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edition of
Imprint 93 multiples. At this time uber curator Hans Ulrich Obrist also included Home in his survey of young British art "Life/Live" Musée d’art Moderne de la Ville de Paris (October 96- January 97, subsequently toured). In the mid-nineties Home was also appearing regularly as a live artist at "Disobey" events organised by Paul Smith and featuring music from the likes of techno acts
1114:. The Neoist Alliance, his third one-person-movement after The Generation Positive and Praxis, served simultaneously as a tactical reappropriation of the Neoism label for self-promotional purposes, and as a corporate identity for pamphlets that satirically advocated a combination of artistic avant-garde, the occult, and politics into an "avant-bard".
1375:, London, 1988) is considered a useful art-history work, providing an introduction to a range of cultural currents which had, at that time at least, been under-documented. The work has, however, been highly criticised for deficiencies in its view of utopian currents, including its personal biases, by such writers as
842:
and White
Colours part of Neoism as well. According to Florian Cramer (who didn't come into contact with Neoism until the late eighties) one year later, Home took a sleep-deprivation prank played with him at a Neoist Festival in Italy as the reason to declare his split from Neoism; Home insists he
912:
At the same time Home was involved in a series of collective installations including "Ruins of
Glamour" (Chisenhale Studios, London 1986), "Desire in Ruins" (Transmission Gallery, Glasgow 1987), "Refuse" (Galleriet Läderfabriken, Malmö 1988) and "Anon" (33 Arts Centre, Luton 1989) which generated
1117:
Higgs included Home in group shows he curated – such as "Imprint 93" at City Racing (London June–July 95), "Multiple Choice" at Cubitt
Gallery (London March–April 96) and "A to Z" at Approach Gallery (London 1998) – as well issuing a pamphlet and later a badge by Home as part of his prestigious
928:
soon developed into a proposed movement and a series of "Festivals of
Plagiarism" in 1988 and 1989, which themselves plagiarised the Neoist apartment festivals and 1960s Fluxus festivals. Home combined the plagiarism campaign with a call for an Art Strike between 1990 and 1993. Unlike earlier
1243:
Aware of the marked decline in countercultural activities throughout the urban centres in which he operated, Home shifted gear in this area of his work in the new millennium, upping his level of
Internet activities; web work had been only a minor part of his repertoire in the 1990s.
777:
From 1982 to 1984, Home operated as a one-person-movement "Generation
Positive", and having already founded a punk band called White Colours (named after an experimental novel by R. D. Reeve) in 1980, he started a new group with the same name in 1982. He also published an art
1700:(New edition AK Press, Edinburgh 1991. Polish translation, Wydawnictwo Signum, Warsaw 1993. Italian translation AAA edizioni, Bertiolo 1996. Portuguese translation, Conrad Livros, Brazil 1999. Spanish translation, Virus Editorial, 2002. Russian translation, Asebeia, 2020).
659:
fanzines, including early issues of "Down in the Street" which had run to seven numbers by the time he stopped publishing it in 1980. At the end of the seventies Home also made his first public appearances as a musician as bassist with revolutionary ska band The
Molotovs.
1257:
every paragraph is exactly 100 words long. At times in this period Home's film making also became radically non-representational, and rarely required any original cinematography whatsoever; for example his 2002 fiftieth anniversary
English language colour re-make of
1262:'s "Screams in Favour of De Sade", and 2004 "Eclipse & Re-Emergence of the Oedipus Complex", the latter consists solely of still photographs of his mother with a narration scripted by Home but delivered by Australian actress Alice Parkinson.
913:
serious art world interest and art publication reviews and even coverage in
British newspapers such as "The Observer" and "Independent". Those Home worked closely with on these shows included Hannah Vowles and Glyn Banks (collectively known as
1335:
which had been active since 1980. Stewart Home had previously become a member and activist of that network in 1984, but renounced it one year later and subsequently worked under the collective monikers of "Praxis", later
1265:
This tendency towards abstraction was already evident in some of Home's work of the 1990s, particularly sound pieces such as the cut up radio play "Divvy", but in the 2000s it became increasingly central to his output.
