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fourteenth-century sovereigns, including Edward II and, in his role as a harpist, as a type of David, the royal figure upon whom many medieval kings modeled themselves. When Orfeo outcasts himself from society, he is bringing in the idea of a king being an isolated man. He leaves his kingdom in the hands of his steward, upsetting the order of things. Orfeo himself is upset when his wife his taken, and Evans says in her essay that the poem's narrative syntax, by doubling social order with the classic romance structure of exile, risk and then reintegration suggests an emotional link to the loss and recovery of a wife with the loss and recovery of a kingdom. Evans argues that even if it was not the intention of the author, when read in a cultural context this interpretation is possible through the concept of the “
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Orfeo, invites this unknown musician into the castle to play his harp. The final action of the story is the testing of the steward's loyalty upon Sir Orfeo's return with
Heurodis to reclaim his throne. Quickly, the harp is recognized and Sir Orfeo explains that he found it ten years ago beside the mutilated body of a man who had been eaten by a lion. Upon hearing this, the steward faints in distress and grief. The beggar then reveals to the court that it is Sir Orfeo himself who is speaking to them and when the steward recovers, he is assured by Sir Orfeo that, if he had been pleased to learn of his death, he would have had him thrown out of his kingdom. As it is, however, he will make him his heir. Heurodis is brought to the castle and all the people weep for joy that their king and queen are alive and well.
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testifies to the power of his devotion and is not related to any scheme of self-realization." The main contribute of the success of the story comes from the atmosphere of the storytelling. "...its main success is usually attributed rather to the potency of the magical atmosphere than to any particular skill on the part of the author.... the poem is an outstanding example of narrative skill, and the author's artistry is such that his technical brilliance may be mistaken for untutored simplicity." There is however no evidence that Sir Orfeo was written by a man, and Breton Lays on which it claims to be based were written by
328:, London, British Library, Harley 3810/I, and Oxford, Bodleian Library, Ashmole 61–have striking differences present throughout the texts. The three manuscripts are very similar in the content of the story; however, there exists a small discrepancy between the Auchinleck and Ashmole manuscripts: Sir Orfeo's wife is called Meroudys in the Ashmole manuscript and is called Heurodus in the Auchinleck manuscript. While their content is similar, each manuscript omits certain lines and adds lines in order to portray the story more accurately, which may be a result of the time period.
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years until he chances a glimpse of his wife. Another similarity between these two stories is found in the name of Orfeo's kingdom, Traciens (Thrace), which perhaps for the sake of familiarity for the modern readers has been moved to be the old name of
Winchester, England. Orfeo obtains the Fairy King's permission to take his wife home with him by using his beautiful music playing, much the same as Orpheus did in the original Greek myth.
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hawking by a river. He follows these ladies into a cliff and travels for three miles through the rock until he emerges into a fairy kingdom, a flat expanse of countryside presided over by a magnificent castle, built from gold and crystal and glass. He is allowed into the castle by the gatekeeper and looking all about, he sees, lying inside these castle walls, people who had been thought to be dead, but who were not:
699:. Critic Jeff Rider comments that "What makes Sir Orfeo so remarkable is the degree of critical response it has generated, the high praise it has earned, and the almost utter lack of accord among critics as to its interpretation. The poem seems to be remythified with each reading; each reading makes us feel that the previous one, even yesterday's, was inadequate."
245:), probably an apple or cherry tree. Heurodis had visited the orchard the day before, accompanied by two maidens, to sleep beneath the shade of its branches; however, when she had awoken from her midday nap, she was so distressed that they had to call for the help of knights to restrain her. In her sleep, she had been visited by the king of the
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translate well overall, however: the
Otherworld is described as attractive as well as menacing, and the fairy king is more a force of nature than an evil villain. Heurodis is also not being punished for any kind of sin or transgression, nor is she necessarily the victim of a targeted attack, but was merely in the wrong place at the wrong time.
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before and after line 132, nine after line 134, one after line 159, two after line 180, two after line 190, two after line 270, two after line 274, one after line 356, three after line 296, two after line 416, two after line 468, two after line 476, one before and after line 550, two after line 558, and six at the end.
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one of the best of the
English romances. Though retold in a medieval setting, it seems to lack the concepts that were apparent in other medieval romances. "It lacks, however, any sense of chivalric values and ideals, and though the hero undergoes much suffering in the course of the story, this simply
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Unlike
Orpheus, who was actually descended from gods, Sir Orfeo's parents were just named after them. When Sir Orfeo goes to take his wife back, no condition is issued to not look back at her. Sir Orfeo exiles himself for ten years, citing not wanting to see any more women after suffering the loss of
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suggested that the passage was an interpolation. However, in a seminal article "The Dead and the Taken" D. Allen demonstrated that the theme of another world of people who are taken at the point of death (but who are not dead) is a well-established element in folklore, and thereby shows the complete
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was the 39th article in this manuscript. Using
Auchnileck as the base text, Ashmole omits lines 19–22, 39–46, 59–60, 67–68, 92–98, 123–4, 177–8, 299–302, 367–79, 394, 397–400, 402–4, 409–10, 481–2, 591–2. Passages are also added: six lines in the beginning, two after line 104, two after line 120, one
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Very similar to
Orpheus of myth is the quality of singing and playing on a stringed instrument that Sir Orfeo exhibits. His wife, like Eurydice, showed loyalty by resisting advances. In the myth, Orpheus goes marching down to Tartarus to ask for Eurydice back while Sir Orfeo exiles himself for ten
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sticks to a rather pantheistic view, where the fairy king of Celtic literature rules over the underworld as neither good nor bad - as opposed to J. Friedman, who argues that
Christian undertones relate Heurodis to Eve taken away by Satan in the form of a fairy king. This Christian reading does not
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Ruth Evans views the lai of Sir Orfeo to be not just a medieval retelling of
Orpheus, but also a work influenced by the politics of the time; Orfeo has been criticized as a rex inutilis ('useless king'/roi faneant) a medieval literary motif that links Orfeo with several late thirteenth- and early
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The
Auchinleck manuscript was originally written on 332 vellum leaves. Most of this manuscript has been mutilated, and a large number of leaves have been cut away. Eight of these missing leaves have been recovered, and the present contents of the volume originally consisted of 52 gatherings. This
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has only been printed once. It contains only 509 lines, about 100 shorter than the Auchinleck version. Using that as the base text this Harleian version omits lines 49–50, 166–7, 206–7, 241–2, 247–50, 293–6, 391–404, 411–12, 439–42, 445–6, 458, 481–2, 485–6, 501–8, 521–2, 527–8, 539–40, 545–52,
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Sir Orfeo arrives in Winchester, his own city, but nobody knows who he is. He takes lodgings with a beggar and, leaving Heurodis safely there, travels into the city wearing the beggar's clothes, where he is insulted by many people for his unkempt looks. The steward, however, for the love of Sir
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Sir Orfeo wanders in the forest for many years, sleeping on the bare earth and living on berries and fruits in summer, roots and the bark of trees in winter. After ten years, he sees Heurodis riding past in the company of a fairy host. She is riding with sixty ladies, with not a man among them,
260:(in southern England, the old capital of the Anglo-Saxon kingdom of Wessex). Winchester was called Thrace in those days, the reader is assured. Sir Orfeo leaves instructions that when they learn of his death, they should convene a parliament and choose a new king.
