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act of painting and drawing into means of writing and rewriting the world. Her work challenges it, records it and reworks it in bipolar form, bringing us face to face with primordial forces, safe within the maelstrom of her intuitive and immediate creative act, which makes it similar to the
Surrealist way of creating. Yet this quality does not eliminate the hesitations surrounding her artistic thinking. The format of the canvases also underlines her research her research into the ways of balancing night and day, Dionysus and Apollo, ranging from rectangles to circular tondos. The latter, cunningly fulfilling their function as targets, establish themselves as metaphors for the attention required by observing and creating. Indeed, apart from the material supports (which in the case of her drawings, are long sheets that already mimic the lined notebooks where people write), the backgrounds also act as a statement of energy, suggesting an Oriental-style precision of complements and completeness. Moreover, the lines or the texture, which appear over these backgrounds in nervy veins whose dynamism is apparent in the funneling or increasing density that manages to metamorphose into areas, underline the presence of those forces and their necessary and wise fruition and effort.
38:(1934-1978) and Maria Lira dos Passos Freitas Pereira (born 1937). She is the second of four sisters. Her father, besides being a painter, wrote several essays plus books on criticism and poetry. The mother, also an artist, has a course in sculpture and currently dedicates herself to drawing. The paternal grandfather, Joaquim Santiago Areal e Silva, was an architect and, together with Jorge Segurado, was one of those responsible for the restoration of national monuments in the 1950s. On the maternal side of the family, from the island of
57:. Upon returning to Portugal, she attended, between 1981 and 1983, the painting and drawing workshops at AR.CO, in Lisbon. She was a student of Rogério Ribeiro, António Sena and José Mouga. Besides painting and drawing, Areal developed her art in the fields of illustration, graphic design and set design. In 1982, she married the sculptor Rui Sanches, with whom she lived for 20 years and with whom she had a son, the artist Martim Brion.
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close association with coloured pencils, India ink, watercolours, graphite and collage. While colour is stronger in her painting, it is always present in her drawings, jus as the textured lines of wax crayon or coloured pencil also appear on her canvases. In both forms, she searches for a spatial balance that is seen as a harmony between occupied and empty spaces, opacity and transparency within a graphic game of contrasts, what
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Areal's work has been subject to various analyses throughout her career, mostly in the press and in the catalogues of her exhibitions. With texts by among others: João Miguel
Fernandes Jorge, João Lima Pinheiranda, Rui Mário Gonçalves, Jorge Silva Melo, Eduarda Dionísio, Isabel Carlos, Bernardo Pinto
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called simultaneous. Indeed her work and Areal’s share some significant similarities. Created using a vibrant palette dominated by shades of black, white, red and yellow, combined with blues and greens, they create tension with the fragile lines that are superimposed on areas of colour, turning the
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Areal’s research into forms and light brings painting and drawing into very close proximity where the dividing line mainly appears in the supporting material. Different techniques do not create rupture. Except for oil, acrylic (which she also uses on her canvases) is also involved in her work, in
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In 2016 a documentary by Jorge Silva Melo, entitled Sofia Areal: An Anti-Pain
Practice was premiered at the São Luíz National Theatre in Lisbon. The documentary focuses on Areal's work and work practice, mostly filmed in the artist's studio over aSIlvaod of six years. The film was co-production
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Sofia Areal started her training in
England, taking the course in textile design and the foundation course at the Hertfordshire College of Art and Design, St Albans (1979–81), before continuing her studies in Portugal at Ar.Co engraving and painting workshops in Lisbon. She has participated in
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In 2011, when of anthological the exhibition "YES" a book with texts by, Emília
Ferreira, Jorge Silva Melo, Luís Campos e Cunha with an interview by Ana Sousa Dias was published by Athena/Babel Publishers. In the same year, an interview was also published in "Portugal between generations: new
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Although she presented her work in group exhibitions throughout the 1980s, it was mainly from the invitation made by Alda Cortez to show at her gallery in 1990 that Areal started a regular dynamic in the public presentation of her works, which she has maintained until the present day.
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Other books, include the recent book launched by
Bernardo Pinto de Almeida "Arte Portuguesa no Século XX - Uma História Crítica in the end of 2016. Or the illustrations of the book "Papeis de Fumar" by Virgéilio Alberto Vieira and Jorge Silva Melo's book "Século Passado".
