T. S. Eliot - Knowledge

8375: 816:. This, coupled with apparent mental instability, meant that she was often sent away by Eliot and her doctors for extended periods of time in the hope of improving her health. As time went on, he became increasingly detached from her. According to witnesses, both Eliots were frequent complainers of illness, physical and mental, while Eliot would drink excessively and Vivienne is said to have developed a liking for opium and ether, drugs prescribed for medical issues. It is claimed that the couple's wearying behaviour caused some visitors to vow never to spend another evening in the company of both together. The couple formally separated in 1933, and in 1938 Vivienne's brother, Maurice, had her committed to a mental hospital, against her will, where she remained until her death of heart disease in 1947. When told via a phone call from the asylum that Vivienne had died unexpectedly during the night, Eliot is said to have buried his face in his hands and cried out 'Oh God, oh God.' 1610:"Burnt Norton" is a meditative poem that begins with the narrator trying to focus on the present moment while walking through a garden, focusing on images and sounds such as the bird, the roses, clouds and an empty pool. The meditation leads the narrator to reach "the still point" in which there is no attempt to get anywhere or to experience place and/or time, instead experiencing "a grace of sense". In the final section, the narrator contemplates the arts ("words" and "music") as they relate to time. The narrator focuses particularly on the poet's art of manipulating "Words strain, / Crack and sometimes break, under the burden , under the tension, slip, slide, perish, decay with imprecision, will not stay in place, / Will not stay still." By comparison, the narrator concludes that "Love is itself unmoving, / Only the cause and end of movement, / Timeless, and undesiring." 735:. A connection through Aiken resulted in an arranged meeting and on 22 September 1914, Eliot paid a visit to Pound's flat. Pound instantly deemed Eliot "worth watching" and was crucial to Eliot's fledgling career as a poet, as he is credited with promoting Eliot through social events and literary gatherings. Thus, according to biographer John Worthen, during his time in England Eliot "was seeing as little of Oxford as possible". He was instead spending long periods of time in London, in the company of Ezra Pound and "some of the modern artists whom the war has so far spared It was Pound who helped most, introducing him everywhere." In the end, Eliot did not settle at Merton and left after a year. In 1915 he taught English at 2038: 3868: 1098: 48: 3808: 3828: 8499: 8335: 3848: 1879:", Eliot argues that art must be understood not in a vacuum, but in the context of previous pieces of art. "In a peculiar sense ... must inevitably be judged by the standards of the past." This essay was an important influence over the New Criticism by introducing the idea that the value of a work of art must be viewed in the context of the artist's previous works, a "simultaneous order" of works (i.e., "tradition"). Eliot himself employed this concept on many of his works, especially on his long-poem 3468: 8759: 3456: 846: 762: 13201: 1909:. Eliot particularly praised the metaphysical poets' ability to show experience as both psychological and sensual, while at the same time infusing this portrayal with—in Eliot's view—wit and uniqueness. Eliot's essay "The Metaphysical Poets", along with giving new significance and attention to metaphysical poetry, introduced his now well-known definition of "unified sensibility", which is considered by some to mean the same thing as the term "metaphysical". 529:. In his memoir about Eliot, his friend Robert Sencourt comments that the young Eliot "would often curl up in the window-seat behind an enormous book, setting the drug of dreams against the pain of living." Secondly, Eliot credited his hometown with fuelling his literary vision: "It is self-evident that St. Louis affected me more deeply than any other environment has ever done. I feel that there is something in having passed one's childhood beside the 367: 1332: 936: 1732:. In a 1933 lecture he said "Every poet would like, I fancy, to be able to think that he had some direct social utility . . . . He would like to be something of a popular entertainer and be able to think his own thoughts behind a tragic or a comic mask. He would like to convey the pleasures of poetry, not only to a larger audience but to larger groups of people collectively; and the theatre is the best place in which to do it." 8394: 1495:. Eliot's style of writing in "Ash-Wednesday" showed a marked shift from the poetry he had written prior to his 1927 conversion, and his post-conversion style continued in a similar vein. His style became less ironic, and the poems were no longer populated by multiple characters in dialogue. Eliot's subject matter also became more focused on his spiritual concerns and his Christian faith. 1290:, the magazine's founder, that she should publish "The Love Song of J. Alfred Prufrock". Although the character Prufrock seems to be middle-aged, Eliot wrote most of the poem when he was only twenty-two. Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when 3592:." Another example appears in the poem, "Burbank with a Baedeker: Bleistein with a Cigar" in which Eliot wrote, "The rats are underneath the piles. / The jew is underneath the lot. / Money in furs." Julius writes: "The anti-Semitism is unmistakable. It reaches out like a clear signal to the reader." Julius' viewpoint has been supported by 5939:

1991, p. 11: "Mary Trevelyan, then aged forty, was less important for Eliot's writing. Where Emily Hale and Vivienne were part of Eliot's private phantasmagoria, Mary Trevelyan played her part in what was essentially a public friendship. She was Eliot's escort for nearly twenty years until his second

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For a poet of his stature, Eliot produced relatively few poems. He was aware of this even early in his career; he wrote to J. H. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year.

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also questioned the entire basis for Raine's book, writing, "Why do critics feel a need to defend the authors they write on, like doting parents deaf to all criticism of their obnoxious children? Eliot's well-earned reputation is established beyond all doubt, and making him out to be as unflawed as

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defended Eliot from the charge of anti-Semitism. Paul Dean was not convinced by Raine's argument but nevertheless concluded, "Ultimately, as both Raine and, to do him justice, Julius insist, however much Eliot may have been compromised as a person, as we all are in our several ways, his greatness as

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About 30 years later Eliot commented on his religious views that he combined "a Catholic cast of mind, a Calvinist heritage, and a Puritanical temperament". He also had wider spiritual interests, commenting that "I see the path of progress for modern man in his occupation with his own self, with his

519:, he could not participate in many physical activities and thus was prevented from socialising with his peers. As he was often isolated, his love for literature developed. Once he learned to read, the young boy immediately became obsessed with books, favouring tales of savage life, the Wild West, or 1966:

thought it was the best poetry being written in the English language while others thought it was esoteric and wilfully difficult. Edmund Wilson, being one of the critics who praised Eliot, called him "one of our only authentic poets". Wilson also pointed out some of Eliot's weaknesses as a poet. In

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The writer Ronald Bush notes that Eliot's early poems like "The Love Song of J. Alfred Prufrock", "Portrait of a Lady", "La Figlia Che Piange", "Preludes", and "Rhapsody on a Windy Night" had " effect was both unique and compelling, and their assurance staggered contemporaries who were privileged

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refers to this peak of influence (from the 1940s through the early 1960s) as "the Age of Eliot" when Eliot "seemed pure zenith, a colossus, nothing less than a permanent luminary, fixed in the firmament like the sun and the moon". But during this post-war period, others, like Ronald Bush, observed

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from 1906 to 1909, earning a Bachelor of Arts in an elective program similar to comparative literature in 1909 and a Master of Arts in English literature the following year. Because of his year at Milton Academy, Eliot was allowed to earn his Bachelor of Arts after three years instead of the usual

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It was composed during a period of personal difficulty for Eliot—his marriage was failing, and both he and Vivienne were suffering from nervous disorders. Before the poem's publication as a book in December 1922, Eliot distanced himself from its vision of despair. On 15 November 1922, he wrote to

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Eliot wrote to Conrad Aiken on New Year's Eve 1914: "I hate university towns and university people, who are the same everywhere, with pregnant wives, sprawling children, many books and hideous pictures on the walls Oxford is very pretty, but I don't like to be dead." Escaping Oxford, Eliot spent

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Regarding his method of playwriting, Eliot explained, "If I set out to write a play, I start by an act of choice. I settle upon a particular emotional situation, out of which characters and a plot will emerge. And then lines of poetry may come into being: not from the original impulse but from a

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During an interview in 1959, Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I'm sure of. ... It wouldn't be what it is, and I

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for the 1932–1933 academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in 1932 and her death in 1947. Vivienne was committed to the Northumberland House mental

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In a private paper written in his sixties, Eliot confessed: "I came to persuade myself that I was in love with Vivienne simply because I wanted to burn my boats and commit myself to staying in England. And she persuaded herself (also under the influence of Pound) that she would save the poet by

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Before leaving the US, Eliot had told Emily Hale that he was in love with her. He exchanged letters with her from Oxford during 1914 and 1915, but they did not meet again until 1927. In a letter to Aiken late in December 1914, Eliot, aged 26, wrote: "I am very dependent upon women (I mean female

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write, "There is no disagreement on importance as one of the great renovators of the English poetry dialect, whose influence on a whole generation of poets, critics, and intellectuals generally was enormous. his range as a poet limited, and his interest in the great middle ground of human

3623:), Eliot wrote of societal tradition and coherence, "What is still more important is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable." Eliot never re-published this book/lecture. In his 1934 pageant play 1924:

Late in his career, Eliot focused much of his creative energy on writing for the theatre; some of his earlier critical writing, in essays such as "Poetry and Drama", "Hamlet and his Problems", and "The Possibility of a Poetic Drama", focused on the aesthetics of writing drama in verse.

1491:. Published in 1930, it deals with the struggle that ensues when a person who has lacked faith acquires it. Sometimes referred to as Eliot's "conversion poem", it is richly but ambiguously allusive, and deals with the aspiration to move from spiritual barrenness to hope for human 889:. Eliot said he found Joyce arrogant, and Joyce doubted Eliot's ability as a poet at the time, but the two writers soon became friends, with Eliot visiting Joyce whenever he was in Paris. Eliot and Wyndham Lewis also maintained a close friendship, leading to Lewis's later making 1231:

imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America."

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also can be better understood in light of his work as a critic. He had argued that a poet must write "programmatic criticism", that is, a poet should write to advance his own interests rather than to advance "historical scholarship". Viewed from Eliot's critical lens,

5957:, 2008, p. 343: "Later, sensible, efficient Mary Trevelyan served her long stint as support during the years of penitence. For her their friendship was a commitment; for Eliot quite peripheral. His passion for immortality was so commanding that it allowed him to ..." 1424:, it marked "The nadir of the phase of despair and desolation given such effective expression in 'The Waste Land'." It is Eliot's major poem of the late 1920s. Similar to Eliot's other works, its themes are overlapping and fragmentary. Post-war Europe under the 1997:

at the time, Gilbert Seldes stated, "It seems at first sight remarkably disconnected and confused... a closer view of the poem does more than illuminate the difficulties; it reveals the hidden form of the work, indicates how each thing falls into place."

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2005, p. xv: "Details of Eliot's friendship with Emily Hale, who was very close to him in his Boston days and with Mary Trevelyan, who wanted to marry him and left a riveting memoir of Eliot's most inscrutable years of fame, shed new light on this period

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experience (as distinct from the extremes of saint and sinner) deficient." Despite this criticism, these scholars also acknowledge " poetic cunning, his fine craftsmanship, his original accent, his historical and representative importance as

1037:, following Eliot's and Hale's wishes, for 50 years after both had died, until 2020. When Eliot heard of the donation he deposited his own account of their relationship with Harvard University to be opened whenever the Princeton letters were. 1871:

once said, "I do not know for certain how much of my own mind invented, let alone how much of it is a reaction against him or indeed a consequence of misreading him. He is a very penetrating influence, perhaps not unlike the east wind."

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and succeeding verse plays offered a double advantage; it allowed him to practice poetry but it also offered a convenient home for his religious sensibility." After this, he worked on more "commercial" plays for more general audiences:

1381:, some of the more approving critics said that I had expressed 'the disillusion of a generation', which is nonsense. I may have expressed for them their own illusion of being disillusioned, but that did not form part of my intention." 1384:

The poem is known for its disjointed nature due to its usage of allusion and quotation and its abrupt changes of speaker, location, and time. This structural complexity is one of the reasons that the poem has become a touchstone of

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More generally, New Critics took a cue from Eliot in regard to his "'classical' ideals and his religious thought; his attention to the poetry and drama of the early seventeenth century; his deprecation of the Romantics, especially

1971:, Wilson admits its flaws ("its lack of structural unity"), but concluded, "I doubt whether there is a single other poem of equal length by a contemporary American which displays so high and so varied a mastery of English verse." 799:

The marriage seems to have been markedly unhappy, in part because of Vivienne's health problems. In a letter addressed to Ezra Pound, she covers an extensive list of her symptoms, which included a habitually high temperature,

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maintained that it is one of the most moving poems Eliot wrote, and perhaps the "most perfect", though it was not well received by everyone. The poem's groundwork of orthodox Christianity discomfited many of the more secular

1613:"East Coker" continues the examination of time and meaning, focusing in a famous passage on the nature of language and poetry. Out of darkness, Eliot offers a solution: "I said to my soul, be still, and wait without hope." 1462:. The "continuous parallel between contemporaneity and antiquity" that is so characteristic of his mythical method remained in fine form. "The Hollow Men" contains some of Eliot's most famous lines, notably its conclusion: 1070:, who was 30. In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August 1949. They kept their wedding secret; the ceremony was held in St Barnabas Church, 1635:("Houses / Are removed, destroyed") had become a violent everyday experience; this creates an animation, where for the first time he talks of love as the driving force behind all experience. From this background, the 512:, which was a new profession in the U.S. in the early 20th century. Eliot was the last of six surviving children. Known to family and friends as Tom, he was the namesake of his maternal grandfather, Thomas Stearns. 7746: 731:

much of his time in London. This city had a monumental and life-altering effect on Eliot for several reasons, the most significant of which was his introduction to the influential American literary figure

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and implicit in the earlier poetry. The result, fueled by intermittent rediscovery of Eliot's occasional anti-Semitic rhetoric, has been a progressive downward revision of his once towering reputation.

3532:). However, the multifarious tributes from practicing poets of many schools published during his centenary in 1988 was a strong indication of the intimidating continued presence of his poetic voice." 7812: 6137: 585:'s student literary magazine. He published three short stories in 1905, "Birds of Prey", "A Tale of a Whale" and "The Man Who Was King". The last mentioned story reflected his exploration of the 3512:

As Eliot's conservative religious and political convictions began to seem less congenial in the postwar world, other readers reacted with suspicion to his assertions of authority, obvious in

1743:. The play featured "Sweeney", a character who had appeared in a number of his poems. Although Eliot did not finish the play, he did publish two scenes from the piece. These scenes, titled 401:

poetry. His use of language, writing style, and verse structure reinvigorated English poetry. He is also noted for his critical essays, which often re-evaluated long-held cultural beliefs.

1055:, who collected and managed Eliot's papers, styling himself "Keeper of the Eliot Archive". Hayward also collected Eliot's pre-Prufrock verse, commercially published after Eliot's death as 1317:

on 21 June 1917. "The fact that these things occurred to the mind of Mr. Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to

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A year after Eliot moved to London in 1914, he was introduced to Ezra Pound through a mutual friend, Conrad Aiken. Pound and Eliot soon became lifelong friends and literary allies.

7516: 1362:('the better craftsman') refers to Ezra Pound's significant hand in editing and reshaping the poem from a longer manuscript to the shortened version that appears in publication. 1029:, in 1938, and remained there until she died. Although Eliot was still legally her husband, he never visited her. From 1933 to 1946 Eliot had a close emotional relationship with 571:

He said the results were gloomy and despairing and he destroyed them. His first published poem, "A Fable For Feasters", was written as a school exercise and was published in the

13602: 5264: 1185:(New York). These had the same poems (in a different order) except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. In 1925, he collected 515:

Eliot's childhood infatuation with literature can be ascribed to several factors. First, he had to overcome physical limitations as a child. Struggling from a congenital double

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took an interest in Vivienne while the newlyweds stayed in his flat. Some scholars have suggested that she and Russell had an affair, but the allegations were never confirmed.

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where he was born. After going away to school in 1905, he returned to St. Louis only for vacations and visits. Despite moving away from the city, Eliot wrote to a friend that "

13492: 1074:, London, at 6:15 am with virtually no one in attendance other than his wife's parents. In the early 1960s, by then in failing health, Eliot worked as an editor for the 1902:; his proposition that good poems constitute 'not a turning loose of emotion but an escape from emotion'; and his insistence that 'poets... at present must be difficult'." 7551:

Heavily influenced by the modernist poets T.S. Eliot and Ezra Pound, Walcott became internationally prominent with the collection In a Green Night: Poems 1948–1960 (1962).

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The poem is often read as a representation of the disillusionment of the post-war generation. Dismissing this view, Eliot commented in 1931, "When I wrote a poem called

13547: 7808: 13517: 13412: 1867:. He was somewhat self-deprecating and minimising of his work and once said his criticism was merely a "by-product" of his "private poetry-workshop". But the critic 1616:"The Dry Salvages" treats the element of water, via images of river and sea. It strives to contain opposites: "The past and future / Are conquered, and reconciled." 1402:

Among its best-known phrases are "April is the cruellest month", "I will show you fear in a handful of dust", and "These fragments I have shored against my ruins".

2973: 1739:(1922), he wrote that he was "now feeling toward a new form and style". One project he had in mind was writing a play in verse, using some of the rhythms of early 13477: 13257: 4825: 3431: 1173:

Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets and then collected them in books. His first collection was

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offered Eliot some hope for himself, and I think Eliot needed some resting place. But secondly, it attached Eliot to the English community and English culture."

