726:
666:
881:
39:
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260:, provided much of the material for the themes that eventually made up the Symphony. The first surviving draft of a single-movement symphony dates from 1923, suggesting that Sibelius may have made the decision to dispense with a multi-movement work at this time. Through the summer of 1923 the composer produced several further drafts, at least one of which is in a performable state: however the ending of the symphony was not yet fully worked out.
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760:
692:
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equivalent to Câ™) to C progression in the strings as being the final resolution of the tonal dissonance created by the striking Aâ™ minor chord from near the beginning of the work (also for example the "dissonant" Aâ™ resolves to "consonant" G in the immediately preceding section). The D to C note
821:
1129:(broadening – that is, slowing – a lot), but most conductors slow down. The strings play a version of the theme from bars 11–12 against a grand C major chord held by the brass and woodwinds. Lionel Pike describes the D to C note progression followed by the B (
245:
sections". The symphony would have three movements, the last being a "Hellenic rondo". Surviving sketches from the early 1920s show that the composer was working on a work of four, not three, movements. The overall key seems to have been
263:
As 1923 turned into 1924, Sibelius was distracted from his work on the symphony by a number of outside events: the award of a large cash prize from a
Helsinki foundation, family birthdays and the composition of a number of brief
192:
The composition is notable for having only one movement, in contrast to the standard symphonic formula of four movements. It has been described as "completely original in form, subtle in its handling of
403:
1075:
1047:
236:, completed in 1915. Although his first mention of No. 7 occurred in December 1918, the source for its material has been traced back to around 1914, the time when he was working on the Fifth.
369:
232:, dating from 1907, contained three movements, an earlier fourth movement having been fused into the third. The final result was successful enough for Sibelius to use the same idea in his
1285:"Have 'in my head' Symphonies VI and VII. As well as the revision of Symph. V." This note in Sibelius' diary on December 18, 1917, is the first explicit mention of the Seventh Symphony.
287:
whose title roughly means "Moon
Spiritess". This work helped to shape the earliest parts of No. 7, those created during the composition of Nos. 5 and 6. One of the themes from
338:
Sibelius lived for 33 years after finishing the
Seventh, but it was one of the last works he composed. He did complete one more important orchestral work, his symphonic poem
1144:
916:
401:
216:". The composer was apparently undecided on what name to give the piece, and only granted it status as a symphony after some deliberation. For its publication in 1925, the
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chords traded between the strings and woodwind. The music turns stormy in mood with ominous ascending and descending scales on the strings, while the "
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784:
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444:. Sibelius turned this scheme on its head. The symphony is unified by the key of C (every significant passage in the work is in C major or
999:
This section ends with a chord progression from Aâ™ back to the symphony's main key of C major taken directly from
Sibelius's earlier work
319:. There was a time when composing in C was considered fruitless—it had "nothing more to offer". But in response to this symphony, the
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2176:
2090:
1617:
1405:
1613:
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228:
The concept of a continuous, single-movement symphony was one
Sibelius only reached after a long process of experimentation. His
348:, it is believed that Sibelius burned whatever he had written. He left No. 7 to stand as his final statement on symphonic form.
161:
1415:
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1817:
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379:
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1198:
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2008:
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884:
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to the final chord, something many conductors do in an attempt to make
Sibelius's stark ending sound more conventional.
1365:
1597:
1562:
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1247:
1210:
3446:
2431:
2422:
2413:
2016:
1572:
Jackson, Timothy L. "Observations on crystallization and entropy in the music of
Sibelius and other composers". In
639:
C major scale (starting on the timpani's G) in the strings which leads to an unexpected chord in the remote key of
414:
335:
cycle of
Sibelius symphonies, calls the dramatic conclusion "the grandest celebration of C major there ever was."
3243:
327:
said that only
Sibelius could make C major sound completely fresh. Peter Franklin, writing of the Seventh in the
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between the initial note of G and the final note of Eâ™ has been interpreted as a reference to the beginning of
2627:
2615:
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1589:
2149:
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2168:
2133:
1983:
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1233:
880:
820:
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2536:
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239:
In 1918 Sibelius had described his plans for this symphony as involving "joy of life and vitality with
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465:
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276:
233:
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1967:
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2916:
1975:
1035:
1001:
887:
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732:
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softly singing a hymnlike tune that will gradually build up to the first climax of the symphony.
698:
672:
468:'s first movement, which combines elements of a standard symphonic first movement with a faster
3420:
3395:
3323:
2309:
2064:
2048:
1847:
1646:
1465:
Pike, Lionel. "Beethoven, Sibelius and 'the
Profound Logic'". London: The Athlone Press, 1978.
1089:
816:, based on the ascending scale in the opening bars, soon appears on the oboe (bars 94 and 95):
324:
95:
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2828:
2822:
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2479:
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743:
As the climax approaches, the orchestra adds volume and intensity. At the climax, the first
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241:
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and wholly organic in growth" and "Sibelius's most remarkable compositional achievement".
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8:
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3160:
2522:
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2192:
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1920:
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1703:
565:
561:
3087:
1632:
204:
After Sibelius finished its composition on 2 March 1924, the work was premiered in
3165:
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2899:
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1991:
1948:
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2814:
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1532:
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1243:
1206:
410:
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777:
This theme reappears at key moments of the symphony, each time reaffirming C as the
3338:
3328:
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2985:
2777:
1053:
644:
433:
213:
182:
1134:
progression is also the first two notes of the trombone's recurring "Aino" theme.
384:
251:
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2881:
2797:
2785:
2698:
2529:
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1807:
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1135:
930:
The symphony contains the following tempo markings at these points in the score:
472:. However, the Seventh symphony contains much wider variety within one movement.
461:
332:
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3180:
3155:
3135:
3130:
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3072:
3042:
2942:
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2503:
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1859:
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1081:
843:
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328:
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284:
268:
works. When he returned to the symphony, the composer drank copious amounts of
3150:
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2742:
615:
603:
591:
579:
272:
in order, he claimed, to steady his hand as he wrote on the manuscript paper.