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and the fairy king, pleased with Orfeo's music, offers him the chance to choose a reward: he chooses Heurodis. Despite initial protestations by the king, Sir Orfeo reminds him that he gave him his word and Sir Orfeo returns with Heurodis to Winchester:
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Amongst these bodies he sees his dear wife Heurodis, asleep again. Despite suffering a rebuke by the king for being the only person ever to have entered this castle without having been summoned, Sir Orfeo entertains the fairy king by playing his
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his beautiful wife. For Orpheus, this self-exile occurs after he has lost Eurydice the second time. The loss of Eurydice, and the saving of Heurodis is the main difference between the tragedy of the original myth and the romance lai
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The presentation of the Fairies who take Heurodis here displays Celtic influences in the concept of the space they inhabit as being a parallel dimension to the everyday world rather than the Land of the Dead as in the Greek myth of
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kingdom. Now, a day later, she is in the orchard again, as the king of the Otherworld has instructed her to be, and despite a posse of armed knights surrounding and protecting her, she vanishes away.
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The last manuscript is Ashmole 61, which is a tall narrow folio containing 162 paper folios. This manuscript contained 41 articles of romance, saints' lives, and various moral and religious pieces.
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555–6, 559–62, 565–82, 585–6, 589–94, 597–602. Passages are also added to this manuscript: two lines after line 280, two lines after line 468, two lines after 518 and four lines added at the end.
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Orfeo, distraught by this, leaves his court and wanders alone in a forest. He has left his steward in charge of the kingdom and seems to have no intention of returning to his capital city of
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Orpheus the hero is very Celticized, and says that the fate of Queen Heurodis is similar to the fates of other Celtic heroines. Instead of having a Christian take on the myth, Vicari says,
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is dated about 1330; Harley 3810 is from about the beginning of the fifteenth century; and Ashmole 61 was compiled over the course of several years, the portion of the MS. containing
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Vicari, Patricia. "Sparagmos: Orpheus Among Christians." Orpheus, The Metamorphoses of a Myth. Ed. John Warden. Canada: University of Toronto Press, 1982 61-83. Print.
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myth, may be that the underworld is not a world of the dead, but rather a world of people who have been taken away when on the point of death. In "The Faery World of
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Evans, Ruth. "Sir Orfeo and Bare Life." Medieval Cultural Studies. Ed. Ruth Evans, Helen Fulton, David Matthews. Wales: University of Wales, 2006 198-212. Print.
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takes the core elements of the myth of Orpheus and changes them into a more modern setting, giving a happy ending to an otherwise tragic myth.
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and moral and religious pieces being two of them. The verse on the last folio is written in sixteenth-century hand with an inscription being:
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where the captors are envisaged as inhabitants of a parallel fairy domain rather than as the infernal region of the Dead ruled over by
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Warden, John. "Introduction" Orpheus, The Metamorphoses of a Myth. Ed. John Warden. Canada: University of Toronto Press, 1982. viii-ix
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19, "King Orfeo", is closely related to this poem, the surviving text containing only portions of the known story.
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manuscript is the closest to the presumed original version and is often known as the "base" text of 604 lines.
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which would have been the most widely available source in Britain in the Middle Ages and for some time after
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Rider, Jeff. "Receiving Orpheus in the Middle Ages: Allegorization, Remythification and Sir Orfeo."
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24 (1988), 343-66, Cited by Anne Laskaya & Eve Salisbury in their Introduction to Sir Orfeo
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An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures,
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TEAMS edition of Sir Orfeo, edited by Anne Laskaya and Eve Salisbury, lines 391, 397 and 398
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Allen, D., "Orpheus and Orfeo: The Dead and the Taken." Medium Aevum, 33 (1964), 102–11.
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area. It is preserved in three manuscripts: the oldest, Advocates 19.2.1, known as the
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Hic liber olim fuit liber Wil’mi Shawcler’ et Cur de Badesly Clinton: Eccl’a.
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as it is from Classical sources, in particular the version of the story in
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649:. Translated by J. R. R. Tolkien. New York, Ballantine, 2003. (Following
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Transcription from the National Library of Scotland Auchinleck manuscript
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dating from the late 13th or early 14th century. It retells the story of
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dating around 1488. The beginning of the poem describes itself as a
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was probably written in the late 13th or early 14th century in the
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is identified at the beginning of the poem as "the old name for
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The Young Earl of Essex's Victory over the Emperor of Germany
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Sir Orfeo Adapted from the Middle English by Edward Eyre Hunt
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The Ring of Words: Tolkien and the Oxford English Dictionary
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and says it is derived from a no longer extant text, the
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Some were headless, others had been drowned or burned:
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Le Substrat celtique du lai breton anglais: Sir Orfeo
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Mitchell, B (1964). "The Faerie World of Sir Orfeo".
681:, Cambridge : Harvard Coöperative Society, 1909.
249:, she claimed, who was intent upon taking her to his
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The King's Disguise, and Friendship with Robin Hood
441:The poem's unique innovation, in comparison to the
94:the Orpheus legend, recast and with a happy ending
2550:Robin Hood's Birth, Breeding, Valor, and Marriage
647:Sir Gawain and the Green Knight, Pearl, Sir Orfeo
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1948:King Edward the Fourth and a Tanner of Tamworth
791:, v 1, p 216, Dover Publications, New York 1965
3598:The Monsters and the Critics, and Other Essays
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3058:The Homecoming of Beorhtnoth Beorhthelm's Son
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542:, together with episodes from the history of
3897:J. R. R. Tolkien: A Descriptive Bibliography
1034:Translation of Sir Orfeo into Modern English
562:, not much different from the heroes of the
37:Orfeo was a king/In Inglond an heiČťe lording
3904:The Lord of the Rings: A Reader's Companion
4847:The Tale of Orpheus and Erudices his Quene
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3476:Chaucer as a Philologist: The Reeve's Tale
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4297:Impact of Tolkien's Middle-earth writings
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1040:Comparison contrast with the Orpheus myth
486:Similarities and differences with Orpheus
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4132:Tolkien's Art: 'A Mythology for England'
3918:The J. R. R. Tolkien Companion and Guide
3911:J. R. R. Tolkien: Artist and Illustrator
864:
833:. Oxford: Oxford University Press. 1966.
789:The English and Scottish Popular Ballads
619:. Oxford: Oxford University Press. 1921.
605:. Oxford: Oxford University Press. 1966.
471:Sparagmos: Orpheus Among the Christians,
127:as a king who rescues his wife from the
4175:J. R. R. Tolkien: Author of the Century
3546:(as translator and lexicographer, 1966)
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971:
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3102:The Man in the Moon Stayed Up Too Late
2179:The Lord of Lorn and the False Steward
2011:The Knight and the Shepherd's Daughter
745:Laskaya, Anne; Salisbury, Eve (1995).
572:Editions, translations, and facsimiles
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3614:Beowulf: A Translation and Commentary
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2431:Robin Hood and the Bishop of Hereford
1969:King Henry Fifth's Conquest of France
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661:and published it in edited form with
458:folklorisation of the Orpheus story.
4972:Abattoir Blues / The Lyre of Orpheus
3338:The History of The Lord of the Rings
3142:List of Tolkien's alliterative verse
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2753:The West Country Damosel's Complaint
939:. N.p: Northwestern UP, 1966. Print.
519:Similarity with "The Matter of Rome"
363:
324:The three preserved manuscripts—the
181:The story contains a mixture of the
4939:Landscape with Orpheus and Eurydice
4031:Understanding The Lord of the Rings
3788:Janice Bogstad & Philip Kaveny
2585:Robin Hood's Progress to Nottingham
2480:Robin Hood and the Prince of Aragon
1850:Jock the Leg and the Merry Merchant
1157:The Bailiff's Daughter of Islington
963:Papers on Language & Literature
657:found an unpolished translation of
291:And some with fire al forschreynt."
