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sampled the song on "Go Now", "Kill a Sound", and "Gun Down", because "Stalag is the wickedest rhythm..." Despite not composing or performing on "Stalag 17", Winston Riley owned the copyright and got into a dispute with Bounty Killer over the sample, even though he gave the rapper permission to use
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on seven tunes. He went into the session with the idea for "Stalag 17", told the musicians the style he wanted, and everyone came up with their own parts. Davis said the song "was a collaborative effort of everyone putting in their little ingredients in the pot". He also claimed Buster tried to pay
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Ansel
Collins and Santa Davis both recalled in separate interviews that Winston Riley's brother Buster was the one who organized the recording session that produced "Stalag 17". The Rileys ran a jukebox business, and Davis recalls that Winston was busy with those on the day of the recording at
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The popularity of "Bam Bam" gave rise to a further derivation of the Stalag Riddim. The Bam Bam Riddim is essentially the same as its predecessor, but the bass line is different. Many songs utilized Bam Bam Riddim, the most successful was
385:'s "Blowjob Betty". Stalag Riddim is so widely known that even a brief quote of it can be used to signify a connection to Jamaican culture, like the sample of the horns in the Blackout Remix of "
362:, which relies on Stalag Riddim like every other track on the LP. It became the biggest song of Tenor Saw's career and his chorus became a touchstone in pop music, used by artists as diverse as
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called "Bam-Bam". Sister Nancy's song is one of the most widely sampled in the history of reggae, spreading the Stalag Riddim even further. "Bam Bam" appears in "
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287:", which was produced by Winston Riley. Over Collins' track, she sang original lyrics with a chorus that quoted a 1966 song by
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Marshall, Wayne. "From Música Negra to
Reggaeton Latino: The Cultural Politics of Nation, Migration, and Commercialization",
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In 1984, Winston Riley further built on the success of Stalag Riddim with an entire album of songs based on the track.
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came onstage. This intro is commonly called "Marley Chant" among fans. The song was so influential that even
Jamaican
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used Stalag Riddim in their production for Reggie
Stepper called "Drum Pan Sound", which has been sampled by
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Bonadio, Enrico, and Bryan Khan. "Remix, Reuse and Reggae: Creativity and
Copyright in Jamaican Music",
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164:'s Techniques record label in 1973. The riddim has been used on hundreds of derivative records.
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Rude
Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
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Caribbean
Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall
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him for his session work with coins straight out of the Riley's jukeboxes.
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Positive
Vibrations: Politics, Politricks and the Story of Reggae
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Borrowing and Copyright Law: A Genre-by-Genre Analysis
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The riddim also influenced hip-hop, and can be discerned on
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177:. Collins said Buster's idea was to have him play with the
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621:"'Stalag 17' – How This Record Has Traveled Through Time"
734:"OLDIES SUNDAY: REGGIE STEPPER – DRUM PAN SOUND (1990)"
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Dub: Soundscapes and
Shattered Songs in Jamaican Reggae
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Audio of The Wailers opening their concert with the "
591:"The 50 Best Dancehall Songs of All Time | Pitchfork"
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723:. University of North Carolina Press, 2022. 159–160.
526:. United Kingdom, ABC-CLIO, 2005. 67.
189:instrumentals. Stalag Riddim was used for songs by
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212:played Stalag Riddim as an introduction on the
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554:"The Last Show for Marley & The Wailers"
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757:Massouri, John. 1996. ‘Man of experience’,
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797:at Frenkieh Riddim Database. (135 entries)
542:. Reaktion Books, Limited, 2022. 171, 191.
685:. Techniques, WR1684. Liner Notes. 1984.
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634:
500:"Santa Davis and the "Stalag 17" Riddim"
220:chanted "Marley!" over the riddim while
763:http://www.bountykiller.com/echoes.html
580:. Wesleyan University Press, 2007. 189.
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424:often rely on Stalag Riddim.