3430:
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3343:
3082:
3066:
3030:
2921:
2766:
2735:
2245:
1936:
1795:
1669:
1446:
Sibelius and the theater: a study of the incidental music for Symbolist plays
1229:
1121:
tempo. Logically this ought to be faster than the preceding music, which was
752:
684:
186:
29:
2975:
842:) in a long sequential passage exploring several tonalities. At bar 134 the
3185:
3175:
2547:
2301:
1999:
640:
453:
429:
382:
performs the first few bars in a calm, measured manner as suggested by the
375:
38:
3262:
3170:
3140:
3003:
2937:
2803:
2125:
1242:, vol. xxiii (Second ed.), London: Macmillan, pp. 319–47,
813:
648:
636:
516:
441:
312:
217:
198:
178:
66:
3097:
2970:
1635:
from Four Movements in original Sketch to its present one-movement form
1130:
1109:
2184:
436:
in a symphony would typically be unified by an approximately constant
3008:
2253:
1888:
1093:
205:
185:
work for orchestra written from 1914 to 1924 by the Finnish composer
142:
1525:
Jean Sibelius: Thematisch-bibliographisches Verzeichnis seiner Werke
428:
The form of the symphony is startlingly original. Since the time of
307:
Although the symphony apparently first existed in embryonic form in
903:
778:
744:
530:
503:
440:
and would attain variety by use of contrasting themes in different
2603:
1835:
1097:
1085:
1007:
710:
632:
535:
523:
510:
486:
469:
445:
417:, beginning the symphony with tension and drama at a much faster
316:
308:
257:
247:
174:
59:
1638:
876:
notching up the tension. The key signature switches to C minor:
747:
announces the main tune of the symphony (bars 60–64), labelled "
687:
is announced quietly on the flute and repeated on the clarinet:
2760:
1143:
987:
915:
269:
295:(Where the Stars Dwell), evolved into part of No. 7's opening
1584:(2004). "The later symphonies". In Grimley, Daniel M. (ed.).
718:
714:
449:
437:
418:
265:
194:
448:), and variety is achieved by an almost constantly changing
497:
1529:
Jean Sibelius: A Thematic Bibliographic Index of His Works
1177:
1175:
1147:
Conclusion (bars 522–525) (some parts omitted for clarity)
1060:
by following Sibelius's instructions in the score exactly.
661:: the passage is followed by chords taken from that work.
886:
Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
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Audio playback is not supported in your browser. You can
697:
Audio playback is not supported in your browser. You can
671:
Audio playback is not supported in your browser. You can
2713:
Songs for Mixed Chorus from the 1897 Promotional Cantata
2099:
Cantata for the University Graduation Ceremonies of 1897
2084:
Cantata for the University Graduation Ceremonies of 1894
1056:
ends the symphony in his 1998 studio recording with the
709:
Soon a passage is arrived at which sounds rather like a
1172:
1160:
1531:] (in German). Wiesbaden: Breitkopf & Härtel.
1476:
1371:
3404:
1321:
1309:
279:, No. 7 was Sibelius's final home for material from
220:
was titled "Symphony No. 7 (in one movement)".
1342:"Sibelius and astronomy: beyond 'The Sky at Night'"
1614:Symphony No. 7 in C major, Op. 105
1505:. New Haven, Connecticut: Yale University Press.
1366:"An Inktroduction by the Inkpot Sibelius Nutcase"
3428:
1573:
1545:
1450:
1396:
1138:describes this ending as "triumphantly abrupt".
1239:The New Grove Dictionary of Music and Musicians
919:Sibelius Symphony No. 7, bars 214–223 (extract)
812:(a little bit less slowly). A new theme in the
3306:International Jean Sibelius Violin Competition
344:. However, despite much evidence of work on a
1654:
1557:. Cambridge, UK: Cambridge University Press.
1117:The last four measures return to the initial
464:. Sibelius had done something similar in the
631:The symphony begins with a soft roll on the
616:Vivace – Presto – Adagio – Largamente molto
604:Allegro molto moderato – Allegro moderato –
388:marking in this studio recording from 1985.
1661:
1647:
1084:decided to boost the violin melody with a
37:
2177:The Breaking of the Ice on the Oulu River
2091:Cantata for the Coronation of Nicholas II
1623:Available recordings, from arkivmusic.com
1618:International Music Score Library Project
1519:
1224:
1181:
1166:
1014:
16:Symphony in one movement by Jean Sibelius
1580:
1482:
1254:
1142:
914:
1571:
1498:
1427:
1411:
1377:
1339:
1327:
1315:
1303:
1088:in this 1962 studio recording with the
3429:
1299:
1297:
1295:
1293:
1193:
1818:Suite for Violin and String Orchestra
1642:
910:" theme is heard again in the brass:
623:
413:takes the opposite approach with the
380:City of Birmingham Symphony Orchestra
2653:
2396:
751:" in sketches, after the composer's
2673:Giv mig ej glans, ej guld, ej prakt
2161:Other voice(s) & orchestra
1586:The Cambridge Companion to Sibelius
1290:
794:Poco a poco affrettando il Tempo al
683:A few bars later, in bar 11, a key
13:
1389:
1205:, London: Routledge, p. 479,
1108:Problems playing these files? See
1024:
898:Soon the tempo is ratcheted up to
475:
311:, it eventually attained the home
275:Along with his Symphony No. 5 and
14:
3458:
1877: 1897, 1900, 1939; includes
1668:
1607:
1443:
1266:
197:, individual in its treatment of
3414:
3391:
3390:
2729:
2717:
2541:
2270:
2258:
1071:
1043:
610:
598:
586:
574:
415:Leningrad Philharmonic Orchestra
399:
365:
250:, while the second movement, an
2705:
2314:
2294:
2205:
2110:
1941:
1874:
1852:
1840:
1811:
1789:
1743:
1715:
1633:The Development of the Symphony
1459:
1437:
1383:
1359:
925:
838:The tempo gradually increases (
2376:String Quartet in B-flat major
2370:String Quartet in A minor
2364:String Quartet in E-flat major
1687:Discography of symphony cycles
1592:. Cambridge University Press.