277:And thought dede, and nare nought."
13:
3836:Tolkien, Race and Cultural History
2844:The Wylie Wife of the Hie Toun Hie
2795:Willie and Earl Richard's Daughter
2291:Northumberland Betrayed By Douglas
1703:The George Aloe and the Sweepstake
775:p197-8 New York Burt Franklin,1963
617:Fourteenth Century Verse and Prose
598:. Evanston: Northwestern UP, 1966.
274:Of folk that were thider y-brought
271:And seighe liggeand within the wal
201:, introduced into English via the
14:
5172:
4125:Tolkien and the Invention of Myth
2536:Robin Hood Rescuing Three Squires
2522:Robin Hood and the Valiant Knight
1612:The Fair Flower of Northumberland
1019:
751:TEAMS Middle English Texts Series
431:That was a cité of noble defens -
4292:Languages constructed by Tolkien
3331:The Lost Road and Other Writings
1647:The Famous Flower of Serving-Men
1437:The Clerk's Twa Sons o Owsenford
998:. Paris: Didier Erudition. 1990.
952:. Oxford University Press, 1966.
735:p196 New York Burt Franklin,1963
428:"This king sojournd in Traciens,
311:Ac no man knewe that it was he."
237:, loses his wife Heurodis (i.e.
31:
4553:La descente d'Orphée aux enfers
4401:Poems and Songs of Middle Earth
4204:Tolkien and the Classical World
3565:Sir Gawain and the Green Knight
3446:Sir Gawain and the Green Knight
3127:The Legend of Sigurd and GudrĂşn
2781:The Wife Wrapt in Wether's Skin
2543:Robin Hood Rescuing Will Stutly
2452:Robin Hood and the Golden Arrow
2445:Robin Hood and the Curtal Friar
2235:The Maid Freed from the Gallows
1752:The Great Silkie of Sule Skerry
1626:Fair Margaret and Sweet William
955:
942:
929:
920:
911:
902:
893:
858:
849:
664:Sir Gawain and the Green Knight
635:
496:
64:late 13th or early 14th century
3997:Tolkien: A Cultural Phenomenon
3693:Tolkien: Maker of Middle-earth
3679:The Worlds of J. R. R. Tolkien
3486:: The Monsters and the Critics
3462:Ancrene Wisse and Hali MeiĂ°had
3073:The Adventures of Tom Bombadil
2410:Robin Hood and Queen Katherine
2389:Robin Hood and Guy of Gisborne
2067:Lady Isabel and the Elf Knight
1668:The Fause Knight Upon the Road
1367:Captain Wedderburn's Courtship
1213:The Bold Pedlar and Robin Hood
836:
821:
812:
803:
794:
778:
765:
738:
725:
629:The Middle English Breton Lays
505:
469:Patricia Vicari, in her essay
288:And sum were in water adreynt,
1:
5161:Poetry based on Metamorphoses
4146:J. R. R. Tolkien Encyclopedia
3657:J. R. R. Tolkien: A Biography
2207:Lord Thomas and Lady Margaret
2172:Lord Maxwell's Last Goodnight
1941:King Arthur and King Cornwall
1899:The Jolly Pinder of Wakefield
1528:The Duke of Gordon's Daughter
1206:Blancheflour and Jollyflorice
719:
576:
434:For Winchester was cleped tho
412:
268:"Than he gan bihold about al,
4842:(c. late thirteenth century)
4319:Elvish Linguistic Fellowship
3660:(1977, authorized biography)
3449:(Middle English text, 1925)
3270:The Father Christmas Letters
3183:The Lay of Aotrou and Itroun
2494:Robin Hood and the Scotchman
2340:The Queen of Elfan's Nourice
2193:Lord Saltoun and Auchanachie
1990:The King's Dochter Lady Jean
1360:Captain Ward and the Rainbow
1353:Burd Isabel and Earl Patrick
1346:Burd Ellen and Young Tamlane
685:
305:"To Winchester he is y-come,
285:"Sum stode withouten hede...
7:
4905:The Ground Beneath Her Feet
4820:You Ain't Seen Nothin' Yet!
4619:(1975, Zhurbin, rock opera)
4326:Tolkien's impact on fantasy
3359:The Peoples of Middle-earth
3324:The Shaping of Middle-earth
3302:The History of Middle-earth
2606:Rose the Red and White Lily
2501:Robin Hood and the Shepherd
2382:Robin Hood and Allan-a-Dale
773:Medieval Romance in England
733:Medieval Romance in England
702:
588:
228:
10:
5177:
4331:Tolkien and the modernists
3416:The Nature of Middle-earth
3207:The Fellowship of the Ring
3039:Songs for the Philologists
2466:Robin Hood and the Pedlars
2438:Robin Hood and the Butcher
2403:Robin Hood and Maid Marian
2396:Robin Hood and Little John
2361:Redesdale and Wise William
2242:The Marriage of Sir Gawain
2200:Lord Thomas and Fair Annet
2158:Lord Ingram and Chiel Wyet
1556:The Earl of Mar's Daughter
1521:The Duke of Athole's Nurse
1276:The Bonny Lass of Anglesey
1269:The Bonnie House of Airlie
5090:
5057:
5022:
4955:
4930:
4881:The Einstein Intersection
4872:
4830:
4730:
4683:
4674:Moulin Rouge! The Musical
4658:
4592:Orpheus in the Underworld
4486:
4465:
4409:Language and Human Nature
4387:Works inspired by Tolkien
4262:
4215:
4090:
4042:
3762:
3709:
3672:Tolkien and the Great War
3643:
3636:
3553:
3434:
3384:The History of The Hobbit
3259:
3159:
3148:
3026:
3002:
2942:List of the Child Ballads
2934:
2916:
2704:A True Tale of Robin Hood
2578:Robin Hood's Golden Prize
2515:Robin Hood and the Tinker
2508:Robin Hood and the Tanner
2487:Robin Hood and the Ranger
2473:Robin Hood and the Potter
2424:Robin Hood and the Bishop
2417:Robin Hood and the Beggar
2333:Queen Elanor's Confession
1388:The Ballad of Chevy Chase
1297:Broom of the Cowdenknowes
1082:
994:Brouland, Marie-Therese.
753:. University of Rochester
747:"Sir Orfeo: Introduction"
709:List of the Child Ballads
690:Critics unanimously call
143:) is based on this poem.
98:
90:
80:
68:
60:
50:
42:
30:
23:
4195:Sandra Ballif Straubhaar
4182:The Road to Middle-Earth
3961:The Keys of Middle-earth
3455:The Devil's Coach Horses
2774:The Wife of Usher's Well
2529:Robin Hood Newly Revived
2375:Riddles Wisely Expounded
1976:King John and the Bishop
1640:The False Lover Won Back
1374:The Carnal and the Crane
1339:Brown Robyn's Confession
1227:The Bonnie Earl O' Moray
1199:Bessy Bell and Mary Gray
1001:Shuldham-Shaw, Patrick,
842:Briggs, Katherine, 1977
437:Traciens, withouten no."
