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Blackfriars Rotunda

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93: 184: 271: 81: 162: 331: 288: 62: 354:, were a diverse group of social, political and religious radical reformers who gathered there, between 1830 and 1832, during Carlile's tenure. During this period almost every well-known radical in London spoke there at meetings which were often rowdy. The Home Office regarded the Rotunda as a centre of violence, sedition and blasphemy, and regularly spied on its meetings. In 1831 it was described as the 282:
Adjoining the theatre and near the inclosed part appropriated to the lecturer, is the chemical laboratory, in which convenience, compactness, and elegance are united. Contiguous to it is the committee-room. On the other side of the theatre is the library, which is sixty feet in length, with a gallery
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Description of the historical, peristrephic or revolving dioramic panorama: now exhibiting, in the Rotunda, ... illustrative of all the principal events that have occurred during the war between the Turks and Greeks, ... in eleven successive views, ... ending with the ... Battle of Navarino
142:, fronting on the Georgian terrace there (and was only later properly known as 3 Blackfriars Road, the street name being changed in 1829). The layout is believed to be documented only by a single surviving sketched floor plan. 149:
in 1788. At the time the nearby buildings on Albion Place were industrial: the British Glass Warehouse by the side of the river (in business from 1773), and the Albion Mills over the street (burned down in 1791).
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As well as trying to build it up as a business, Parkinson also tried to sell the contents at various times. One attempt, a proposed purchase by the government, was wrecked by the adverse opinion of
123:, but finding the rent too much, Parkinson with other investors put up the Rotunda Building; it was of his own design (along with his architect son Joseph Parkinson), was constructed by 623:"'Wonderful Objects' and 'Disagreeable Operations': Encountering the Leverian Museum in Writing for Children, 1800-05: Encountering the Leverian Museum in Writing for Children" 111:
quite by chance: Lever put it up as a lottery prize, Parkinson's wife bought two tickets, gave one away, and died before the time the lottery draw was carried out.
138:. The dimensions were later given as 120 feet by 132 feet, i.e. 1760 square yards; originally the area was under 1000 square yards, however. It was located on 426: 954: 130:
The Rotunda building had a central circular gallery and in brick; the roof was conical and in slate. It was located on the south side of the
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Phyllis Hartnoll and Peter Found. "Rotunda, The." The Concise Oxford Companion to the Theatre. 1996. Encyclopedia.com. (March 14, 2012).
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The building from 1823 was used in a variety of ways until 1855, when it was put to ordinary business use, as the Royal Albion pub.
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took over the Rotunda, and it became a centre for radical lectures and meetings. There were also waxworks and wild beasts. The
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Parkinson had some success in getting naturalists to attend the museum, which was easier at the time to visit than the
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A companion to the museum, (late Sir Ashton Lever's): removed to Albion Street, the Surry end of Black Friars Bridge
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was teaching and lecturing there in 1843. At a later point it was the Britannia Music Hall. After an illegal
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The environment of the Rotunda (in the terrace of houses partially hidden to the left end) is shown in this
146: 701: 606: 879: 238: 267:, son of James Parkinson. The Institution ran into financial difficulties, and was closed down in 1823. 213: 549: 46:
in London, that existed from 1787 to 1958 in various forms. It initially housed the collection of the
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Differences between British and French Organization of Zoological Exploration in the Pacific 1793–1840
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The building was adapted to public lectures, in a large theatre. There were other public rooms:
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Survey of London: volume 22: Bankside (the parishes of St. Saviour and Christchurch Southwark)
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The Variety Stage; a history of the music halls from the earliest period to the present time
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Torrens, H. S. "Parkinson, James (bap. 1730, d. 1813), land agent and museum proprietor".
8: 323:, for the performances of variety acts offered there in 1829, including the extemporiser 264: 139: 75: 895: 677: 359: 254: 51: 39: 211:, was complimentary. A description a visit to the museum for children can be found in 847:
Radicalism and Freethought in Nineteenth-Century Britain: The Life of Richard Carlile
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Parkinson made serious efforts to promote the collection as a commercial venture.
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Artisans and Politics in Early Nineteenth-Century London: John Gast and his Times
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Museum Leverianum containing select specimens from the museum of Sir Ashton Lever
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The History and Antiquities of London, Westminster, Southwark, and parts adjacent
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it was called a "musick hall", and in 1838 the Rotunda was again a concert room.
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In 1912 the Rotunda was in use as a warehouse. The structure was damaged during
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Victorian Infidels: the origins of the British secularist movement, 1791-1866
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was discovered, the Rotunda finally lost its entertainment licence, in 1886.
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British History Online: Sir Howard Roberts and Walter H. Godfrey (editors),
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A Guide to the Dispersal of Zoological Material from Captain Cook's Voyages
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after it had been disposed of by lottery. For a period it was home to the
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as described at the time), and a book about its representation of the
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Former buildings and structures in the London Borough of Southwark
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Radical Spaces: Venues of popular politics in London, 1790–c. 1845
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Furnaces at the Surrey Institution, from a chemistry book of 1822.
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When the Surrey Institution was being proposed, around 1807, the
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Shivers Down Your Spine: cinema, museums, and the immersive view
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In the 1820s it was a wine and concert room. It also hosted a
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on three sides, and an easy access to it by a flight of steps.
69: 362:, with the industrial buildings) leading to Albion Street. 365:
From 1833 to 1838 it operated as the Globe Theatre; under
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http://www.british-history.ac.uk/report.aspx?compid=43041
58:. Its subsequent existence was long but less remarkable. 248: 187:
Leverian Museum collection in the Rotunda. Engraving by
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A catalogue and guide was printed in 1790. He also had
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the Rotunda is also written into the early history of
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After trying to run the museum in its old location in
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A Topographical Dictionary of London and Its Environs
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http://www.encyclopedia.com/doc/1O79-RotundaThe.html
849:(Greenwood Press, 1983, ISBN 0 313 23532 5) p. 169. 241:; many items went to other museums, including the 653:Survey of London: volumes 33 and 34: St Anne Soho 100:of the street entrance to the Rotunda stands out. 88:of 1792, from the top of the nearby Albion Mills. 985: 833:Oxford Companion to the Theatre: Charles Sloman 656:(1966), pp. 441-72, from British History Online 788:Rotunda, Great Surrey Street (London) (1828). 668:, Osbert Salvin, 1873, accessed 29 August 2010 114: 65:Street view of the Rotunda as Leverian Museum. 220: 698:Microcosm of London; or, London in miniature 430:(online ed.). Oxford University Press. 153: 165:Leverian Museum admission ticket depicting 70:James Parkinson and the Leverian collection 862:(Dawson, 1979, ISBN 0 7129 0826 9) p. 278. 747: 745: 743: 570:Leverian Museum (London, England) (1790). 145:The Leverian collection was moved in from 107:came into possession of the collection of 620: 419: 417: 415: 495: 493: 455: 453: 329: 286: 269: 182: 160: 91: 79: 60: 944:, Pacific Studies, Vol 2, No 1 (1978); 890: 888: 740: 427:Oxford Dictionary of National Biography 315:was published in 1828. Under the title 180:write an illustrated scientific work. 134:, and at the time was in the county of 14: 986: 627:Journal for Eighteenth-Century Studies 412: 169:and the unveiling and illumination of 490: 450: 249:Adaptation for the Surrey Institution 885: 813:Charles Douglas Stuart, A. J. Park, 423: 358:on Albion Place (the area south of 24: 235:Edward Stanley, 13th Earl of Derby 25: 1010: 934: 723:, Cassell & Company, page 382 481:A Topographical History of Surrey 334:Floor plan of the Leverian Museum 917: 900: 865: 852: 839: 824: 807: 781: 764: 726: 707: 671: 659: 645: 614: 611:, Tuatara: Vol. 32, April 1993. 599: 587: 563: 543: 521: 508: 466: 13: 1: 463:Date accessed: 14 March 2012. 