1574:Jackson & Murtomäki (2001)
1368:, inkpot.com, 21 February 2001
1333:
1260:
1218:
1187:
808:At bar 93 the tempo is marked
546:
223:
1:
2964:Colleagues & friends
2457:
1810: (1917–1918, No. 1
1765:
1590:Cambridge Companions to Music
1153:
635:followed by a slow ascending
452:, as well as by contrasts of
409:In a live concert from 1965,
302:
44:
2671: (1897–1913; includes "
2630: (1903–1904; includes "
1971: (1893–1894, abandoned)
1451:Jackson & Murtomäki 2001
1397:Jackson & Murtomäki 2001
883:
823:
762:
728:
694:
668:
7:
3437:Symphonies by Jean Sibelius
3369:Sibelius Society of Finland
2650:"Kom nu hit, död", Op. 60/1
2382:String Quartet in D minor,
1201:, in Wintle, Justin (ed.),
10:
3463:
2537:The Bells of Kallio Church
2322:Scènes historiques II
1492:
1349:Astronomy & Geophysics
975:Poco a poco rallentando al
3388:
3298:
3219:
3123:
2963:
2930:
2869:
2753:
2691:
2587:
2496:
2444:
2406:
2356:
2266:Scènes historiques I
2223:
2169:The Rapids-Rider's Brides
2160:
2075:
2041:The Language of the Birds
1959:
1827:
1778:
1696:
1676:
1340:Whittet, Douglas (2015).
1269:"Symphony No. 7 Sibelius"
959:Poco a poco meno moderato
939:Poco a poco meno lento al
902:(very lively), with fast
609:
597:
585:
573:
558:
553:
162:Stockholm Concert Society
157:
149:
138:
123:
118:
110:
102:
91:
75:
65:
55:
36:
26:
21:
3334:Sibelius Academy Quartet
2877:Helsinki Music Institute
2277:Overture in A minor
2231:Overture in E major
1968:The Building of the Boat
1960:Opera & theatre
1499:Barnett, Andrew (2007).
1392:Sibelius the progressive
1274:Los Angeles Philharmonic
1203:Makers of Modern Culture
1058:Lahti Symphony Orchestra
210:Fantasia sinfonica No. 1
3447:Compositions in C major
2516:Ten Pieces, Op. 24
2467:Pieces for brass septet
2432:Piano Trio in C major,
2423:Piano Trio in D major,
2414:Piano Trio in A minor,
2283:Romance in C major
2216: (1910, abandoned)
2196: (1905, abandoned)
1976:The Maiden in the Tower
1228:(2001), "Sibelius", in
949:Un pochett. affrettando
888:download the audio file
828:download the audio file
786:Un pochett. meno adagio
767:download the audio file
733:download the audio file
699:download the audio file
673:download the audio file
351:
181: 105, is a single-
127:24 March 1924
3324:Sibelius (scorewriter)
2862: (brother-in-law)
2849: (brother-in-law)
2843: (brother-in-law)
2837: (brother-in-law)
1148:
1092:. Ormandy also adds a
1090:Philadelphia Orchestra
1029:
945:Allegro molto moderato
920:
810:Un pochett meno adagio
592:Vivacissimo – Adagio –
325:Ralph Vaughan Williams
3380:Wihuri Sibelius Prize
3311:Jean Sibelius Quartet
3290:Erik W. Tawaststjerna
3050:Akseli Gallen-Kallela
2908:Post-graduate studies
2884:(theory, composition)
2831: (mother-in-law)
2825: (father-in-law)
2736:Six Partsongs, Op. 18
2346:Suite caractéristique
1905:Nightride and Sunrise
1146:
1067:Ending, more dramatic
1028:
918:
2667:Five Christmas Songs
2596:Seven Runeberg Songs
2009:Pelléas et Mélisande
1802:Two Serious Melodies
1682:List of compositions
283:, a never-completed
208:on 24 March as
3364:Sibelius Piano Trio
3191:Jukka-Pekka Saraste
3161:Herbert von Karajan
3124:Select interpreters
2829:Elisabeth Järnefelt
2823:Alexander Järnefelt
2622:Seven Songs, Op. 17
1880:The Swan of Tuonela
1762:Symphony No. 8
1547:Jackson, Timothy L.