381:and the Shetland ballad
308:That was his owhen cité,
3606:Beowulf and the Critics
2613:Saint Stephen and Herod
2459:Robin Hood and the Monk
2298:Old Robin of Portingale
2228:The Maid and the Palmer
1773:The Raggle Taggle Gypsy
1717:Get Up and Bar the Door
1654:The Farmer's Curst Wife
1633:Fair Mary of Wallington
1507:The Dowie Dens o Yarrow
1486:The Death of Queen Jane
1479:The Death of Parcy Reed
1171:The Battle of Otterburn
937:Middle English Romances
844:A Dictionary of Fairies
596:Middle English Romances
546:, focusing on military
534:, which was made up of
147:History and manuscripts
16:Medieval narrative poem
4921:L'Esprit de L'Escalier
4556:(c. 1686, Charpentier)
3947:Master of Middle-Earth
3310:The Book of Lost Tales
3249:Smith of Wootton Major
3223:The Return of the King
2802:Willie and Lady Maisry
2109:The Lass of Roch Royal
1290:The Boy and the Mantle
1234:Bonnie George Campbell
980:, "King Orfeo", p249,
389:as in the Greek myth.
320:Manuscript differences
5074:The Battle of Olympus
4275:Francis Xavier Morgan
4020:Elizabeth Whittingham
3576:(translations, 1975)
3392:The Story of Kullervo
3376:The Children of HĂşrin
3352:The War of the Jewels
3317:The Lays of Beleriand
3199:The Lord of the Rings
3111:The Road Goes Ever On
2809:Willie o Douglas Dale
2788:Will Stewart and John
2662:Sweet William's Ghost
2347:The Queen of Scotland
2130:Little John a Begging
1920:The Keach i the Creel
1675:The Friar in the Well
1381:The Cherry-Tree Carol
1241:Bonny Baby Livingston
1003:The Ballad King Orfeo
464:political unconscious
233:Sir Orfeo, a king in
75:Auchinleck manuscript
5146:Middle English poems
4897:The Medusa Frequency
4762:Testament of Orpheus
4616:Orpheus and Eurydice
4600:Orpheus und Eurydike
4584:L'anima del filosofo
4459:Orpheus and Eurydice
3724:Matthew T. Dickerson
3408:The Fall of Gondolin
2823:Willie's Fatal Visit
2571:Robin Hood's Delight
2277:The New-Slain Knight
2270:The Mother's Malison
2151:The Lochmaben Harper
2032:The Lads of Wamphray
1710:A Gest of Robyn Hode
972:Secondary literature
131:king. The folk song
5156:Works about Orpheus
5098:The Gaze of Orpheus
4746:The Blood of a Poet
4632:The Second Mrs Kong
4624:The Mask of Orpheus
4396:(biographical film)
4353:The Tolkien Society
4346:Tolkien fan fiction
4140:Michael D. C. Drout
3806:Janet Brennan Croft
3774:Douglas A. Anderson
3719:Stratford Caldecott
3687:Catherine McIlwaine
3424:The Fall of NĂşmenor
3191:Farmer Giles of Ham
2676:Thomas o Yonderdale
2648:The Suffolk Miracle
2599:The Rose of England
2592:Robyn and Gandeleyn
2326:Proud Lady Margaret
2284:The Noble Fisherman
1304:The Broomfield Hill
1283:Bonny Lizie Baillie
1076:Francis James Child
1009:s 20: 124*26. 1976.
785:Francis James Child
655:Christopher Tolkien
641:Tolkien, J. R. R.,
552:Alexander the Great
544:classical antiquity
397:The Wooing of Etain
345:Harleian Collection
4913:Veniss Underground
4855:Sonnets to Orpheus
4739:The Orphic Trilogy
4712:Orpheus Descending
4704:Orfeu da Conceição
4696:Point of Departure
4643:(2009, Birtwistle)
4635:(1994, Birtwistle)
4627:(1986, Birtwistle)
4516:(1607, Monteverdi)
4314:Mythopoeic Society
4190:Elizabeth Solopova
3862:A Question of Time
3651:Humphrey Carpenter
3241:The Tolkien Reader
3135:The Fall of Arthur
2837:Willie's Lyke-Wake
2634:Sir James the Rose
2564:Robin Hood's Death
2557:Robin Hood's Chase
2214:Lord Thomas Stuart
2025:The Knoxville Girl
2018:The Knight's Ghost
1864:John of Hazelgreen
1192:The Bent Sae Brown
1150:The Baffled Knight
879:10.1007/BF01515535
771:Laura A. Hibbard,
731:Laura A. Hibbard,
653:'s death, his son
5123:
5122:
4889:Gravity's Rainbow
4707:(1956, de Moraes)
4611:(1925, Malipiero)
4595:(1858, Offenbach)
4569:Orfeo ed Euridice
4425:
4424:
4258:
4257:
4062:Carl F. Hostetter
4052:Anthony Appleyard
3975:A Tolkien Compass
3936:Charles A. Huttar
3855:Interrupted Music
3825:Bradford Lee Eden
3793:Picturing Tolkien
3784:Bradley J. Birzer
3536:English and Welsh
3400:Beren and LĂşthien
3119:Bilbo's Last Song
2962:
2961:
2816:Willie o Winsbury
2732:The Unquiet Grave
2718:The Twa Magicians
2683:Thomas the Rhymer
2655:The Sweet Trinity
2641:Sir Patrick Spens
2354:The Rantin Laddie
2095:The Laird o Logie
1913:Katharine Jaffray
1885:Johnnie Armstrong
1787:The Heir of Linne
1549:The Earl of Errol
1500:Dives and Lazarus
1458:The Cruel Brother
1444:The Crafty Farmer
1416:Christopher White
1178:The Beggar-Laddie
1122:Archie o Cawfield
1101:Alison and Willie
978:Briggs, Katharine
565:chansons de geste
364:Folklore elements
106:
105:
5168:
5103:Orpheus Monument
5012:Wasteland, Baby!