22:(born in Lisbon, 4 June 1960) is a Portuguese abstract painter, whose works adhere mostly to organic non-geometrical forms and a strong chromatic focus. Besides painting and drawing, Areal's work involves collage, textile design, and scenography.
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Areal began her artistic training in the UK, where she attended the
Textile Design course (1978-1979) and the Foundation Course (1979-1980) at the Hertfordshire College of Art & Design in
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In 2015, Jorge Silva Melo made a documentary about his own work, entitled, "We have not finished yet", which refers to many of the artists Silva Melo has worked with throughout the years.
1232:"Lançamento do livro" Criatividade/Creativity", de Allan Hobson e Sofia Areal e inauguração da Exposição de pintura de Sofia Areal. | ISPA – Instituto Universitário"
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collective exhibitions since 1982 and held individual exhibitions since 1990. In addition to paintings and drawings, she also works in illustration and scenography.
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reflexions about the future of the country" edited by
Almerinda Romeira and also by Centauro. 2012, Areal illustrates the Magazine Colóquio Letras published by
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Ribeiro, Emília
Ferreira, Ana Sousa Dias, José Luís Porfírio, ou Nelson Dimaggio. Areal has also written in several occasions about her own work.
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made in 2013 a five-episode documentary series about five different women, one of them Sofia Areal entitled "Talks in the hairdresser" for
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anthological exhibition of the last ten years, Cordoaria
Nacional, Galeria do Torreão Nascente, Lisbon, Portugal.
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1025:"Documentário sobre Sofia Areal "Um gabinete anti-dor" estreia-se hoje em Lisboa - País - RTP Notícias"
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Sofia Areal has exhibited her work in collective exhibitions since 1982 and individually since 1990.
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Professor join texts and painting to launch a book titled "Creativity", it was published by ISPA.
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Campos e Cunha, Luís; Sousa Dias, Ana; Ferreira, Emília; Silva Melo, Jorge (2011).
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1990 “Iberian Exhibition of Modern Art”, EIAM’90, curated by João Luis Pinharanda,
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558:. One of the other interviewees was Leonor Keil, who is one of Areal's sisters.
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Portugal Entre Gerações - Olhares inéditos de reflexão sobre o futuro do país
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916:"Quando a pessoa gosta muito do que faz, tem empenho, isso é transpirável"
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Areal is represented in various institutional collections, among others:
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343:”, curated by João Miguel Fernandes Jorge and Helena de Freitas, CAM -
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289:, Lisbon, Portugal. (continued in 2011 at the Aveiro Municipal Museum,
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How utterly shameless – Bite with all the teeth you have in your tongue
1012:. Abrantes: Quartel das Artes. 2016. p. 62 – via Catalogue.
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1064:"São Luiz Teatro Municipal - SOFIA AREAL: UM GABINETE ANTI-DOR"
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1993 “E.C.'s Young Artists”, curated by João Lima Pinharanda,
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828:. Almada: Casa da Cerca. p. 74 – via Catalogue.
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1089:"Ainda Não Acabámos como se fosse uma carta - Cinecartaz"
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432:, Lisbon. Casa da Cerca - Centro de Arte Contemporânea,
892:"Sofia Areal - Que Grande Pouca Vergonha | SOFIA AREAL"
1281:"Criatividade - Creativity | ISPA | Centro de Edições"
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Círcularmente Falando - Uma Pequena Antologia Pessoal
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Arte Portuguesa no Século XX - Uma História Crítica
356:When the World Falls on top of us: Art in times of
1114:"Conversas no Cabeleireiro - Documentários - RTP"
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328:”, Museu de Arte Contêmporanea do Funchal, now
304:”, Neupergama Gallery, Torres Novas, Portugal.
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1213:"COLÓQUIO/Letras : Resultado de pesquisa"
520:City Council. Ponte de Sor Municipal Library,
428:José de Azeredo Perdigão Modern Art Centre of
176:, Museu de Arte Contêmporanea do Funchal, now
728:"Sofia Areal « Colecção António Cachola"
1047:: CS1 maint: multiple names: authors list (
1023:Lusa, RTP, Rádio e Televisão de Portugal -.
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212:1993 “Painting and drawing by Sofia Areal”,
753:"Lisboa - Palavras pintadas de Sofia Areal"
194:, Casa da Cerca - Contemporary Art Centre,
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345:José de Azeredo Perdigão Modern Art Centre
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398:”, textiles designed by plastic artists,
227:, Alda Cortez Gallery, Lisbon, Portugal.