566:Herbert von Karajan
562:Berlin Philharmonic
489:during the central
171:Symphony No. 7
22:Symphony No. 7
3220:Select biographers
3166:Serge Koussevitzky
3131:Sir Thomas Beecham
3103:Wilhelm Stenhammar
2819: (son-in-law)
2806: (son-in-law)
2800: (son-in-law)
2792:Christian Sibelius
2684: (1917)
2680:Six Runeberg Songs
2628:Five Songs, Op. 38
2616:Five Songs, Op. 37
2150:Väinämöinen's Song
2106:The Origin of Fire
2017:Belshazzar's Feast
1897:Pohjola's Daughter
1868:Lemminkäinen Suite
1149:
1030:
977:... (bars 449–475)
941:... (bars 222–257)
921:
658:Tristan und Isolde
3442:1924 compositions
3402:
3401:
3354:Sibelius Monument
3278:Nils-Eric Ringbom
3206:Leopold Stokowski
3196:Georg Schnéevoigt
3069: (secretary)
2981:Granville Bantock
2889:Mitrofan Vasiliev
2738: (1893–1901)
2644:Two Songs, Op. 35
2638:Six Songs, Op. 50
2624: (1891–1904)
2618: (1900–1902)
2612: (1899–1900)
2610:Six Songs, Op. 36
2606: (1894–1895)
2604:"Serenad", JS 168
2600: (1891–1892)
2518: (1895–1903)
2469: (1889–1899)
2142:Hymn of the Earth
2134:Song of the Earth
2118:The Captive Queen
1984:King Christian II
1804: (1914–1915)
1798: (1912–1913)
1764: (mid 1920s–
1746: 1916, 1919)
1521:Dahlström, Fabian
1512:978-0-300-11159-0
1076:
1048:
892:
832:
804:... (bars 93–221)
771:
737:
703:
677:
621:
620:
560:Performed by the
411:Yevgeny Mravinsky
404:
370:
167:
166:
3454:
3419:
3418:
3417:
3410:
3394:
3393:
3376: (asteroid)
3339:Sibelius Glacier
3329:Sibelius Academy
3286:
3263:Glenda Dawn Goss
3259:
3247:
3235:
3227:Fabian Dahlström
3186:Sir Simon Rattle
3116:
3088:Abraham Ojanperä
3063:
3046:
3034:
3022:
2999:
2986:Ferruccio Busoni
2956:
2903:
2885:
2861:
2853:Kasper Järnefelt
2818:
2788: (daughter)
2782: (daughter)
2781:
2732: 1938–1940)
2731:
2719:
2707:
2655:
2574:
2562:
2543:
2462:
2461: 1875–1881
2459:
2398:
2316:
2296:
2272:
2260:
2224:Other orchestral
2207:
2112:
1943:
1876:
1854:
1842:
1813:
1791:
1770:
1767:
1745:
1717:
1663:
1656:
1649:
1640:
1639:
1616:: Scores at the
1603:
1582:Whittall, Arnold
1577:
1568:
1555:Sibelius Studies
1551:Murtomäki, Veijo
1542:
1516:
1486:
1480:
1474:
1463:
1457:
1448:
1441:
1435:
1425:
1419:
1409:
1403:
1394:
1387:
1381:
1375:
1369:
1363:
1357:
1356:
1346:
1337:
1331:
1325:
1319:
1313:
1307:
1301:
1288:
1287:
1282:
1281:
1264:
1258:
1252:
1226:Hepokoski, James
1222:
1216:
1215:
1191:
1185:
1179:
1170:
1164:
1127:Largamente molto
1078:
1077:
1050:
1049:
1027:
989:Largamente molto
955:Allegro moderato
875:
874:
873:
872:
860:
859:
858:
857:
614:
613:
602:
601:
590:
589:
578:
577:
569:
551:
550:
485:(both switch to
406:
405:
372:
371:
134:
132:
86:
84:
49:
46:
41:
32:
19:
18:
3462:
3461:
3457:
3456:
3455:
3453:
3452:
3451:
3427:
3426:
3425:
3421:Classical music
3415:
3413:
3405:
3403:
3398:
3384:
3359:Sibelius Museum
3294:
3280:
3253:
3241:
3229:
3215:
3141:Sir Colin Davis
3119:
3110:
3078:Oskar Merikanto
3057:
3055:Heikki Klemetti
3040:
3028:
3016:
2993:
2959:
2950:
2926:
2897:
2895:Hermann Csillag
2882:Martin Wegelius
2880:
2865:
2855:
2841:Arvid Järnefelt
2835:Armas Järnefelt
2812:
2798:Aulis Blomstedt
2794: (brother)
2786:Heidi Blomstedt
2775:
2749:
2687:
2660:"Arioso", Op. 3
2583:
2565:
2553:
2530:Three Sonatinas
2492:
2487:Violin Sonatina
2460:
2440:
2402:
2392:Andante festivo
2357:String quartets
2352:
2338:Suite champĂŞtre
2219:
2156:
2071:
1997:1903; includes
1955:
1823:
1808:Six Humoresques
1786:Violin Concerto
1774:
1768:
1692:
1691:
1672:
1667:
1610:
1600:
1565:
1539:
1513:
1495:
1490:
1489:
1481:
1477:
1464:
1460:
1442:
1438:
1426:
1422:
1410:
1406:
1388:
1384:
1376:
1372:
1364:
1360:
1344:
1338:
1334:
1326:
1322:
1314:
1310:
1302:
1291:
1279:
1277:
1265:
1261:
1250:
1223:
1219:
1213:
1192:
1188:
1180:
1173:
1165:
1161:
1156:
1136:Arnold Whittall
1115:
1114:
1106:
1104:
1103:
1102:
1101:
1079:
1072:
1069:
1063:
1062:
1061:
1051:
1044:
1041:
1031:
1025:
1020:
997:
928:
894:
893:
891:
871:
866:
865:
864:
863:
862:
856:
851:
850:
849:
848:
847:
834:
833:
831:
806:
773:
772:
770:
739:
738:
736:
705:
704:
702:
679:
678:
676:
629:
611:
599:
587:
575:
559:
549:
478:
476:Instrumentation
426:
425:
424:
423:
422:
407:
400:
397:
391:
390:
389:
373:
366:
363:
354:
305:
226:
212:, a "symphonic
130:
128:
82:
80:
51:
47:
28:
17:
12:
11:
5:
3460:
3450:
3449:
3444:
3439:
3424:
3423:
3400:
3399:
3389:
3386:
3385:
3383:
3382:
3377:
3371:
3366:
3361:
3356:
3351:
3349:Sibelius Medal
3346:
3341:
3336:
3331:
3326:
3321:
3313:
3308:
3302:
3300:
3296:
3295:
3293:
3292:
3287:
3275:
3270:
3265:
3260:
3251:Erik Furuhjelm
3248:
3236:
3223:
3221:
3217:
3216:
3214:
3213:
3208:
3203:
3201:Leif Segerstam
3198:
3193:
3188:
3183:
3181:Eugene Ormandy
3178:
3173:
3168:
3163:
3158:
3156:Robert Kajanus
3153:
3148:
3143:
3138:
3136:Paavo Berglund
3133:
3127:
3125:
3121:
3120:
3118:
3117:
3105:
3100:
3095:
3093:Selim Palmgren
3090:
3085:
3080:
3075:
3073:Erkki Melartin
3070:
3064:
3052:
3047:
3035:
3023:
3014:Richard Faltin
3011:
3006:
3001:
3000: (patron)
2988:
2983:
2978:
2973:
2967:
2965:
2961:
2960:
2958:
2957:
2948:Bengt de Törne
2945:
2943:Leevi Madetoja
2940:
2934:
2932:
2928:
2927:
2925:
2924:
2919:
2914:
2909:
2905:
2904: (violin)
2892:
2891: (violin)
2886:
2878:
2873:
2871:
2867:
2866:
2864:
2863:
2850:
2847:Eero Järnefelt
2844:
2838:
2832:
2826:
2820:
2810:Jussi Snellman
2807:
2801:
2795:
2789:
2783:
2770:
2764:
2757:
2755:
2751:
2750:
2748:
2747:
2739:
2733:
2725:Finlandia Hymn
2721:
2709:
2695:
2693:
2689:
2688:
2686:
2685:
2676:
2663:
2657:
2647:
2641:
2635:
2625:
2619:
2613:
2607:
2601:
2591:
2589:
2585:
2584:
2582:
2581:
2578:Five Esquisses
2575:
2563:
2551:
2545:
2533:
2527:
2519:
2513:
2507:
2504:Six Impromptus
2500:
2498:
2494:
2493:
2491:
2490:
2484:
2476:
2470:
2464:
2453:Water Droplets
2448:
2446:
2442:
2441:
2439:
2438:
2429:
2420:
2410:
2408:
2404:
2403:
2401:
2400:
2388:
2379:
2373:
2367:
2360:
2358:
2354:
2353:
2351:
2350:
2342:
2334:
2330:Suite mignonne
2326:
2318:
2306:
2298:
2286:
2280:
2274:
2262:
2250:
2242:
2234:
2227:
2225:
2221:
2220:
2218:
2217:
2209:
2197:
2189:
2181:
2173:
2164:
2162:
2158:
2157:
2155:
2154:
2146:
2138:
2130:
2122:
2114:
2102:
2095:
2087:
2079:
2077:
2073:
2072:
2070:
2069:
2061:
2053:
2045:
2037:
2029:
2021:
2013:
2005:
2004:
2003:
1988:
1980:
1972:
1963:
1961:
1957:
1956:
1954:
1953:
1945:
1933:
1925:
1917:
1909:
1901:
1893:
1885:
1884:
1883:
1864:
1860:The Wood Nymph
1856:
1844:
1831:
1829:
1825:
1824:
1822:
1821:
1815:
1805:
1799:
1793:
1782:
1780:
1776:
1775:
1773:
1772:
1759:
1756:Symphony No. 7
1753:
1750:Symphony No. 6
1747:
1740:Symphony No. 5
1737:
1734:Symphony No. 4
1731:
1728:Symphony No. 3
1725:
1722:Symphony No. 2
1719:
1712:Symphony No. 1
1709:
1700:
1698:
1694:
1693:
1690:
1689:
1684:
1678:
1677:
1674:
1673:
1666:
1665:
1658:
1651:
1643:
1637:
1636:
1630:
1625:
1620:
1609:
1608:External links
1606:
1605:
1604:
1598:
1578:
1569:
1563:
1543:
1537:
1517:
1511:
1494:
1491:
1488:
1487:
1475:
1458:
1436:
1420:
1404:
1382:
1380:, p. 308.
1370:
1358:
1332:
1330:, p. 306.
1320:
1318:, p. 305.
1308:
1289:
1267:Oramo, Ilkka.
1259:
1248:
1230:Sadie, Stanley
1217:
1211:
1195:Layton, Robert
1186:
1184:, p. 438.
1182:Dahlström 2003
1171:
1169:, p. 439.
1167:Dahlström 2003
1158:
1157:
1155:
1152:
1151:
1150:
1131:enharmonically
1105:
1082:Eugene Ormandy
1080:
1070:
1065:
1064:
1052:
1042:
1034:
1033:
1032:
1023:
1022:
1021:
1019:
1018:(bars 522–525)
1013:
996:
995:(bars 496–521)
986:
985:
984:
983:(bars 476–495)
978:
968:
967:(bars 409–448)
962:
961:(bars 286–408)
952:
951:(bars 258–285)
942:
927:
924:
923:
922:
896:
895:
885:
882:
867:
852:
844:time signature
836:
835:
825:
822:
805:
802:rallentando al
783:
775:
774:
764:
761:
741:
740:
730:
727:
707:
706:
696:
693:
681:
680:
670:
667:
628:
622:
619:
618:
607:
606:
595:
594:
583:
582:
571:
570:
556:
555:
554:External audio
548:
545:
544:
543:
538:
533:
527:
520:
513:
507:
500:
494:
477:
474:
466:Symphony No. 5
408:
398:
395:Faster opening
393:
392:
374:
364:
359:
358:
357:
356:
355:
353:
350:
346:Symphony No. 8
304:
301:
285:symphonic poem
234:Symphony No. 5
230:Symphony No. 3
225:
222:
165:
164:
159:
155:
154:
151:
147:
146:
140:
136:
135:
125:
121:
120:
116:
115:
112:
108:
107:
104:
100:
99:
93:
89:
88:
77:
73:
72:
69:
63:
62:
57:
53:
52:
43:The composer (
42:
34:
33:
24:
23:
15:
9:
6:
4:
3:
2:
3459:
3448:
3445:
3443:
3440:
3438:
3435:
3434:
3432:
3422:
3412:
3411:
3408:
3397:
3387:
3381:
3378:
3375:
3374:1405 Sibelius
3372:
3370:
3367:
3365:
3362:
3360:
3357:
3355:
3352:
3350:
3347:
3345:
3344:Sibelius Hall
3342:
3340:
3337:
3335:
3332:
3330:
3327:
3325:
3322:
3320:
3318:
3314:
3312:
3309:
3307:
3304:
3303:
3301:
3297:
3291:
3288:
3284:
3279:
3276:
3274:
3273:Robert Layton
3271:
3269:
3266:
3264:
3261:
3257:
3252:
3249:
3245:
3240:
3237:
3233:
3228:
3225:
3224:
3222:
3218:
3212:
3209:
3207:
3204:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3184:
3182:
3179:
3177:
3174:
3172:
3169:
3167:
3164:
3162:
3159:
3157:
3154:
3152:
3149:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3128:
3126:
3122:
3114:
3109:
3108:Karl Wasenius
3106:
3104:
3101:
3099:
3096:
3094:
3091:
3089:
3086:
3084:
3083:Rosa Newmarch
3081:
3079:
3076:
3074:
3071:
3068:
3067:Santeri Levas
3065:
3061:
3056:
3053:
3051:
3048:
3044:
3039:
3036:
3032:
3027:
3024:
3020:
3015:
3012:
3010:
3007:
3005:
3002:
2997:
2992:
2991:Axel Carpelan
2989:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2968:
2966:
2962:
2954:
2949:
2946:
2944:
2941:
2939:
2936:
2935:
2933:
2929:
2923:
2922:Karl Goldmark
2920:
2918:
2915:
2913:
2912:Albert Becker
2907:
2906:
2901:
2896:
2893:
2890:
2887:
2883:
2876:
2875:
2874:
2872:
2868:
2859:
2854:
2851:
2848:
2845:
2842:
2839:
2836:
2833:
2830:
2827:
2824:
2821:
2816:
2811:
2808:
2805:
2802:
2799:
2796:
2793:
2790:
2787:
2784:
2779:
2774:
2773:Ruth Snellman
2771:
2768:
2767:Aino Sibelius
2765:
2762:
2759:
2758:
2756:
2752:
2745:
2744:
2740:
2737:
2734:
2727:
2726:
2722:
2715:
2714:
2710:
2704: (1896,
2703:
2701:
2697:
2696:
2694:
2690:
2683:
2681:
2677:
2674:
2670:
2668:
2664:
2661:
2658:
2652: (1909,
2651:
2648:
2645:
2642:
2639:
2636:
2633:
2629:
2626:
2623:
2620:
2617:
2614:
2611:
2608:
2605:
2602:
2599:
2597:
2593:
2592:
2590:
2586:
2579:
2576:
2572:
2570:
2567:Five Pieces,
2564:
2560:
2558:
2555:Five Pieces,
2552:
2549:
2546:
2540: (1912,
2539:
2538:
2534:
2531:
2528:
2525:
2524:
2520:
2517:
2514:
2511:
2508:
2505:
2502:
2501:
2499:
2495:
2488:
2485:
2482:
2481:
2477:
2474:
2473:Piano Quintet
2471:
2468:
2465:
2455:
2454:
2450:
2449:
2447:
2445:Other chamber
2443:
2436:
2435:
2430:
2427:
2426:
2421:
2418:
2417:
2412:
2411:
2409:
2405:
2395: (1922,
2394:
2393:
2389:
2386:
2385:
2384:Voces intimae
2380:
2377:
2374:
2371:
2368:
2365:
2362:
2361:
2359:
2355:
2348:
2347:
2343:
2340:
2339:
2335:
2332:
2331:
2327:
2324:
2323:
2319:
2313: (1909,
2312:
2311:
2307:
2304:
2303:
2299:
2293: (1904,
2292:
2291:
2287:
2284:
2281:
2278:
2275:
2269: (1899,
2268:
2267:
2263:
2257: (1894,
2256:
2255:
2251:
2248:
2247:
2246:Karelia Suite
2243:
2240:
2239:
2235:
2232:
2229:
2228:
2226:
2222:
2215:
2214:
2210:
2204: (1902,
2203:
2202:
2198:
2195:
2194:
2190:
2187:
2186:
2182:
2179:
2178:
2174:
2171:
2170:
2166:
2165:
2163:
2159:
2152:
2151:
2147:
2144:
2143:
2139:
2136:
2135:
2131:
2128:
2127:
2123:
2120:
2119:
2115:
2109: (1902,
2108:
2107:
2103:
2101:
2100:
2096:
2093:
2092:
2088:
2086:
2085:
2081:
2080:
2078:
2074:
2067:
2066:
2062:
2059:
2058:
2054:
2051:
2050:
2046:
2043:
2042:
2038:
2035:
2034:
2030:
2027:
2026:
2022:
2019:
2018:
2014:
2011:
2010:
2006:
2002:
2001:
1996:
1995:
1994:
1993:
1989:
1986:
1985:
1981:
1978:
1977:
1973:
1970:
1969:
1965:
1964:
1962:
1958:
1951:
1950:
1946:
1940: (1914,
1939:
1938:
1937:The Oceanides
1934:
1931:
1930:
1926:
1923:
1922:
1918:
1915:
1914:
1910:
1907:
1906:
1902:
1899:
1898:
1894:
1891:
1890:
1886:
1882:
1881:
1872:
1871:
1870:
1869:
1865:
1862:
1861:
1857:
1851: (1894,
1850:
1849:
1845:
1839: (1892,
1838:
1837:
1833:
1832:
1830:
1826:
1819:
1816:
1809:
1806:
1803:
1800:
1797:
1796:Two Serenades
1794:
1788: (1904,
1787:
1784:
1783:
1781:
1777:
1763:
1760:
1757:
1754:
1751:
1748:
1742: (1915,
1741:
1738:
1735:
1732:
1729:
1726:
1723:
1720:
1714: (1899,
1713:
1710:
1707:
1706:
1702:
1701:
1699:
1695:
1688:
1685:
1683:
1680:
1679:
1675:
1671:
1670:Jean Sibelius
1664:
1659:
1657:
1652:
1650:
1645:
1644:
1641:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1615:
1612:
1611:
1601:
1599:0-521-89460-3
1595:
1591:
1587:
1583:
1579:
1575:
1570:
1566:
1564:0-521-62416-9
1560:
1556:
1552:
1548:
1544:
1540:
1538:3-7651-0333-0
1534:
1530:
1526:
1522:
1518:
1514:
1508:
1504:
1503:
1497:
1496:
1485:, p. 65.