4796:Shredder Orpheus
4780:Euridice BA 2037
4715:(1957, Williams)
4564:(1726, Telemann)
4548:(1672, Sartorio)
4529:La morte d'Orfeo
4452:
4445:
4438:
4429:
4428:
4382:Tolkien research
4240:Michael Martinez
4199:Hamish Williams
4057:Helge Fauskanger
3983:John D. Rateliff
3887:Wayne G. Hammond
3869:Splintered Light
3749:Fleming Rutledge
3641:
3640:
3590:Finn and Hengest
3577:
3514:
3493:On Fairy-Stories
3450:
3286:Unfinished Tales
3278:The Silmarillion
3154:
2996:J. R. R. Tolkien
2989:
2982:
2975:
2966:
2965:
2767:The Whummil Bore
2760:The White Fisher
2711:The Twa Brothers
2690:The Three Ravens
2620:Sheath and Knife
2088:The Laird o Drum
1997:Lang Johnny More
1892:The Jolly Beggar
1843:Jock o' the Side
1780:Battle of Harlaw
1584:The Elfin Knight
1472:The Daemon Lover
1465:The Cruel Mother
1069:
1062:
1055:
1046:
1045:
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953:
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798:
792:
782:
776:
769:
763:
762:
760:
758:
742:
736:
729:
393:Katharine Briggs
221:The fragmentary
191:Celtic mythology
71:
35:
21:
20:
5176:
5175:
5171:
5170:
5169:
5167:
5166:
5165:
5151:Romance (genre)
5136:Anonymous works
5126:
5125:
5124:
5119:
5109:Orpheus no Mado
5086:
5081:Don't Look Back
5053:
5018:
4951:
4926:
4868:
4826:
4726:
4699:(1941, Anouilh)
4679:
4654:
4508:(1602, Caccini)
4482:
4461:
4456:
4426:
4421:
4366:Tolkien Studies
4254:
4235:Glen GoodKnight
4211:
4111:Perilous Realms
4095:
4086:
4038:
4015:Richard C. West
4010:Anna Vaninskaya
3992:Brian Rosebury
3988:Robin Anne Reid
3931:Thomas Honegger
3891:Christina Scull
3812:Tolkien on Film
3765:
3758:
3705:
3701:Charles Moseley
3632:
3562:
3555:
3549:
3543:Jerusalem Bible
3512:
3507:On Translating
3443:
3436:
3430:
3261:
3255:
3155:
3146:
3029:
3022:
3021:
2998:
2993:
2963:
2958:
2930:
2912:
2886:Young Johnstone
2746:The Wee Wee Man
2725:The Twa Sisters
2004:The Kitchie-Boy
1689:The Gay Goshawk
1255:The Bonny Birdy
1078:
1073:
1022:
1007:Scottish Studie
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969:
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730:
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714:The Lute Player
705:
697:Marie de France
688:
638:
591:
579:
574:
540:Roman mythology
521:
508:
499:
488:
415:
366:
322:
231:
215:Wooing of Etain
210:Marie de France
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38:
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5:
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4651:(2020, Aucoin)
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4628:
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4603:(1921, Krenek)
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4588:
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4572:(1762, Gluck)
4565:
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4532:(1619, Landi)f
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4488:Orphean operas
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4341:Tolkien fandom
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4336:Tolkien Estate
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4250:J. E. A. Tyler
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4077:Arden R. Smith
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4005:Amy H. Sturgis
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3990:
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3941:Paul H. Kocher
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3877:Michael Foster
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3849:Verlyn Flieger
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3779:Nicholas Birns
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3066:A Walking Song
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2777:
2770:
2763:
2756:
2749:
2742:
2735:
2728:
2721:
2714:
2707:
2700:
2693:
2686:
2679:
2672:
2665:
2658:
2651:
2644:
2637:
2630:
2623:
2616:
2609:
2602:
2595:
2588:
2581:
2574:
2567:
2560:
2553:
2546:
2539:
2532:
2525:
2518:
2511:
2504:
2497:
2490:
2483:
2476:
2469:
2462:
2455:
2448:
2441:
2434:
2427:
2420:
2413:
2406:
2399:
2392:
2385:
2378:
2371:
2364:
2357:
2350:
2343:
2336:
2329:
2322:
2315:
2312:Prince Heathen
2308:
2301:
2294:
2287:
2280:
2273:
2266:
2259:
2252:
2245:
2238:
2231:
2224:
2217:
2210:
2203:
2196:
2189:
2182:
2175:
2168:
2161:
2154:
2147:
2140:
2133:
2126:
2119:
2112:
2105:
2098:
2091:
2084:
2077:
2070:
2063:
2056:
2049:
2042:
2035:
2028:
2021:
2014:
2007:
2000:
1993:
1986:
1979:
1972:
1965:
1958:
1951:
1944:
1937:
1930:
1923:
1916:
1909:
1902:
1895:
1888:
1881:
1874:
1867:
1860:
1853:
1846:
1839:
1832:
1825:
1818:
1811:
1804:
1797:
1790:
1783:
1776:
1769:
1762:
1755:
1748:
1741:
1738:Glasgow Peggie
1734:
1727:
1720:
1713:
1706:
1699:
1692:
1685:
1678:
1671:
1664:
1661:Fause Foodrage
1657:
1650:
1643:
1636:
1629:
1622:
1615:
1608:
1601:
1594:
1587:
1580:
1573:
1566:
1559:
1552:
1545:
1538:
1531:
1524:
1517:
1510:
1503:
1496:
1493:Dick o the Cow
1489:
1482:
1475:
1468:
1461:
1454:
1447:
1440:
1433:
1430:Clerk Saunders
1426:
1419:
1412:
1405:
1398:
1391:
1384:
1377:
1370:
1363:
1356:
1349:
1342:
1335:
1328:
1325:The Brown Girl
1321:
1314:
1307:
1300:
1293:
1286:
1279:
1272:
1265:
1262:The Bonny Hind
1258:
1251:
1244:
1237:
1230:
1223:
1216:
1209:
1202:
1195:
1188:
1181:
1174:
1167:
1160:
1153:
1146:
1139:
1132:
1129:Kinmont Willie
1125:
1118:
1111:
1104:
1097:
1089:
1087:
1080:
1079:
1072:
1071:
1064:
1057:
1049:
1043:
1042:
1037:
1030:
1021:
1020:External links
1018:
1017:
1016:
1013:
1010:
999:
992:
973:
970:
968:
967:
954:
941:
928:
919:
910:
901:
892:
857:
848:
835:
820:
811:
802:
793:
777:
764:
737:
723:
721:
718:
717:
716:
711:
704:
701:
687:
684:
683:
682:
674:
651:J.R.R. Tolkien
637:
634:
633:
632:
620:
609:Sisam, Kenneth
606:
599:
590:
587:
586:
585:
578:
575:
573:
570:
532:Matter of Rome
528:literary cycle
520:
517:
507:
504:
498:
495:
487:
484:
455:Bruce Mitchell
439:
438:
435:
432:
429:
414:
411:
365:
362:
326:Auchinleck MS.
321:
318:
313:
312:
309:
306:
293:
292:
289:
286:
279:
278:
275:
272:
269:
230:
227:
208:of poets like
164:Auchinleck MS.
148:
145:
118:Middle English
104:
103:
100:
96:
95:
92:
88:
87:
82:
78:
77:
72:
66:
65:
62:
58:
57:
55:Middle English
52:
48:
47:
44:
40:
39:
36:
28:
27:
15:
9:
6:
4:
3:
2:
5173:
5162:
5159:
5157:
5154:
5152:
5149:
5147:
5144:
5142:
5141:Child Ballads
5139:
5137:
5134:
5133:
5131:
5116:
5113:
5111:
5110:
5106:
5104:
5101:
5099:
5096:
5095:
5093:
5089:
5083:
5082:
5078:
5076:
5075:
5071:
5068:
5067:
5063:
5062:
5060:
5056:
5049:
5048:
5047:Orpheus Alive
5044:
5041:
5040:
5036:
5033:
5032:
5028:
5027:
5025:
5021:
5014:
5013:
5009:
5006:
5005:
5001:
4998:
4997:
4993:
4990:
4989:
4985:
4982:
4981:
4977:
4974:
4973:
4969:
4966:
4965:
4961:
4960:
4958:
4954:
4948:
4947:
4943:
4941:
4940:
4936:
4935:
4933:
4929:
4922:
4918:
4915:
4914:
4910:
4907:
4906:
4902:
4899:
4898:
4894:
4891:
4890:
4886:
4883:
4882:
4878:
4877:
4875:
4871:
4864:
4860:
4857:
4856:
4852:
4849:
4848:
4844:
4841:
4840:
4836:
4835:
4833:
4829:
4822:
4821:
4817:
4814:
4813:
4812:Moulin Rouge!