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450:MUDAS Contemporary Art Museum of Madeira
330:MUDAS Madeira Museum of Contemporary Art
178:MUDAS Madeira Museum of Contemporary Art
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207:Casa da Cerca - Contemporary Art Centre
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1411:20th-century Portuguese women artists
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285:, Jorge Martins e Nikias Skapinakis,
1144:(in European Portuguese). 2014-10-07
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1304:Pinto de Almeida, Bernardo (2016).
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961:"Artistas Unidos - SIM SOFIA AREAL"
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302:26 Years, 26 Artists, 104 Originals
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868:"Galeria João Esteves de Oliveira"
751:Group, Global Media (2015-10-03).
323:, Lourdes Castro, Sofia Areal and
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1329:Alberto Vieira, Virgilio (2006).
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841:"Sofia Areal dança sobre o papel"
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34:in 1960, daughter of the painter
1112:Portugal, Rádio e Televisão de.
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660:João Esteves de Oliveira Gallery
112:João Esteves de Oliveira Gallery
1406:Portuguese contemporary artists
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1230:Systems, Javali - Open Source.
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606:Calouste Gulbenkian Foundation
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349:Calouste Gulbenkian Foundation
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633:Afundación Obra Social ABANCA
456:. A.N.A. Collection, Lisbon.
438:Elvas Contemporary Art Museum
102:Solo Exhibitions (selection):
16:Portuguese artist (born 1960)
1333:. Lisbon: Campo das Letras.
108:Variations on the same theme
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1187:Romeiro, Almerinda (2011).
415:National Beaux Arts Society
190:João Miguel Fernandes Jorge
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1354:Silva Melo, Jorge (2007).
732:www.col-antoniocachola.com
642:António Cachola Collection
462:Carmona e Costa Foundation
442:António Cachola Collection
295:Centro Cultural de Cascais
824:Ferreira, Emília (2003).
704:"BIOGRAPHY | SOFIA AREAL"
562:Monographs and Catalogues
759:(in European Portuguese)
512:. Palmela City Council,
214:J.M. Gomes Alves Gallery
188:2002 “Sofia Areal about
174:“360 degrees in the SUN”
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315:, Guimarães, Portugal.
309:15 years of the gallery
159:“An Anti-pain practice”
83:Exhibitions (selection)
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1259:. Lisbon: ISPA Books.
1255:Hobson, Allan (2013).
1217:coloquio.gulbenkian.pt
990:www.fundacaodomluis.pt
313:JM Gomes Alves Gallery
266:, Neupergama Gallery,
965:www.artistasunidos.pt
805:www.artistasunidos.pt
579:an American Emeritus
573:Gulbenkian Foundation
363:Belém Cultural Centre
291:Sines Cultural Centre
134:“113o 55’E 21o 11’N”,
1191:. Lisbon: Centauro.
1068:www.teatrosaoluiz.pt
615:Serralves Foundation
575:. In 2013 Areal and
541:Artistas Unidos and
530:Leal Rios Foundation
528:Collection, Lisbom.
496:Foundation, Lisbon.
492:Foundation, Lisbon.
482:Serralves Foundation
417:, Lisbon, Portugal.
400:Pena National Palace
365:, Lisbon, Portugal.
351:, Lisboa, Portugal.
209:, Almada, Portugal.
106:2016 – “Restlessly:
1401:Portuguese painters
1396:Artists from Lisbon
1358:. Lisbon: Cotovia.
937:"SIM | SOFIA AREAL"
243:, Lisbon, Portugal
203:“Some of mine mine”
129:, Lisbon, Portugal
123:Politecnica Theatre
114:, Lisbon, Portugal
1166:. Lisbon: Athena.
986:"Exposição QUATRO"
872:www.jeogaleria.com
839:Marmeleira, José.
782:has generic name (
684:www.sofiaareal.com
474:Fundação D. Luís I
231:Group (selection):
30:Areal was born in
1421:Abstract painters
1365:978-9-7279-5185-7
1340:978-9-8962-5045-4
1315:978-989-8851-08-6
1266:978-989-8384-19-5
1198:978-989-690-015-1
1173:978-989-31-0017-2
506:NovaCaixa Galicia
466:Orient Foundation
256:Nikias Skapinakis
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283:Manuel Casimiro
260:Manuel Casimiro
250:– Sofia Areal,
248:"Re-Encounters"
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127:Artistas Unidos
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