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1960-1964, then
Willard Cobb 1964-1970, and Richard Levitt (counter-tenor) 1970-1979. The activity of the group ceased when Binkley returned to America to found the Early Music Institute at
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49:. Core members of the group were Binkley (lute), Sterling Jones (vielle), and Andrea von Ramm (mezzo-soprano, rebec,
96:. The end of Studio der frühen Musik's activity coincided with the watershed in medieval performance moving to
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76:. But Studio der frühen Musik produced a "radically different sound" anticipated other ensembles such as the
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and harp), who had previously organised an earlier Studio der Frühen Musik in
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88:(founded 1967, disbanded in 1976 following Munrow's death), and the
57:. To these three members were added a male singer; first the tenors
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125:Authenticity and early music: a symposium
34:group active from 1960–1980 and based in
160:Andrea von Ramm at Bach Cantatas Website
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140:A performer's guide to medieval music
185:1960 establishments in West Germany
92:founded in 1969 by recorder player
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180:Musical groups established in 1960
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78:Early Music Consort of London
68:An important predecessor was
41:The leader of the group was
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47:Schola Cantorum Basiliensis
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74:Noah Greenberg (1919-1966)
100:performance typified by
28:Studio der frühen Musik
18:Studio der Frühen Musik
155:Discography at EMFAQ
63:Bloomington, Indiana
86:Christopher Hogwood
70:New York Pro Musica
175:Early music groups
72:, founded 1952 by
90:Clemencic Consort
16:(Redirected from
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123:Nicholas Kenyon
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106:Christopher Page
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149:External links
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137:Ross W. Duffin
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43:Thomas Binkley
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82:David Munrow
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59:Nigel Rogers
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104:founded by
51:hurdy-gurdy
32:early music
169:Categories
112:References
98:a cappella
142:2000 p575
108:in 1980.
65:in 1979.
127:1988 p49
55:Cologne
30:was an
36:Munich
84:and
80:of
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