1281:
activities. According to Home, the alliance was an occult order with himself as the magus and only member. The manifesto called for "debasement in the arts" and in a parodic manner plagiarized a 1930s British
929:
art-strike proposals such as that of Gustav Metzger in the 1970s, it was not intended as an opportunity for artists to seize control of the means of distributing their own work, but rather as an exercise in
151:
943:
The Art Strike campaign caused something of a rumpus in the contemporary London art world (Home got to talk about the Art Strike at venues such as the Institute of Contemporary Art and
1478:
has reported repression of the book as "pornography and insulting Christian values". Kervey says this is happening in the context of a campaign run by such far-right groups as the
1389:
and turned them into a recipe for much of his subsequent novel writing of the 1990s (there are exceptions such as the non-linear "Come Before Christ & Murder Love"). The book
834:, and participated in the eighth Neoist Apartment Festival in London. Since Neoism operated with multiple identities, too, and called upon all its participants to adopt the name
1549:(Serpent's Tail, London 1997. Finnish translation, Like, Helsinki 1996. Greek translation Oxys Publishing, Athens 1999. German translation, Nautilus, Hamburg, 2001).
1509:(Peter Owen, London 1991. Finnish translation Like, Helsinki 1995. German translation, Nautilus, Hamburg 1995). Some of the action of this novel takes place on the
1712:: Genre Theory And Punk Rock (Codex, Hove 1995, new edition 1997. Italian translation Castelvecchi, Rome 1996) (an 'inside account' of the history of
1755:
1780:
Repetitions: A Collection of Proletarian Pleasures Ranging from Rodent Worship to Ethical Relativism Appended with a Critique of Unicursal Reason
1286:
pamphlet on cultural politics. Alliance activities mainly consisted of the publication of a newsletter "Re-action" which appeared in ten issues.
1087:
In 1993 Home officially resurfaced, having meanwhile gained an influence and reputation in American counter-culture comparable to writers like
155:
479:, a subcultural network of which he had been a member, and from which he derived various splinter projects. Typical characteristics of his
951:
arts programmes and London area television arts programmes), but was more seriously discussed in subcultural art networks, especially in
2405:
2400:
2240:
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1443:, published in the same year, is a collection of fictional interviews, reviews and essays. A third 1999 publication, the pamphlet
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and the publishing industry, centres on David Kelso, an author attempting to write a trilogy recounting his sexual experiences.
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1247:
Home's novels in this period no longer incorporated subcultural elements and instead focused on issues of form and aesthetics:
2385:
1858:
1591:
1566:
1541:
1321:
1582:
1249:
1211:
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745:
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369:
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205:
367:, is an English artist, filmmaker, writer, pamphleteer, art historian, and activist. His novels include the non-narrative
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1027:
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563:
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no 8, which appeared in 1985, reflected the split with Neoism by proposing a "Praxis" movement to replace Neoism, with
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2188:
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1412:
fictionalises and ridicules this process of the historification of Neoism (including the planting of archives at the
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610:
242:
224:
104:
52:
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184:
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contains capsule reviews of dozens of obscure books as well as elaborate descriptions of stone circles, while in
82:
1401:, and a compilation of writings and reactions regarding the Art Strike from various authors and sources, mainly
1733:
1325:
1103:, and the plagiarism and Art Strike campaigns, and, as his source of income, the continued pulp-novel writing.
75:
2325:
1503:(Polygon, Edinburgh 1989. Finnish translation Like, Helsinki 1994. German translation Nautilus, Hamburg 1994).
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843:
decided to break with Neoism before going to Italy. Shortly before, a conflict between him and Neoism founder
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577:
191:
1427:
was rejected by several publishers before being published by Do-Not Press in 1999. Its plot, which satirises
38:
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political positions after going to the London Workers Group. In the late seventies Home produced his first
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173:
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955:. Consequently, mail artists made up a reasonable proportion of the participants at the Festivals of
445:. His mother, Julia Callan-Thompson, was a model who was associated with the radical arts scene in
1926:
NATURAL SELECTION (1998 organised by Graham Harwood & Matt Fuller, funded by the Arts Council).
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2029:(1997, 35 mm, part of project organised by Cambridge Junction with Arts Council funding).
