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238:" for the music publishers Joe Stern and Edward B. Marks. Porter first recorded with the Diamond Comedy Four and Diamond Quartet for Stern and Marks' Universal Phonograph Company in early 1897. In later 1897 he began recording for
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Porter left the
American Quartet in 1919, although his recording career continued into the 1920s. The Port-O-Phone Corporation suffered a near-collapse in the
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374:. Unlike his previous enterprises, this was a relatively profitable undertaking, and the hearing aids were successfully marketed around the world.
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Tom
Daniels. Porter remained with the quartet until 1909. However, Porter increasingly performed as a comedic artist, becoming popular for his
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for a new form of record in 1911, and in 1916 established a business, the Port-O-Phone
Corporation, to market a new type of acoustic
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with the
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After his return, he recorded as one member of the
Columbia Male Quartet, known after 1906 as the
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250:", "She Was More to Be Pitied Than Censured" (1898), "A Picture No Artist Can Paint" (1899), "
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of 1929, and was wound up a few years later as its models were superseded by new technology.
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in the early years of the twentieth century, and successfully marketed a new form of
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failed, Porter established the
American Phonograph Record Company of Brooklyn, with
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Two-Minute Brown Wax and XP Cylinder
Records of the Columbia Phonograph Company
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Four Parts, No
Waiting : A Social History of American Barbershop Quartet
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and
Columbia after 1906, an example being "Pat O'Brien's Automobile" (1908).
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as co-directors. However, this again failed, and in 1902 Porter sailed to
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with John Watson Hawd to set up a recording business for Nicole Frères in
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with the
Diamond Comedy Four and Diamond Four, and solo, and for the
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American Recording Pioneers: Steve Porter, Global Entrepreneur
555:"Pat O'Brien's Automobile", Tinfoil.com Cylinder of the Month
457:. Menomonee Falls, Wisconsin: Record Research, Inc. pp.
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Pop Memories 1890-1954: The History of American Popular Music
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characterizations and skits. He recorded many of these for
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and as a performer, recording comic tunes, ballads and old
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After 1909, Porter recorded mainly as a member of the
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426:Survey of Leading Acoustic Era Recording Artists
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198:who helped establish the recording industry in
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506:Discography of American Historical Recordings
218:in May 1863. In the 1890s he performed as a
16:American pioneer recording artist and singer
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297:. Porter then traveled around India and
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595:"S. C. PORTER DIES; MADE DEAF DEVICES"
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261:In 1901, after an attempt to set up a
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519:Lorenz, Kenneth (1981).
618:Steve Porter recordings
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557:. Retrieved 18 May 2013
545:. Retrieved 21 May 2013
449:Whitburn, Joel (1986).
430:. Retrieved 18 May 2013
388:on January 13, 1936 in
252:A Bird in a Gilded Cage
79:New York City, New York
668:Edison Records artists
658:Victor Records artists
571:, February 1917, p.196
352:Oh, You Beautiful Doll
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273:and Samuel H. Rous of
41:Background information
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289:, before sailing to
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256:The Little Brown Jug
120:Singer, entrepreneur
424:Frank W. Hoffmann,
334:Porter in the 1910s
240:Berliner Gramophone
192:Stephen Carl Porter
164:Emma Frances Fachon
51:Stephen Carl Porter
653:American baritones
603:. 1936. p. 2.
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283:recording engineer
569:Popular Mechanics
379:Wall Street Crash
275:The Haydn Quartet
271:William F. Hooley
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126:Years active
74:(1936-01-13)
23:Steve Porter
643:1946 deaths
638:1864 births
372:hearing aid
358:" (1912), "
354:" (1911), "
204:hearing aid
135:Formerly of
632:Categories
396:References
364:Over There
313:Henry Burr
224:vaudeville
222:singer in
47:Birth name
287:standards
210:Biography
130:1896–1928
390:Brooklyn
295:Calcutta
220:baritone
59:May 1863
620:at the
488:Hobbies
342:, with
216:Buffalo
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98:Ragtime
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368:patent
325:Edison
310:tenors
279:London
157:Spouse
93:Ballad
86:Genres
81:, U.S.
64:, U.S.
321:Irish
299:Burma
291:India
200:India
175:(
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463:ISBN
317:bass
234:in "
108:Jazz
103:Folk
69:Died
56:Born
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177:m.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