13592: 4051: 1121:, the village in Somerset from which his Eliot ancestors had emigrated to America. A wall plaque in the church commemorates him with a quotation from his poem 877:. To earn extra money, he wrote book reviews and lectured at evening extension courses at University College London and Oxford. In 1917, he took a position at 575:

in February 1905. Also published there in April 1905 was his oldest surviving poem in manuscript, an untitled lyric, later revised and reprinted as "Song" in

1599:" (1942). Each has five sections. Although they resist easy characterisation, each poem includes meditations on the nature of time in some important respect— 1434:

perceived a shift in Eliot's method, writing, "The mythologies disappear altogether in 'The Hollow Men'." This is a striking claim for a poem as indebted to

5903: 533:, which is incommunicable to those people who have not. I consider myself fortunate to have been born here, rather than in Boston, or New York, or London." 13457: 6760: 6128: 6050: 7249: 13262: 13172: 13123: 9210: 8504: 2863: 1246:

shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process. It must also be acknowledged, as

13572: 13407: 13327: 10703: 8590: 5447: 3023: 1258:: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French." ("Yeats", 13542: 13417: 13402: 13242: 13185: 8781: 13587: 13422: 11812: 3043: 2661: 1118: 1078:, seeking new poets in Europe for publication. After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating 687:

After working as a philosophy assistant at Harvard from 1909 to 1910, Eliot moved to Paris where, from 1910 to 1911, he studied philosophy at the

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Specific quote is "The general point of view may be described as classicist in literature, royalist in politics, and anglo-catholic [

5388: 911:), where he remained for the rest of his career. At Faber and Faber, he was responsible for publishing distinguished English poets, including 784:

After a short visit, alone, to his family in the United States, Eliot returned to London and took several teaching jobs, such as lecturing at

8088:. Ed. Valerie Eliot. Vol. I, 1898–1922. San Diego , 1988. Vol. 2, 1923–1925. Edited by Valerie Eliot and Hugh Haughton, London: Faber, 2009. 5980: 5821: 2611: 6630: 13322: 9049: 3520:

Bush also notes that Eliot's reputation "slipped" significantly further after his death. He writes, "Sometimes regarded as too academic (

3068: 2017: 7505: 13367: 13362: 13337: 11512: 2774: 8285: 7644: 5501: 1254:(Macmillan, 2011) that he was deeply influenced by French poets from Baudelaire to Paul Valéry. He himself wrote in his 1940 essay on 1059:. When Eliot and Hayward separated their household in 1957, Hayward retained his collection of Eliot's papers, which he bequeathed to 13537: 13462: 13382: 13352: 11646: 3498: 1990:

for its "extreme disconnection", Ransom was not completely condemnatory of Eliot's work and admitted that Eliot was a talented poet.

13597: 13342: 3584:", Eliot writes, in the voice of the poem's elderly narrator, "And the jew squats on the window sill, the owner / Spawned in some 3209: 7670: 5243:

Bush, Ronald (1995). "The Presence of the Past: Ethnographic Thinking/ Literary Politics". In Barkan, Elzar; Bush, Ronald (eds.).

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wrote negative criticisms of Eliot's work but also had positive things to say. For instance, though Ransom negatively criticised

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These honours are displayed in order of precedence based on Eliot's nationality and rules of protocol, not awarding date.

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In 1967, on the second anniversary of his death, Eliot was commemorated by the placement of a large stone in the floor of

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was mixed. Bush notes that the piece was at first correctly perceived as a work of jazz-like syncopation—and, like 1920s

1876: 1537:'s friendly nickname for Eliot.) The first edition had an illustration of the author on the cover. In 1954, the composer 1271: 833:

keeping him in England. To her, the marriage brought no happiness. To me, it brought the state of mind out of which came

424: 200: 8516: 8422: 1033:. Eliot later destroyed Hale's letters to him, but Hale donated Eliot's to Princeton University Library where they were 13432: 12373: 11821: 11321: 9196: 8365: 5853: 5652: 5086: 3941: 2025: 1021: 968: 870: 541: 4823: 1768:. Much of it was a collaborative effort; Eliot accepted credit only for the authorship of one scene and the choruses. 959:, thereby renouncing his United States citizenship in the event he had not officially done so previously. He became a 504:, was a successful businessman, president and treasurer of the Hydraulic-Press Brick Company in St Louis. His mother, 13557: 13507: 13442: 13307: 12594: 11056: 10997: 10879: 10874: 10869: 10864: 10859: 10849: 10844: 10839: 10834: 10829: 10689: 8065: 7618: 7281: 6467: 6110: 5227: 3214: 2963: 1921:

likely shows his personal despair about the First World War rather than an objective historical understanding of it.

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See, for instance, the biographically oriented work of one of Eliot's editors and major critics, Ronald Schuchard.

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to writing plays in verse, mostly comedies or plays with redemptive endings. He was long a critic and admirer of

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of Oxford". It was defeated by two votes after Eliot reminded the students how much they owed American culture.

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family, he moved to England in 1914 at the age of 25 and went on to settle, work, and marry there. He became a

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Charles Powell was negative in his criticism of Eliot, calling his poems incomprehensible. And the writers of

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Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the

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The only thing that matters is that these should be perfect in their kind, so that each should be an event."

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By 1932, Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the

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In 1916, he completed a doctoral dissertation for Harvard on "Knowledge and Experience in the Philosophy of

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Narita, Tatsushi (November 1994). "The Young T. S. Eliot and Alien Cultures: His Philippine Interactions".

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Eliot's reputation as a poet, as well as his influence in the academy, peaked following the publication of

1842: 1374:, that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style." 1060: 1026: 380: 37: 8558: 7582: 1757:. Although Eliot noted that this was not intended to be a one-act play, it is sometimes performed as one. 427:" from 1914 to 1915, which, at the time of its publication, was considered outlandish. It was followed by 13552: 13447: 13292: 12186: 11428: 11289: 11154: 10185: 8977: 8613: 3355: 3033: 2037: 1386: 398: 186: 12278: 11238: 4866: 13427: 12626: 12415: 11540: 11349: 9678: 9264: 8951: 8897: 8795: 6186: 5284:. Associates of St. Louis University Libraries, Inc. and Landmarks Association of St. Louis, Inc. 1969. 5028: 4635: 4568: 4494: 3158: 3153: 3103: 3078: 2079: 1691: 12283: 11247: 3785:

Below is a partial list of honours and awards received by Eliot or bestowed or created in his honour.

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and those of the French Symbolists. Its reception in London can be gauged from an unsigned review in

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building where Eliot worked from 1925 to 1965; the commemorative plaque is under the right-hand arch.

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writes that the most important moment of Eliot's undergraduate career was in 1908 when he discovered

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Baker, Christopher Paul (2003). "Porphyro's Rose: Keats and T.S. Eliot's "The Metaphysical Poets"".

3543:, acknowledge Eliot's poetry as central to the literary English canon. For instance, the editors of 719:

broke out he went to Oxford instead. At the time so many American students attended Merton that the

12319: 12132: 11568: 11275: 11108: 10722: 9123: 8662: 7457: 7416: 4044: 3916: 3484: 3335: 3013: 2943: 2646: 2116: 1217:, posthumously published in 1967 and consisting mainly of poems published between 1907 and 1910 in 1158: 1101:

Blue plaque, 3 Kensington Court Gardens, Kensington, London, home from 1957 until his death in 1965

1097: 566: 561: 505: 340: 10005: 8543: 5085:(15 October 1930) and in the address "American Literature and the American Language" delivered at 3867: 1428:(which Eliot despised), the difficulty of hope and religious conversion, Eliot's failed marriage. 1067: 13287: 13205: 12526: 12337: 11921: 11865: 11448: 10955: 10937: 10823: 9868: 9323: 9131: 9066: 8922: 8869: 8698: 8309: 6872: 4535: 4462: 4301: 3521: 3252: 3186: 3181: 3083: 2749: 2704: 2501: 2411: 2361: 2106: 2101: 1887: 1671: 1650:

draws upon Christian theology, art, symbolism and language of such figures as Dante, and mystics

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Thirteen Honorary Doctorates (Including ones from Oxford, Cambridge, the Sorbonne, and Harvard)

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as anything else in Eliot's early work, to say little of the modern English mythology—the "Old

708: 477: 353: 165: 10808: 8488: 7872: 5759: 5486: 4911: 1150:, "the communication / of the dead is tongued with fire beyond / the language of the living." 12734: 11573: 11527: 10130: 9420: 9409: 9275: 9188: 8830: 8416: 7666: 7256: 5703: 5669: 5644: 5638: 4965: 4896: 3472: 3196: 3113: 3108: 2729: 2235: 1891: 1651: 1596: 1336: 1146: 10482: 10339: 8549: 5147:(A Revised and Extended ed.). New York City: Harcourt, Brace & World. p. 195. 4246: 3807: 3288: 13237: 13232: 13227: 12998: 12918: 12877: 12608: 12424: 12039: 11837: 11763: 11721: 11522: 11386: 11354: 11168: 11159: 11043: 11015: 10942: 9656: 9164: 8788: 8726: 8630: 8427: 8282: 8216: 7693: 7634: 7360: 5941: 5845: 5839: 5417: 4818:

Bush, Ronald. "T. S. Eliot's Life and Career", in John A Garraty and Mark C. Carnes (eds),

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Seferis, George; Matthias, Susan (2009). "Introduction to T. S. Eliot by George Seferis".

881:

in London, working on foreign accounts. On a trip to Paris in August 1920 with the artist

8: 13297: 12941: 12663: 12558: 12428: 12420: 12250: 12223: 12173: 11935: 11632: 11480: 11358: 11210: 10969: 10559: 10152: 9901: 9587: 9521: 9378: 9356: 9159: 9072: 8740: 8524: 7848: 7462: 7425: 6652: 6328: 5985: 4344: 4026: 4015: 3951: 3853: 3827: 3733: 3713: 3639:, who "firmly refuse/ To descend to palaver with anthropoid Jews". The "new evangels" of 3460: 3393: 3305: 3093: 2893: 2431: 2067: 2052: 1943:

the whole thing was, from the outset. The wholeness is there, from the very beginning.'"

1939:

to read them in manuscript. Aiken, for example, marveled at 'how sharp and complete and

1785: 1721: 1552: 1455: 821: 774: 688: 274: 10890: 10262: 9824: 7856:

Mr. Eliot's Penny World of Dreams: An Essay in the Interpretation of T.S. Eliot's Poetry

5944:, she propped the outer structure of Eliot's life, but for him she, too, represented .." 3568:

The depiction of Jews in some of Eliot's poems has led several critics to accuse him of

3440: 1227:, material Eliot never intended to have published, which appeared posthumously in 1996. 669: 13482: 13392: 13178: 13087: 12785: 12780: 12762: 12753: 12649: 12488: 12387: 11749: 11679: 11674: 11660: 11651: 11081: 11029: 10504: 10119: 9990: 9736: 9424: 9290: 8883: 8876: 8802: 8508: 8498: 8334: 8197: 7940:

Das, Jolly. 'Eliot's Prismatic Plays: A Multifaceted Quest'. New Delhi: Atlantic, 2007.

7905:

Bush, Ronald, 'The Presence of the Past: Ethnographic Thinking/ Literary Politics'. In

7891: 7328: 7003: 6995: 6952: 6721: 6713: 6385:, letters to the editor, 4 September 2001. Wagner omits the word "very" from the quote. 5367:"The Hidden Advantage of Tradition: On the Significance of T. S. Eliot's Indic Studies" 4478: 4470: 4019: 3971: 3967: 3557: 3540: 3320: 2853: 2804: 2516: 2381: 2376: 2273: 2074: 2010:

that this time also marked the beginning of the decline in Eliot's literary influence:

1906: 1858: 1683: 1679: 1604: 720: 594: 582: 455: 150: 12910: 9857: 9301: 7392: 7071: 12716: 12676: 12465: 12451: 12401: 12011: 11989: 11971: 11790: 11716: 11582: 11489: 11395: 11381: 11335: 11048: 10983: 10765: 10636: 10317: 10016: 9979: 9835: 9645: 9488: 9367: 9149: 9044: 8855: 8816: 8747: 8538: 8464: 8404: 8360: 8313: 8277: 8201: 8152: 8089: 8012: 7721: 7614: 7369: 7277: 7044: 7007: 6956: 6725: 6705: 6463: 6400: 6345: 6301: 6106: 6025: 5911: 5849: 5807: 5709: 5675: 5648: 5482: 5343: 5300: 5223: 5167: 5148: 5032: 4917: 4727: 4446: 4352: 3597: 3383: 3340: 3300: 3237: 3191: 3176: 2913: 2873: 2666: 2579: 2574: 2471: 2466: 1983: 1765: 1753: 1667: 1655: 1640: 1588: 1579:

as his masterpiece, and it is the work that most of all led him to being awarded the

1487:"Ash-Wednesday" is the first long poem written by Eliot after his 1927 conversion to 1367: 1282: 1133: 1052: 1009: 801: 613: 530: 12831: 9813: 9334: 9279: 8561:. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. 6366: 6058: 2308: 13156: 13151: 13130: 13023: 12794: 12483: 12470: 12406: 12305: 12287: 12159: 12044: 12030: 12016: 11953: 11688: 11409: 11400: 11326: 11215: 11201: 10789: 10438: 10207: 9967: 9912: 9846: 9802: 9791: 9747: 9625: 9139: 9115: 9014: 9009: 8823: 8379: 8273: 8189: 7882:

Brand, Clinton A. "The Voice of This Calling: The Enduring Legacy of T. S. Eliot",

6987: 6944: 6765: 6697: 6605: 5200: 5112: 4742:

edited by Valerie Eliot and Hugh Haughton, Volume 1: 1898–1922 (1988, revised 2009)

3774: 3753: 3553: 3350: 3310: 3273: 3247: 2903: 2759: 2734: 2631: 2549: 2456: 2351: 2230: 2210: 1826: 1777: 1717: 1592: 1556: 1129: 1048: 793: 501: 335: 155: 10361: 10060: 7694:"Instagram photo by The Phi Beta Kappa Society • Jul 15, 2015 at 7:44 pm UTC" 6784: 6686:"Eliot's Affirmative Way: Julian of Norwich, Charles Williams, and Little Gidding" 703:. Whilst a member of the Harvard Graduate School, Eliot met and fell in love with 13038: 12442: 12168: 12119: 12114: 12101: 12062: 12058: 11944: 11898: 11870: 11693: 11559: 11554: 11372: 11140: 11094: 10548: 10284: 10196: 10141: 10097: 10086: 9956: 9890: 9603: 9312: 9253: 9242: 9039: 8862: 8691: 8609: 8603: 8520: 8411: 8351: 8289: 8233: 8176:

Scofield, Dr. Martin, "T.S. Eliot: The Poems", Cambridge University Press (1988).

8119: 8080:

T. S. Eliot: Homage from India: A Commemoration Volume of 55 Essays & Elegies

7784: 7774:(1905) have never been recollected in any form and have virtually been neglected. 7511: 6820: 6473: 6428: 6295: 6065: 5620: 5337: 4841: 4829: 4611: 4454: 3847: 3640: 3229: 3224: 2789: 2784: 2714: 2656: 2539: 2436: 2416: 2371: 2366: 2298: 2215: 2187: 1675: 1538: 1395: 1291: 940: 916: 908: 904: 896: 874: 862: 761: 724: 716: 638: 628: 557: 553: 516: 10614: 10493: 10416: 10372: 8323: 5389:"Statement by T. S. Eliot on the opening of the Emily Hale letters at Princeton" 5299:. State College, Pennsylvania: Pennsylvania State University Press. p. 62. 13043: 12946: 12873: 12767: 12658: 12644: 12497: 12437: 12392: 12300: 12218: 12204: 12123: 12076: 12053: 11744: 11618: 11367: 11256: 11182: 11085: 10592: 10581: 10251: 10240: 10082: 10027: 9945: 9576: 9532: 9477: 9444: 9398: 9004: 8719: 8712: 8534: 8433: 8305: 8028: 7970: 7840: 7269: 7195: 6813: 6769: 5998: 5279: 4328: 4320: 3985: 3946: 3931: 3813: 3741: 3705: 3689: 3664: 3601: 3573: 2794: 2724: 2671: 2564: 2544: 2496: 2451: 2426: 2401: 2391: 2346: 2336: 2331: 2200: 2136: 1963: 1868: 1547: 1443: 1411: 1343: 1287: 1141: 1137: 1041: 998: 972: 900: 854: 747: 696: 661: 657: 633: 620: 481: 434: 429: 409: 255: 215: 207: 159: 8356: 8347: 6754: 6717: 6685: 6669:

Little Gidding (the element of fire) is the most anthologized of the Quartets.