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1752:
The House of Nine Squares: Letters on Neoism, Psychogeography And Epistemological Trepidation
1376:
1290:
410:
631:. He attended meetings of many different leftist groups including several organised by the
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2115:
1822:
Re-Enter The Dragon: Genre Theory, Brucesploitation & the Sleazy Joys of Lowbrow Cinema
1413:
1204:
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pulp prose in the style of his then unwritten early novels. Many texts included in Home's
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584:
198:
8:
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809:
magazines mostly contained art manifestos for the "Generation Positive", which in their
1967:
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featured, on its first part, abridged versions of Home's manifesto-style writings from
1106:
In the post-Art Strike years, he had for the first time publicly occupied himself with
1720:
Conspiracies, Cover-Ups and Diversions: A Collection of Lies, Hoaxes and Hidden Truths
2234:
1854:
1748:(AK Press, London, Edinburgh 1995. Italian translation Costa & Nolan Genoa 1997).
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1655:
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the concert hall by magical means during the concert. This was an homage to the 1965
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44:
1865:
Mind Invaders: A Reader in Psychic Warfare, Cultural Sabotage And Semiotic Terrorism
1572:
Whips & Furs: My Life as a bon-vivant, gambler & love rat by Jesus H. Christ
1482:
against Home, which has included arson attacks against T-ough Press alongside state
471:– of whom he is a severe critic – and other radical left-wing 20th century anti-art
1432:
1385:, Home's first novel from 1989, took the recipe of the Richard Allen parodies from
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640:
628:
1320:
Alliance activities ran parallel and were closely related to those of the revived
1274:
The Neoist Alliance was a moniker used by Home between 1994 and 1999 for his mock-
1729:
1689:
1372:
1314:
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838:, Home decided to give up the "Generation Positive" in favor of Neoism, and make
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162:
81:
It may require cleanup to comply with Knowledge's content policies, particularly
2330:
1428:
1167:. Contentious material about living people that is unsourced or poorly sourced
1011:. Contentious material about living people that is unsourced or poorly sourced
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701:. Contentious material about living people that is unsourced or poorly sourced
547:. Contentious material about living people that is unsourced or poorly sourced
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1983:
1929:
TORK RADIO (1998 organised by Cambridge Junction, funded with lottery money).
1575:
1510:
1100:
1096:
844:
835:
797:). The concept was that many other bands in the world should call themselves
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378:
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Anamorphosis: Stewart Home, Searchlight and the plot to destroy civilization
940:
aimed at smashing the entire art world rather than just the gallery system.
475:
movements. In Home's earlier work, the focus of these reflections was often
2298:
2218:
1980:
Part of Again, A Time Machine: a Book Works touring exhibition in six parts
1471:
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442:
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In 1993, the Neoist Alliance staged a prank against a concert by composer
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1774:
Confusion Incorporated: A Collection of Lies, Hoaxes & Hidden Truths
1536:(Serpent's Tail, London 1996. Finnish translation Like, Helsinki 1996)
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1453:
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1095:. Aside from reassessments of his earlier engagement with Neoism, the
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1686:
The Assault on Culture: Utopian currents from Lettrisme to Class War
452:
In the 1980s and 1990s, he exhibited art and also wrote a number of
2081:
1976:, A Time Machine at White Columns (New York October/November 2011).
1850:
1519:
1457:
1402:
1302:
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909:, writing, simply replacing terms like "spectacle" with "glamour".
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644:. He did not join these organisations and later repudiated them as
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406:
402:
1798:
Fasting on SPAM and Other Non-aligned Diets for Our Electronic Age
1331:
Despite its name, the Neoist Alliance had no affiliation with the
959:, and Mail Art publications disseminated the Art Strike campaign.
2137:
2016:, Darling Pearls & Co (London September 2020 – January 2021).
1450:
1283:
937:
934:
779:
483:
in the 1980s and 1990s included use of group identities (such as
321:
801:, and many other underground periodicals should call themselves
1964:
Hallucination Generation: High Modernism in a Tripped Out World
1359:
1332:
1306:
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1111:
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In April 1984, Home got in touch with the originally American
161:
from the article and its talk page, especially if potentially
503:
496:
1438:
817:
463:. They chiefly reflected the politics of the radical left,
962:
In the 1980s Home was also a regular contributor to the
2275:. "Taking Culture with a Grain Assault", in Bob Black,
858:
as its new multiple name. This and the following three
1804:
The Intelligent Person's Guide to Changing a Lightbulb
74:
A major contributor to this article appears to have a
920:
Following on from this and drawing on 1980s American
785:, the name of which was a play on the Mail Art zines
1948:, workfortheeyetodo (London July to September 1996).