1484:
1483:Whittall 2004
1479:
1472:
1471:0-485-11178-0
1468:
1462:
1456:
1452:
1447:
1444:Kurki, Eija,
1440:
1433:
1429:
1424:
1417:
1413:
1408:
1402:
1398:
1393:
1390:Howell, Tim,
1386:
1379:
1374:
1367:
1362:
1354:
1350:
1343:
1336:
1329:
1324:
1317:
1312:
1306:, p. 304
1305:
1300:
1298:
1296:
1294:
1286:
1276:
1275:
1270:
1263:
1257:, p. 61.
1256:
1255:Whittall 2004
1251:
1249:0-333-23111-2
1245:
1241:
1240:
1235:
1234:Tyrrell, John
1231:
1227:
1221:
1214:
1212:0-415-26583-5
1208:
1204:
1200:
1196:
1190:
1183:
1178:
1176:
1168:
1163:
1159:
1145:
1141:
1140:
1139:
1137:
1132:
1128:
1124:
1120:
1113:
1111:
1099:
1095:
1091:
1087:
1083:
1068:
1059:
1055:
1040:
1039:
1017:
1012:
1010:
1009:
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791:
790:poco affrett.
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187:Jean Sibelius
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153:Jean Sibelius
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40:
35:
31:
30:Jean Sibelius
25:
20:
3316:
3176:Sakari Oramo
2917:Robert Fuchs
2769: (wife)
2763: (home)
2746: (1917)
2741:
2723:
2711:
2699:
2692:Choral works
2679:
2666:
2662: (1911)
2646: (1908)
2640: (1906)
2595:
2580: (1929)
2568:
2556:
2550: (1912)
2548:Two Rondinos
2535:
2532: (1912)
2526: (1904)
2521:
2512: (1893)
2510:Piano Sonata
2506: (1893)
2489: (1915)
2483: (1900)
2478:
2475: (1890)
2451:
2437: (1888)
2433:
2428: (1887)
2424:
2419: (1886)
2415:
2390:
2387: (1909)
2383:
2378: (1890)
2372: (1889)
2366: (1885)
2349: (1922)
2344:
2341: (1922)
2336:
2333: (1921)
2328:
2325: (1912)
2320:
2308:
2305: (1906)
2302:Pan and Echo
2300:
2288:
2285: (1904)
2279: (1902)
2264:
2252:
2249: (1893)
2244:
2241: (1891)
2238:Ballet Scene
2236:
2233: (1891)
2211:
2199:
2191:
2188: (1900)
2183:
2180: (1899)
2175:
2172: (1897)
2167:
2153: (1926)
2148:
2145: (1920)
2140:
2137: (1919)
2132:
2129: (1918)
2124:
2121: (1906)
2116:
2104:
2097:
2094: (1896)
2089:
2082:
2068: (1925)
2063:
2060: (1916)
2055:
2052: (1913)
2047:
2044: (1911)
2039:
2036: (1909)
2031:
2028: (1908)
2023:
2020: (1906)
2015:
2012: (1905)
2007:
2000:Valse triste
1998:
1990:
1987: (1898)
1982:
1979: (1896)
1974:
1966:
1952: (1926)
1947:
1935:
1932: (1913)
1927:
1924: (1913)
1919:
1916: (1910)
1911:
1908: (1909)
1903:
1900: (1906)
1895:
1892: (1899)
1887:
1878:
1866:
1863: (1895)
1858:
1846:
1834:
1820: (1929)
1771:, abandoned)
1758: (1924)
1755:
1752: (1923)
1736: (1911)
1730: (1907)
1724: (1902)
1708: (1892)
1704:
1585:
1554:
1528:
1524:
1501:
1478:
1461:
1445:
1439:
1428:Jackson 2001
1423:
1412:Jackson 2001
1407:
1391:
1385:
1378:Barnett 2007
1373:
1361:
1352:
1348:
1335:
1328:Barnett 2007
1323:
1316:Barnett 2007
1311:
1304:Barnett 2007
1284:
1278:. Retrieved
1272:
1262:
1253:. Quoted by
1237:
1220:
1202:
1189:
1162:
1126:
1122:
1118:
1116:
1107:
1038:come scritto
1037:
1015:
1006:
1002:Valse triste
1000:
998:
992:
988:
980:
974:
970:
964:
958:
954:
948:
944:
938:
934:
929:
926:Bars 222–496
907:
899:
897:
868:
853:
839:
837:
809:
807:
801:
797:
793:
789:
785:
776:
748:
742:
708:
682:
656:
641:A-flat minor
630:
624:
490:
458:articulation
430:Joseph Haydn
427:
383:
376:Simon Rattle
361:Calm opening
339:
337:
306:
296:
292:
288:
280:
274:
262:
252:
242:appassionato
240:
238:
227:
209:
203:
191:
175:C major
170:
168:
60:C major
3319:(2003 film)
3281: [
3254: [
3242: [
3230: [
3211:Osmo Vänskä
3171:Hannu Lintu
3151:Paavo Järvi
3146:Neeme Järvi
3111: [
3058: [
3041: [
3038:Karl Flodin
3029: [
3017: [
3004:Olin Downes
2994: [
2951: [
2938:Toivo Kuula
2898: [
2856: [
2813: [
2804:Jussi Jalas
2776: [
2743:Jäger March
2720: 1898)
2708: 1898)
2656: 1957)
2573:(1916–1917)
2569:The Flowers
2544: 1912)
2407:Piano trios
2399: 1938)
2317: 1910)
2310:In memoriam
2297: 1905)
2273: 1911)
2261: 1912)
2208: 1910)
2126:My Own Land
2113: 1910)
2065:The Tempest
2049:Scaramouche
1944: 1914)
1855: 1895)
1848:Spring Song
1843: 1902)
1814: 1940)
1792: 1905)
1779:Concertante
1769: 1938
1718: 1900)
1628:Discography
1430:, pp.