6399:. University Park, PA: Pennsylvania State University Press. pp. 387–388. 5940:

marriage in 1957. A brainy woman, with the bracing organizational energy of a

5204: 3585: 1886:

Also important to New Criticism was the idea—as articulated in Eliot's essay "

845: 13221: 13058: 12988: 12975: 12850: 12617: 12567: 12545: 12291: 12269: 12105: 12096: 11884: 11879: 11851: 11294: 11280: 11243: 11229: 11076: 10730: 10681: 10471: 10449: 10427: 10405: 10328: 10306: 10295: 10174: 10071: 9758: 9667: 9554: 9543: 9107: 9033: 8837: 8758: 8513: 8163: 7950: 7830: 6925:, Neil Roberts, ed. Malden, Massachusetts: Blackwell Publishers, 2001. p. 154 6709: 6541: 6420: 6331:

in The University of Chicago Magazine (August 2001). Retrieved 23 April 2007.

6029: 5915: 4431: 3766: 3729: 3725: 3632: 3525: 3330: 3283: 2883: 2779: 2769: 2754: 2694: 2616: 2601: 2559: 2491: 2476: 2446: 2406: 2396: 2303: 2220: 2195: 2006: 1955: 1863: 1797: 1793: 1570: 1451: 1421: 1354: 1005: 920: 882: 866: 743: 692: 665: 647: 643: 624: 586: 549: 509: 443: 302: 231: 9934: 9769: 8075:, Faber & Faber, Farrar, Straus, Giroux, 1972, revised Kindle edn. 2014. 6493:. Edited by Christopher Ricks and Jim McCue, Faber & Faber, 2015, p. 576 6477: 6432: 4895:. Bloom's Biocritiques. Broomall: Chelsea House Publishing. pp. (3–44) 4842:"T.S. Eliot | Biography, Poems, Works, Importance, & Facts | Britannica" 1301:

The poem's structure was heavily influenced by Eliot's extensive reading of

13013: 13008: 12817: 12739: 12703: 12685: 12667: 12635: 12631: 12613: 12599: 12581: 12563: 12456: 12364: 12350: 12346: 12328: 12255: 12241: 12209: 12145: 12141: 12002: 11998: 11926: 11707: 11637: 11605: 11587: 11545: 11531: 11340: 11312: 11308: 11261: 11131: 11117: 11113: 11034: 11020: 10988: 10974: 10946: 10647: 10603: 10383: 10229: 10218: 10049: 9879: 9078: 8809: 8205: 8062:

Eliot and His Age: T. S, Eliot's Moral Imagination in the Twentieth Century

8058: 7412: 7319: 6960: 3737: 3644: 3609: 3593: 3569: 3536: 3219: 2744: 2651: 2626: 2621: 2596: 2584: 2569: 2554: 2521: 2511: 2486: 2341: 2245: 2141: 1959: 1822: 1713: 1584: 1505: 1247: 960: 948: 826: 699:. From 1911 to 1914, he was back at Harvard studying Indian philosophy and 681: 497: 8329: 7698: 6978:

Malloch, A. E. (1953). "The Unified Sensibility and Metaphysical Poetry".

6948: 1044:

of London University, who wanted to marry him and left a detailed memoir.

12983: 12891: 12855: 12803: 12721: 12699: 12681: 12474: 12378: 12191: 11976: 11958: 11912: 11856: 11777: 11735: 11601: 11503: 11414: 11052: 11006: 10713: 10537: 10460: 10273: 10108: 9994: 9565: 9499: 9455: 9175: 8300: 8142: 8136: 8048: 8038: 5117: 4891:

Sanna, Ellyn (2003). "Biography of T. S. Eliot". In Bloom, Harold (ed.).

3757: 3749: 3717: 3659: 3529: 3388: 3201: 2739: 2689: 2641: 2636: 2506: 2481: 2461: 2240: 2181: 2176: 2094: 1940: 1705: 1600: 1526: 1488: 1447: 1390: 1295: 1255: 1154: 952: 912: 886: 878: 485: 6187:"East Coker does not deserve the taint of TS Eliot's narcissistic gloom" 4718: 4709: 4700: 4691: 3896:"for his outstanding, pioneer contribution to present-day poetry" (1948) 903:. In 1925 Eliot left Lloyds to become a director in the publishing firm 13053: 13033: 13003: 12993: 12799: 12707: 12549: 12531: 12502: 12342: 12324: 12137: 11994: 11962: 11940: 11893: 11842: 11623: 11609: 11471: 11453: 11002: 9614: 9345: 9154: 9144: 8399: 8250: 8193: 8007: 7245: 7096: 6896: 6847: 5366: 5152: 5013:. Amsterdam: Elsevier Publishing Company, 1969. Retrieved 6 March 2012. 3721: 3709: 3701: 3693: 3636: 3605: 3295: 2814: 2799: 2699: 2421: 2283: 1834: 1725: 1619:"Little Gidding" (the element of fire) is the most anthologised of the 1534: 1499: 1439: 1431: 1277: 1235: 1110: 1071: 1030: 976: 924: 861:

After leaving Merton, Eliot worked as a schoolteacher, most notably at

732: 704: 616:

have made a deeper impression on me than any other part of the world."

525: 520: 394: 8209: 7481: 6999: 6964: 6258:, vol. I. Valerie Eliot (ed.), New York: Harcourt Brace, 1988, p. 285. 5473:

Brazeal, Gregory (Fall 2007). "The Alleged Pragmatism of T.S. Eliot".

4790:

edited by Valerie Eliot and John Haffenden, Volume 9: 1939–1941 (2021)

4784:

edited by Valerie Eliot and John Haffenden, Volume 8: 1936–1938 (2019)

4778:

edited by Valerie Eliot and John Haffenden, Volume 7: 1934–1935 (2017)

4772:

edited by Valerie Eliot and John Haffenden, Volume 6: 1932–1933 (2016)

4766:

edited by Valerie Eliot and John Haffenden, Volume 5: 1930–1931 (2014)

4760:

edited by Valerie Eliot and John Haffenden, Volume 4: 1928–1929 (2013)

4754:

edited by Valerie Eliot and John Haffenden, Volume 3: 1926–1927 (2012)

3970:

for Best Song Musically and Lyrically for his poems used in the song "

12859: 12826: 12771: 12585: 12540: 12359: 11665: 11466: 11303: 10658: 10570: 8705: 8596: 7909:, ed. Elzar Barkan and Ronald Bush, Stanford University Press (1995). 7022: 6233: 6020: 5904:"TS Eliot's hidden love letters reveal intense, heartbreaking affair" 5419:

Painted Shadow: The Life of Vivienne Eliot, First Wife of T. S. Eliot

4748:

edited by Valerie Eliot and Hugh Haughton, Volume 2: 1923–1925 (2009)

4254: 3697: 3581: 3360: 3098: 2441: 2293: 2288: 2250: 2126: 2111: 1905:

Eliot's essays were a major factor in the revival of interest in the

1624: 1492: 1106: 778: 715:, Germany, where he planned to take a summer programme, but when the 601: 493: 463:, "for his outstanding, pioneer contribution to present-day poetry". 405: 366: 72: 6491:

The Poems of T.S. Eliot, Volume 1: Collected & Uncollected Poems

1583:. It consists of four long poems, each first published separately: " 930: 13018: 12576: 12506: 12382: 12195: 12177: 11980: 11498: 11173: 11145: 10350: 8400:

official listing of T. S. Eliot's works with some available in full

8388: 7639: 6991: 6701: 4384: 3680:

Eliot influenced many poets, novelists, and songwriters, including

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Many critics were particularly enthusiastic about "Ash-Wednesday".

1331: 980: 935: 865:

in London, where he taught French and Latin: his students included

809: 805: 773:

society)." Less than four months later, Thayer introduced Eliot to

700: 609: 390: 7236:. "T.S. Eliot". New York, NY: W.W. Norton & Co.: NY, NY, 2000. 6921:

Burt, Steven and Lewin, Jennifer. "Poetry and the New Criticism".

1265: 781:. They were married at Hampstead Register Office on 26 June 1915. 12071: 12025: 11907: 8384: 8100:

Affectionately, T. S. Eliot: The Story of a Friendship: 1947–1965

3669: 3628: 3589: 3315: 2171: 813: 712: 560:. He began to write poetry when he was 14 under the influence of 7305:

Eliot, T. S. "Burbank with a Baedeker: Bleistein with a Cigar".

5262:

Marsh, Alex; Daumer, Elizabeth (2005). "Pound and T. S. Eliot".

4052:"The Nobel Prize in Literature 1948 | T.S. Eliot | Bibliography" 1541:

set six of the poems for speaker and orchestra in a work titled

680:

published some of his poems and he became lifelong friends with

10526: 8459: 8405:

doollee.com listing of T S Eliot's works written for the stage

8294: 8003:

Tradition and the Individual Scot]: Edwin Muir & T.S. Eliot

5093:, no. 23 (St. Louis: Washington University Press, 1953), pg. 6. 3761: 3524:'s view), Eliot was also frequently criticized for a deadening 3365: 2313: 1643:: "All shall be well and / All manner of thing shall be well." 1307: 1086:. Valerie Eliot died on 9 November 2012 at her home in London. 994: 604:, Missouri, for the first 16 years of his life at the house on 89: 9218: 8622: 6297:

T. S. Eliot and Indic Traditions: A Study in Poetry and Belief

1389:, a poetic counterpart to a novel published in the same year, 668:. Without Verlaine, Eliot wrote, he might never have heard of 12886: 11772: 7945:

A Concordance to "The Complete Poems and Plays of T.S. Eliot"

6129:"Famous names whose final stop was Golders Green crematorium" 5955:

The Modern Dilemma: Wallace Stevens, T.S. Eliot, and Humanism

1784:, and later commissioned Eliot to write another play for the 1628: 1555:, first produced in London's West End in 1981 and opening on 1545:. After Eliot's death, the book was the basis of the musical 1435: 1302: 545: 6388: 6352:. Retrieved 27 February 2019. (citing an unsigned review in 8474: 5089:(9 June 1953), published in Washington University Studies, 4717:(Norton Critical Editions), edited by Michael North (2000) 2121: 1978:

magazine were similarly baffled by a challenging poem like

1951: 1740: 1008:, commented that "the purposes of were two-fold. One: the 386: 8469: 7610:

The Order of Canada: Its Origins, History, and Development

1993:

Addressing some of the common criticisms directed against

1857:

Eliot also made significant contributions to the field of

1776:, had been instrumental in connecting Eliot with producer 1458:, which, at least for reasons of textual history, echo in 1125:: "In my beginning is my end. In my end is my beginning." 385:(26 September 1888 – 4 January 1965) was a 10920: 7886:

Volume 45, Number 4; Fall 2003, conservative perspective.

6742:, Harvard University Press, 1933 (penultimate paragraph). 5800: 5580: 5578: 1764:

was performed in 1934 for the benefit of churches in the

1117:. In accordance with his wishes, his ashes were taken to 985: 423:

Eliot first attracted widespread attention for his poem "

8593:

audio, video and full transcripts from Open Yale Courses

8245:

Anglo-Catholic in Religion: T. S. Eliot and Christianity

6623:"An introduction to Old Possum's Book of Practical Cats" 4697:

Old Possum's Book of Practical Cats, Illustrated Edition

619:

Following graduation from Smith Academy, Eliot attended

12940: 8064:(Introduction by Benjamin G. Lockerd Jr.). Wilmington: 7506:"FIRST ENCOUNTERS : When James Joyce met TS Eliot" 7120: 7118: 5220:

T. S. Eliot, The World Fair of St. Louis and "Autonomy"

3528:(as he himself—perhaps just as unfairly—had criticized 13603:

Mary Institute and St. Louis Country Day School alumni

11820: 8123:

T. S. Eliot. The Making of an American Poet, 1888–1922

8107:

Great Tom: Notes Towards the Definition of T. S. Eliot

7943:

Dawson, J. L., P. D. Holland & D. J. McKitterick,

7889:

Brown, Alec. "The Lyrical Impulse in Eliot's Poetry",

6462:. Cambridge: Cambridge University Press. p. 129. 6397:

T. S. Eliot: the making of an American poet, 1888–1922

6254:

Eliot, T. S. "Letter to J. H. Woods, April 21, 1919."

5575: 5297:

T. S. Eliot: The Making of an American Poet, 1888–1922

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thus predated his anthropological studies at Harvard.

13493:

People associated with University of London Worldwide

7982:

Where the Dreams Cross: T. S. Eliot and French Poetry

3752:. T. S. Eliot was a strong influence on 20th-century 3744:(who in 1936 published a modern Greek translation of 2005:. In an essay on Eliot published in 1989, the writer 1700:, Eliot directed much of his creative energies after 819:

Their relationship became the subject of a 1984 play

8068:, Republication of the revised second edition, 2008. 7947:

Ithaca & London: Cornell University Press, 1995.

7234:

The Norton Anthology of English Literature, Volume 2

7115: 5502:"Sealed Treasure: T. S. Eliot Letters to Emily Hale" 1305:

and refers to a number of literary works, including

1066:

On 10 January 1957, at the age of 68, Eliot married

840: 8572:

Links to audio recordings of Eliot reading his work

7783:As for a comparative study of this short story and 6340:See, for example, Eliot, T. S. (21 December 2010). 4801: 1796:, was more under Eliot's control. Eliot biographer 1294:was hailed for its derivations of the 19th-century 1252:

Where the Dreams Cross: T S Eliot and French Poetry

676:, a work that affected the course of Eliot's life. 7914:The Savage and the City in the Work of T. S. Eliot 7793:T. S. Eliot and his Youth as "A Literary Columbus" 7697: 7504: 7417:"T. S. Eliot on Literary Morals: On T. S. Eliot's 7045:"T. S. Eliot :: The Waste Land And Criticism" 6832:quoted in Roger Kimball, "A Craving for Reality", 6753: 6377:21 June 1917, no. 805, 299; Wagner, Erica (2001), 6127: 6016:"Marriage. Mr T. S. Eliot and Miss E. V. Fletcher" 5342:. Swallow Press/Ohio University Press. p. 2. 5222:. Nagoya, Japan: Kougaku Shuppan. pp. 9–104. 5009:, Nobel Foundation, taken from Frenz, Horst (ed). 4124:"Song: 'When we came home across the hill'" (1909) 1420:"The Hollow Men" appeared in 1925. For the critic 1113:in London, on 4 January 1965, and was cremated at 13186:The Awefull Battle of the Pekes and the Pollicles 8782:The Awefull Battle of the Pekes and the Pollicles 8228:T. S. Eliot: An Intensive Study of Selected Poems 8171:Eliot's Dark Angel: Intersections of Life and Art 5804:] in religion", in preface by T. S. Eliot to 5101: 5099: 5007:"The Nobel Prize in Literature 1948 – T.S. Eliot" 4130:"Song: 'The moonflower opens to the moth'" (1909) 931:Conversion to Anglicanism and British citizenship 13518:Commandeurs of the Ordre des Arts et des Lettres 13413:20th-century American dramatists and playwrights 13219: 8125:. The Pennsylvania State University Press. 2005. 7996:Landscape as Symbol in the Poetry of T. S. Eliot 7218:The Western Canon: Books and Schools of the Ages 5609:The Letters of T. S. Eliot, Volume 1, 1898–1922. 5412: 5410: 4115:"Song: 'If space and time, as sages say'" (1907) 1954:, essentially iconoclastic." Some critics, like 1849:secondary stimulation of the unconscious mind." 1631:during the German bombing. The beginning of the 1089:Eliot had no children with either of his wives. 723:proposed a motion "that this society abhors the 8446:The Sacred Wood: Essays on Poetry and Criticism 8179: 7101:The Sacred Wood: Essays on Poetry and Criticism 6798:T. S. Eliot at the Institute for Advanced Study 6161:"National Poetry Day on Premier 2013 – Premier" 6024:. No. 53736. 11 January 1957. p. 10. 5746:. New York Center of Visual History: PBS, 1988. 5527:The Letters of T. S. Eliot, Volume 1, 1898–1922 4822:. New York: Oxford University Press, 1999, via 4529:The Sacred Wood: Essays on Poetry and Criticism 4261:Burbank with a Baedeker: Bleistein with a Cigar 1623:. Eliot's experiences as an air raid warden in 1040:From 1938 to 1957 Eliot's public companion was 13548:Recipients of the Pour le Mérite (civil class) 13478:Institute for Advanced Study visiting scholars 13258:People who renounced United States citizenship 10711: 8546:at University of Victoria, Special Collections 8283:Biography From T. S. Eliot Lives' and Legacies 7921:Young Eliot: From St Louis to "The Waste Land" 5738: 5736: 5734: 5732: 5569:The Letters of T.S. Eliot: Volume 1, 1898–1922 5339:Praising it New: The Best of the New Criticism 5096: 13593:Members of the American Philosophical Society 13124:Highlights from the Motion Picture Soundtrack 12926: 11806: 10906: 10697: 9204: 8638: 8033:T. S. Eliot, Anti-Semitism, and Literary Form 6427:. New York: Simon and Schuster. p. 113. 6080:"T.S. Eliot's widow Valerie Eliot dies at 86" 5667: 5571:. London: Faber and Faber. 1988. p. 533. 5407: 4674:Inventions of the March Hare: Poems 1909–1917 3874:Commandeur de l'Ordre des Arts et des Lettres 3643:are presented as antithetic to the spirit of 3621:After Strange Gods: A Primer of Modern Heresy 3578:T. S. Eliot, Anti-Semitism, and Literary Form 3492: 1607:, respectively: air, earth, water, and fire. 1405: 1225:Inventions of the March Hare: Poems 1909–1917 1119:St Michael and All Angels' Church, East Coker 1047:From 1946 to 1957, Eliot shared a flat at 19 8308:, Eliot's Early Years, Oxford and New York: 8230:, New Delhi: Spectrum Books Pvt. Ltd (2005). 8053:T. S. Eliot: A Collection of Critical Essays 7324:"The Jewish Question: British Anti-Semitism" 7274:T.S. Eliot, Anti-Semitism, and Literary Form 7094: 7020: 6894: 6845: 6764:(online ed.). Oxford University Press. 6518:"10 of the Most Famous Lines by T. S. Eliot" 5789:, Vol. XVII, No. 4, 28 February 1965, pg. 3. 5002: 5000: 4498:(first performed in 1958, published in 1959) 4450:(published in 1926, first performed in 1934) 4084:"The Man Who Was King" (a short story; 1905) 3788: 1476: 1177:(1917). In 1920, he published more poems in 1015: 13458:Academics of Birkbeck, University of London 9050:T. S. Eliot Prize (Truman State University) 8577: 8489:"Archival material relating to T. S. Eliot" 7900:T. S. Eliot: A Study in Character and Style 7803: 7801: 6103:T.S. Eliot: The Critical Heritage, Volume 1 5822:Books: Royalist, Classicist, Anglo-Catholic 5729: 5661: 5261: 3619:in 1933 (published in 1934 under the title 1751:(1927), were published together in 1932 as 540:, the boys college preparatory division of 471: 416:in 1927 at the age of 39 and renounced his 13263:Naturalised citizens of the United Kingdom 12933: 12919: 11813: 11799: 11513:The 25th Annual Putnam County Spelling Bee 10913: 10899: 10704: 10690: 9211: 9197: 9180: 8645: 8631: 8497: 8333: 7562: 7537: 7503:Sorel, Nancy Caldwell (18 November 1995). 7438: 7436: 7358: 7228: 7226: 6751: 6745: 6740:The Use of Poetry and the Use of Criticism 6599: 5989:, 11 November 2012. Retrieved 1 July 2017. 5776:Plaque on interior wall of Saint Stephen's 5701: 5695: 5674:. Cambridge University Press. p. 73. 5436:. London: Haus Publishing. pp. 34–36. 5318: 5316: 5159: 4649: 4576:The Use of Poetry and the Use of Criticism 4087:"The Wine and the Puritans" (review, 1909) 3545:The Norton Anthology of English Literature 3499: 3485: 1933: 1829:). The Broadway production in New York of 1821:(1958) (the latter three were produced by 1157:was placed on the apartment block - No. 3 983:in politics, and anglo-catholic [ 46: 13573:Converts to Anglicanism from Unitarianism 13408:Writers who illustrated their own writing 13328:20th-century American non-fiction writers 13106:Complete Original Broadway Cast Recording 8133:The Waste Land (Norton Critical Editions) 8098:Levy, William Turner and Victor Scherle. 7998:. University Press of Mississippi (1978). 7770:The three short stories published in the 6890: 6888: 6839: 6596:(New York: Oxford University Press, 2006) 6300:. Cambridge: Cambridge University Press. 5968:T. S. Eliot – A Twenty-first Century View 5878:. London: Bantam Press. pp. 335–336. 5138: 5136: 5134: 5116:(Interview). No. 21. Interviewed by 4997: 4109:"'If Time and Space as Sages say'" (1905) 4081:"A Tale of a Whale" (a short story; 1905) 4078:"The Birds of Prey" (a short story; 1905) 1946:The initial critical response to Eliot's 891:his well-known portrait painting of Eliot 19:For other people named Thomas Eliot, see 13543:Presidential Medal of Freedom recipients 13418:American male dramatists and playwrights 13403:Writers about activism and social change 13243:American emigrants to the United Kingdom 8221:Painted Shadow: A Life of Vivienne Eliot 7798: 7606: 7575: 7455: 7354: 7352: 7350: 7348: 7346: 7137:Powell, Charles, "So Much Waste Paper". 7124:Wilson, Edmund, "The Poetry of Drouth". 6653:"The complete simplicity of T. S. Eliot" 5890:Painted Shadow: A Life of Vivienne Eliot 5757: 5556:Painted Shadow: A Life of Vivienne Eliot 5071:. London: Garnstone Limited. p. 18. 5066: 4903: 3069:Alliance EPP: European People's Party UK 1861:, and strongly influenced the school of 1627:power the poem, and he imagines meeting 1330: 1205:. From then on, he updated this work as 1140:, is inscribed with his life dates, his 1096: 934: 844: 760: 13588:Presidents of the Classical Association 13423:British male dramatists and playwrights 7933:Christensen, Karen. "Dear Mrs. Eliot", 7809:"T.S. Eliot's 'Harvard Advocate' Poems" 7795:(Nagoya: Kougaku Shuppan, 2011), 21–30. 7726:American Academy of Arts & Sciences 7433: 7223: 6977: 6923:A Companion to Twentieth-Century Poetry 6875:And I Tiresias have foresuffered all... 6761:Oxford Dictionary of National Biography 6460:The Cambridge Introduction to Modernism 6419: 6184: 6158: 6125: 6077: 5901: 5636: 5611:London: Faber and Faber. 1988. p. xvii. 5584: 5472: 5471:For a reading of the dissertation, see 5431: 5313: 5051: 4730:and Jim McCue (2015), Faber & Faber 4617:Notes Towards the Definition of Culture 4610:(1941) made by Eliot, with an essay on 3631:movements of the 1930s by caricaturing 2844:Reflections on the Revolution in France 1841:while he was a visiting scholar at the 1242:to the "What Krishna meant" section of 13220: 11647:A Gentleman's Guide to Love and Murder 8580:"T. S. Eliot, The Art of Poetry No. 1" 7390: 6885: 6683: 6515: 6394: 6293: 6100: 5873: 5868:Radio interview on 26 September 1959, 5705:A T.S. Eliot Companion: Life and Works 5558:. Knopf Publishing Group, 2001, p. 17. 5499: 5373:V. 35, No. 2, April 1985, pp. 116–131. 5294: 5217: 5188: 5142: 5131: 4550:Shakespeare and the Stoicism of Seneca 4416:The Marching Song of the Pollicle Dogs 1712:verse drama; witness his allusions to 947:On 29 June 1927, Eliot converted from 737:Birkbeck College, University of London 447:(1943). He wrote seven plays, notably 12914: 11794: 10922:Tony Award for Best Book of a Musical 10894: 10685: 9192: 9179: 8626: 8610:Newspaper clippings about T. S. Eliot 8460:T. S. Eliot Society (UK) Resource Hub 8366:Works by T. S. (Thomas Stearns) Eliot 8257:(1966; republished by Penguin, 1971). 8226:Sinha, Arun Kumar and Vikram, Kumar. 8025:. University Press of Florida (2009). 8011:No. 13, Summer 1983, pp. 21–24, 7991:, Scrutiny, September 1936: A Review. 7502: 7343: 7318: 7188: 7164:New York Evening Post Literary Review 7069: 6934: 6848:"Tradition and the Individual Talent" 6679: 6677: 6612:. Hartcourt Brace, 1950, pp. 395–396. 6457: 5937:T. S. Eliot: The Modernist in History 5844:. London: Faber & Faber. p. 5837: 5708:. Palgrave Macmillan UK. p. 32. 5383: 5381: 5379: 5365:Perl, Jeffry M., and Andrew P. Tuck. 5335: 5165: 5105: 5056:. London: Haus Publishing. p. 9. 5025:T. S. Eliot: The Modernist in History 4909: 4890: 3993:American Academy of Arts and Sciences 3927:Tony Award for Best Book of a Musical 3780: 1928: 1852: 1266:"The Love Song of J. Alfred Prufrock" 1213:(1939), a collection of light verse; 707:. Eliot was awarded a scholarship to 627:for a preparatory year, where he met 12844:by Christopher Nightingale (2020/21) 8994:Canticle IV: The Journey of the Magi 8035:. Cambridge University Press (1995). 7538:Washington, K. C. (6 January 2020). 7446:(London: Faber and Faber, 1934), 44. 7411: 6732: 5242: 5127:from the original on 3 October 2009. 5022: 5011:Nobel Lectures, Literature 1901–1967 4983:"The Nobel Prize in Literature 1948" 4961: 4959: 4957: 4955: 4953: 4951: 4949: 4947: 4945: 4867:"The Nobel Prize in Literature 1948" 4681: 1092: 955:, and in November that year he took 653:The Symbolist Movement in Literature 500:Christian church there. His father, 12961:Old Possum's Book of Practical Cats 8930:Tradition and the Individual Talent 8775:Old Possum's Book of Practical Cats 8678:The Love Song of J. Alfred Prufrock 8591:Yale College Lecture on T. S. Eliot 8082:, Writer's Workshop Calcutta, 1965. 7563:Brathwaite, Kamau (1993). "Roots". 7276:. Cambridge University Press, 1996 7189:Ozick, Cynthia (20 November 1989). 7162:Ransom, John Crowe. "Waste Lands". 7097:"The Possibility of a Poetic Drama" 6570:. Routledge & Kegan Paul, 1982. 6506:. Tavistock: Northcote House, 2006. 6373:, October 1916, p. 226, citing the 5091:New Series: Literature and Language 5081:Letter to Marquis Childs quoted in 4522:Tradition and the Individual Talent 4409:Old Possum's Book of Practical Cats 4174:The Love Song of J. Alfred Prufrock 2924:Tradition and the Individual Talent 1877:Tradition and the Individual Talent 1531:Old Possum's Book of Practical Cats 1525:In 1939, Eliot published a book of 1521:Old Possum's Book of Practical Cats 1514:Old Possum's Book of Practical Cats 1272:The Love Song of J. Alfred Prufrock 1211:Old Possum's Book of Practical Cats 967:, London, and a life member of the 425:The Love Song of J. Alfred Prufrock 201:The Love Song of J. Alfred Prufrock 13: 13323:20th-century American male writers 11822:Tony Award for Best Original Score 8578:Donald Hall (Spring–Summer 1959). 8470:Official (T. S. Eliot Estate) site 8348:Works by T. S. Eliot in eBook form 8324:T. S. Eliot Profile, Poems, Essays 8116:, Routledge and Kegan Paul (1960). 7879:55 (August/September 1995): 25–30. 7873:"What T. S. Eliot Almost Believed" 7823: 7232:Stephen Greenblatt, et al. (eds), 6674: 6568:T. S. Eliot: the Critical Heritage 6516:Tearle, Oliver (4 February 2021). 6356:. 5 July 1917, vol. lxxxiii, 107.) 6078:Lawless, Jill (11 November 2012). 6059:Wesleyan University Press timeline 5902:Helmore, Edward (2 January 2020). 5630: 5376: 5322:Kermode, Frank. "Introduction" to 5272: 5106:Eliot, T.S. (Spring–Summer 1959). 5087:Washington University in St. Louis 4939:. 5 July 1917, vol. lxxxiii, 107.) 4708:, edited by Frank Kermode (1975), 4420:Billy M'Caw: The Remarkable Parrot 4378:The Cultivation of Christmas Trees 4308:Mr. Eliot's Sunday Morning Service 3978: 3944:for his poems used in the musical 3942:Tony Award for Best Original Score 3929:for his poems used in the musical 3887: 3756:written in English, including the 1022:Charles Eliot Norton professorship 1001:as exemplars of such a direction. 969:Society of King Charles the Martyr 871:Royal Grammar School, High Wycombe 684:, the American writer and critic. 