654:, though still resentful of having been born Death's granddaughter and attempting to avoid too much contact with the supernatural world, she appears to have accepted and even embraced her heritage: she admits, albeit grudgingly, that she is not completely human, frequently uses her powers to provide teaching aids, and views herself as an exception to the rules of normal human society, as evidenced by her willingness to investigate the personal papers of her employer, Madame Frout, without her knowledge.
184:. Being both human and supernatural, Susan is frequently and reluctantly forced away from her attempts at normal life to do battle with malign supernatural forces or to take on her grandfather's job in his absence. Death tends to rely on her in his battles against the Auditors of Reality, particularly in situations where he has no power or influence. As the series progresses, she also begins to take on roles educating children, so that, as Pratchett mentions in
42:
926:
Stationery
Cupboard, and dimming the lighting to velvety darkness, both rather romantic gestures. Also, Myria (later known as Unity) bluntly questioned Susan as to whether or not she had romantic intentions in regard to the boy, to which Susan responded with the defensive attitude she usually reserves for her fondness of chocolates.
521:, she becomes completely human and finds herself bereft of her inherited gifts upon entering the Tooth Fairy's castle. This is because the laws of reality within the castle are based on the beliefs of children, which do not include a concept of death; hence the part of Susan which is derived from Death does not exist there. In
833:'s long history, for example, might be sufficiently vivid and detailed to make the parent think that the description could not have been improved upon if the child had actually seen the battle at first hand—which in fact they have, given the flexibility of time and space Susan has inherited from her grandfather.
315:
and Terry
Pratchett himself have described her as being "attractive in a skinny way". Her hair is pure white, but with a streak of black running through it from end to end. Although its natural state is a frizzy mass reminiscent of a dandelion, it rearranges its style of its own accord depending on
286:
who attempts to destroy the
Hogfather using teeth found at the Tooth Fairy's castle to control children. Death cannot enter the Tooth Fairy's castle because it is constructed from the imaginations of children, who have no concept of death, and therefore arranges for Susan to foil their plan instead.
738:
nature, as she enjoys listening to the sound of children playing while she is reading, but always positions herself at such a distance that she is unable to hear what the children are saying, lest she find it unsettling. Because of this insight, she has a knack for putting problem children (such as
242:
as a sixteen-year-old pupil at the Quirm
College for Young Ladies, shortly after the deaths of her parents. Initially blaming Death for not saving them, she has come to accept that he is able only to grant them an eternal moment in his domain, which they have refused. After graduating — and despite
906:
that not be around in another few decades". She has yet to demonstrate much affection for others, though her relationship with her grandfather, once strained, improves over the course of the series. Despite this, she finds herself unable to trust him completely because of the way he occasionally
789:
Her approach in other areas is also unusual. For example, in her role as a governess she has found that her charges' reading progress has been greatly enhanced by using interesting books which are slightly too difficult for them, and which therefore present something of a challenge. Parents have
925:
ended with an unspecified "perfect moment" between Susan and
Lobsang Ludd, the new anthropomorphic personification of Time. Though the moment itself was not described, Ludd caught her attention by levitating metallic silver and gold stars and setting them spinning about near the ceiling of the
642:, she is seen to be making an immense effort to remain 'normal', carefully limiting her use of her inherited powers and forcing herself to act in as 'human' a way as possible. She mentions having great difficulty in remembering things which other humans take for granted, such as the purpose of
478:
and
History. Unfortunately, this caused the teachers of these subjects to believe that Susan was not attending their classes, and she was reported to the headmistress on several occasions. She solved this problem by using her power to erase the headmistress' memory of her supposed misconduct.