387: 295: 27:Building in Southwark, London 754:Old and New London: Volume 6 666:The Ibis, Series 3, Volume 3 444:UK public library membership 7: 621:De Ritter, Richard (2018). 115:Construction of the Rotunda 38:, near the southern end of 10: 1015: 393:Christina Parolin (2010), 317:Old Rotunda Assembly Rooms 252: 221:Disposal of the collection 127:, and was opened in 1787. 73: 313:Greek War of Independence 243:Imperial Museum of Vienna 154:Parkinson as museum owner 752:British History Online, 537:August 19, 2016, at the 405: 999:Radicalism (historical) 700:vol. 3 (1904), p. 158; 639:10.1111/1754-0208.12561 556:vol. 4 (1829), p. 543; 346:, known at the time as 209:Heinrich Friedrich Link 473:Edward Wedlake Brayley 436:10.1093/ref:odnb/21370 335: 292: 285: 275: 200: 173: 101: 89: 66: 736:, 19 April 1855 (PDF) 371:George Jacob Holyoake 333: 309:peristrephic panorama 290: 280: 273: 253:Further information: 214:The School-Room Party 207:. A visitor in 1799, 186: 164: 96:Panorama detail; the 95: 83: 74:Further information: 64: 970:51.50791°N 0.10476°W 940:P. J. P. Whitehead, 504:(1950), pp. 115-121. 338:In May or June 1830 291:Interior view, 1820. 197:Charles Reuben Ryley 966: /  858:Prothero, Iowerth, 761:(1878) pp. 368-383. 265:Joseph T. Parkinson 140:Great Surrey Street 76:Leverian collection 32:Blackfriars Rotunda 975:51.50791; -0.10476 817:(1895), pp. 46–7; 770:Alison Griffiths, 715:Old and New London 678:William Henry Pyne 360:Blackfriars Bridge 336: 293: 276: 255:Surrey Institution 201: 174: 102: 90: 67: 52:Surrey Institution 40:Blackfriars Bridge 34:was a building in 923:Parolin, p. 278, 845:Weiner, Joel H., 690:Thomas Rowlandson 686:Rudolph Ackermann 514:Parolin, p. 188; 442:(Subscription or 16:(Redirected from 1006: 981: 980: 978: 977: 976: 971: 967: 964: 963: 962: 959: 928: 921: 915: 904: 898: 892: 883: 869: 863: 856: 850: 843: 837: 828: 822: 811: 805: 804: 802: 800: 785: 779: 768: 762: 749: 738: 730: 724: 711: 705: 675: 669: 663: 657: 649: 643: 642: 618: 612: 603: 597: 591: 585: 584: 582: 580: 567: 561: 547: 541: 525: 519: 512: 506: 497: 488: 483:(1841), p. 320; 470: 464: 457: 448: 447: 439: 421: 344:Rotunda radicals 261:Rotunda Building 227:Sir Joseph Banks 121:Leicester Square 109:Sir Ashton Lever 56:Rotunda radicals 21: 1014: 1013: 1009: 1008: 1007: 1005: 1004: 1003: 984: 983: 974: 972: 968: 965: 960: 957: 955: 953: 952: 937: 932: 931: 922: 918: 910:(1974), p. 90; 905: 901: 893: 886: 870: 866: 857: 853: 844: 840: 829: 825: 812: 808: 798: 796: 786: 782: 774:(2008), p. 55; 769: 765: 750: 741: 731: 727: 712: 708: 676: 672: 664: 660: 650: 646: 619: 615: 604: 600: 592: 588: 578: 576: 568: 564: 548: 544: 539:Wayback Machine 530:Leicester House 526: 522: 513: 509: 498: 491: 471: 467: 458: 451: 441: 422: 413: 408: 390: 340:Richard Carlile 298: 257: 251: 239:William Bullock 223: 189:William Skelton 156: 147:Leicester House 117: 105:James Parkinson 78: 72: 48:Leverian Museum 28: 23: 22: 15: 12: 11: 5: 1012: 1002: 1001: 996: 950: 949: 936: 935:External links 933: 930: 929: 916: 906:Edward Royle, 899: 884: 878:(1831), p. 7; 864: 851: 838: 823: 806: 792:[etc.] 780: 763: 759:Edward Walford 739: 734:London Gazette 725: 721:Edward Walford 706: 694:Augustus Pugin 670: 658: 644: 633:(3): 427–445. 613: 605:J. 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Bartle, 598: 586: 562: 542: 520: 507: 489: 465: 449: 410: 409: 407: 404: 403: 402: 389: 386: 356:Surrey Rotunda 325:Charles Sloman 297: 294: 250: 247: 231:Edward Donovan 222: 219: 205:British Museum 155: 152: 116: 113: 71: 68: 26: 18:Surrey Rotunda 9: 6: 4: 3: 2: 1011: 1000: 997: 995: 992: 991: 989: 982: 979: 947: 943: 939: 938: 926: 920: 913: 909: 903: 897: 891: 889: 881: 877: 873: 868: 861: 855: 848: 842: 835: 834: 831:answers.com, 827: 820: 816: 810: 794: 793: 784: 777: 773: 767: 760: 756: 755: 748: 746: 744: 737: 735: 729: 722: 718: 716: 710: 703: 699: 695: 691: 687: 683: 682:William Combe 679: 674: 667: 662: 655: 654: 648: 640: 636: 632: 628: 624: 617: 610: 609: 602: 595: 590: 575: 574: 566: 559: 555: 551: 546: 540: 536: 533: 531: 524: 517: 511: 505: 503: 496: 494: 486: 482: 478: 474: 469: 462: 456: 454: 445: 437: 433: 429: 428: 420: 418: 416: 411: 400: 396: 392: 391: 385: 383: 378: 376: 372: 368: 363: 361: 357: 353: 349: 345: 341: 332: 328: 326: 322: 318: 314: 310: 306: 301: 289: 284: 279: 272: 268: 266: 262: 256: 246: 244: 240: 236: 232: 228: 218: 216: 215: 210: 206: 198: 194: 190: 185: 181: 179: 172: 171:Mother Nature 168: 163: 159: 151: 148: 143: 141: 137: 133: 128: 126: 122: 112: 110: 106: 99: 94: 87: 82: 77: 63: 59: 57: 53: 49: 45: 41: 37: 33: 19: 951: 941: 925:Google Books 919: 912:Google Books 907: 902: 875: 867: 859: 854: 846: 841: 832: 826: 814: 809: 797:. 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Index

Surrey Rotunda
Southwark
Blackfriars Bridge
River Thames
Leverian Museum
Surrey Institution
Rotunda radicals

Leverian collection

panorama

portico
James Parkinson
Sir Ashton Lever
Leicester Square
James Burton
Thames
Surrey
Great Surrey Street
Leicester House

Father Time
Mother Nature
George Shaw

William Skelton
Sarah Stone
Charles Reuben Ryley
British Museum

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