536:From 1898 to 1905, Eliot attended 484:family, with roots in England and 14: 13619: 13368:American male short story writers 13363:American male non-fiction writers 13338:20th-century British male writers 8417:Poems by T.S. Eliot and biography 8262: 8255:T. S. Eliot: The Man and His Work 8149:. Oxford University Press (2006). 8066:Intercollegiate Studies Institute 7456:Eagleton, Terry (22 March 2007). 6082:. Associated Press via Yahoo News 5585:Poirier, Richard (3 April 2003). 4942: 4910:Eliot, T. S. (21 December 2010). 4668:The Waste Land: Facsimile Edition 4425:The Queen's Book of the Red Cross 4067: 1416:The Hollow Men in popular culture 1348:In October 1922, Eliot published 1324: 841:Teaching, banking, and publishing 825:, which in 1994 was adapted as a 291: 13538:Officers of the Legion of Honour 13463:Alumni of Merton College, Oxford 13383:British male short story writers 13353:20th-century short story writers 13200: 13199: 8757: 8565: 8554:University of Maryland Libraries 8392: 7777: 7764: 7739: 7714: 7685: 7659: 7627: 7600: 7583:"Poet T.S. Eliot Dies in London" 7556: 7531: 7519:from the original on 26 May 2022 7496: 7470: 7449: 7405: 7384: 7312: 7299: 7286: 7263: 7239: 7210: 7182: 7175:Seldes, Gilbert. "T. S. Eliot". 7169: 7156: 7144: 7131: 7088: 7063: 6140:from the original on 26 May 2022 6105:. Psychology Press. p. 55. 5758:Boyagoda, Randy (21 July 2015). 4916:. Broadview Press. p. 133. 4145:"The Death of Saint Narcissus" ( 4009: 3905:Dante Medal (of Florence) (1959) 3866: 3846: 3826: 3806: 3466: 3454: 3169:Conservative Democratic Alliance 2834:A Vindication of Natural Society 2036: 1696:With the important exception of 1562: 1144:, and a quotation from his poem 1082:and a facsimile of the draft of 971:. He specifically identified as 869:. He subsequently taught at the 746:", but failed to return for the 488:. Eliot's paternal grandfather, 365: 16:US-born British poet (1888–1965) 13598:Smith Academy (Missouri) alumni 13343:20th-century American essayists 8652: 8423:Text of early poems (1907–1910) 8166:, The Brynmill Press Ltd (2001) 8043:The Invisible Poet: T. S. Eliot 7696:. instagram.com. Archived from 7673:from the original on 3 May 2019 7647:from the original on 3 May 2019 7613:. University of Toronto Press. 7070:Eliot, T. S. (1 January 2000). 7037: 7014: 6971: 6928: 6915: 6866: 6826: 6807: 6791: 6645: 6615: 6586: 6579:" 'Ulysses', Order, and Myth", 6573: 6560: 6551: 6535: 6509: 6496: 6484: 6451: 6439: 6413: 6359: 6334: 6321: 6287: 6261: 6248: 6226: 6204: 6185:Jenkins, Simon (6 April 2007). 6178: 6152: 6126:McSmith, Andy (16 March 2010). 6119: 6094: 6071: 6043: 6008: 5992: 5974: 5960: 5947: 5929: 5895: 5882: 5862: 5831: 5815: 5792: 5779: 5770: 5751: 5668:Jason Harding (31 March 2011). 5614: 5601: 5561: 5548: 5543:Sacred Monsters, Sacred Masters 5532: 5519: 5493: 5465: 5440: 5425: 5421:, Knopf Publishing Group, pg. 1 5359: 5329: 5288: 5255: 5236: 5211: 5182: 5075: 5060: 5045: 4600:The Idea of a Christian Society 4166:Prufrock and Other Observations 3961: 3919:for the Broadway production of 3909: 3854:Officier de la Légion d'honneur 3627:, Eliot distances himself from 3563: 3084:Conservative and Unionist Party 1760:A pageant play by Eliot called 1175:Prufrock and Other Observations 768:, passport photograph from 1920 315: 287: 13348:20th-century British essayists 13248:American expatriates in France 8449:. Knopf, 1921. Via HathiTrust. 8247:, The Lutterworth Press (2009) 7975:T. S. Eliot: An Imperfect Life 7607:McCreery, Christopher (2005). 7361:"Academimic: on Craig Raine's 6342:The Waste Land and Other Poems 6003:T. S. Eliot: An Imperfect Life 5640:T. S. Eliot's Social Criticism 5324:The Waste Land and Other Poems 5016: 4975: 4935:(citing an unsigned review in 4913:The Waste Land and Other Poems 4884: 4859: 4834: 4502: 4313:Sweeney Among the Nightingales 4022:, England, named in his honour 4000:American Philosophical Society 3414:Politics of the United Kingdom 2964:Our Culture, What's Left of It 1792:, concerning the martyrdom of 1471:Not with a bang but a whimper. 1467:This is the way the world ends 1238:. From the Sanskrit ending of 593:of St. Louis. His interest in 461:1948 Nobel Prize in Literature 1: 13608:American emigrants to England 13533:Nobel laureates in Literature 13528:Members of the Order of Merit 13333:20th-century American writers 12749:The Bridges of Madison County 8529:University of Texas at Austin 8465:T. S. Eliot Hypertext Project 8376:Works by or about T. S. Eliot 8073:T.S. Eliot's Social Criticism 7084:– via Internet Archive. 6544:. "Review of Ash Wednesday", 6395:Miller, James H. Jr. (2005). 6294:Kearns, Cleo McNelly (1987). 5702:F B Pinion (27 August 1986). 5643:. Faber & Faber. p. 5434:T.S. Eliot: A Short Biography 5265:American Literary Scholarship 5192:The Review of English Studies 5054:T.S. Eliot: A Short Biography 4202:The Boston Evening Transcript 4146: 4106:"A Fable for Feasters" (1905) 4093:"Gentlemen and Seamen" (1909) 3834:Presidential Medal of Freedom 3615:In lectures delivered at the 3404:List of British conservatives 1314:The Times Literary Supplement 1136:. The stone, cut by designer 965:St Stephen's, Gloucester Road 544:, where his studies included 21:Thomas Eliot (disambiguation) 13253:Eliot family (United States) 8267: 7843:(ed.) and Sencourt, Robert. 7569:University of Michigan Press 6937:Journal of Modern Literature 6785:UK public library membership 5545:. Random House, 2001, p. 20. 5295:Miller, James Edwin (2001). 5172:Poems Written in Early Youth 4972:. Retrieved 7 November 2009. 4706:Selected Prose of T.S. Eliot 4662:Poems Written in Early Youth 4027:commemorative postage stamps 3865: 3845: 3825: 3805: 3675: 3409:Philosophy of Thomas Carlyle 1843:Institute for Advanced Study 1215:Poems Written in Early Youth 1057:Poems Written in Early Youth 1025:hospital in Woodberry Down, 1004:One of Eliot's biographers, 711:, in 1914. He first visited 7: 13303:Modernist poetry in English 13273:20th-century American poets 8978:Assassinio nella cattedrale 8944:A Choice of Kipling's Verse 8614:20th Century Press Archives 8481: 8453: 8391:(public domain audiobooks) 8023:T. S. Eliot's Parisian Year 7928:Eliot. After The Waste Land 7540:"Derek Walcott (1930–2017)" 7429:. Vol. 10, no. 4. 7251:Was T.S. Eliot a Scoundrel? 7179:, 6 December 1922. 614–616. 7166:, 14 July 1923, pp. 825–26. 6448:, Vol. 1, p. 596. 6344:. Broadview Press. p. 133. 5810:: Essays on style and order 5500:Skemer, Don (16 May 2017). 4820:American National Biography 4788:The Letters of T. S. Eliot, 4782:The Letters of T. S. Eliot, 4776:The Letters of T. S. Eliot, 4770:The Letters of T. S. Eliot, 4764:The Letters of T. S. Eliot, 4758:The Letters of T. S. Eliot, 4752:The Letters of T. S. Eliot, 4746:The Letters of T. S. Eliot, 4740:The Letters of T. S. Eliot, 4607:A Choice of Kipling's Verse 4158: 3535:Literary scholars, such as 3136:Veterans and People's Party 3034:The Strange Death of Europe 1837:for Best Play. Eliot wrote 1639:end with an affirmation of 1161:- where he lived and died. 1051:, Chelsea, with his friend 899:recommended T. S. Eliot to 756: 496:, Missouri, to establish a 459:(1949). He was awarded the 408:, Missouri, to a prominent 10: 13624: 13523:Ivor Novello Award winners 13503:Wesleyan University people 13498:University of Paris alumni 13278:20th-century British poets 12265:The Mystery of Edwin Drood 11225:The Mystery of Edwin Drood 9100:Vivienne Haigh-Wood Eliot 8952:The Frontiers of Criticism 8916:Selected Essays, 1917–1932 8586:. Spring-Summer 1959 (21). 8533:T. S. Eliot Collection at 8341: 8086:The Letters of T. S. Eliot 7907:Prehistories of the Future 7391:Paulin, Tom (9 May 1996). 7292:Eliot, T. S. "Gerontion". 7128:73. December 1922. 611–16. 6752:Darlington, W. A. (2004). 6446:The Letters of T. S. Eliot 6271:The Harvard Advocate Poems 6256:The Letters of T. S. Eliot 5870:Nordwestdeutscher Rundfunk 5371:Philosophy East & West 5245:Prehistories of the Future 5145:T.S. Eliot: A Bibliography 5029:Cambridge University Press 4688:Collected Poems, 1909–1962 4636:The Frontiers of Criticism 4629:The Three Voices of Poetry 4569:Selected Essays, 1917-1932 4509:Christianity & Culture 4439: 4090:"The Point of View" (1909) 4042: 3159:Blue Collar Conservativism 3104:Traditional Unionist Voice 3079:Christian Peoples Alliance 1692:The Elder Statesman (play) 1665: 1568: 1518: 1480: 1409: 1341: 1269: 1197:into one volume and added 1080:The Letters of T. S. Eliot 691:. He attended lectures by 508:, who wrote poetry, was a 18: 13433:American literary critics 13195: 13165: 13144: 13115: 13097: 13079: 13072: 12974: 12954: 12517: 12087: 11828: 11516:by Rachel Sheinkin (2005) 11439: 11067: 10928: 10818: 10799: 10780: 10764: 10740: 10721: 10624: 10393: 10162: 9922: 9697: 9465: 9230: 9224:Nobel Prize in Literature 9186: 9124:Charlotte Champe Stearns 9087: 9058: 9025: 8961: 8907: 8847: 8766: 8755: 8669: 8660: 8576:An interview with Eliot: 8157:T. S. Eliot and Prejudice 8114:The Poetry of T. S. Eliot 7953:Essay on T. S. Eliot, in 7789:The Man Who Would Be King 7458:"Raine's Sterile Thunder" 7359:Dean, Paul (April 2007). 7076:. Faber And Faber Limited 6897:"Hamlet and His Problems" 6882:51 (3), 2009, pp. 98–108. 6375:Times Literary Supplement 6234:"T. S. Eliot Blue Plaque" 6051:"The University of Verse" 5892:. Constable 2001, p. 561. 5764:The American Conservative 5744:Voices and Visions Series 5475:Philosophy and Literature 5326:, Penguin Classics, 2003. 5249:Stanford University Press 5218:Narita, Tatsushi (2013). 5176:Farrar, Straus and Giroux 5108:"The Art of Poetry No. 1" 5067:Sencourt, Robert (1971). 4594:Essays Ancient and Modern 4207:Boston Evening Transcript 4192:Rhapsody on a Windy Night 3894:Nobel Prize in Literature 3800:National or State Honours 3798: 3789:National or state honours 3765:(1990) by Nobel laureate 3663:a poet remains." Critic 3652:In Defence of T. S. Eliot 3473:United Kingdom portal 3243:Traditional Britain Group 3164:Centre for Policy Studies 3089:Democratic Unionist Party 1581:Nobel Prize in Literature 1286:magazine, recommended to 1164: 1115:Golders Green Crematorium 1076:Wesleyan University Press 1061:King's College, Cambridge 1016:Separation and remarriage 766:Vivienne Haigh-Wood Eliot 656:. This introduced him to 364: 359: 349: 328: 265: 250:Nobel Prize in Literature 242: 192: 182: 174: 143: 122: 96: 79: 57: 45: 30: 13558:American Anglo-Catholics 13508:American Nobel laureates 13443:British literary critics 13308:American modernist poets 12374:Kiss of the Spider Woman 12133:On the Twentieth Century 11569:Billy Elliot the Musical 11322:Kiss of the Spider Woman 11109:On the Twentieth Century 9132:William Greenleaf Eliot 8519:28 February 2009 at the 8475:T. S. Eliot Society (US) 8410:22 November 2016 at the 8288:14 February 2007 at the 7994:Hargrove, Nancy Duvall. 7863:T. S. Eliot and Ideology 7791:", see Tatsushi Narita, 6684:Newman, Barbara (2011). 6583:T. S. Eliot (orig 1923). 6458:Lewis, Pericles (2007). 6101:Grantq, Michael (1997). 5587:"In the Hyacinth Garden" 5247:. Stanford, California: 4794: 4281:Mélange Adultère de Tout 4045:T. S. Eliot bibliography 4038: 3917:Tony Award for Best Play 3215:One Nation Conservatives 3014:How to Be a Conservative 2944:The Left Was Never Right 2016:This article is part of 1661: 1358:. Eliot's dedication to 1159:Kensington Court Gardens 993:inner being" and citing 567:Rubaiyat of Omar Khayyam 506:Charlotte Champe Stearns 472:Early life and education 341:Charlotte Champe Stearns 13568:British Anglo-Catholics 13513:British Nobel laureates 13468:Harvard Advocate alumni 13388:Lost Generation writers 13358:American male essayists 13313:British modernist poets 12595:The Light in the Piazza 12338:The Will Rogers Follies 12284:Claude-Michel Schönberg 11248:Claude-Michel Schönberg 10998:Two Gentlemen of Verona 9067:Portrait of T. S. Eliot 8986:Murder in the Cathedral 8970:Murder in the Cathedral 8923:Hamlet and His Problems 8870:Murder in the Cathedral 8796:Growltiger's Last Stand 8699:Whispers of Immortality 8419:at PoetryFoundation.org 8310:Oxford University Press 8297:, including T. S. Eliot 8055:, Prentice-Hall (1962). 7567:. Ann Arbor, Michigan: 7049:Encyclopædia Britannica 6819:19 January 2015 at the 6214:. westminster-abbey.org 6064:1 December 2010 at the 5888:Seymour-Jones, Carole. 5637:Kojecky, Roger (1972). 5554:Seymour-Jones, Carole. 5416:Seymour-Jones, Carole. 5336:Davis, Garrick (2008). 5205:10.1093/res/XLV.180.523 5143:Gallup, Donald (1969). 5083:St. Louis Post Dispatch 4970:Encyclopædia Britannica 4736:(1932); enlarged (1960) 4724:The Poems of T.S. Eliot 4719:excerpt and text search 4710:excerpt and text search 4701:excerpt and text search 4692:excerpt and text search 4656:To Criticize the Critic 4650:Posthumous publications 4536:Hamlet and His Problems 4463:Murder in the Cathedral 4302:Whispers of Immortality 4121:"Circe's Palace" (1908) 4118:"Before Morning" (1908) 4096:"Egoist" (review, 1909) 3522:William Carlos Williams 3461:Conservatism portal 3253:Western Goals Institute 3187:The Freedom Association 3182:European Research Group 1934:Responses to his poetry 1888:Hamlet and His Problems 1875:In his critical essay " 1802:Murder in the Cathedral 1790:Murder in the Cathedral 1672:Murder in the Cathedral 975:, proclaiming himself " 490:William Greenleaf Eliot 466: 450:Murder in the Cathedral 224:Murder in the Cathedral 13473:Harvard College alumni 13378:British male essayists 13373:Anglo-Catholic writers 13268:Writers from St. Louis 13098:Musical cast recording 13064:Victoria the White Cat 11424:James Joyce's The Dead 10824:Nobel Prize recipients 10801:Physiology or Medicine 10186:Gabriel García Márquez 10039:Aleksandr Solzhenitsyn 9181:Awards for T. S. Eliot 8891:The Confidential Clerk 8606:at the British Library 8559:T. S. Eliot Collection 8550:T. S. Eliot collection 8544:T. S. Eliot collection 8514:T. S. Eliot Collection 8434:T. S. Eliot Collection 8295:Eliot family genealogy 8164:"The English Prophets" 7989:T. S. Eliot, 1925–1935 7965:The Art of T. S. Eliot 7722:"Thomas Stearns Eliot" 7398:London Review of Books 7220:. NY: Riverhead, 1995. 