266:
vacancy is created. Susan is sucked in, as Death's manservant Albert puts it, forcing her to assume the role. At first she desires to use her power to help humanity, but as the book progresses she comes to realise that she is powerless to interfere, and discovers the inevitability of death and
474:, who are used to such things, are still able to see her if they concentrate and she is not actively trying to avoid their specific notice. During her time at Quirm College, she unconsciously used this power to avoid being asked questions in subjects in which she had no interest, such as
733:
She has expressed a fondness for children, as long as they are "not raw"; hopefully meaning that although the idea of having children herself does not appeal to her, she enjoys spending time with those of other people. She also demonstrates an insight into the more disturbing aspects of
298:
Susan once again comes into conflict with the
Auditors, who are now attempting to stop time altogether. She is forced to find the son of Time, whom Death cannot influence or even see, because, being only mostly human, the boy is not subject to death. Susan is aided in her mission by
868:(which, while not used as a blunt object, was magical much like Death's scythe). Neither character openly acknowledges her magical powers. Both tend toward being actively insulted when reminded of their use. The link between Susan and Mary Poppins is explicitly alluded to in
619:) even existed. This is not surprising, given the fact that her parents had informed her from a very early age that there were no such things as the Soul Cake Duck, the Hogfather or the Tooth Fairy. It has even been suggested that her parents chose to name her
747:
As the novels progress, Susan proves to be quite good at handling small children, a skill that is attributed to her sensible and practical nature. This is reflected in her novel approach to children's problems. When a child complains about a
610:
Susan's most obvious character trait is being sensible, an attribute carefully cultivated by her parents as a counterbalance to the influence of her grandfather. Initially, this manifested itself as a refusal to admit the
528:
Due in part to her education at Quirm
College for Young Ladies, Susan possesses various practical skills, some of which contribute to her success as a governess and later a teacher: she is accomplished in the fields of
864:"), took children on magical adventures (Susan does so to teach geography), introduced children to supernatural creatures (Susan employs such beings as guest speakers, including her own grandfather), and had a magic
802:'. When other adults point out that children should find these exercises too advanced, Susan acknowledges this, but points out that she hasn't told the children this and so far they seem not to be bothered about it.
525:, Susan finds herself unable to walk through walls while time is being held in stasis. She speculates that the energy of the glass clock which is holding time static is in some way interfering with her power.
303:, a sweeper and definitely not a Monk of Time, and Myria LeJean/Unity, a former Auditor who has become human. Time's husband, Wen the Eternally Surprised, describes her as "helpfulness personified".
776:
she uses for this task, although as word of Susan has quickly spread among the city's resident monsters, she lately has only needed to deal with newcomers. Her practical nature is quite similar to
902:
that she finds it difficult to relate to other humans on a personal level because the supernatural parts of her mind tend to view mortal creatures as nothing more than "a temporary collection of
657:
In following with her practical outlook on life, Susan does not have a great deal of patience with people who behave in an inefficient or unfocussed fashion. She also has a certain distrust for
825:, subjects which children often find rather dull, has particularly captured her class's attention. Parents generally see the occasional need to clean their children's clothing of dried-in
410:
even though she cannot directly interpret its speech, and has the ability to use her grandfather's voice to command or intimidate others. This speech is indicated, similar to Death's, "
486:, she is able to acknowledge the enormous size of the rooms in Death's Domain, whereas most humans can only deal with the incomprehensible vastness by pretending it is not there;
287:
After removing all of the
Auditors' human agents from the Tooth Fairy's country, Susan saves the Hogfather from being destroyed by a group of Auditors who have taken the forms of
417:"; however, unlike those of her grandfather, the words which Susan speaks in this voice are often (if not always) enclosed within quotation marks, particularly in
650:
and how to forget things, but argues that, if she were to abandon this struggle, and give herself fully to her supernatural side, she would lose her humanity. In
760:, most parents would go to great lengths to carefully explain to the child that there is no monster. Susan, on the other hand, simply hands the child a suitable
567:
Despite coming from a technically purely human background, Susan has inherited abilities from her adoptive
Grandfather through more-than-conventional means: her
506:' reconstruction of the shattered timeline. The latter novel also reveals that Susan possesses a sort of hyperawareness of the world around her, in that she is "
443:. In order to keep her from going insane, her mind represses much of the knowledge provided by this memory, but even so, parts of it occasionally permeate her
363:
have remarked upon, and despite her relative youth, she projects a sense of great age. She possesses a birthmark on her cheek that shows itself only when she
482:
She possesses a unique perspective on life, in that she lacks the normal human ability to ignore things which do not fit in with a logical world-view: in
383:
of the school in which she teaches. In the television special, her Look is shown as being able to turn her face into something rather similar to a skull.