1998:, The Function Room (London October/November 2014).
1877:
Denizen of the Dead: The Horrors of Clarendon Court
1462:, consists of letters, prefaces and introductions.
1954:, Artspace (London December 2004 to January 2005).
1792:Jean Baudrillard and the Psychogeography of Nudism
1305:picketing of a Stockhausen concert in New York by
2138:"A Life full of social interaction: Stewart Home"
2051:Eclipse & Re-Emergence of the Oedipus Complex
2004:, Queens Park Railway Club (Glasgow, April 2016).
866:-style writing, political reflections on radical
862:issues otherwise featured an eclectic mixture of
2337:
2255:"Brochure: Fight Musical Decoration of Fascism!"
638:Youth League and even two editorial meetings of
273:Stewart Home pictured in Isle of Dogs, June 2022
467:, the occult, the history and influence of the
2279:. Portland, OR: Feral House, 1994, pp. 164-86.
2189:"Drugs, hallucinations, LSD, tripping, movies"
1942:, Central Space (London, February/March 1988).
1437:Confusion Incorporated: A Collection of Lies,
793:(which in turn parodied the graphic design of
1728:(a critique of the magazine and organisation
623:As a youth Home was drawn first to music and
373:(2002), and the re-imagining of the 1960s in
1352:Despite its highly personal perspective and
2020:
1920:
1908:Marx, Christ & Satan United in Struggle
1883:
1662:; Finnish translation Like, Helsinki 1997).
1530:; Finnish translation Like, Helsinki 1995).
847:had escalated and led to their alienation.
413:and combine it with pornography, political
53:Learn how and when to remove these messages
1816:The Easy Way to Falsify Your Credit Rating
1762:Disputations on Art, Anarchy and Assholism
267:
154:about living persons that is unsourced or
1449:Pleasures Ranging from Rodent Worship to
1231:Learn how and when to remove this message
1075:Learn how and when to remove this message
765:Learn how and when to remove this message
611:Learn how and when to remove this message
243:Learn how and when to remove this message
225:Learn how and when to remove this message
105:Learn how and when to remove this message
2109:
2107:
1960:, NCCA (Moscow, November/December 2008).
1824:(Ledatape Organisation, Melbourne 2018).
1654:(AK Press, London & Edinburgh 1993,
1641:(New Reality Records, Loughborough 2023)
1474:, publishers of the Russian edition of
1465:
1255:Down and Out in Shoreditch & Hoxton
2338:
2239:: CS1 maint: archived copy as title (
2113:
1843:Ed., (Sabotage Editions, London, 1989)
1837:Ed., (Sabotage Editions, London, 1989)
363:(born 24 March 1962), better known as
2288:
2257:. Action Against Cultural Imperialism
2104:
1597:Down and Out in Shoreditch and Hoxton
1322:London Psychogeographical Association
16:English artist, filmmaker, and writer
1992:, Building F (London November 2013).
1583:69 Things to Do with a Dead Princess
1250:69 Things to Do with a Dead Princess
1133:
977:
667:
513:
370:69 Things to Do with a Dead Princess
351:69 Things to Do with a Dead Princess
116:
59:
18:
2039:Has The Litigation Already Started?
1853:Edinburgh and San Francisco, 1996)
917:), Ed Baxter and Stefan Szczelkun.
459:, magazines, and books, and edited
13:
1871:Suspect Device: Hard-Edged Fiction
1867:Ed. (Serpent's Tail London, 1997).
1553:Come Before Christ and Murder Love
1476:Come Before Christ and Murder Love
1269:
14:
2427:
2406:21st-century English male writers
2401:20th-century English male writers
2314:
1879:(Cripplegate Books, London 2020).
1818:(Sabotage Editions, London 2005).
1812:(Sabotage Editions, London 2005).