6770:10.1093/ref:odnb/36063 6610:Modern American Poetry 6566:Grant, Michael (ed.). 6522:Interesting Literature 6212:"Thomas Stearns Eliot" 6005:. Norton 1998, p. 455. 5874:Wilson, Colin (1988). 5760:"T.S. Eliot, American" 5671:T. S. Eliot in Context 5591:London Review of Books 5448:"Notable Birkbeckians" 5432:Worthen, John (2009). 5251:. pp. 3–5, 25–31. 5052:Worthen, John (2009). 4966:"Thomas Stearns Eliot" 4487:The Confidential Clerk 4127:"On a Portrait" (1909) 4033:St. Louis Walk of Fame 3900:Hanseatic Goethe Prize 3672:does him no favours." 3617:University of Virginia 3518: 3399:English Defence League 2994:The Great Degeneration 1815:The Confidential Clerk 1780:for the production of 1745:Fragment of a Prologue 1688:The Confidential Clerk 1474: 1339: 1102: 963:of his parish church, 944: 858: 853:'s Faber Building, 24 769: 709:Merton College, Oxford 564:'s translation of the 166:Merton College, Oxford 13583:Deaths from emphysema 13488:Milton Academy alumni 10131:Isaac Bashevis Singer 10006:Miguel Ángel Asturias 9679:Frans Eemil Sillanpää 9410:Verner von Heidenstam 9265:Bjørnstjerne Bjørnson 8602:21 April 2019 at the 8505:Search for T.S. Eliot 8217:Seymour-Jones, Carole 8120:Miller, James E., Jr. 7845:T. S. Eliot: A Memoir 7815:on 28 September 2007. 7669:. The Ivors Academy. 7095:Eliot, T. S. (1921). 7021:Eliot, T. S. (1922). 6949:10.1353/jml.2004.0051 6895:Eliot, T. S. (1921). 6846:Eliot, T. S. (1930). 6814:Eliot, Thomas Stearns 6379:"An eruption of fury" 5838:Eliot, T. S. (1986). 5166:Eliot, T. S. (1967). 5023:Bush, Ronald (1991). 4556:For Lancelot Andrewes 4544:Homage to John Dryden 4515:The Second-Order Mind 4197:Morning at the Window 3510: 3197:Henry Jackson Society 3114:Ulster Unionist Party 3109:UK Independence Party 3044:The Madness of Crowds 2236:Social market economy 2029:in the United Kingdom 1892:objective correlative 1800:comments that "for , 1652:St. John of the Cross 1464: 1446:—or the colonial and 1337:Lady Ottoline Morrell 1334: 1280:, overseas editor of 1100: 1068:Esmé Valerie Fletcher 938: 848: 827:film of the same name 764: 695:and read poetry with 542:Washington University 303:Esmé Valerie Fletcher 13563:Anglo-Catholic poets 13438:British anthologists 13398:Neoclassical writers 12878:David Lindsay-Abaire 12609:The Drowsy Chaperone 12040:A Little Night Music 11764:David Lindsay-Abaire 11523:The Drowsy Chaperone 11016:A Little Night Music 10943:Oscar Hammerstein II 9657:Roger Martin du Gard 9165:William Butler Yeats 8789:Gus: The Theatre Cat 8493:UK National Archives 8428:The Harvard Advocate 8385:Works by T. S. Eliot 8357:Works by T. S. Eliot 7772:Smith Academy Record 7751:search.amphilsoc.org 7747:"APS Member History" 7565:History of the Voice 6804:, Spring 2007, p. 6. 6802:The Institute Letter 5942:Florence Nightingale 5506:PUL Manuscripts News 5069:T.S. Eliot, A Memoir 4239:La Figlia Che Piange 4234:Conversation Galante 3773:(1969) by Barbadian 3346:The Sunday Telegraph 3326:The Salisbury Review 3126:For Britain Movement 2984:The Rage Against God 2934:The Abolition of Man 2167:Classical liberalism 1788:in 1935. This one, 1774:Bishop of Chichester 1559:the following year. 1533:. ("Old Possum" was 1483:Ash Wednesday (poem) 1426:Treaty of Versailles 1220:The Harvard Advocate 989:] in religion". 885:, he met the writer 790:University of London 697:Henri Alban-Fournier 678:The Harvard Advocate 631:who later published 578:The Harvard Advocate 573:Smith Academy Record 418:American citizenship 376:Thomas Stearns Eliot 290: 1915; 61:Thomas Stearns Eliot 13578:Burials in Somerset 13318:Poets from Missouri 13283:American male poets 12942:Andrew Lloyd Webber 12429:Christopher Hampton 12421:Andrew Lloyd Webber 12224:Andrew Lloyd Webber 12174:Andrew Lloyd Webber 11936:Fiddler on the Roof 11633:Matilda the Musical 11359:Christopher Hampton 10970:Fiddler on the Roof 10809:Paul Hermann Müller 10560:Svetlana Alexievich 9902:Salvatore Quasimodo 9588:Erik Axel Karlfeldt 9522:George Bernard Shaw 9379:Rabindranath Tagore 9357:Maurice Maeterlinck 9160:Jean Jules Verdenal 8898:The Elder Statesman 8741:Journey of the Magi 8525:Harry Ransom Center 8182:Modernism/Modernity 8169:Schuchard, Ronald. 7935:The Guardian Review 7835:T. S. Eliot: A Life 7702:on 23 December 2021 7587:This Day in History 7478:"www.beingpoet.com" 7426:Touchstone Magazine 7257:Commentary magazine 7191:"T.S. ELIOT AT 101" 7153:, 3 March 1923, 12. 7139:Manchester Guardian 6627:The British Library 6057:, 16 October 2005; 5986:The Daily Telegraph 5841:On Poetry and Poets 5785:Obituary notice in 4643:On Poetry and Poets 4495:The Elder Statesman 4345:Journey of the Magi 4136:"Humoresque" (1910) 4062:on 7 November 2012. 4025:Celebrated on U.S. 3956:(posthumous award) 3952:Andrew Lloyd Webber 3936:(posthumous award) 3902:(of Hamburg) (1955) 3734:F. Scott Fitzgerald 3714:Andrew Lloyd Webber 3552:poet of the modern 3394:Cambridge Analytica 3306:The Daily Telegraph 2894:Culture and Anarchy 2472:Oakeshott (Michael) 2068:Muscular liberalism 2053:British nationalism 1819:The Elder Statesman 1786:Canterbury Festival 1749:Fragment of an Agon 1722:William Shakespeare 1553:Andrew Lloyd Webber 1456:James George Frazer 1260:On Poetry and Poets 1250:showed in his book 1027:Manor House, London 957:British citizenship 775:Vivienne Haigh-Wood 589:while visiting the 275:Vivienne Haigh-Wood 13553:Tony Award winners 13448:Literary theorists 13293:British male poets 13179:The Naming of Cats 12786:Lin-Manuel Miranda 12754:Jason Robert Brown 12695:The Book of Mormon 12650:Lin-Manuel Miranda 12489:Jason Robert Brown 12237:La Cage aux Folles 11750:Michael R. Jackson 11731:Jagged Little Pill 11680:Lin-Manuel Miranda 11652:Robert L. Freedman 11597:The Book of Mormon 11197:La Cage aux Folles 11082:James Kirkwood Jr. 10505:Mario Vargas Llosa 10483:J. M. G. Le Clézio 10340:Wisława Szymborska 10120:Vicente Aleixandre 9991:Shmuel Yosef Agnon 9869:Juan Ramón Jiménez 9737:Johannes V. Jensen 9425:Henrik Pontoppidan 9291:Henryk Sienkiewicz 8884:The Cocktail Party 8877:The Family Reunion 8803:The Naming of Cats 8685:Portrait of a Lady 8509:Harvard University 8332:on Nobelprize.org 8194:10.1353/mod.0.0068 8153:Ricks, Christopher 8112:Maxwell, D. E. S. 8078:Lal, P. (editor), 8001:Hearn, Sheila G., 7937:(29 January 2005). 7926:Crawford, Robert. 7919:Crawford, Robert. 7912:Crawford, Robert. 7484:on 3 February 2014 7419:After Strange Gods 7329:The New York Times 7141:, 31 October 1923. 6659:. 22 December 2013 6329:"Letter By Letter" 6327:Mertens, Richard. 6055:The New York Times 5966:Haldar, Santwana, 5281:Literary St. Louis 5168:Hayward, John Davy 4985:. Nobel Foundation 4828:2022-04-17 at the 4588:Elizabethan Essays 4582:After Strange Gods 4479:The Cocktail Party 4471:The Family Reunion 4296:Dans le Restaurant 4181:Portrait of a Lady 4020:University of Kent 3968:Ivor Novello Award 3921:The Cocktail Party 3781:Honours and awards 3572:, most forcefully 3541:Stephen Greenblatt 3321:The Mail on Sunday 3004:The Son Also Rises 2854:Tamworth Manifesto 2760:Oakeshott (Isabel) 2274:Stuart Restoration 1929:Critical reception 1907:metaphysical poets 1859:literary criticism 1853:Literary criticism 1839:The Cocktail Party 1833:received the 1950 1831:The Cocktail Party 1811:The Cocktail Party 1807:The Family Reunion 1684:The Cocktail Party 1680:The Family Reunion 1605:classical elements 1370:, saying, "As for 1340: 1103: 945: 859: 792:. The philosopher 770: 721:Junior Common Room 595:indigenous peoples 583:Harvard University 456:The Cocktail Party 151:Harvard University 13428:Modernist theatre 13215: 13214: 13140: 13139: 12908: 12907: 12902: 12901: 12841:A Christmas Carol 12187:Woman of the Year 11990:Hallelujah, Baby! 11788: 11787: 11290:The Secret Garden 11155:Woman of the Year 11049:James Lee Barrett 10888: 10887: 10679: 10678: 10637:Abdulrazak Gurnah 10516:Tomas Tranströmer 10017:Yasunari Kawabata 9980:Mikhail Sholokhov 9836:Winston Churchill 9511:Władysław Reymont 9489:Jacinto Benavente 9368:Gerhart Hauptmann 9173: 9172: 9150:John Davy Hayward 9135: 9127: 9119: 9116:Henry Ware Eliot 9111: 9103: 9045:T. S. Eliot Prize 8856:Sweeney Agonistes 8748:A Song for Simeon 8539:Oxford University 8440:T.S. Eliot's Cats 8361:Project Gutenberg 8318:978-0-19-812078-0 8278:Poetry Foundation 8206:Project MUSE 8094:978-0-571-14081-7 8021:Hearn, Sheila G. 7370:The New Criterion 7309:. Harcourt, 1963. 7296:. Harcourt, 1963. 6961:Project MUSE 6834:The New Criterion 6783:(Subscription or 6606:Untermeyer, Louis 6548:, 20 August 1930. 6406:978-0-271-02681-7 6350:978-1-77048-267-8 6307:978-0-52132-439-7 6236:. openplaques.org 5876:Beyond the Occult 5808:Lancelot Andrewes 5715:978-1-349-07449-5 5681:978-1-139-50015-9 5349:978-0-8040-1108-2 5178:. pp. 33–34. 5174:. New York City: 5038:978-0-52139-074-3 4923:978-1-77048-267-8 4728:Christopher Ricks 4682:Critical editions 4447:Sweeney Agonistes 4353:A Song for Simeon 4133:"Nocturne" (1909) 3957: 3937: 3885: 3884: 3686:Máirtín Ó Díreáin 3670:Archangel Gabriel 3598:Christopher Ricks 3509: 3508: 3432:National Populism 3384:Anglo-Catholicism 3341:The Sun on Sunday 3301:The Daily Sceptic 3238:Tory Reform Group 3192:Free Speech Union 3177:Cornerstone Group 2914:The Servile State 2003:The Four Quartets 1984:John Crowe Ransom 1766:Diocese of London 1754:Sweeney Agonistes 1668:Sweeney Agonistes 1656:Julian of Norwich 1641:Julian of Norwich 1387:modern literature 1368:Richard Aldington 1360:il miglior fabbro 1335:Eliot in 1923 by 1209:. Exceptions are 1189:and the poems in 1134:Westminster Abbey 1093:Death and honours 1053:John Davy Hayward 1010:Church of England 674:Les amours jaunes 591:1904 World's Fair 562:Edward Fitzgerald 384: 373: 372: 183:Literary movement 70:26 September 1888 13615: 13203: 13202: 13145:Film adaptations 13131:Beautiful Ghosts 13077: 13076: 13024:Mr. Mistoffelees 12935: 12928: 12921: 12912: 12911: 12895: 12881: 12863: 12845: 12835: 12821: 12813:The Band's Visit 12807: 12795:Dear Evan Hansen 12789: 12775: 12757: 12743: 12729: 12711: 12689: 12671: 12653: 12639: 12627:Spring Awakening 12621: 12603: 12589: 12571: 12553: 12535: 12510: 12492: 12478: 12471:Stephen Flaherty 12460: 12446: 12432: 12416:Sunset Boulevard 12410: 12407:Stephen Sondheim 12396: 12368: 12354: 12332: 12314: 12309: 12306:Stephen Sondheim 12295: 12288:Herbert Kretzmer 12273: 12259: 12245: 12231: 12213: 12199: 12181: 12163: 12160:Stephen Sondheim 12149: 12127: 12109: 12080: 12066: 12048: 12045:Stephen Sondheim 12034: 12031:Stephen Sondheim 12020: 12017:Stephen Sondheim 12006: 11984: 11966: 11954:Man of La Mancha 11948: 11930: 11916: 11902: 11888: 11874: 11860: 11846: 11815: 11808: 11801: 11792: 11791: 11781: 11767: 11753: 11739: 11725: 11711: 11703:The Band's Visit 11697: 11689:Dear Evan Hansen 11683: 11669: 11655: 11641: 11627: 11613: 11591: 11577: 11563: 11549: 11541:Spring Awakening 11535: 11517: 11507: 11493: 11475: 11461: 11432: 11418: 11404: 11401:Terrence McNally 11390: 11376: 11362: 11350:Sunset Boulevard 11344: 11330: 11327:Terrence McNally 11316: 11298: 11284: 11270: 11265: 11251: 11233: 11219: 11216:William Hauptman 11205: 11202:Harvey Fierstein 11191: 11177: 11163: 11149: 11135: 11121: 11103: 11089: 11060: 11038: 11024: 11010: 10992: 10978: 10964: 10950: 10915: 10908: 10901: 10892: 10891: 10826: 10790:Patrick Blackett 10706: 10699: 10692: 10683: 10682: 10672: 10661: 10650: 10639: 10617: 10606: 10595: 10584: 10573: 10562: 10551: 10540: 10529: 10518: 10507: 10496: 10485: 10474: 10463: 10452: 10441: 10439:Elfriede Jelinek 10430: 10419: 10408: 10386: 10375: 10364: 10353: 10342: 10331: 10320: 10309: 10298: 10287: 10276: 10265: 10263:Camilo José Cela 10254: 10243: 10232: 10221: 10210: 10208:Jaroslav Seifert 10199: 10188: 10177: 10155: 10144: 10133: 10122: 10111: 10100: 10089: 10074: 10063: 10052: 10041: 10030: 10019: 10008: 9997: 9982: 9971: 9970:(declined award) 9968:Jean-Paul Sartre 9959: 9948: 9937: 9915: 9913:Saint-John Perse 9904: 9893: 9882: 9871: 9860: 9849: 9847:Ernest Hemingway 9838: 9827: 9825:François Mauriac 9816: 9805: 9803:Bertrand Russell 9794: 9792:William Faulkner 9783: 9772: 9761: 9750: 9748:Gabriela Mistral 9739: 9728: 9727: 9719: 9718: 9710: 9709: 9690: 9689: 9681: 9670: 9659: 9648: 9637: 9636: 9628: 9626:Luigi Pirandello 9617: 9606: 9595: 9579: 9568: 9557: 9546: 9535: 9524: 9513: 9502: 9491: 9480: 9458: 9447: 9436: 9435: 9427: 9412: 9401: 9390: 9389: 9381: 9370: 9359: 9348: 9337: 9326: 9315: 9304: 9293: 9282: 9276:Frédéric Mistral 9267: 9256: 9245: 9213: 9206: 9199: 9190: 9189: 9177: 9176: 9140:E. Martin Browne 9133: 9125: 9117: 9109: 9101: 8824:The Dry Salvages 8761: 8647: 8640: 8633: 8624: 8623: 8587: 8584:The Paris Review 8501: 8496: 8396: 8395: 8380:Internet Archive 8337: 8234:Spender, Stephen 8213: 8105:Matthews, T. S. 8071:Kojecky, Roger. 7955:Life and Letters 7817: 7816: 7811:. Archived from 7805: 7796: 7781: 7775: 7768: 7762: 7761: 7759: 7757: 7743: 7737: 7736: 7734: 7732: 7718: 7712: 7711: 7709: 7707: 7701: 7689: 7683: 7682: 7680: 7678: 7667:"The Ivors 1982" 7663: 7657: 7656: 7654: 7652: 7631: 7625: 7624: 7604: 7598: 7597: 7595: 7593: 7579: 7573: 7572: 7560: 7554: 7553: 7548: 7546: 7535: 7529: 7528: 7526: 7524: 7508: 7500: 7494: 7493: 7491: 7489: 7480:. 