829:
or ground-in swamp mud as more than compensated for by the broad education being received. A child's description of one of the classic battles from
676:, and may in fact be a characteristic inherited from Death, who made most of the decorations for his Domain black. She has an intense fixation on
1893:
1888:
1504:
695:" (her grandfather also possessed a distinct lack of talent in the field of music, making several unsuccessful attempts to learn how to play the
466:, Susan can make herself completely unnoticeable to ordinary people if she so chooses, though anyone who "can see what's really there", such as
817:, Susan is sufficiently successful as to have parents clamouring in large numbers to have their child included in her class. Her approach to
1465:
1355:
379:. She also has a Look (always capitalised) which can be rather disconcerting, even to those in authority, such as her grandfather and the
1898:
1599:
1509:
623:
specifically because of the sensible and conventional connotations of the name. This upbringing has instilled in her a certain lack of
638:
Latterly, she accepts that she is part of the same world as the Hogfather and the Tooth Fairy—she just wishes she weren't. Indeed, in
439:
knowledge of the nature of Death's work, which gives her considerable assistance during her brief time doing her grandfather's job in
1683:
1104:'Algebra ... far too difficult for seven-year olds!' 'Yes, but I didn't tell them and so far they haven't found out,' said Susan
860:. Mary Poppins also had a very similar attitude while actively encouraging positive imagination (Susan tends to say things like "
271:. She is released from the position following the return of her grandfather, who breaks the rules in order to save the rock star
1903:
1499:
1630:
993:
1187:
1115:"... suddenly the school had a waiting list. Parents were fighting to get their children enrolled in Miss Susan's class."
1529:
204:
124:
1569:
1097:
214:
119:
1913:
1690:
1141:
1066:
1037:
1615:
283:
1584:
1524:
1908:
1676:
1444:
975:
711:
were not encouraged to any degree, making it more of an environmentally instilled trait than an inherited one.
50:
1883:
391:
Despite only being Death's Granddaughter by adoption, Susan has inherited certain of his abilities: she can "
1715:
727:
628:
1534:
798:
as a reader, since it may be argued that children under ten do not necessarily need to be able to spell '
691:
which may stem from her relationship with Death is the fact that she is, by her own admission, "not very
635:" She can be relied upon to keep her head in a crisis, something she tends to view as a character flaw.
1370:
407:
1589:
1579:
1544:
1458:
1451:
517:
On various occasions, unusual circumstances have rendered some or all of Susan's powers useless: In
1669:
1494:
1285:
857:
192:
1826:
1645:
1554:
1514:
1489:
1420:
1410:
1360:
1265:
1180:
1040:
page 389: 'Of course she has,' said the monk, smiling at Susan. 'She is helpfulness personified.'
557:
367:; it consists of three finger-like lines that were left on her father when Death slapped him in
1857:
1662:
1625:
953:
782:
769:
688:
262:
Death takes a holiday from his work in an attempt to forget his more troubling memories, and a
1015:
730:, in that "It made you unsuitable for a lot of jobs and then you had the urge to pass it on".
1697:
1559:
1472:
1405:
459:, she states that the fragmented nature of such foresight makes the power largely unhelpful.
452:
326:
1519:
1310:
894:
336:
291:. She later kills Mr Teatime by impaling him with the poker she uses to threaten monsters.
360:
8:
1836:
1704:
1564:
1225:
1220:
840:
to children, combined with her no-nonsense style and almost magical flair for stick-like
714:
Susan has, on several occasions, demonstrated rather unusual attitudes toward school and
491:
463:
402:." As well as being able to find any living creature, Susan can sense whether or not an
331:
209:
1784:
1539:
1400:
1335:
1325:
1295:
1173:
1165:
917:
849:
620:
467:
238:
168:
68:
375:, she complains that, as Death's granddaughter, she should have been born with better
1831:
1805:
1768:
1728:
1549:
1375:
1340:
1300:
1137:
1093:
1062:
1033:
777:
672:). This fixation is not as extreme as that which her mother possessed for the colour
616:
546:
229:
they leave Death's domain and become Duke and Duchess of Sto Helit, taking the motto
155:
110:
188:, she has "ended up, via that unconscious evolution that dogs characters, a kind of
1738:
1594:
1365:
1250:
980:
791:
471:
312:
46:
448:
1862:
1733:
1635:
1574:
1255:
1198:
1125:
1085:
1050:
853:
773:
542:
494:
and young children to see things which are invisible to most people, such as the
321:
317:
189:
145:
79:
668:, in that most of her childhood drawings were done in this colour (mentioned in
1789:
1723:
1640:
1275:
1054:
799:
553:
425:
376:
218:
1877:
1758:
1620:
1415:
1350:
1345:
1330:
1320:
958:
945:
879:
814:
503:
444:
345:
180:
115:
898:, Pratchett describes Susan as "rather chilly", and Susan herself admits in
1852:
1810:
1437:
1395:
1380:
1260:
1245:
830:
806:
612:
380:
661:, disliking its attempts to oversimplify an inherently complicated world.