293:Byron Lee and the Dragonaires
247:George "Fully" Fullwood, bass
1363:. You can help Knowledge by
695:Ducker, Jesse (2023-10-21).
682:Original Stalag 17–18 and 19
656:Jason, Parham (2016-08-30).
466:Taylor, Angus (2017-04-03).
341:Original Stalag 17–18 and 19
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1212:List of reggae festivals
805:Frenkieh Riddim Database
405:Lords of the Underground
329:Chaka Demus & Pliers
1267:Sound system (Jamaican)
719:Mann, Larisa Kingston.
738:13th Street Promotions
379:Don't Believe the Hype
1430:Jamaican reggae songs
1103:Reggae fusion artists
779:Duke University Press
251:Carlton "Santa" Davis
1108:Roots reggae artists
597:. 27 February 2017.
343:featured artwork by
1098:Reggae rock artists
538:Borthwick, Stuart.
397:Steely & Clevie
387:This Is Why I'm Hot
283:with her 1982 hit "
263:Earl "Chinna" Smith
1257:Dance Hall (venue)
347:and recordings by
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1081:People and groups
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345:Wilfred Limonious
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1435:Reggae stubs
1425:Reggae songs
1365:expanding it
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1072:Walking bass
1001:Samba reggae
996:Roots reggae
967:Ragga jungle
935:Ragga jungle
824:Marley Chant
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742:. Retrieved
740:. 2023-10-15
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191:General Echo
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1186:Philippines
1176:New Zealand
1113:Dub artists
977:Reggae punk
972:Reggae rock
920:Lovers rock
781:, 2009. 46.
558:Afro Disiac
442:"Stalag 17"
403:, Nas, and
313:Lauryn Hill
289:The Maytals
244:, keyboards
210:The Wailers
123:Producer(s)
111:Composer(s)
33:"Stalag 17"
1420:1973 songs
1404:Categories
1292:Studio One
984:Reggaestep
962:Moombahton
903:Dub poetry
744:2024-03-22
706:2024-03-16
667:2024-03-22
605:2018-10-10
563:2024-03-18
509:2024-03-22
477:2024-03-22
452:2013-03-23
428:References
422:DJ Playero
301:Kanye West
222:Bob Marley
104:Techniques
1410:Dub music
1307:Blue Beat
1252:Suedehead
1237:Rastafari
1166:Australia
1149:Mauritius
1132:By region
991:Reggaeton
881:Dancehall
775:Reggaeton
418:Reggaeton
383:Too Short
360:Tenor Saw
349:Yami Bolo
317:Pete Rock
281:dancehall
257:Tony Chin
236:Personnel
208:In 1980,
199:Big Youth
58:Max Romeo
1262:Dubplate
1247:Skinhead
1242:Rude boy
1159:Zimbabwe
1062:Toasting
1042:One drop
1016:Two-tone
701:Albumism
599:Archived
446:Archived
377:'s hit "
265:, guitar
259:, guitar
65:Released
1415:Riddims
1205:Related
1181:Pacific
1154:Nigeria
1052:Singjay
1011:Singjay
401:Run-DMC
364:Mos Def
305:Jay-Z's
285:Bam Bam
253:, drums
168:History
142:version
140:Stalag
1357:reggae
1277:Riddim
1191:Poland
1139:Africa
1066:Deejay
1047:Reverb
1006:Seggae
908:Psydub
893:Dembow
872:Genres
862:Reggae
368:Fugazi
335:Legacy
297:Famous
201:, and
150:riddim
147:reggae
83:Length
78:Reggae
51:B-side
1232:Mento
1171:Japan
1144:Kenya
1057:Skank
1032:Delay
930:Ragga
662:Fader
389:" by
327:" by
299:" by
291:with
156:) by
100:Label
74:Genre
1361:stub
952:Alté
625:Beat
414:it.
391:Mims
366:and
315:and
226:jazz
138:(or
134:The
68:1973
39:Song
898:Dub
803:at
309:Bam
187:dub
41:by
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