1806:(Sabotage Editions, London 2005).
1800:(Sabotage Editions, London 2002).
1794:(Sabotage Editions, London 2001).
1788:(Sabotage Editions, London 2000).
1782:(Sabotage Editions, London 1999).
1770:(Sabotage Editions, London 1998).
1764:(Sabotage Editions, London 1997).
1742:(Sabotage Editions, London 1996).
1722:(Sabotage Editions, London 1995).
487:) and collective monikers (e.g. "
34:This article has multiple issues.
2411:English male non-fiction writers
2069:Bondage As Theme & Technique
1627:The 9 Lives of Ray The Cat Jones
1138:
982:
672:
518:
428:
121:
85:. Please discuss further on the
64:
23:
1736:(Unpopular Books, London 1995).
1522:, London & Edinburgh 1994,
1489:
1297:by announcing its intention to
417:, and historical references to
42:or discuss these issues on the
2381:21st-century English novelists
2376:20th-century English novelists
2326:3:AM Magazine interview (2002)
2282:
2269:
2247:
2207:
2181:
2155:
2130:
2010:, 5 Years (London, June 2018).
1933:
1873:(Serpent's Tail, London 1998).
1847:What is Situationism? A Reader
1758:(Invisible Books London 1997).
1679:
1621:Mandy, Charlie & Mary-Jane
1615:Blood Rites of the Bourgeoisie
1555:(Serpent's Tail, London 1997).
1:
2416:Alumni of Kingston University
2294:"Three Books by Stewart Home"
2097:
1810:The Correct Way to Boil Water
1746:Neoism, Plagiarism and Praxis
1586:(Canongate, Edinburgh, 2002)
1445:Repetitions: A Collection of
2386:English contemporary artists
2114:Turner, Jenny (9 May 2002).
2033:Screams in Favour of De Sade
1970:(Bristol April to May 2006).
1828:
1675:(Morbid Books, London 2018).
1623:(Penny-Ante Editions, 2013).
1605:(Virgin Books, London 2005).
1599:(Do-Not Press, London 2004).
1561:(Do-Not Press, London 1999)
1333:international Neoist network
1149:biography of a living person
993:biography of a living person
683:biography of a living person
529:biography of a living person
377:(2005). Earlier parodistic
132:biography of a living person
7:
2075:
1986:(London April to May 2012).
1706:(AK Press, Edinburgh 1991).
1169:must be removed immediately
1013:must be removed immediately
703:must be removed immediately
549:must be removed immediately
159:must be removed immediately
10:
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1914:Proletarian Post-Modernism
1645:
1418:Victoria and Albert Museum
945:Victoria and Albert Museum
405:the work of 1970s British
1666:
1617:(BookWorks, London 2010).
1611:(Snowbooks, London 2007).
1494:
947:, as well as on national
813:resembled those of 1920s
335:
317:
309:
301:
278:
266:
259:
2021:Selected film and videos
1921:Funded Internet projects
1904:(King Mob, London 1998).
1898:(Sabotage, London 1998).
1892:(Sabotage, London 1998).
1884:Spoken word and releases
1358:The Assault on Culture:
1347:
1129:
973:
663:
509:
491:"); overt employment of
2346:Historians of anarchism
2277:Beneath the Underground
1910:(Molotov Records 1999).
893:, and short parodistic
381:fictions work includes
2396:English male novelists
2391:English art historians
2120:London Review of Books
1996:The Age of Anti-Ageing
1835:Festival of Plagiarism
1710:Cranked up Really High
1395:/The Art Strike Papers
1324:and the Italian-based
1163:Please help by adding
1007:Please help by adding
885:, individuals such as
875:Lettrist International
697:Please help by adding
543:Please help by adding
361:Kevin Llewellyn Callan
146:Please help by adding
2057:Oxum: Goddess of Love
1635:(London Books, 2020).
1291:Karlheinz Stockhausen
1158:references or sources
1002:references or sources
877:, the Situationists,
692:references or sources
648:, instead professing
538:references or sources
83:neutral point of view
2321:Stewart Home Society
2163:"Index of /Reaction"
1958:In Transition Russia
1629:(Test Centre, 2014).