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He studied at 502:Henry Ware Eliot 383: 378: 369: 336:Henry Ware Eliot 319: 317: 295: 293: 289: 86: 75:, Missouri, U.S. 69: 67: 50: 40: 28: 27: 13623: 13622: 13618: 13617: 13616: 13614: 13613: 13612: 13218: 13217: 13216: 13211: 13191: 13161: 13136: 13111: 13093: 13068: 13039:Old Deuteronomy 12970: 12950: 12939: 12909: 12904: 12903: 12898: 12884: 12869:Kimberly Akimbo 12866: 12848: 12838: 12824: 12810: 12792: 12778: 12760: 12746: 12732: 12714: 12692: 12674: 12656: 12642: 12624: 12606: 12592: 12574: 12556: 12538: 12524: 12513: 12495: 12481: 12463: 12449: 12443:Jonathan Larson 12435: 12413: 12399: 12388:The Who's Tommy 12371: 12357: 12335: 12317: 12313:No Award (1989) 12312: 12298: 12276: 12262: 12248: 12234: 12216: 12202: 12184: 12166: 12152: 12130: 12120:Charles Strouse 12112: 12102:Marvin Hamlisch 12094: 12083: 12069: 12063:Alan Jay Lerner 12059:Frederick Loewe 12051: 12037: 12023: 12009: 11987: 11969: 11951: 11945:Sheldon Harnick 11933: 11919: 11905: 11899:Richard Rodgers 11891: 11877: 11871:Richard Rodgers 11863: 11849: 11835: 11824: 11819: 11789: 11784: 11770: 11759:Kimberly Akimbo 11756: 11742: 11728: 11714: 11700: 11694:Steven Levenson 11686: 11672: 11658: 11644: 11630: 11616: 11594: 11580: 11566: 11555:Passing Strange 11552: 11538: 11520: 11510: 11496: 11478: 11464: 11446: 11435: 11421: 11407: 11393: 11379: 11373:Jonathan Larson 11365: 11347: 11333: 11319: 11301: 11287: 11273: 11269:No Award (1989) 11268: 11254: 11236: 11222: 11208: 11194: 11180: 11166: 11152: 11138: 11124: 11106: 11092: 11074: 11063: 11041: 11027: 11013: 10995: 10981: 10967: 10961:Michael Stewart 10953: 10935: 10924: 10919: 10889: 10884: 10822: 10814: 10795: 10792:(Great Britain) 10776: 10760: 10757:(Great Britain) 10736: 10717: 10710: 10680: 10675: 10670:to be announced 10664: 10653: 10642: 10631: 10620: 10609: 10598: 10587: 10576: 10565: 10554: 10549:Patrick Modiano 10543: 10532: 10521: 10510: 10499: 10488: 10477: 10466: 10455: 10444: 10433: 10422: 10411: 10400: 10389: 10378: 10367: 10356: 10345: 10334: 10323: 10312: 10301: 10290: 10285:Nadine Gordimer 10279: 10268: 10257: 10246: 10235: 10224: 10213: 10202: 10197:William Golding 10191: 10180: 10169: 10158: 10147: 10142:Odysseas Elytis 10136: 10125: 10114: 10103: 10098:Eugenio Montale 10092: 10087:Harry Martinson 10077: 10066: 10055: 10044: 10033: 10022: 10011: 10000: 9985: 9974: 9962: 9957:Giorgos Seferis 9951: 9940: 9929: 9918: 9907: 9896: 9891:Boris Pasternak 9885: 9874: 9863: 9858:Halldór Laxness 9852: 9841: 9830: 9819: 9808: 9797: 9786: 9775: 9764: 9753: 9742: 9731: 9723: 9722: 9714: 9713: 9705: 9704: 9693: 9685: 9684: 9673: 9662: 9651: 9640: 9632: 9631: 9620: 9609: 9604:John Galsworthy 9598: 9582: 9571: 9560: 9549: 9538: 9527: 9516: 9505: 9494: 9483: 9472: 9461: 9450: 9439: 9431: 9430: 9415: 9404: 9393: 9385: 9384: 9373: 9362: 9351: 9340: 9329: 9318: 9313:Rudyard Kipling 9307: 9302:Giosuè Carducci 9296: 9285: 9270: 9259: 9254:Theodor Mommsen 9248: 9243:Sully Prudhomme 9237: 9226: 9217: 9182: 9174: 9169: 9083: 9054: 9040:Faber and Faber 9021: 8957: 8937:The Sacred Wood 8903: 8843: 8762: 8753: 8665: 8656: 8651: 8604:Wayback Machine 8568: 8521:Wayback Machine 8487: 8484: 8456: 8436:at Bartleby.com 8412:Wayback Machine 8393: 8352:Standard Ebooks 8344: 8290:Wayback Machine 8270: 8265: 8260: 8029:Julius, Anthony 7987:Harding, W. D. 7980:Guha, Chinmoy. 7971:Gordon, Lyndall 7861:Asher, Kenneth 7841:Adamson, Donald 7826: 7824:Further reading 7821: 7820: 7807: 7806: 7799: 7785:Rudyard Kipling 7782: 7778: 7769: 7765: 7755: 7753: 7745: 7744: 7740: 7730: 7728: 7720: 7719: 7715: 7705: 7703: 7692: 7690: 7686: 7676: 7674: 7665: 7664: 7660: 7650: 7648: 7633: 7632: 7628: 7621: 7605: 7601: 7591: 7589: 7581: 7580: 7576: 7561: 7557: 7544: 7542: 7536: 7532: 7522: 7520: 7512:The Independent 7501: 7497: 7487: 7485: 7476: 7475: 7471: 7454: 7450: 7441: 7434: 7410: 7406: 7389: 7385: 7375: 7373: 7357: 7344: 7334: 7332: 7317: 7313: 7307:Collected Poems 7304: 7300: 7294:Collected Poems 7291: 7287: 7270:Anthony, Julius 7268: 7264: 7260:, November 1996 7244: 7240: 7231: 7224: 7216:Bloom, Harold. 7215: 7211: 7201: 7199: 7187: 7183: 7174: 7170: 7161: 7157: 7149: 7145: 7136: 7132: 7123: 7116: 7106: 7104: 7093: 7089: 7079: 7077: 7068: 7064: 7054: 7052: 7043: 7042: 7038: 7028: 7026: 7019: 7015: 6980:College English 6976: 6972: 6933: 6929: 6920: 6916: 6906: 6904: 6901:The Sacred Wood 6893: 6886: 6873:Dirk Weidmann: 6871: 6867: 6857: 6855: 6852:The Sacred Wood 6844: 6840: 6831: 6827: 6821:Wayback Machine 6812: 6808: 6796: 6792: 6782: 6774: 6772: 6750: 6746: 6737: 6733: 6682: 6675: 6662: 6660: 6651: 6650: 6646: 6636: 6634: 6621: 6620: 6616: 6604: 6600: 6591: 6587: 6581:Selected Essays 6578: 6574: 6565: 6561: 6556: 6552: 6540: 6536: 6526: 6524: 6514: 6510: 6501: 6497: 6489: 6485: 6470: 6456: 6452: 6444: 6440: 6418: 6414: 6407: 6393: 6389: 6365:Waugh, Arthur. 6364: 6360: 6339: 6335: 6326: 6322: 6312: 6310: 6308: 6292: 6288: 6278: 6276: 6267: 6266: 6262: 6253: 6249: 6239: 6237: 6232: 6231: 6227: 6217: 6215: 6210: 6209: 6205: 6195: 6193: 6183: 6179: 6169: 6167: 6157: 6153: 6143: 6141: 6134:The Independent 6124: 6120: 6113: 6099: 6095: 6085: 6083: 6076: 6072: 6066:Wayback Machine 6048: 6044: 6034: 6032: 6014: 6013: 6009: 5999:Gordon, Lyndall 5997: 5993: 5981:"Valerie Eliot" 5979: 5975: 5965: 5961: 5953:Surette, Leon, 5952: 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4139:"Spleen" (1910) 4070: 4050: 4047: 4041: 4012: 3998:Elected to the 3991:Elected to the 3981: 3979:Academic awards 3964: 3912: 3890: 3888:Literary awards 3791: 3783: 3682:Seán Ó Ríordáin 3678: 3641:totalitarianism 3566: 3505: 3467: 3465: 3455: 3453: 3446: 3445: 3435: 3379: 3371: 3370: 3269: 3261: 3260: 3255: 3232: 3230:Right Book Club 3225:Policy Exchange 3204: 3171: 3149: 3141: 3140: 3074:Christian Party 3061: 3053: 3052: 3047: 3037: 3027: 3017: 3007: 2997: 2987: 2977: 2967: 2957: 2954:Rivers of Blood 2947: 2937: 2927: 2917: 2907: 2897: 2887: 2877: 2867: 2857: 2847: 2837: 2828: 2820: 2819: 2685: 2677: 2676: 2617:Johnson (Boris) 2535: 2527: 2526: 2327: 2319: 2318: 2299:Oxford Movement 2264: 2256: 2255: 2216:Ordered liberty 2188:Noblesse oblige 2157: 2149: 2148: 2048: 2028: 2026: 1936: 1931: 1855: 1694: 1676:The Rock (play) 1666:Main articles: 1664: 1575:Eliot regarded 1573: 1567: 1539:Alan Rawsthorne 1523: 1517: 1485: 1479: 1477:"Ash-Wednesday" 1469: 1418: 1410:Main articles: 1408: 1346: 1329: 1292:Georgian Poetry 1274: 1268: 1207:Collected Poems 1167: 1109:at his home in 1095: 1018: 979:in literature, 941:Faber and Faber 933: 917:Stephen Spender 909:Faber and Faber 905:Faber and Gwyer 897:Charles Whibley 875:Buckinghamshire 863:Highgate School 843: 759: 725:Americanization 717:First World War 639:Harvard College 629:Scofield Thayer 614:the Mississippi 600:Eliot lived in 517:inguinal hernia 492:, had moved to 474: 469: 414:British subject 379: 345: 324: 321: 318: 1957) 313: 309: 306: 305: 297: 294: 1932) 285: 281: 278: 277: 261: 238: 170: 153: 139: 135: 130: 118: 88: 84: 71: 65: 63: 62: 53: 41: 36: 34: 33: 24: 17: 12: 11: 5: 13621: 13611: 13610: 13605: 13600: 13595: 13590: 13585: 13580: 13575: 13570: 13565: 13560: 13555: 13550: 13545: 13540: 13535: 13530: 13525: 13520: 13515: 13510: 13505: 13500: 13495: 13490: 13485: 13480: 13475: 13470: 13465: 13460: 13455: 13450: 13445: 13440: 13435: 13430: 13425: 13420: 13415: 13410: 13405: 13400: 13395: 13390: 13385: 13380: 13375: 13370: 13365: 13360: 13355: 13350: 13345: 13340: 13335: 13330: 13325: 13320: 13315: 13310: 13305: 13300: 13295: 13290: 13288:Anglican poets 13285: 13280: 13275: 13270: 13265: 13260: 13255: 13250: 13245: 13240: 13235: 13230: 13213: 13212: 13210: 13209: 13196: 13193: 13192: 13190: 13189: 13182: 13175: 13169: 13167: 13163: 13162: 13160: 13159: 13154: 13148: 13146: 13142: 13141: 13138: 13137: 13135: 13134: 13127: 13119: 13117: 13113: 13112: 13110: 13109: 13101: 13099: 13095: 13094: 13092: 13091: 13083: 13081: 13074: 13070: 13069: 13067: 13066: 13061: 13056: 13051: 13046: 13044:Rum Tum Tugger 13041: 13036: 13031: 13026: 13021: 13016: 13011: 13006: 13001: 12996: 12991: 12986: 12980: 12978: 12972: 12971: 12969: 12968: 12955: 12952: 12951: 12938: 12937: 12930: 12923: 12915: 12906: 12905: 12900: 12899: 12897: 12896: 12882: 12874:Jeanine Tesori 12864: 12846: 12836: 12832:Anaïs Mitchell 12822: 12808: 12790: 12776: 12768:Jeanine Tesori 12758: 12744: 12730: 12712: 12690: 12672: 12659:Next to Normal 12654: 12645:In the Heights 12640: 12622: 12604: 12590: 12572: 12554: 12536: 12521: 12519: 12515: 12514: 12512: 12511: 12493: 12479: 12461: 12447: 12433: 12411: 12397: 12393:Pete Townshend 12369: 12355: 12333: 12320:City of Angels 12315: 12310: 12301:Into the Woods 12296: 12279:Les Misérables 12274: 12260: 12246: 12232: 12214: 12200: 12182: 12164: 12150: 12128: 12124:Martin Charnin 12110: 12091: 12089: 12085: 12084: 12082: 12081: 12077:Charlie Smalls 12067: 12049: 12035: 12021: 12007: 11985: 11967: 11949: 11931: 11917: 11903: 11889: 11875: 11861: 11847: 11832: 11830: 11826: 11825: 11818: 11817: 11810: 11803: 11795: 11786: 11785: 11783: 11782: 11768: 11754: 11745:A Strange Loop 11740: 11726: 11712: 11698: 11684: 11670: 11656: 11642: 11628: 11614: 11592: 11578: 11564: 11550: 11536: 11518: 11508: 11494: 11490:Mark O'Donnell 11476: 11462: 11443: 11441: 11437: 11436: 11434: 11433: 11429:Richard Nelson 11419: 11405: 11391: 11377: 11363: 11345: 11331: 11317: 11299: 11285: 11276:City of Angels 11271: 11266: 11257:Into the Woods 11252: 11239:Les Misérables 11234: 11220: 11206: 11192: 11178: 11164: 11150: 11136: 11122: 11104: 11090: 11086:Nicholas Dante 11071: 11069: 11065: 11064: 11062: 11061: 11039: 11025: 11011: 10993: 10979: 10965: 10951: 10932: 10930: 10926: 10925: 10918: 10917: 10910: 10903: 10895: 10886: 10885: 10883: 10882: 10877: 10872: 10867: 10862: 10857: 10852: 10847: 10842: 10837: 10832: 10827: 10819: 10816: 10815: 10813: 10812: 10805: 10803: 10797: 10796: 10794: 10793: 10786: 10784: 10778: 10777: 10775: 10774: 10770: 10768: 10762: 10761: 10759: 10758: 10751: 10749: 10738: 10737: 10735: 10734: 10727: 10725: 10719: 10718: 10709: 10708: 10701: 10694: 10686: 10677: 10676: 10674: 10673: 10662: 10651: 10640: 10628: 10626: 10622: 10621: 10619: 10618: 10607: 10596: 10593:Olga Tokarczuk 10585: 10582:Kazuo Ishiguro 10574: 10563: 10552: 10541: 10530: 10519: 10508: 10497: 10486: 10475: 10464: 10453: 10442: 10431: 10420: 10409: 10397: 10395: 10391: 10390: 10388: 10387: 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Lagerlöf 9327: 9316: 9305: 9294: 9283: 9280:José Echegaray 9268: 9257: 9246: 9234: 9232: 9228: 9227: 9216: 9215: 9208: 9201: 9193: 9187: 9184: 9183: 9171: 9170: 9168: 9167: 9162: 9157: 9152: 9147: 9142: 9137: 9129: 9121: 9113: 9108:Valerie Eliot 9105: 9097: 9091: 9089: 9085: 9084: 9082: 9081: 9070: 9062: 9060: 9056: 9055: 9053: 9052: 9047: 9042: 9037: 9029: 9027: 9023: 9022: 9020: 9019: 9018: 9017: 9012: 9007: 8997: 8990: 8982: 8974: 8965: 8963: 8959: 8958: 8956: 8955: 8948: 8940: 8933: 8926: 8919: 8911: 8909: 8905: 8904: 8902: 8901: 8894: 8887: 8880: 8873: 8866: 8859: 8851: 8849: 8845: 8844: 8842: 8841: 8834: 8831:Little Gidding 8827: 8820: 8813: 8806: 8799: 8792: 8785: 8778: 8770: 8768: 8764: 8763: 8756: 8754: 8752: 8751: 8744: 8737: 8730: 8723: 8720:The Hollow Men 8716: 8713:The Waste Land 8709: 8702: 8695: 8688: 8681: 8673: 8671: 8667: 8666: 8661: 8658: 8657: 8650: 8649: 8642: 8635: 8627: 8621: 8620: 8607: 8594: 8588: 8574: 8567: 8564: 8563: 8562: 8556: 8547: 8541: 8535:Merton College 8531: 8511: 8502: 8483: 8480: 8479: 8478: 8472: 8467: 8462: 8455: 8452: 8451: 8450: 8442: 8437: 8431: 8420: 8414: 8402: 8397: 8382: 8373: 8363: 8354: 8343: 8340: 8339: 8338: 8327: 8321: 8306:Lyndall Gordon 8303: 8298: 8292: 8280: 8269: 8266: 8264: 8263:External links 8261: 8259: 8258: 8248: 8243:Spurr, Barry, 8241: 8231: 8224: 8214: 8188:(1): 146–160. 8177: 8174: 8167: 8162:Robinson, Ian 8160: 8150: 8140: 8129:North, Michael 8126: 8117: 8110: 8103: 8096: 8083: 8076: 8069: 8056: 8046: 8036: 8026: 8019: 7999: 7992: 7985: 7978: 7968: 7961:Gardner, Helen 7958: 7951:Forster, E. M. 7948: 7941: 7938: 7931: 7924: 7917: 7910: 7903: 7898:Bush, Ronald. 7896: 7887: 7880: 7869:Bottum, Joseph 7866: 7859: 7852: 7838: 7831:Ackroyd, Peter 7827: 7825: 7822: 7819: 7818: 7797: 7776: 7763: 7738: 7713: 7684: 7658: 7626: 7619: 7599: 7574: 7571:. p. 286. 7555: 7530: 7495: 7469: 7448: 7432: 7404: 7383: 7342: 7322:(7 May 2010). 7311: 7298: 7285: 7262: 7238: 7222: 7209: 7196:The New Yorker 7181: 7168: 7155: 7143: 7130: 7114: 7103:. bartleby.com 7087: 7062: 7036: 7025:. Bartleby.com 7013: 6992:10.2307/371487 6970: 6927: 6914: 6903:. Bartleby.com 6884: 6865: 6854:. Bartleby.com 6838: 6836:Vol. 18, 1999. 6825: 6806: 6790: 6755:"Henry Sherek" 6744: 6731: 6718:10.1086/658355 6702:10.1086/658355 6696:(3): 427–461. 6673: 6644: 6614: 6598: 6592:Raine, Craig. 6585: 6572: 6559: 6550: 6542:Wilson, Edmund 6534: 6508: 6495: 6483: 6468: 6450: 6438: 6421:Ackroyd, Peter 6412: 6405: 6387: 6358: 6354:Literary World 6333: 6320: 6306: 6286: 6275:. Theworld.com 6269:"T. S. Eliot: 6260: 6247: 6225: 6203: 6177: 6151: 6118: 6111: 6093: 6070: 6049:Gordon, Jane. 6042: 6007: 5991: 5973: 5959: 5946: 5935:Bush, Ronald, 5928: 5894: 5881: 5872:, as cited in 5861: 5855:978-0571089833 5854: 5830: 5828:, 25 May 1936. 5814: 5791: 5778: 5769: 5750: 5728: 5714: 5694: 5680: 5660: 5654:978-0571096923 5653: 5629: 5627:. pp. 492–495. 5613: 5600: 5574: 5560: 5547: 5531: 5518: 5492: 5481:(1): 248–264. 5464: 5439: 5424: 5406: 5375: 5358: 5348: 5328: 5312: 5305: 5287: 5271: 5268:. p. 182. 5254: 5235: 5228: 5210: 5181: 5158: 5130: 5095: 5074: 5059: 5044: 5037: 5031:. p. 72. 