and also replaced
173: 1921;
1063:Magazine cover for
878:(developers of the
845:Institute of Design
811:Oakland, California
784:Richard Morris Hunt
2397:Hungarian painters
2241:Margolin, Victor.
2107:. February 2, 2016
2004:The New York Times
1450:The New York Times
1413:Lumino kinetic art
864:Graceland Cemetery
830:
768:
611:(sister-in-law of
562:Deutscher Werkbund
547:
469:
372:Kerensky offensive
347:László attended a
210:László Moholy-Nagy
89:Graceland Cemetery
25:László Moholy-Nagy
2377:Abstract painters
2291:
2290:
2194:978-3-03778-566-9
2179:978-3-03778-433-4
2164:978-3-03778-587-4
2127:"The New Bauhaus"
2006:. January 9, 1971
995:Circular segments
644:Berlin Still Life
502:industrial design
434:Peter Laszlo Peri
207:
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72:November 24, 1946
63:, Austria-Hungary
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2427:Design educators
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2227:Hight, Eleanor.
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85:Resting place
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57:July 20, 1895
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2136:December 23,
2134:. Retrieved
2130:
2121:
2109:. Retrieved
2099:
2087:. Retrieved
2078:
2051:
2045:
2033:. Retrieved
2029:
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2008:. Retrieved
2003:
1970:
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1954:
1942:. Retrieved
1937:
1928:
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1907:
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1678:. Retrieved
1674:"Chronology"
1593:
1586:
1578:
1554:. Retrieved
1549:
1513:. Retrieved
1511:. Conde-Nast
1508:
1477:. Retrieved
1472:
1465:
1453:. Retrieved
1449:
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1355:Bibliography
1346:
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798:in Chicago.
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686:György Kepes
679:
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602:György Kepes
596:
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584:(1943), and
581:
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557:
555:
548:
542:
525:
516:
512:
509:Lucia Moholy
506:
485:Josef Albers
470:
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449:
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431:
427:Lucia Schulz
420:
413:
390:
383:
380:Lajos Kassák
375:
361:
346:
330:
315:
290:Lucia Moholy
287:
267:László Weisz
266:
209:
208:
159:Lucia Schulz
122:
118:
114:Notable work
74:(1946-11-24)
47:László Weisz
18:
2372:1946 deaths
2367:1895 births
2314:New Bauhaus
2257:Moholy-Nagy
2010:November 2,
1827:, 0(27), 5.
1546:"Biography"
1259:(1938–1940)
1244:(1933–1934)
982:(1920–1921)
880:open source
860:naturalized
780:New Bauhaus
734:H. G. Wells
711:(1935) and
617:Alvar Aalto
609:Ellen Frank
593:avant-garde
580:(1939–1945)
521:Neues Sehen
515:(1925) and
405:Iván Hevesy
388:("Today").
382:'s journal
364:World War I
326:Georg Solti
95:Nationality
2361:Categories
2149:References
1980:9516820581
1418:Otto Piene
1332:Nuclear II
886:OpenLaszlo
649:After the
498:typography
446:photograms
318:Bácsborsód
258:Hungarian:
61:Bácsborsód
53:1895-07-20
2089:March 22,
2070:809539744
2035:April 11,
1944:March 22,
1913:Light Art
1795:, Scherpe
1680:March 25,
1556:March 28,
1515:March 28,
1455:March 25,
1389:. Dover,
1317:Nuclear I
1065:Der Sturm
1012:(c. 1921)
659:Hampstead
595:magazine
574:Light art
570:Plexiglas
528:photogram
489:Paul Klee
440:, he met
438:Der Sturm
349:gymnasium
271:Hungarian
98:Hungarian
2342:Archived
2111:July 27,
1959:Chicago.
1917:Archived
1900:Tate bio
1884:Archived
1801:citation
1773:Archived
1751:Archived
1402:See also
1369:Archived
1080:Untitled
856:leukemia
709:Lobsters
588:(1942).
582:, Papmac
465:Jealousy
376:Jelenkor
140:Movement
2316:in 1937
906:Gallery
796:Spiegel
717:Perspex
640:Gypsies
473:Bauhaus
395:artist
275:Bauhaus
265:; born
199:
191:
179:
167:
163:
150:Spouses
144:Bauhaus
2192:
2177:
2162:
2068:
2058:
1977:
1731:
1706:
1601:
1393:
1349:(1946)
1334:(1946)
1319:(1945)
1304:(1945)
1289:(1941)
1274:(1941)
1229:(1929)
1214:(1929)
1199:(1929)
1184:(1927)
1169:(1926)
1142:(1925)
1112:(1924)
1097:(1924)
1082:(1923)
1067:(1923)
1027:(1922)
997:(1921)
967:(1920)
952:(1919)
937:(1918)
922:(1918)
870:Legacy
766:(1943)
764:Papmac
545:(1942)
477:Weimar
467:(1927)
423:Berlin
416:Vienna
353:Szeged
342:Serbia
334:Magyar
322:Jewish
300:, and
1428:Notes
1287:CPL 4
1272:CH B3
1197:CH XI
1167:Z VII
1125:Lucia
950:Perpe
838:Sibyl
665:with
651:Nazis
393:Fauve
338:Mohol
193:(
189:
169:(
165:
130:Style
2190:ISBN
2175:ISBN
2160:ISBN
2138:2020
2113:2016
2091:2019
2066:OCLC
2056:ISBN
2037:2019
2012:2018
1975:ISBN
1946:2019
1811:link
1807:link
1729:ISBN
1704:ISBN
1682:2019
1599:ISBN
1558:2019
1517:2019
1481:2024
1457:2019
1391:ISBN
1182:A 19
1095:A.XX
642:and
175:div.
69:Died
43:Born
2284:at
817:in
809:in
475:in
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