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83:: James Pellerite (flute), Arno Mariotti (oboe), Albert Luconi (clarinet), Charles Sirard (bassoon), and Ray Alonge (horn). The performance was received warmly by the audience, its success partially attributable to the audience's investment in the piece. Instead of a commissioning fee, Barber agreed to accept donations from the audience, with the Chamber Music Society acting as guarantor for a minimum of $ 2000.
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evolved into a quintet as Barber experimented with some tuning études written by hornist John
Barrows for himself and his colleagues in the
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120:. The piece is in a single movement, and has been described as ranging from lyrical and lazy to energetic and contrapuntal.
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is Barber's only chamber composition for wind instruments, and has become a staple of the wind-quintet repertory.
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On March 20, 1956, as part of the twelfth season of the
Chamber Music Society, the premiere of
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56:. Barber drew from some of his previous work, including the unpublished orchestral piece
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took place at the
Detroit Institute of Arts, performed by the first-desk players of the
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showcases each instrument of the wind quintet for which it was composed, namely the
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Samuel Barber received a commission in 1953 from the
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16:Composition for wind quintet by Samuel Barber
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200:Samuel Barber: The Composer and His Music
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162:Samuel Barber: The Composer and His Music
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265:. Routledge. New York, New York 2001.
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263:Samuel Barber: A Guide to Research
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141:Samuel Barber: a Bio-bibliography
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46:Chamber Music Society of Detroit
642:Chamber music by Samuel Barber
405:Music for a Scene from Shelley
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48:to write a piece of music for
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647:Compositions for wind quintet
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227:Citation on pp. 239–40.
168:. pp. 359, 361–62, 365.
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457:Medea's Dance of Vengeance
435:Second Essay for Orchestra
81:Detroit Symphony Orchestra
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505:, for wind quintet (1956)
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443:Third Essay for Orchestra
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330:Knoxville: Summer of 1915
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269:Los Angeles Philharmonics
247:Citation on p. 240.]
145:. Westport, Connecticut:
70:New York Woodwind Quintet
420:Symphony in One Movement
198:Heyman, Barbara (1994).
179:Heyman, Barbara (1994).
160:Heyman, Barbara (1994).
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60:(1945), as material for
204:Oxford University Press
185:Oxford University Press
166:Oxford University Press
137:Hennessee, Don (1985).
578:Barber Violin Concerto
397:The School for Scandal
346:Prayers of Kierkegaard
370:Antony and Cleopatra
315:List of compositions
206:. pp. 359, 368.
54:woodwind instruments
427:Essay for Orchestra
237:Paul R. Laird. "".
217:Paul R. Laird. "".
585:Gian Carlo Menotti
551:Other compositions
413:Adagio for Strings
261:Wentzel, Wayne C.
187:. pp. 367–68.
50:string instruments
652:1956 compositions
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570:Related articles
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362:A Hand of Bridge
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149:. p. 339.
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495:Piano Sonata
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245:(2): 238–40.
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202:. New York:
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183:. New York:
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164:. New York:
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98:Summer Music
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77:Summer Music
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66:Summer Music
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62:Summer Music
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30:wind quintet
21:Summer Music
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93:Composition
636:Categories
488:Excursions
389:Orchestral
255:References
40:Background
527:Capricorn
513:Concertos
378:Agnus Dei
26:classical
601:Category
529:Concerto
114:clarinet
354:Vanessa
110:bassoon
58:Horizon
612:Portal
543:(1962)
537:(1945)
531:(1944)
522:(1939)
497:(1949)
491:(1942)
483:(1936)
477:(1932)
460:(1955)
452:(1950)
446:(1978)
438:(1942)
430:(1938)
422:(1936)
416:(1936)
408:(1933)
400:(1931)
381:(1967)
373:(1966)
365:(1959)
357:(1958)
349:(1954)
341:(1953)
333:(1947)
116:, and
559:Medea
124:Notes
102:flute
118:horn
106:oboe
52:and
32:by
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243:17
241:.
223:17
221:.
112:,
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36:.
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