1054:Osmo Vänskä
900:Vivacissimo
846:slips from
840:affrettando
814:Dorian mode
798:Vivacissimo
713:, with the
649:minor sixth
627:(bars 1–92)
547:Description
224:Composition
48: 1925
3431:Categories
3268:Cecil Gray
3239:Karl Ekman
3098:Adolf Paul
3026:Ida Flodin
2976:Aino Ackté
2971:Juhani Aho
2480:Malinconia
2290:Cassazione
2033:The Lizard
1828:Tone poems
1697:Symphonies
1453:, p.
1414:, p.
1399:, p.
1355:(2): 2.30.
1280:2016-06-29
1199:"Sibelius"
1154:References
1110:media help
993:Affettuoso
637:syncopated
568:conducting
303:Importance
158:Performers
131:1924-03-24
3299:Namesakes
3009:Ida Ekman
2632:Höstkväll
2557:The Trees
2254:Rakastava
2213:The Raven
2201:Impromptu
2025:Swanwhite
1929:Luonnotar
1913:The Dryad
1889:Finlandia
1094:crescendo
531:trombones
504:clarinets
378:with the
329:Segerstam
323:composer
299:section.
291:, called
206:Stockholm
150:Conductor
143:Stockholm
111:Movements
92:Publisher
3396:Category
3317:Sibelius
2870:Teachers
2702:, Op. 21
2682:, Op. 90
2598:, Op. 13
2571:, Op. 85
2559:, Op. 75
2523:Kyllikki
2416:Hafträsk
2193:Marjatta
2076:Cantatas
2057:Everyman
1921:The Bard
1705:Kullervo
1553:(2001).
1523:(2003).
1502:Sibelius
1432:182, 184
1236:(eds.),
1197:(2002),
1036:Ending,
904:staccato
779:tonality
745:trombone
645:interval
580:Adagio –
524:trumpets
511:bassoons
434:movement
183:movement
145:, Sweden
139:Location
119:Premiere
106:22 mins.
103:Duration
76:Composed
2728:(1899,
2669:, Op. 1
2185:Snöfrid
1992:Kuolema
1949:Tapiola
1836:En saga
1493:Sources
1098:fermata
1086:trumpet
1016:Tempo I
1008:Kuolema
711:chorale
633:timpani
541:Strings
536:Timpani
487:piccolo
470:scherzo
462:texture
446:C minor
341:Tapiola
333:Chandos
321:British
317:C major
309:D major
293:Tähtölä
258:C major
248:G minor
214:fantasy
129: (
81: (
3407:Portal
2931:Pupils
2761:Ainola
2754:Family
2561:(1914)
2434:Lovisa
1873:1895,
1596:
1561:
1535:
1509:
1469:
1246:
1209:
1123:Adagio
1119:Adagio
1096:and a
981:Adagio
971:Presto
965:Vivace
935:Adagio
719:cellos
715:violas
653:Wagner
643:. The
625:Adagio
491:Adagio
483:flutes
385:Adagio
297:Adagio
289:Kuutar
281:Kuutar
270:whisky
253:Adagio
98:(1925)
96:Hansen
3285:]
3258:]
3246:]
3234:]
3115:]
3062:]
3045:]
3033:]
3021:]
2998:]
2955:]
2902:]
2860:]
2817:]
2780:]
2654:orch.
2588:Songs
2497:Piano
2425:Korpo
2397:orch.
1527:[
1345:(PDF)
1125:then
1005:from
861:into
685:motif
647:of a
526:in Bâ™
517:horns
506:in Bâ™
498:oboes
450:tempo
438:tempo
419:tempo
277:No. 6
266:piano
218:score
195:tempi
87:–1924
2730:arr.
2718:arr.
2706:rev.
2700:Hymn
2542:arr.
2315:rev.
2295:rev.
2271:arr.
2259:arr.
2206:rev.
2111:rev.
1942:rev.
1875:rev.
1853:rev.
1841:rev.
1812:rev.
1790:rev.
1744:rev.
1716:rev.
1594:ISBN
1559:ISBN
1533:ISBN
1507:ISBN
1467:ISBN
1244:ISBN
1207:ISBN
908:Aino
796:...
753:wife
749:Aino
717:and
519:in F
460:and
454:mode
442:keys
432:, a
352:Form
169:The
124:Date
83:1914
79:1914
67:Opus
1449:in
1416:239
1395:in
655:'s
315:of
313:key
256:in
199:key
189:.
179:Op.
173:in
71:105
56:Key
27:by
3433::
3283:fi
3256:fi
3244:fi
3232:fi
3113:fi
3060:fi
3043:fi
3031:fi
3019:fi
2996:fi
2953:fi
2910::
2900:de
2879::
2858:fi
2815:fi
2778:fi
2675:")
2634:")
2458:c.
1766:c.
1588:.
1549:;
1455:80
1401:45
1353:56
1351:.
1347:.
1292:^
1283:.
1271:.
1232:;
1174:^
1011:.
991:–
973:–
957:–
947:–
937:–
800:–
792:–
788:–
781:.
755:.
564:,
529:3
522:3
515:4
509:2
502:2
496:2
481:2
456:,
177:,
45:c.
3409::
2716:(
2463:)
2456:(
1662:e
1655:t
1648:v
1602:.
1576:.
1567:.
1541:.
1515:.
1473:.
1434:.
1418:.
1112:.
890:.
869:4
854:2
830:.
769:.
735:.
701:.
675:.
493:)
421:.
331:–
133:)
114:1
85:)
50:)
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