1390:
1290:
1230:
722:, she cites school as one of the greatest obstacles to education, and in
704:
624:
538:
530:
495:
398:
272:
263:
159:
403:
41:
1280:
1270:
1129:
708:
658:
561:
475:
413:
341:
243:
being Duchess of Sto Helit — she begins a teaching career, first as a
1763:
1748:
1743:
1315:
1305:
1205:
948:
837:
822:
735:
715:
677:
244:
174:
150:
55:
31:
703:). This may be the result of her aforementioned upbringing in which
1240:
865:
841:
753:
643:
590:
584:
580:
572:
436:
364:
502:, she is able to identify the historical anomalies created by the
970:
818:
749:
549:
268:
915:
Though Susan was previously infatuated with rocker Imp Y Celyn (
874:
She'd sworn that if she did indeed ever find herself dancing on
845:
810:
761:
696:
681:
576:
568:
431:
356:
300:
348:
clothing, which he feels fits well with her job as a nanny in
1385:
826:
700:
692:
665:
647:
534:
320:
while she is working. Susan's hair is an inverted homage to
1235:
903:
875:
862:
Real children don't go hoppity-skip unless they're on drugs
673:
598:
594:
509:
394:
1160:
764:
with which to assault the monster, or, in the event of an
537:(priding herself on her ability to mentally calculate the
162:, and has a number of his abilities. She appears in three
757:
288:
1195:
1080:
1078:
355:
Susan has a very striking physical presence, which both
1049:
739:
those who try to get around her rules) in their place.
587:
and born in Death's family. In the novels, it is said "
508:
aware of every step of the rocks beneath feet and the
233:: "Don't Fear the Reaper." Susan is their only child.
207:, Death's daughter via adoption, who is introduced in
154:
series of fantasy novels. She is the granddaughter of
1075:
406:
is human. She can understand the intentions of the
1124:
991:She appears as a young child in the computer game,
882:, she'd beat herself to death with her own umbrella
786:, though the two are used in different fashions.
1875:
1092:(paperback ed.). Corgi Books. p. 120.
772:, etc., from a wide area have come to dread the
664:She appears to have a preference for the colour
490:reveals that she shares the ability of witches,
255:. She insists on being addressed as Miss Susan.
1013:
684:in it), one about which she is very defensive.
16:Character in Terry Pratchett's Discworld novels
311:Susan is a "slightly built young woman"; both
1181:
929:
633:Apparently the poet had liked them very much.
589:some things were inherited through more than
1505:The Science of Discworld III: Darwin's Watch
1466:A Collegiate Casting-Out of Devilish Devices
1356:The Amazing Maurice and His Educated Rodents
1109:
1007:
1510:The Science of Discworld IV: Judgement Day
1188:
1174:
726:, she compares being educated to having a
593:...some things were inherited through the
40:
1084:
910:
605:
1020:. J S. pp. 279–. GGKEY:YXQ48LZSF29.
768:monster, assaults it herself. Monsters,
1600:Tiffany Aching's Guide to Being a Witch
583:into Death's family; whereas Susan was
386:
371:, and which glow when she is angry. In
316:Susan's mood; it tends to form a tight
1894:Fictional characters with precognition
1889:Literary characters introduced in 1994
1876:
1500:The Science of Discworld II: The Globe
306:
1169:
455:insights into forthcoming events. In
545:, and has considerable knowledge of
393:walk through walls and live outside
1631:Discworld II: Missing Presumed...!?
994:Discworld II: Missing Presumed...!?
742:
282:the Auditors employ Mr Teatime, an
13:
1899:Fictional characters who use magic
1570:The Unseen University Cut Out Book
907:manipulates her into helping him.
251:, and then as a schoolteacher, in
14:
1925:
1154:
986:
790:reservations about her choice of
428:, which includes the ability to "
1014:Terry Pratchett (1 March 1999).