4809:
4806:
4805:
4801:
4798:
4797:
4793:
4790:
4789:
4785:
4782:
4781:
4777:
4774:
4773:
4772:Black Orpheus
4769:
4764:
4763:
4759:
4756:
4755:
4751:
4748:
4747:
4743:
4742:
4741:
4740:
4736:
4735:
4733:
4729:
4722:
4721:
4717:
4714:
4713:
4709:
4706:
4705:
4701:
4698:
4697:
4693:
4689:
4688:
4686:
4682:
4676:
4675:
4671:
4669:
4668:
4664:
4663:
4661:
4657:
4650:
4649:
4645:
4642:
4641:
4637:
4634:
4633:
4629:
4626:
4625:
4621:
4618:
4617:
4613:
4610:
4609:
4605:
4602:
4601:
4597:
4594:
4593:
4589:
4587:(1791, Haydn)
4586:
4585:
4581:
4577:
4574:
4573:
4571:
4570:
4566:
4563:
4562:
4558:
4555:
4554:
4550:
4547:
4546:
4542:
4540:(1647, Rossi)
4539:
4538:
4534:
4531:
4530:
4526:
4524:(1616, Belli)
4523:
4522:
4521:Orfeo dolente
4518:
4515:
4514:
4510:
4507:
4506:
4502:
4499:
4498:
4494:
4493:
4491:
4489:
4485:
4479:
4476:
4474:
4471:
4470:
4468:
4464:
4460:
4453:
4448:
4446:
4441:
4439:
4434:
4433:
4430:
4418:
4417:
4413:
4411:
4410:
4406:
4403:
4402:
4398:
4395:
4394:
4390:
4388:
4385:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4367:
4363:
4359:
4356:
4355:
4354:
4351:
4347:
4344:
4343:
4342:
4339:
4337:
4334:
4332:
4329:
4327:
4324:
4320:
4317:
4316:
4315:
4312:
4310:
4309:
4305:
4303:
4300:
4298:
4295:
4293:
4290:
4288:
4285:
4283:
4280:
4276:
4273:
4272:
4271:
4268:
4267:
4265:
4261:
4251:
4248:
4246:
4243:
4241:
4238:
4236:
4233:
4231:
4230:Robert Foster
4228:
4226:
4223:
4222:
4220:
4218:
4214:
4206:
4205:
4201:
4200:
4198:
4196:
4193:
4191:
4188:
4184:
4183:
4179:
4177:
4176:
4172:
4171:
4170:
4167:
4165:
4162:
4160:
4159:Vincent Ferré
4157:
4155:
4152:
4148:
4147:
4143:
4142:
4141:
4138:
4134:
4133:
4129:
4127:
4126:
4122:
4121:
4120:
4117:
4113:
4112:
4108:
4107:
4106:
4103:
4102:
4100:
4098:
4093:
4089:
4083:
4080:
4078:
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4049:
4047:
4045:
4041:
4033:
4032:
4028:
4027:
4026:
4025:Rose Zimbardo
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
3999:
3998:
3994:
3993:
3991:
3989:
3986:
3984:
3981:
3977:
3976:
3972:
3971:
3970:
3969:Jared Lobdell
3967:
3963:
3962:
3958:
3957:
3956:
3955:Stuart D. Lee
3953:
3949:
3948:
3944:
3943:
3942:
3939:
3937:
3934:
3932:
3929:
3927:
3924:
3920:
3919:
3915:
3913:
3912:
3908:
3906:
3905:
3901:
3899:
3898:
3894:
3893:
3892:
3888:
3885:
3883:
3880:
3878:
3875:
3871:
3870:
3866:
3864:
3863:
3859:
3858:
3857:
3856:
3852:
3850:
3847:
3845:
3842:
3838:
3837:
3833:
3832:
3831:
3828:
3826:
3823:
3821:
3820:Patrick Curry
3818:
3814:
3813:
3809:
3808:
3807:
3804:
3802:
3801:David Bratman
3799:
3795:
3794:
3790:
3789:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3771:
3769:
3767:
3761:
3755:
3754:Ralph C. Wood
3752:
3750:
3747:
3745:
3744:Joseph Pearce
3742:
3740:
3737:
3735:
3732:
3730:
3727:
3725:
3722:
3720:
3717:
3716:
3714:
3712:
3708:
3702:
3699:
3695:
3694:
3690:
3689:
3688:
3685:
3681:
3680:
3676:
3674:
3673:
3669:
3668:
3667:
3664:
3659:
3658:
3654:
3653:
3652:
3649:
3648:
3646:
3642:
3639:
3635:
3628:
3627:
3626:A Secret Vice
3623:
3620:
3616:
3615:
3611:
3608:
3607:
3603:
3600:
3599:
3595:
3592:
3591:
3587:
3584:
3583:
3579:
3575:
3574:
3570:
3566:
3561:
3560:
3558:
3552:
3545:
3544:
3540:
3537:
3533:
3530:
3529:
3528:Ancrene Wisse
3525:
3522:
3521:
3517:
3511:
3510:
3504:
3500:
3499:Eucatastrophe
3497:
3496:
3494:
3490:
3487:
3485:
3480:
3477:
3473:
3470:
3466:
3463:
3459:
3456:
3452:
3448:
3447:
3442:
3441:
3439:
3433:
3426:
3425:
3421:
3418:
3417:
3413:
3410:
3409:
3405:
3402:
3401:
3397:
3394:
3393:
3389:
3386:
3385:
3381:
3378:
3377:
3373:
3370:
3369:
3365:
3361:
3360:
3356:
3354:
3353:
3349:
3347:
3346:
3342:
3340:
3339:
3335:
3333:
3332:
3328:
3326:
3325:
3321:
3319:
3318:
3314:
3312:
3311:
3307:
3306:
3304:
3303:
3299:
3296:
3295:
3291:
3288:
3287:
3283:
3280:
3279:
3275:
3272:
3271:
3267:
3266:
3264:
3258:
3251:
3250:
3246:
3243:
3242:
3238:
3235:
3234:
3233:Tree and Leaf
3230:
3225:
3224:
3220:
3217:
3216:
3212:
3209:
3208:
3204:
3203:
3201:
3200:
3196:
3193:
3192:
3188:
3185:
3184:
3180:
3177:
3173:
3170:
3169:
3165:
3164:
3162:
3158:
3153:
3143:
3140:
3137:
3136:
3132:
3129:
3128:
3124:
3121:
3120:
3116:
3113:
3112:
3108:
3103:
3099:
3096:
3092:
3089:
3085:
3082:
3078:
3077:
3075:
3074:
3070:
3067:
3063:
3060:
3059:
3055:
3050:
3049:
3044:
3043:
3041:
3040:
3036:
3035:
3033:
3031:
3025:
3016:
3013:
3011:
3008:
3007:
3006:
3005:
3001:
2997:
2990:
2985:
2983:
2978:
2976:
2971:
2970:
2967:
2954:
2950:
2948:
2945:
2943:
2940:
2939:
2937:
2933:
2927:
2926:
2925:Il pesceballo
2922:
2921:
2919:
2915:
2909:
2908:
2904:
2902:
2901:
2897:
2895:
2894:
2890:
2888:
2887:
2883:
2881:
2880:
2879:Young Hunting
2876:
2874:
2873:
2869:
2867:
2866:
2862:
2860:
2859:
2858:Young Beichan
2855:
2853:
2852:
2848:
2846:
2845:
2841:
2839:
2838:
2834:
2832:
2831:
2830:Willie's Lady
2827:
2825:
2824:
2820:
2818:
2817:
2813:
2811:
2810:
2806:
2804:
2803:
2799:
2797:
2796:
2792:
2790:
2789:
2785:
2783:
2782:
2778:
2776:
2775:
2771:
2769:
2768:
2764:
2762:
2761:
2757:
2755:
2754:
2750:
2748:
2747:
2743:
2741:
2740:
2736:
2734:
2733:
2729:
2727:
2726:
2722:
2720:
2719:
2715:
2713:
2712:
2708:
2706:
2705:
2701:
2699:
2698:
2694:
2692:
2691:
2687:
2685:
2684:
2680:
2678:
2677:
2673:
2671:
2670:
2666:
2664:
2663:
2659:
2657:
2656:
2652:
2650:
2649:
2645:
2643:
2642:
2638:
2636:
2635:
2631:
2629:
2628:
2624:
2622:
2621:
2617:
2615:
2614:
2610:
2608:
2607:
2603:
2601:
2600:
2596:
2594:
2593:
2589:
2587:
2586:
2582:
2580:
2579:
2575:
2573:
2572:
2568:
2566:
2565:
2561:
2559:
2558:
2554:
2552:
2551:
2547:
2545:
2544:
2540:
2538:
2537:
2533:
2531:
2530:
2526:
2524:
2523:
2519:
2517:
2516:
2512:
2510:
2509:
2505:
2503:
2502:
2498:
2496:
2495:
2491:
2489:
2488:
2484:
2482:
2481:
2477:
2475:
2474:
2470:
2468:
2467:
2463:
2461:
2460:
2456:
2454:
2453:
2449:
2447:
2446:
2442:
2440:
2439:
2435:
2433:
2432:
2428:
2426:
2425:
2421:
2419:
2418:
2414:
2412:
2411:
2407:
2405:
2404:
2400:
2398:
2397:
2393:
2391:
2390:
2386:
2384:
2383:
2379:
2377:
2376:
2372:
2370:
2369:
2365:
2363:
2362:
2358:
2356:
2355:
2351:
2349:
2348:
2344:
2342:
2341:
2337:
2335:
2334:
2330:
2328:
2327:
2323:
2321:
2320:
2319:Prince Robert
2316:
2314:
2313:
2309:
2307:
2306:
2302:
2300:
2299:
2295:
2293:
2292:
2288:
2286:
2285:
2281:
2279:
2278:
2274:
2272:
2271:
2267:
2265:
2264:
2260:
2258:
2257:
2253:
2251:
2250:
2249:Mary Hamilton
2246:
2244:
2243:
2239:
2237:
2236:
2232:
2230:
2229:
2225:
2223:
2222:
2218:
2216:
2215:
2211:
2209:
2208:
2204:
2202:
2201:
2197:
2195:
2194:
2190:
2188:
2187:
2183:
2181:
2180:
2176:
2174:
2173:
2169:
2167:
2166:
2162:
2160:
2159:
2155:
2153:
2152:
2148:
2146:
2145:
2141:
2139:
2138:
2137:Lizie Lindsay
2134:
2132:
2131:
2127:
2125:
2124:
2120:
2118:
2117:
2116:Leesome Brand
2113:
2111:
2110:
2106:
2104:
2103:
2099:
2097:
2096:
2092:
2090:
2089:
2085:
2083:
2082:
2078:
2076:
2075:
2071:
2069:
2068:
2064:
2062:
2061:
2057:
2055:
2054:
2050:
2048:
2047:
2043:
2041:
2040:
2036:
2034:
2033:
2029:
2027:
2026:
2022:
2020:
2019:
2015:
2013:
2012:
2008:
2006:
2005:
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1108:Allison Gross
1105:
1103:
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990:0-394-73467-X
987:
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867:Neophilologus
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621:
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614:
610:
607:
604:
601:Bliss, A. J.
600:
597:
594:Gibbs, A. C.
593:
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584:
581:
580:
569:
567:
566:
561:
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556:Julius Caesar
553:
549:
545:
541:
537:
533:
530:known as the
529:
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473:says that in
472:
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406:Metamorphoses
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70:Manuscript(s)
67:
63:
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56:
53:
49:
45:
41:
34:
29:
26:
22:
19:
5107:
5079:
5072:
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5045:
5038:
5030:
5010:
5002:
4994:
4986:
4980:Metamorpheus
4978:
4970:
4962:
4944:
4937:
4911:
4903:
4895:
4887:
4879:
4853:
4845:
4838:
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4818:
4810:
4802:
4794:
4786:
4778:
4770:
4760:
4752:
4744:
4737:
4723:(2003, Ruhl)
4719:
4710:
4702:
4695:
4691:
4672:
4665:
4646:
4640:The Corridor
4638:
4630:
4622:
4614:
4606:
4598:
4590:
4582:
4567:
4559:
4551:
4543:
4535:
4527:
4519:
4511:
4503:
4500:(1600, Peri)
4495:
4414:
4407:
4399:
4391:
4364:
4306:
4245:Charles Noad
4202:
4180:
4173:
4164:Gergely Nagy
4144:
4130:
4123:
4109:
4092:Medievalists
4082:Allan Turner
4029:
3995:
3973:
3959:
3945:
3926:Randel Helms
3916:
3909:
3902:
3895:
3867:
3860:
3853:
3844:Jason Fisher
3834:
3830:Dimitra Fimi
3810:
3791:
3739:Holly Ordway
3734:Peter Kreeft
3729:Colin Duriez
3691:
3677:
3670:
3655:
3624:
3619:Sellic Spell
3612:
3604:
3596:
3588:
3580:
3572:
3563:
3541:
3526:
3519:
3518:
3508:
3483:
3444:
3422:
3414:
3406:
3398:
3390:
3382:
3374:
3366:
3357:
3350:
3343:
3336:
3329:
3322:
3315:
3308:
3305:(1983–1996)
3300:
3292:
3284:
3276:
3268:
3247:
3239:
3231:
3221:
3213:
3205:
3197:
3189:
3181:
3166:
3133:
3125:
3117:
3109:
3095:The Sea-Bell
3088:Fastitocalon
3071:
3056:
3046:
3037:
3010:Bibliography
2953:The Crabfish
2923:
2907:Young Waters
2905:
2900:Young Ronald
2898:
2891:
2884:
2877:
2870:
2865:Young Benjie
2863:
2856:
2851:Young Andrew
2849:
2842:
2835:
2828:
2821:
2814:
2807:
2800:
2793:
2786:
2779:
2772:
2765:
2758:
2751:
2744:
2739:Walter Lesly
2737:
2730:
2723:
2716:
2709:
2702:
2695:
2688:
2681:
2674:
2667:
2660:
2653:
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2604:
2597:
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2527:
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2429:
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2401:
2394:
2387:
2380:
2373:
2368:Richie Story
2366:
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2345:
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2331:
2324:
2317:
2310:
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2303:
2296:
2289:
2282:
2275:
2268:
2261:
2256:Matty Groves
2254:
2247:
2240:
2233:
2226:
2221:Lord William
2219:
2212:
2205:
2198:
2191:
2186:Lord Randall
2184:
2177:
2170:
2163:
2156:
2149:
2142:
2135:
2128:
2121:
2114:
2107:
2100:
2093:
2086:
2079:
2072:
2065:
2058:
2051:
2046:Lady Diamond
2044:
2037:
2030:
2023:
2016:
2009:
2002:
1995:
1988:
1981:
1974:
1967:
1960:
1955:King Estmere
1953:
1946:
1939:
1932:
1925:
1918:
1911:
1904:
1897:
1890:
1883:
1876:
1869:
1862:
1855:
1848:
1841:
1836:Jellon Grame
1834:
1827:
1822:James Hatley
1820:
1813:
1806:
1799:
1792:
1785:
1778:
1771:
1766:Gude Wallace
1764:
1757:
1750:
1743:
1736:
1729:
1722:
1715:
1708:
1701:
1694:
1687:
1682:The Gardener
1680:
1673:
1666:
1659:
1652:
1645:
1638:
1631:
1624:
1617:
1610:
1603:
1596:
1591:Eppie Morrie
1589:
1582:
1575:
1568:
1561:
1554:
1547:
1540:
1533:
1526:
1519:
1512:
1505:
1498:
1491:
1484:
1477:
1470:
1463:
1456:
1451:Crow and Pie
1449:
1442:
1435:
1428:
1421:
1414:
1409:Child Waters
1407:
1400:
1393:
1386:
1379:
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1309:
1302:
1295:
1288:
1281:
1274:
1267:
1260:
1253:
1246:
1239:
1232:
1225:
1220:Bonnie Annie
1218:
1211:
1204:
1197:
1190:
1183:
1176:
1169:
1162:
1155:
1148:
1141:
1136:Auld Matrons
1134:
1127:
1120:
1113:
1106:
1099:
1094:Sir Aldingar
1092:
1033:
1026:
1006:
1002:
995:
981:
962:
957:
949:
948:Bliss, A.J.