1466:Repression in Russia
1414:National Art Library
924:, Home's concept of
830:artistic network of
805:, too. Home's early
152:Contentious material
2371:English art critics
2331:Face feature (2000)
2071:(2019, 40 minutes).
2063:Re-Enter The Dragon
2002:Re-Enter The Dragon
1916:(Test Centre 2013).
1841:Art Strike Handbook
1776:(Codex, Hove 1999).
1609:Memphis Underground
1480:National Bolsheviks
1460:of Unicursal Reason
966:/cultural magazine
873:movements from the
1896:Cyber-Sadism Live!
1890:Comes in Your Face
1688:(Aporia Press and
1371:(Aporia Press and
1279:psychogeographical
1147:This section of a
991:This section of a
905:other, especially
681:This section of a
527:This section of a
409:pulp novel writer
2361:Psychogeographers
2027:Ut Pictura Poesis
2014:Sexus Maleficarum
2008:Dual Flying Kicks
1952:Becoming (M)other
1940:Humanity in Ruins
1859:978-1-873176-13-9
1704:Neoist Manifestos
1592:978-1-84195-353-3
1567:978-1-899344-45-1
1542:978-1-85242-519-7
1441:and Hidden Truths
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1240:
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1215:
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922:appropriation art
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447:Notting Hill Gate
433:Home was born in
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135:needs additional
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78:with its subject.
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2221:on 13 March 2007
2217:. Archived from
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2195:on 21 March 2016
2191:. Archived from
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2165:. Archived from
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2153:
2152:
2150:
2148:
2134:
2128:
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2116:"Aberdeen rocks"
2111:
1726:Green Apocalypse
1692:, London, 1988)
1456:Appended with a
1433:picaresque novel
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1222:
1216:
1214:
1173:
1165:reliable sources
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1009:reliable sources
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641:Anarchy Magazine
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2065:(2016 41 mins).
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2053:(2004 41 mins).
2047:(2002 84 mins).
2041:(2002 70 mins).
2035:(2002 60 mins).
2023:
1936:
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1886:
1831:
1734:Luther Blissett
1730:Green Anarchist
1690:Unpopular Books
1682:
1669:
1648:
1639:Art School Orgy
1578:, London 2000).
1497:
1492:
1470:Alex Kervey of
1468:
1408:His 1995 novel
1373:Unpopular Books
1350:
1326:Luther Blissett
1315:George Maciunas
1272:
1270:Neoist Alliance
1237:
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2315:External links
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1405:publications.
1362:currents from
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1180:"Stewart Home"
1146:
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1024:"Stewart Home"
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887:Gustav Metzger
773:
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714:"Stewart Home"
680:
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619:
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560:"Stewart Home"
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174:"Stewart Home"
156:poorly sourced
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2169:on 8 May 2016
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2093:
2092:3:AM Magazine
2090:
2088:
2087:Art manifesto
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2015:
2012:
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1702:
1699:
1698:0-948518-88-X
1695:
1691:
1687:
1684:
1683:
1674:
1671:
1670:
1661:
1660:1-873176-46-5
1657:
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1637:
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1622:
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1607:
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1598:
1595:
1593:
1589:
1585:
1584:
1580:
1577:
1576:Attack! Books
1573:
1570:
1568:
1564:
1560:
1557:
1554:
1551:
1548:
1545:
1543:
1539:
1535:
1532:
1529:
1528:1-873176-12-0
1525:
1521:
1517:
1514:
1512:
1511:Samuda Estate
1508:
1505:
1502:
1499:
1498:
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1477:
1473:
1463:
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1442:
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1426:
1423:Home's novel
1421:
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1213:
1210:
1206:
1203:
1199:
1196:
1192:
1189:
1185:
1182: –
1181:
1177:
1176:Find sources:
1170:
1166:
1160:
1159:
1155:
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1145:
1136:
1135:
1127:
1125:
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1115:
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1098:
1097:Situationists
1094:
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1057:
1054:
1050:
1047:
1043:
1040:
1036:
1033:
1029:
1026: –
1025:
1021:
1020:Find sources:
1014:
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1003:
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848:
846:
845:Istvan Kantor
841:
837:
836:Monty Cantsin
833:
829:
824:
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819:
816:
812:
808:
804:
800:
799:White Colours
796:
795:LIFE magazine
792:
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784:
781:
769:
766:
758:
747:
744:
740:
737:
733:
730:
726:
723:
719:
716: –
715:
711:
710:Find sources:
704:
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612:
604:
593:
590:
586:
583:
579:
576:
572:
569:
565:
562: –
561:
557:
556:Find sources:
550:
546:
540:
539:
535:
530:
525:
516:
515:
507:
505:
502:
498:
494:
490:
486:
485:Monty Cantsin
482:
478:
474:
470:
469:Situationists
466:
462:
458:
455:
450:
448:
444:
440:
436:
429:Life and work
426:
424:
420:
416:
412:
411:Richard Allen
408:
404:
400:
396:
392:
388:
384:
380:
376:
372:
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366:
362:
353:
352:
346:
341:
338:
336:Notable works
334:
331:
327:
323:
320:
316:
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308:
304:
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296:
291:(age 61)
289:24 March 1963
281:
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265:
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229:
226:
218:
207:
204:
200:
197:
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190:
186:
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179:
176: –
175:
171:
170:Find sources:
164:
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153:
149:
143:
142:
138:
133:
128:
119:
118:
109:
106:
98:
95:November 2023
88:
84:
79:
77:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
2366:Punk writers
2303:
2299:Counterpoise
2297:
2290:Atton, Chris
2284:
2276:
2271:
2259:. Retrieved
2249:
2223:. Retrieved
2219:the original
2209:
2197:. Retrieved
2193:the original
2183:
2171:. Retrieved
2167:the original
2157:
2145:. Retrieved
2141:
2132:
2123:
2119:
2068:
2062:
2056:
2050:
2044:
2038:
2032:
2026:
2013:
2007:
2001:
1995:
1989:
1979:
1973:
1963:
1957:
1951:
1945:
1939:
1913:
1907:
1901:
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1815:
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1709:
1703:
1685:
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1632:
1626:
1620:
1614:
1608:
1603:Tainted Love
1602:
1596:
1581:
1571:
1558:
1552:
1546:
1533:
1515:
1507:Defiant Pose
1506:
1500:
1490:Bibliography
1475:
1472:T-ough Press
1469:
1444:
1436:
1424:
1422:
1409:
1407:
1398:
1390:
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1062:
1052:
1045:
1038:
1031:
1019:
1012:
995:
967:
964:anarcho-punk
961:
942:
919:
915:Art in Ruins
911:
907:Situationist
898:
859:
851:
849:
839:
825:
806:
802:
798:
790:
786:
782:
776:
761:
752:
742:
735:
728:
721:
709:
702:
685:
657:punk (music)
639:
622:
607:
598:
588:
581:
574:
567:
555:
548:
531:
465:punk culture
451:
443:South London
432:
399:Defiant Pose
398:
394:
390:
386:
382:
375:Tainted Love
374:
368:
365:Stewart Home
364:
360:
359:
349:
344:
339:
261:Stewart Home
254:
239:
221:
212:
202:
195:
188:
181:
169:
158:
141:verification
134:
101:
92:
73:
50:
43:
37:
36:Please help
33:
2351:1962 births
2147:13 December
2126:(9): 36–38.
1934:Exhibitions
1680:Non-fiction
1447:Proletarian
1311:Henry Flynt
1221:August 2022
1108:hermeticism
1093:Kathy Acker
1065:August 2022
903:plagiarised
891:Henry Flynt
856:Karen Eliot
828:subcultural
755:August 2022
646:reactionary
625:bohemianism
601:August 2022
489:Karen Eliot
473:avant-garde
461:anthologies
454:non-fiction
437:, (then in
423:avant-garde
310:Nationality
2340:Categories
2306:(1–2): 28.
2225:17 October
2199:17 October
2173:17 October
2098:References
1946:Vermeer II
1902:Pure Mania
1673:SEND CA$ H
1534:Slow Death
1516:Red London
1501:Pure Mania
1484:censorship
1454:Relativism
1410:Slow Death
1393:Manifestos
1383:Pure Mania
1344:movement.