887:
615:side of the world (beyond basic
1585:The Wit and Wisdom of Discworld
1525:The Unseen University Challenge
1161:Discworld & Pratchett Wiki
1118:
1043:
1024:
964:
856:), can be seen as a parody of
144:, is a fictional character in
1:
1904:Fictional dukes and duchesses
1000:
934:
627:; her personal appraisal of "
979:the character was played by
939:
498:, monsters and bogeymen; in
424:Susan has inherited Death's
330:, in which she wore a black
198:
7:
1535:The Streets of Ankh-Morpork
728:communicable sexual disease
597:...some things were in the
552:. She is also a competent
447:, generally manifesting as
334:wig with white streaks. In
10:
1930:
973:live-action adaptation of
930:Appearances in other media
872:, when Susan states that "
462:Like Death or experienced
217:, who was briefly Death's
1845:
1819:
1798:
1777:
1714:
1654:
1608:
1590:The Folklore of Discworld
1580:Once More* with Footnotes
1545:A Tourist Guide to Lancre
1482:
1459:Death and What Comes Next
1452:The Sea and Little Fishes
1429:
1213:
575:into Death's family; her
203:Susan is the daughter of
106:
98:
90:
85:
75:
63:
39:
29:
24:
1914:Fictional schoolteachers
1495:The Science of Discworld
844:(e.g. her grandfather's
1646:Discworld: Ankh-Morpork
1515:The Pratchett Portfolio
1490:The Discworld Companion
1059:The Discworld Companion
556:, being versed in four
236:Susan is introduced in
140:), once referred to as
113:(adoptive grandfather)
86:In-universe information
1858:Games of the Discworld
957:, Susan was voiced by
911:Romantic relationships
805:Using her powers as a
687:Another aspect of her
680:(provided there is no
629:a poem about daffodils
606:Personality and traits
571:, Ysabell, was merely
1909:Fictional governesses
1575:The Discworld Diaries
1560:The Discworld Almanak
1473:A Blink of the Screen
1406:I Shall Wear Midnight
327:Bride of Frankenstein
1884:Discworld characters
1555:Nanny Ogg's Cookbook
1520:The Art of Discworld
1421:The Shepherd's Crown
1134:The Art of Discworld
895:The Art of Discworld
397:and be a little bit
387:Powers and abilities
337:The Art of Discworld
186:The Art of Discworld
1778:Races and creatures
1705:The Amazing Maurice
1684:The Colour of Magic
1655:Films and TV series
1616:The Colour of Magic
1226:The Light Fantastic
1221:The Colour of Magic
1061:. London: Golancz.
850:field hockey sticks
307:Physical appearance
210:The Light Fantastic
19:Fictional character
1540:The Discworld Mapp
1445:Theatre of Cruelty
1401:Unseen Academicals
1371:Monstrous Regiment
1336:The Fifth Elephant
1326:The Last Continent
836:Susan's role as a
646:, the way to fall
231:Non Temetis Messor
51:2006 TV adaptation
1871:
1870:
1832:Unseen University
1769:Granny Weatherwax
1376:A Hat Full of Sky
1301:Interesting Times
778:Granny Weatherwax
324:'s appearance in
131:
130:
1921:
1739:Moist von Lipwig
1595:The World of Poo
1530:The Wyrdest Link
1366:The Wee Free Men
1286:Lords and Ladies
1202:
1201:
1190:
1183:
1176:
1167:
1166:
1148:
1147:
1126:Pratchett, Terry
1122:
1116:
1113:
1107:
1106:
1086:Pratchett, Terry
1082:
1073:
1072:
1051:Pratchett, Terry
1047:
1041:
1028:
1022:
1021:
1011:
981:Michelle Dockery
792:General Tacticus
743:Teaching methods
558:swimming strokes
472:Mustrum Ridcully
416:
313:Mustrum Ridcully
225:. At the end of
64:First appearance
49:as Susan in the
47:Michelle Dockery
44:
22:
21:
1929:
1928:
1924:
1923:
1922:
1920:
1919:
1918:
1874:
1873:
1872:
1867:
1863:Lie-to-children
1841:
1815:
1794:
1773:
1754:Susan Sto Helit
1710:
1650:
1636:GURPS Discworld
1604:
1565:Where's My Cow?
1478:
1425:
1266:Moving Pictures
1256:Guards! Guards!
