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Switching (film)

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22: 246:, but something has changed where they must make a decision. They find themselves wishing for change, yet that wish stands in the way of their wish to hold on to the past. The viewer is caught in this moment and through their choices they uniquely determine their own film experience. 155: 180:. The fascination with interactive expression basically originates in its potential to depict a more fragmented form of reality. The user of this film enters a 229:
The narrative is structured around a circular system in which everything repeats itself. So it has no ending. The film continues forever in its circular
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The film can be changed at any time. Consequently, the user can jump back and forth in time and location.
270: 243: 146:, with the support of the "Development Fund of the Ministry of Culture", the MEDIA Programme of the 32: 36: 143: 87: 8: 215: 139: 185: 135: 207: 147: 264: 222:. The film itself is the clickable object. Accordingly, linear control and 170: 211: 142:
and released in 2003. It was financed by, and in cooperation with, the
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is a different type of film that paves the way for new
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labyrinth simultaneously unfolding and disrupting the
210:and content are not divided; in other words, the 262: 173:methods. Switching was specially developed for 50:. Unsourced material may be challenged and 191:There are three elements that explain why 114:Learn how and when to remove this message 138:directed by Morten Schjødt, produced by 263: 154:Film Workshop. It is distributed by 48:adding citations to reliable sources 15: 13: 14: 282: 249: 20: 161: 1: 218:to click - the interface is 7: 10: 287: 242:Frida and Simon are in a 237: 144:Danish Film Institute 63:"Switching" film 44:improve this article 131:is the first ever 271:Interactive films 195:departs from the 124: 123: 116: 98: 278: 256:Official Website 136:interactive film 119: 112: 108: 105: 99: 97: 56: 24: 16: 286: 285: 281: 280: 279: 277: 276: 275: 261: 260: 252: 240: 164: 120: 109: 103: 100: 57: 55: 41: 25: 12: 11: 5: 284: 274: 273: 259: 258: 251: 250:External links 248: 239: 236: 235: 234: 227: 204: 163: 160: 148:European Union 122: 121: 28: 26: 19: 9: 6: 4: 3: 2: 283: 272: 269: 268: 266: 257: 254: 253: 247: 245: 232: 228: 225: 221: 217: 213: 209: 205: 202: 201: 200: 198: 194: 189: 187: 183: 179: 176: 172: 168: 159: 157: 153: 149: 145: 141: 137: 134: 130: 129: 118: 115: 107: 96: 93: 89: 86: 82: 79: 75: 72: 68: 65: –  64: 60: 59:Find sources: 53: 49: 45: 39: 38: 34: 29:This article 27: 23: 18: 17: 244:relationship 241: 192: 190: 171:storytelling 166: 165: 162:Introduction 127: 126: 125: 110: 104:January 2023 101: 91: 84: 77: 70: 58: 42:Please help 30: 220:transparent 226:disappear. 74:newspapers 208:interface 193:Switching 182:narrative 167:Switching 128:Switching 31:does not 265:Category 231:universe 150:and the 140:Oncotype 216:buttons 214:has no 156:SF Film 88:scholar 52:removed 37:sources 212:screen 199:form: 197:linear 133:Danish 90:  83:  76:  69:  61:  238:Story 224:logic 186:story 178:video 158:A/S. 95:JSTOR 81:books 206:The 67:news 35:any 33:cite 188:. 175:DVD 152:DFI 46:by 267:: 233:. 117:) 111:( 106:) 102:( 92:· 85:· 78:· 71:· 54:. 40:.

Index


cite
sources
improve this article
adding citations to reliable sources
removed
"Switching" film
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Danish
interactive film
Oncotype
Danish Film Institute
European Union
DFI
SF Film
storytelling
DVD
video
narrative
story
linear
interface
screen
buttons
transparent

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