1342:Art Strike
1340:" and the
1338:plagiarism
1260:Guy Debord
1191:newspapers
1124:Aphex Twin
1035:newspapers
957:Plagiarism
931:propaganda
926:plagiarism
821:manifestos
725:newspapers
650:autonomous
633:Trotskyist
629:radicalism
571:newspapers
493:plagiarism
387:Red London
383:Pure Mania
340:Pure Mania
302:Occupation
285:1963-03-24
185:newspapers
39:improve it
2045:The Golem
1968:Arnolfini
1829:As editor
1768:Out-Takes
1714:punk rock
1377:Bob Black
1368:Class War
1364:Lettrisme
1328:project.
1152:does not
1120:Panasonic
1089:Hakim Bey
996:does not
949:BBC Radio
868:left-wing
864:manifesto
686:does not
653:communist
636:Socialist
532:does not
501:publicity
457:pamphlets
435:Wimbledon
419:punk rock
415:agit-prop
297:, England
137:citations
87:talk page
45:talk page
2292:(2000).
2261:12 April
2235:cite web
2082:Anti-art
2076:See also
1851:AK Press
1740:Analecta
1547:Blow Job
1520:AK Press
1458:Critique
1403:Mail Art
1309:members
1303:anti-art
1299:levitate
1295:Brighton
1110:and the
953:Mail Art
895:skinhead
883:Mail Art
871:anti-art
811:rhetoric
481:activism
407:skinhead
403:pastiche
163:libelous
2142:InEnArt
1754:, with
1732:) with
1652:No Pity
1646:Stories
1451:Ethical
1416:in the
1391:Neoist
1360:Utopian
1284:fascist
1205:scholar
1154:include
1049:scholar
998:include
938:warfare
935:psychic
901:issues
850:Home's
818:Dadaist
780:fanzine
739:scholar
688:include
585:scholar
534:include
391:No Pity
322:Fiction
313:English
199:scholar
1857:
1849:Ed., (
1696:
1667:Poetry
1658:
1590:
1565:
1540:
1526:
1495:Novels
1439:Hoaxes
1431:, the
1354:agenda
1307:Fluxus
1276:occult
1207:
1200:
1193:
1186:
1178:
1112:occult
1051:
1044:
1037:
1030:
1022:
879:Fluxus
832:Neoism
815:Berlin
741:
734:
727:
720:
712:
587:
580:
573:
566:
558:
504:stunts
497:pranks
477:Neoism
439:Surrey
401:which
397:, and
354:(2002)
347:(2023)
342:(1989)
305:Writer
295:London
201:
194:
187:
180:
172:
1984:SPACE
1974:Again
1399:SMILE
1387:SMILE
1348:Books
1212:JSTOR
1198:books
1130:2000s
1056:JSTOR
1042:books
974:1990s
968:VAGUE
899:SMILE
860:SMILE
852:SMILE
840:SMILE
807:SMILE
803:SMILE
783:SMILE
746:JSTOR
732:books
664:1980s
592:JSTOR
578:books
510:1970s
425:art.
318:Genre
206:JSTOR
192:books
130:This
2263:2010
2241:link
2227:2006
2201:2006
2175:2006
2149:2013
1990:Tilt
1855:ISBN
1694:ISBN
1656:ISBN
1588:ISBN
1563:ISBN
1559:Cunt
1538:ISBN
1524:ISBN
1425:Cunt
1313:and
1184:news
1156:any
1122:and
1101:punk
1091:and
1028:news
1000:any
933:and
889:and
791:VILE
789:and
787:FILE
718:news
690:any
564:news
536:any
499:and
421:and
395:Cunt
379:pulp
330:Punk
279:Born
178:news
139:for
1366:to
1293:in
2342::
2302:.
2296:.
2237:}}
2233:{{
2140:.
2124:24
2122:.
2118:.
2106:^
1982:,
1966:,
1716:).
1486:.
1420:.
1379:.
1356:,
1317:.
1126:.
1099:,
970:.
881:,
823:.
506:.
495:;
449:.
441:)
393:,
389:,
385:,
328:,
324:,
287:)
150:.
48:.
2304:4
2265:.
2243:)
2229:.
2203:.
2177:.
2151:.
1861:.
1574:(
1518:(
1336:"
1234:)
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