1209:
1199:Terry Pratchett
1197:
1196:
1194:
1157:
1152:
1151:
1144:
1123:
1119:
1114:
1110:
1100:
1083:
1076:
1069:
1048:
1044:
1029:
1025:
1012:
1008:
1003:
989:
967:
942:
937:
932:
913:
890:
854:fireplace poker
774:fireplace poker
745:
718:in general: In
608:
579:, Mort, merely
411:
389:
344:draws Susan in
322:Elsa Lanchester
309:
201:
146:Terry Pratchett
134:Susan Sto Helit
123:
118:
114:
80:Terry Pratchett
59:
25:Susan Sto Helit
20:
17:
12:
11:
5:
1927:
1917:
1916:
1911:
1906:
1901:
1896:
1891:
1886:
1869:
1868:
1866:
1865:
1860:
1855:
1849:
1847:
1843:
1842:
1840:
1839:
1834:
1829:
1823:
1821:
1817:
1816:
1814:
1813:
1808:
1802:
1800:
1796:
1795:
1793:
1792:
1790:Nac Mac Feegle
1787:
1781:
1779:
1775:
1774:
1772:
1771:
1766:
1761:
1756:
1751:
1746:
1741:
1736:
1731:
1726:
1724:Tiffany Aching
1720:
1718:
1712:
1711:
1709:
1708:
1701:
1694:
1687:
1680:
1673:
1666:
1658:
1656:
1652:
1651:
1649:
1648:
1643:
1641:Discworld Noir
1638:
1633:
1628:
1623:
1618:
1612:
1610:
1606:
1605:
1603:
1602:
1597:
1592:
1587:
1582:
1577:
1572:
1567:
1562:
1557:
1552:
1550:Death's Domain
1547:
1542:
1537:
1532:
1527:
1522:
1517:
1512:
1507:
1502:
1497:
1492:
1486:
1484:
1480:
1479:
1477:
1476:
1469:
1462:
1455:
1448:
1441:
1433:
1431:
1427:
1426:
1424:
1423:
1418:
1413:
1408:
1403:
1398:
1393:
1388:
1383:
1378:
1373:
1368:
1363:
1358:
1353:
1348:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1278:
1276:Witches Abroad
1273:
1268:
1263:
1258:
1253:
1248:
1243:
1238:
1233:
1228:
1223:
1217:
1215:
1211:
1210:
1193:
1192:
1185:
1178:
1170:
1164:
1163:
1156:
1155:External links
1153:
1150:
1149:
1142:
1117:
1108:
1099:978-0385601887
1098:
1074:
1067:
1055:Stephen Briggs
1042:
1023:
1005:
1004:
1002:
999:
988:
987:Computer games
985:
966:
963:
941:
938:
936:
933:
931:
928:
912:
909:
889:
886:
880:chimney sweeps
744:
741:
607:
604:
426:perfect memory
388:
385:
308:
305:
275:and his band.
200:
197:
136:(also spelled
129:
128:
108:
104:
103:
100:
96:
95:
92:
88:
87:
83:
82:
77:
73:
72:
65:
61:
60:
45:
37:
36:
27:
26:
18:
15:
9:
6:
4:
3:
2:
1926:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1890:
1887:
1885:
1882:
1881:
1879:
1864:
1861:
1859:
1856:
1854:
1851:
1850:
1848:
1844:
1838:
1835:
1833:
1830:
1828:
1825:
1824:
1822:
1820:Organisations
1818:
1812:
1809:
1807:
1804:
1803:
1801:
1797:
1791:
1788:
1786:
1783:
1782:
1780:
1776:
1770:
1767:
1765:
1762:
1760:
1759:Lord Vetinari
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1730:
1727:
1725:
1722:
1721:
1719:
1717:
1713:
1707:
1706:
1702:
1700:
1699:
1695:
1693:
1692:
1688:
1686:
1685:
1681:
1679:
1678:
1674:
1672:
1671:
1667:
1665:
1664:
1660:
1659:
1657:
1653:
1647:
1644:
1642:
1639:
1637:
1634:
1632:
1629:
1627:
1624:
1622:
1621:Discworld MUD
1619:
1617:
1614:
1613:
1611:
1607:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1566:
1563:
1561:
1558:
1556:
1553:
1551:
1548:
1546:
1543:
1541:
1538:
1536:
1533:
1531:
1528:
1526:
1523:
1521:
1518:
1516:
1513:
1511:
1508:
1506:
1503:
1501:
1498:
1496:
1493:
1491:
1488:
1487:
1485:
1481:
1475:
1474:
1470:
1467:
1463:
1460:
1456:
1453:
1449:
1446:
1442:
1439:
1435:
1434:
1432:
1430:Short stories
1428:
1422:
1419:
1417:
1416:Raising Steam
1414:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1357:
1354:
1352:
1351:The Last Hero
1349:
1347:
1346:Thief of Time
1344:
1342:
1339:
1337:
1334:
1332:
1331:Carpe Jugulum
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1218:
1216:
1212:
1208:
1207:
1200:
1191:
1186:
1184:
1179:
1177:
1172:
1171:
1168:
1162:
1159:
1158:
1145:
1143:0-575-07511-2
1139:
1135:
1131:
1127:
1121:
1112:
1105:
1101:
1095:
1091:
1090:Thief of Time
1087:
1081:
1079:
1070:
1068:0-575-05764-5
1064:
1060:
1056:
1052:
1046:
1039:
1038:0-552-14840-7
1035:
1032:
1031:Thief of Time
1027:
1019:
1018:
1010:
1006:
998:
996:
995:
984:
982:
978:
977:
972:
962:
960:
959:Debra Gillett
956:
955:
950:
947:
946:Cosgrove Hall
927:
924:
923:Thief of Time
920:
919:
908:
905:
901:
900:Thief of Time
897:
896:
888:Relationships
885:
883:
881:
877:
871:
867:
863:
859:
855:
851:
847:
843:
839:
834:
832:
828:
824:
820:
816:
815:schoolteacher
812:
808:
803:
801:
800:disembowelled
797:
793:
787:
785:
784:
779:
775:
771:
767:
763:
759:
756:or under the
755:
751:
740:
737:
731:
729:
725:
721:
717:
712:
710:
706:
702:
698:
694:
690:
685:
683:
679:
675:
671:
667:
662:
660:
655:
653:
652:Thief of Time
649:
645:
641:
636:
634:
630:
626:
622:
618:
614:
603:
601:
600:
596:
592:
586:
582:
578:
574:
570:
565:
563:
559:
555:
551:
548:
544:
541:of 27.4), is
540:
536:
532:
526:
524:
523:Thief of Time
520:
515:
513:
511:
505:
504:History Monks
501:
500:Thief of Time
497:
493:
489:
485:
480:
477:
473:
469:
465:
460:
458:
454:
450:
446:
445:consciousness
442:
438:
434:
433:
430:remember the
427:
422:
420:
415:
409:
408:Death of Rats
405:
401:
400:
396:
384:
382:
378:
374:
370:
366:
362:
358:
353:
351:
347:
343:
339:
338:
333:
329:
328:
323:
319:
314:
304:
302:
297:
296:Thief of Time
292:
290:
285:
281:
276:
274:
270:
265:
261:
256:
254:
253:Thief of Time
250:
246:
241:
240:
234:
232:
228:
224:
220:
216:
212:
211:
206:
196:
194:
191:
187:
183:
182:
181:Thief of Time
177:
176:
171:
170:
165:
161:
158:, the Disc's
157:
153:
152:
147:
143:
139:
135:
126:
121:
117:
116:Death of Rats
112:
109:
105:
101:
97:
93:
89:
84:
81:
78:
74:
71:
70:
66:
62:
58:
57:
52:
48:
43:
38:
34:
33:
28:
23:
1853:Boots theory
1811:Ankh-Morpork
1753:
1703:
1696:
1691:Going Postal
1689:
1682:
1675:
1670:Wyrd Sisters
1668:
1661:
1471:
1438:Troll Bridge
1396:Making Money
1381:Going Postal
1311:Feet of Clay
1246:Wyrd Sisters
1204:
1133:
1120:
1111:
1103:
1089:
1058:
1045:
1030:
1026:
1016:
1009:
992:
990:
974:
968:
952:
943:
922:
916:
914:
899:
893:
891:
873:
869:
861:
858:Mary Poppins
835:
831:Ankh-Morpork
807:teaching aid
804:
795:
788:
781:
765:
746:
732:
723:
719:
713:
686:
669:
663:
656:
651:
639:
637:
632:
613:supernatural
609:
588:
566:
564:techniques.