944:
936:
935:Gibbs, A.C.
931:
922:
913:
904:
895:
870:
866:
860:
851:
843:
838:
830:
828:Bliss, A. J.
823:
814:
805:
796:
788:
780:
772:
767:
755:. Retrieved
750:
740:
732:
727:
691:
689:
677:
669:
662:
658:
646:
642:
636:Translations
628:
623:
616:
612:
602:
595:
563:
522:
512:
509:
500:
497:Similarities
490:
489:
478:
474:
470:
468:
460:
450:
440:
416:
404:
391:
382:
378:
367:
356:
354:
348:
340:
336:
334:
330:
323:
314:
294:
280:
262:
255:
232:
223:Child Ballad
220:
213:
180:
176:Lai d'Orphey
175:
167:
151:
150:
132:
109:
108:
107:
24:
18:
5058:Video games
4964:Reflections
4576:discography
4169:Tom Shippey
4119:Jane Chance
4097:Classicists
3644:Biographers
3554:Posthumous
3471:" (1932–34)
3260:Posthumous
3048:Bagme Bloma
2947:Percy Folio
2893:Young Peggy
2627:Sir Cawline
2263:The Mermaid
2074:Lady Maisry
2060:Lady Isabel
2053:Lady Elspat
1878:Johnie Scot
1871:Johnie Cock
1808:Hobie Noble
1724:Gil Brenton
1563:Earl Rothes
1514:Dugall Quin
1402:Child Owlet
1332:Brown Robin
757:17 November
506:Differences
347:version of
206:Breton lais
197:concerning
156:Westminster
5130:Categories
4946:Poem Strip
4466:Characters
4282:Influences
4225:Lin Carter
4072:David Salo
4067:Tom Loback
3882:Nick Groom
3666:John Garth
3368:Roverandom
3168:The Hobbit
2165:Lord Lovel
2123:Sir Lionel
2039:Lady Alice
1962:King Henry
1927:Kemp Owyne
1731:Glasgerion
1619:Fair Janet
1605:Fair Annie
1535:Earl Brand
1318:Brown Adam
1027:King Orfeo
720:References
577:Facsimiles
525:Old French
422:Winchester
413:Commentary
383:King Orfeo
258:Winchester
251:underworld
247:Otherworld
203:Old French
183:Greek myth
172:Breton lai
121:Breton lai
99:Personages
85:Breton lai
5004:Reflektor
4988:Hadestown
4850:(c. 1480)
4839:Sir Orfeo
4667:Hadestown
4608:L'Orfeide
4377:Reception
4372:Memorials
4044:Linguists
3711:Christian
3573:Sir Orfeo
3520:Sir Orfeo
3495:" (1939)
3294:Mr. Bliss
3030:and songs
2697:Tom Potts
2305:Sir Orfeo
2144:Lizie Wan
1934:Kempy Kay
1857:John Dory
1801:Hind Horn
1794:Hind Etin
1745:Glenlogie
1185:Adam Bell
950:Sir Orfeo
887:161241681
873:: 156–9.
831:Sir Orfeo
692:Sir Orfeo
686:Reception
659:Sir Orfeo
643:Sir Orfeo
624:Sir Orfeo
613:Sir Orfeo
603:Sir Orfeo
513:Sir Orfeo
491:Sir Orfeo
479:Sir Orfeo
475:Sir Orfeo
451:Sir Orfeo
379:Sir Orfeo
357:Sir Orfeo
349:Sir Orfeo
337:Sir Orfeo
168:Sir Orfeo
160:Middlesex
152:Sir Orfeo
115:anonymous
110:Sir Orfeo
43:Author(s)
25:Sir Orfeo
5039:Chaconne
4923:" (2021)
4865:" (1999)
4863:Eurydice
4720:Eurydice
4692:Eurydice
4659:Musicals
4648:Eurydice
4505:Euridice
4497:Euridice
4473:Eurydice
4308:Mythlore
4302:Inklings
3764:Literary
3637:Scholars
3621:" (2014)
3556:academic
3538:" (1963)
3488:" (1936)
3478:" (1934)
3464:" (1929)
3457:" (1925)
3435:Academic
3178:" (1947)
3081:Errantry
3068:" (1954)
1598:Erlinton
703:See also
589:Editions
560:chivalry
447:Eurydice
375:Eurydice
243:grafting
239:Eurydice
229:Synopsis
195:folklore
141:Child 19
51:Language
5115:Orphism
5091:Related
5031:Orpheus
4788:Parking
4561:Orpheus
4513:L'Orfeo
4478:Orpheus
4404:(album)
4393:Tolkien
4287:Artwork
4263:Related
4217:Popular
3766:critics
3509:Beowulf
3484:Beowulf
3262:fiction
3160:Fiction
3076:(1962)
3042:(1936)
3015:Letters
2935:Related
2669:Tam Lin
1696:Geordie
1143:Babylon
1005:. In:
627:, from
443:Orpheus
371:Orpheus
235:England
199:fairies
187:Orpheus
125:Orpheus
91:Subject
46:Unknown
5069:(2020)
5050:(2019)
5042:(1976)
5034:(1948)
5023:Ballet
5015:(2019)
5007:(2013)
4999:(2010)
4996:Orfeas
4991:(2010)
4983:(2005)
4975:(2004)
4967:(1970)
4956:Albums
4916:(2003)
4908:(1999)
4900:(1987)
4892:(1973)
4884:(1967)
4873:Novels
4858:(1922)
4831:Poetry
4823:(2012)
4815:(2001)
4807:(1999)
4799:(1989)
4791:(1985)
4783:(1975)
4775:(1959)
4765:(1960)
4757:(1950)
4754:Orphée
4749:(1930)
4358:Awards
4270:Family
3889:&
3629:(2016)
3617:with "
3609:(2002)
3601:(1983)
3593:(1982)
3585:(1981)
3582:Exodus
3571:, and
3531:(1962)
3523:(1944)
3515:(1940)
3427:(2022)
3419:(2021)
3411:(2018)
3403:(2017)
3395:(2015)
3387:(2007)
3379:(2007)
3371:(1998)
3297:(1982)
3289:(1980)
3281:(1977)
3273:(1976)
3252:(1967)
3244:(1966)
3236:(1964)
3226:(1955)
3218:(1954)
3210:(1954)
3194:(1949)
3186:(1945)
3171:(1937)
3138:(2013)
3130:(2009)
3122:(1974)
3114:(1967)
3061:(1953)
3028:Poetry
2917:Operas
2102:Lamkin
1577:Edward
988:
885:
645:. In:
615:. In:
548:heroes
418:Thrace
212:. The
113:is an
5066:Hades
4804:Orfeu
4731:Films
4684:Plays
4545:Orfeo
4537:Orfeo
3569:Pearl
3437:works
1906:Judas
883:S2CID
670:Pearl
550:like
536:Greek
387:Hades
189:with
139:136,
133:Orfeo
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