560:and several
543:multilingual
527:
522:
518:
516:
507:
499:
487:
483:
481:
461:
456:
449:premonitions
440:
429:
423:
418:
392:
390:
381:headmistress
372:
368:
361:Lobsang Ludd
354:
349:
335:
325:
310:
295:
293:
279:
277:
264:metaphysical
259:
257:
252:
248:
237:
235:
230:
226:
222:
221:in the book
208:
202:
193:Mary Poppins
185:
179:
173:
167:
163:
149:
141:
137:
133:
132:
67:
54:
30:
1837:The Witches
1483:Other books
1391:Wintersmith
1361:Night Watch
1291:Men at Arms
1231:Equal Rites
1136:. Golancz.
965:Live action
827:bloodstains
705:imagination
689:personality
625:romanticism
539:square root
531:Mathematics
496:tooth fairy
437:instinctive
273:Imp Y Celyn
160:Grim Reaper
142:Susan Death
1878:Categories
1827:City Watch
1716:Characters
1663:Soul Music
1296:Soul Music
1281:Small Gods
1271:Reaper Man
1130:Paul Kidby
1001:References
954:Soul Music
935:Television
918:Soul Music
720:Soul Music
709:creativity
670:Soul Music
659:philosophy
562:lifesaving
484:Soul Music
476:Literature
441:Soul Music
435:", and an
414:small caps
377:cheekbones
373:Soul Music
342:Paul Kidby
260:Soul Music
239:Soul Music
219:apprentice
169:Soul Music
76:Created by
69:Soul Music
1806:Discworld
1799:Locations
1764:Sam Vimes
1749:Rincewind
1744:Nanny Ogg
1698:The Watch
1677:Hogfather
1626:Discworld
1341:The Truth
1316:Hogfather
1306:Maskerade
1206:Discworld
1017:Hogfather
976:Hogfather
949:animation
940:Animation
870:Hogfather
838:caregiver
823:geography
796:Campaigns
783:headology
736:childhood
724:Hogfather
716:education
678:chocolate
644:doorknobs
640:Hogfather
585:conceived
547:Discworld
519:Hogfather
488:Hogfather
457:Hogfather
453:intuitive
419:Hogfather
350:Hogfather
346:Edwardian
280:Hogfather
249:Hogfather
245:governess
199:Character
175:Hogfather
164:Discworld
151:Discworld
138:Sto-Helit
122:(father)
56:Hogfather
35:character
32:Discworld
1251:Pyramids
1241:Sourcery
1132:(2004).
1088:(2002).
1057:(1994).
876:rooftops
866:umbrella
842:weaponry
770:bogeymen
754:cupboard
699:and the
591:genetics
512:overhead
399:immortal
284:assassin
166:novels:
127:(mother)
971:Sky One
969:In the
944:In the
819:history
809:in her
752:in the
750:monster
693:musical
631:" is, "
581:married
573:adopted
554:swimmer
550:culture
492:wizards
464:witches
365:blushes
332:beehive
269:destiny
205:Ysabell
125:Ysabell
91:Species
1785:Dwarfs
1214:Novels
1140:
1096:
1065:
1036:
846:scythe
811:career
766:actual
762:weapon
697:violin
682:nougat
648:asleep
577:father
569:mother
468:Albert
432:future
404:entity
357:Lu-Tze
301:Lu-Tze
213:, and
178:, and
107:Family
102:Female
99:Gender
1846:Other
1729:Death
1609:Games
1411:Snuff
1386:Thud!
1321:Jingo
904:atoms
878:with
813:as a
701:banjo
666:black
621:Susan
617:magic
599:bones
535:Logic
510:stars
247:, in
156:Death
111:Death
94:Human
1261:Eric
1236:Mort
1138:ISBN
1094:ISBN
1063:ISBN
1034:ISBN
852:, a
821:and
707:and
674:pink
595:soul
533:and
395:time
369:Mort
359:and
289:dogs
227:Mort
223:Mort
215:Mort
190:Goth
120:Mort
1734:Hex
1203:'s
951:of
921:),
892:In
884:."
780:'s
758:bed
602:."
514:."
470:or
451:or
412:by
318:bun
294:In
278:In
258:In
195:".
148:'s
53:of
1880::
1128:;
1102:.
1077:^
1053:;
997:.
983:.
961:.
848:,
794:'
421:.
352:.
340:,
172:,
1468:"
1464:"
1461:"
1457:"
1454:"
1450:"
1447:"
1443:"
1440:"
1436:"
1189:e
1182:t
1175:v
1146:.
1071:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.