5015: 4996: 4974: 4941: 4937:Literary World 4922: 4902: 4883: 4871:NobelPrize.org 4858: 4846:Britannica.com 4833: 4799: 4798: 4796: 4793: 4792: 4791: 4785: 4779: 4773: 4767: 4761: 4755: 4749: 4743: 4737: 4731: 4721: 4715:The Waste Land 4712: 4703: 4694: 4683: 4680: 4678: 4677: 4671: 4665: 4659: 4651: 4648: 4647: 4646: 4640: 4632: 4626: 4620: 4614: 4603: 4597: 4591: 4585: 4579: 4573: 4565: 4559: 4553: 4547: 4541: 4540: 4539: 4526: 4518: 4512: 4504: 4501: 4500: 4499: 4491: 4483: 4475: 4467: 4459: 4451: 4441: 4438: 4437: 4436: 4428: 4413: 4405: 4399: 4391: 4390: 4389: 4381: 4375: 4369: 4363: 4357: 4349: 4333: 4329:The Hollow Men 4325: 4321:The Waste Land 4317: 4316: 4315: 4310: 4305: 4298: 4293: 4288: 4283: 4278: 4273: 4268: 4263: 4258: 4243: 4242: 4241: 4236: 4231: 4226: 4221: 4216: 4211: 4199: 4194: 4189: 4184: 4177: 4160: 4157: 4156: 4155: 4154: 4153: 4143: 4140: 4137: 4134: 4131: 4128: 4125: 4122: 4119: 4116: 4113: 4110: 4107: 4099: 4098: 4097: 4094: 4091: 4088: 4085: 4082: 4079: 4069: 4068:Earliest works 4066: 4065: 4056:nobelprize.org 4043:Main article: 4040: 4037: 4036: 4035: 4029: 4023: 4011: 4008: 4007: 4006: 4003: 3996: 3989: 3986:Phi Beta Kappa 3984:Inducted into 3980: 3977: 3976: 3975: 3963: 3960: 3959: 3958: 3938: 3923: 3911: 3908: 3907: 3906: 3903: 3897: 3889: 3886: 3883: 3882: 3879: 3876: 3871: 3863: 3862: 3859: 3856: 3851: 3843: 3842: 3839: 3836: 3831: 3823: 3822: 3819: 3818:United Kingdom 3816: 3814:Order of Merit 3811: 3803: 3802: 3790: 3787: 3782: 3779: 3746:The Waste Land 3742:George Seferis 3706:William Gaddis 3690:Virginia Woolf 3677: 3674: 3665:Terry Eagleton 3602:George Steiner 3574:Anthony Julius 3565: 3562: 3507: 3506: 3504: 3503: 3496: 3489: 3481: 3478: 3477: 3476: 3475: 3463: 3448: 3447: 3444: 3443: 3438: 3428: 3427: 3426: 3421: 3411: 3406: 3401: 3396: 3391: 3386: 3380: 3377: 3376: 3373: 3372: 3369: 3368: 3363: 3358: 3353: 3348: 3343: 3338: 3333: 3328: 3323: 3318: 3313: 3308: 3303: 3298: 3293: 3292: 3291: 3289:Sunday Express 3281: 3276: 3270: 3267: 3266: 3263: 3262: 3259: 3258: 3250: 3245: 3240: 3235: 3227: 3222: 3217: 3212: 3207: 3199: 3194: 3189: 3184: 3179: 3174: 3166: 3161: 3156: 3150: 3147: 3146: 3143: 3142: 3139: 3138: 3133: 3128: 3117: 3116: 3111: 3106: 3101: 3096: 3094:Heritage Party 3091: 3086: 3081: 3076: 3071: 3062: 3059: 3058: 3055: 3054: 3051: 3050: 3040: 3030: 3020: 3010: 3000: 2990: 2980: 2970: 2960: 2950: 2940: 2930: 2920: 2910: 2900: 2890: 2880: 2870: 2860: 2850: 2840: 2829: 2826: 2825: 2822: 2821: 2818: 2817: 2812: 2807: 2802: 2797: 2792: 2787: 2782: 2777: 2772: 2767: 2762: 2757: 2752: 2747: 2742: 2737: 2732: 2730:Johnson (Paul) 2727: 2722: 2717: 2712: 2707: 2702: 2697: 2692: 2686: 2683: 2682: 2679: 2678: 2675: 2674: 2669: 2664: 2659: 2654: 2649: 2644: 2639: 2634: 2629: 2624: 2619: 2614: 2609: 2604: 2599: 2594: 2593: 2592: 2582: 2577: 2572: 2567: 2562: 2557: 2552: 2547: 2542: 2536: 2533: 2532: 2529: 2528: 2525: 2524: 2519: 2514: 2509: 2504: 2499: 2494: 2489: 2484: 2479: 2474: 2469: 2464: 2459: 2454: 2449: 2444: 2439: 2434: 2429: 2424: 2419: 2414: 2409: 2404: 2399: 2394: 2389: 2384: 2379: 2374: 2369: 2364: 2359: 2354: 2349: 2344: 2339: 2334: 2328: 2325: 2324: 2321: 2320: 2317: 2316: 2311: 2306: 2301: 2296: 2291: 2286: 2281: 2276: 2271: 2265: 2262: 2261: 2258: 2257: 2254: 2253: 2248: 2243: 2238: 2233: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2193: 2192: 2191: 2184: 2179: 2169: 2164: 2158: 2155: 2154: 2151: 2150: 2147: 2146: 2145: 2144: 2139: 2134: 2129: 2119: 2114: 2109: 2104: 2099: 2098: 2097: 2087: 2082: 2077: 2072: 2071: 2070: 2060: 2055: 2049: 2046: 2045: 2042: 2041: 2033: 2032: 2022: 2021: 1995:The Waste Land 1988:The Waste Land 1980:The Waste Land 1969:The Waste Land 1964:Gilbert Seldes 1948:The Waste Land 1935: 1932: 1930: 1927: 1919:The Waste Land 1914:The Waste Land 1912:His 1922 poem 1881:The Waste Land 1869:William Empson 1854: 1851: 1737:The Waste Land 1730:The Waste Land 1663: 1660: 1597:Little Gidding 1595:" (1941) and " 1569:Main article: 1566: 1561: 1543:Practical Cats 1519:Main article: 1516: 1511: 1481:Main article: 1478: 1475: 1460:The Waste Land 1444:Gunpowder Plot 1412:The Hollow Men 1407: 1404: 1379:The Waste Land 1372:The Waste Land 1350:The Waste Land 1344:The Waste Land 1342:Main article: 1328: 1326:The Waste Land 1323: 1296:Romantic Poets 1288:Harriet Monroe 1270:Main article: 1267: 1264: 1240:The Waste Land 1199:The Hollow Men 1187:The Waste Land 1166: 1163: 1147:Little Gidding 1142:Order of Merit 1138:Reynolds Stone 1105:Eliot died of 1094: 1091: 1084:The Waste Land 1042:Mary Trevelyan 1017: 1014: 999:Rudolf Steiner 973:Anglo-Catholic 932: 929: 901:Geoffrey Faber 855:Russell Square 842: 839: 835:The Waste Land 777:, a Cambridge 758: 755: 662:Arthur Rimbaud 658:Jules Laforgue 634:The Waste Land 621:Milton Academy 587:Igorot Village 482:Boston Brahmin 473: 470: 468: 465: 441:" (1930), and 435:The Hollow Men 430:The Waste Land 410:Boston Brahmin 371: 370: 362: 361: 357: 356: 351: 347: 346: 344: 343: 338: 332: 330: 326: 325: 323: 322: 311: 307: 301: 300: 298: 283: 279: 273: 272: 269: 267: 263: 262: 260: 259: 256:Order of Merit 253: 246: 244: 243:Notable awards 240: 239: 237: 236: 228: 220: 216:The Hollow Men 212: 208:The Waste Land 204: 196: 194: 190: 189: 184: 180: 179: 176: 172: 171: 169: 168: 163: 147: 145: 141: 140: 138: 137: 134:United Kingdom 132: 126: 124: 120: 119: 117: 116: 113: 110: 107: 104: 100: 98: 94: 93: 87:(aged 76) 83:4 January 1965 81: 77: 76: 59: 55: 54: 51: 43: 42: 35: 31: 15: 9: 6: 4: 3: 2: 13620: 13609: 13606: 13604: 13601: 13599: 13596: 13594: 13591: 13589: 13586: 13584: 13581: 13579: 13576: 13574: 13571: 13569: 13566: 13564: 13561: 13559: 13556: 13554: 13551: 13549: 13546: 13544: 13541: 13539: 13536: 13534: 13531: 13529: 13526: 13524: 13521: 13519: 13516: 13514: 13511: 13509: 13506: 13504: 13501: 13499: 13496: 13494: 13491: 13489: 13486: 13484: 13481: 13479: 13476: 13474: 13471: 13469: 13466: 13464: 13461: 13459: 13456: 13454: 13453:New Criticism 13451: 13449: 13446: 13444: 13441: 13439: 13436: 13434: 13431: 13429: 13426: 13424: 13421: 13419: 13416: 13414: 13411: 13409: 13406: 13404: 13401: 13399: 13396: 13394: 13391: 13389: 13386: 13384: 13381: 13379: 13376: 13374: 13371: 13369: 13366: 13364: 13361: 13359: 13356: 13354: 13351: 13349: 13346: 13344: 13341: 13339: 13336: 13334: 13331: 13329: 13326: 13324: 13321: 13319: 13316: 13314: 13311: 13309: 13306: 13304: 13301: 13299: 13296: 13294: 13291: 13289: 13286: 13284: 13281: 13279: 13276: 13274: 13271: 13269: 13266: 13264: 13261: 13259: 13256: 13254: 13251: 13249: 13246: 13244: 13241: 13239: 13236: 13234: 13231: 13229: 13226: 13225: 13223: 13208: 13207: 13198: 13197: 13194: 13187: 13183: 13180: 13176: 13174: 13171: 13170: 13168: 13164: 13158: 13155: 13153: 13150: 13149: 13147: 13143: 13132: 13128: 13126: 13125: 13121: 13120: 13118: 13114: 13108: 13107: 13103: 13102: 13100: 13096: 13089: 13085: 13084: 13082: 13078: 13075: 13071: 13065: 13062: 13060: 13059:Skimbleshanks 13057: 13055: 13052: 13050: 13047: 13045: 13042: 13040: 13037: 13035: 13032: 13030: 13027: 13025: 13022: 13020: 13017: 13015: 13012: 13010: 13007: 13005: 13002: 13000: 12997: 12995: 12992: 12990: 12987: 12985: 12982: 12981: 12979: 12977: 12973: 12967: 12963: 12962: 12957: 12956: 12953: 12949: 12948: 12943: 12936: 12931: 12929: 12924: 12922: 12917: 12916: 12913: 12893: 12889: 12888: 12883: 12879: 12875: 12871: 12870: 12865: 12861: 12857: 12853: 12852: 12847: 12843: 12842: 12837: 12833: 12829: 12828: 12823: 12819: 12815: 12814: 12809: 12805: 12801: 12797: 12796: 12791: 12787: 12783: 12782: 12777: 12773: 12769: 12765: 12764: 12759: 12755: 12751: 12750: 12745: 12741: 12737: 12736: 12731: 12727: 12723: 12719: 12718: 12713: 12709: 12705: 12701: 12697: 12696: 12691: 12687: 12683: 12679: 12678: 12673: 12669: 12665: 12661: 12660: 12655: 12651: 12647: 12646: 12641: 12637: 12633: 12629: 12628: 12623: 12619: 12618:Greg Morrison 12615: 12611: 12610: 12605: 12601: 12597: 12596: 12591: 12587: 12583: 12579: 12578: 12573: 12569: 12568:Scott Wittman 12565: 12561: 12560: 12555: 12551: 12547: 12546:Mark Hollmann 12543: 12542: 12537: 12533: 12529: 12528: 12527:The Producers 12523: 12522: 12520: 12516: 12508: 12504: 12500: 12499: 12494: 12490: 12486: 12485: 12480: 12476: 12472: 12468: 12467: 12462: 12458: 12454: 12453: 12448: 12444: 12440: 12439: 12434: 12430: 12426: 12422: 12418: 12417: 12412: 12408: 12404: 12403: 12398: 12394: 12390: 12389: 12384: 12380: 12376: 12375: 12370: 12366: 12362: 12361: 12356: 12352: 12348: 12344: 12340: 12339: 12334: 12330: 12326: 12322: 12321: 12316: 12311: 12307: 12303: 12302: 12297: 12293: 12292:Alain Boublil 12289: 12285: 12281: 12280: 12275: 12271: 12270:Rupert Holmes 12267: 12266: 12261: 12257: 12253: 12252: 12247: 12243: 12239: 12238: 12233: 12229: 12225: 12221: 12220: 12215: 12211: 12207: 12206: 12201: 12197: 12193: 12189: 12188: 12183: 12179: 12175: 12171: 12170: 12165: 12161: 12157: 12156: 12151: 12147: 12143: 12139: 12135: 12134: 12129: 12125: 12121: 12117: 12116: 12111: 12107: 12106:Edward Kleban 12103: 12099: 12098: 12097:A Chorus Line 12093: 12092: 12090: 12086: 12078: 12074: 12073: 12068: 12064: 12060: 12056: 12055: 12050: 12046: 12042: 12041: 12036: 12032: 12028: 12027: 12022: 12018: 12014: 12013: 12008: 12004: 12000: 11996: 11992: 11991: 11986: 11982: 11978: 11974: 11973: 11968: 11964: 11960: 11956: 11955: 11950: 11946: 11942: 11938: 11937: 11932: 11928: 11924: 11923: 11922:Hello, Dolly! 11918: 11914: 11910: 11909: 11904: 11900: 11896: 11895: 11890: 11886: 11885:Irving Berlin 11882: 11881: 11880:Call Me Madam 11876: 11872: 11868: 11867: 11866:South Pacific 11862: 11858: 11854: 11853: 11852:Kiss Me, Kate 11848: 11844: 11840: 11839: 11834: 11833: 11831: 11827: 11823: 11816: 11811: 11809: 11804: 11802: 11797: 11796: 11793: 11779: 11775: 11774: 11769: 11765: 11761: 11760: 11755: 11751: 11747: 11746: 11741: 11737: 11733: 11732: 11727: 11723: 11719: 11718: 11713: 11709: 11705: 11704: 11699: 11695: 11691: 11690: 11685: 11681: 11677: 11676: 11671: 11667: 11663: 11662: 11657: 11653: 11649: 11648: 11643: 11639: 11635: 11634: 11629: 11625: 11621: 11620: 11615: 11611: 11607: 11603: 11599: 11598: 11593: 11589: 11585: 11584: 11579: 11575: 11571: 11570: 11565: 11561: 11557: 11556: 11551: 11547: 11543: 11542: 11537: 11533: 11529: 11525: 11524: 11519: 11515: 11514: 11509: 11505: 11501: 11500: 11495: 11491: 11487: 11486:Thomas Meehan 11483: 11482: 11477: 11473: 11469: 11468: 11463: 11459: 11458:Thomas Meehan 11455: 11451: 11450: 11449:The Producers 11445: 11444: 11442: 11438: 11430: 11426: 11425: 11420: 11416: 11412: 11411: 11406: 11402: 11398: 11397: 11392: 11388: 11384: 11383: 11378: 11374: 11370: 11369: 11364: 11360: 11356: 11352: 11351: 11346: 11342: 11338: 11337: 11332: 11328: 11324: 11323: 11318: 11314: 11310: 11306: 11305: 11300: 11296: 11295:Marsha Norman 11292: 11291: 11286: 11282: 11281:Larry Gelbart 11278: 11277: 11272: 11267: 11263: 11259: 11258: 11253: 11249: 11245: 11244:Alain Boublil 11241: 11240: 11235: 11231: 11230:Rupert Holmes 11227: 11226: 11221: 11217: 11213: 11212: 11207: 11203: 11199: 11198: 11193: 11189: 11185: 11184: 11179: 11175: 11171: 11170: 11165: 11161: 11157: 11156: 11151: 11147: 11143: 11142: 11137: 11133: 11129: 11128: 11123: 11119: 11115: 11111: 11110: 11105: 11101: 11100:Thomas Meehan 11097: 11096: 11091: 11087: 11083: 11079: 11078: 11077:A Chorus Line 11073: 11072: 11070: 11066: 11058: 11054: 11050: 11046: 11045: 11040: 11036: 11032: 11031: 11026: 11022: 11018: 11017: 11012: 11008: 11004: 11000: 10999: 10994: 10990: 10986: 10985: 10980: 10976: 10972: 10971: 10966: 10962: 10958: 10957: 10956:Hello, Dolly! 10952: 10948: 10944: 10940: 10939: 10938:South Pacific 10934: 10933: 10931: 10927: 10923: 10916: 10911: 10909: 10904: 10902: 10897: 10896: 10893: 10881: 10878: 10876: 10873: 10871: 10868: 10866: 10863: 10861: 10858: 10856: 10853: 10851: 10848: 10846: 10843: 10841: 10838: 10836: 10833: 10831: 10828: 10825: 10821: 10820: 10817: 10811:(Switzerland) 10810: 10807: 10806: 10804: 10802: 10798: 10791: 10788: 10787: 10785: 10783: 10779: 10772: 10771: 10769: 10767: 10763: 10756: 10753: 10752: 10750: 10747: 10743: 10739: 10732: 10731:Arne Tiselius 10729: 10728: 10726: 10724: 10720: 10715: 10707: 10702: 10700: 10695: 10693: 10688: 10687: 10684: 10671: 10667: 10663: 10660: 10656: 10652: 10649: 10645: 10641: 10638: 10634: 10630: 10629: 10627: 10623: 10616: 10612: 10608: 10605: 10601: 10597: 10594: 10590: 10586: 10583: 10579: 10575: 10572: 10568: 10564: 10561: 10557: 10553: 10550: 10546: 10542: 10539: 10535: 10531: 10528: 10524: 10520: 10517: 10513: 10509: 10506: 10502: 10498: 10495: 10491: 10487: 10484: 10480: 10476: 10473: 10472:Doris Lessing 10469: 10465: 10462: 10458: 10454: 10451: 10450:Harold Pinter 10447: 10443: 10440: 10436: 10432: 10429: 10428:J. M. Coetzee 10425: 10421: 10418: 10414: 10410: 10407: 10406:V. S. Naipaul 10403: 10399: 10398: 10396: 10392: 10385: 10381: 10377: 10374: 10370: 10366: 10363: 10362:José Saramago 10359: 10355: 10352: 10348: 10344: 10341: 10337: 10333: 10330: 10329:Seamus Heaney 10326: 10322: 10319: 10315: 10311: 10308: 10307:Toni Morrison 10304: 10300: 10297: 10296:Derek Walcott 10293: 10289: 10286: 10282: 10278: 10275: 10271: 10267: 10264: 10260: 10256: 10253: 10249: 10245: 10242: 10238: 10234: 10231: 10227: 10223: 10220: 10216: 10212: 10209: 10205: 10201: 10198: 10194: 10190: 10187: 10183: 10179: 10176: 10175:Elias Canetti 10172: 10168: 10167: 10165: 10161: 10154: 10150: 10146: 10143: 10139: 10135: 10132: 10128: 10124: 10121: 10117: 10113: 10110: 10106: 10102: 10099: 10095: 10091: 10088: 10084: 10080: 10076: 10073: 10072:Patrick White 10069: 10065: 10062: 10061:Heinrich Böll 10058: 10054: 10051: 10047: 10043: 10040: 10036: 10032: 10029: 10025: 10021: 10018: 10014: 10010: 10007: 10003: 9999: 9996: 9992: 9988: 9984: 9981: 9977: 9973: 9969: 9965: 9961: 9958: 9954: 9950: 9947: 9943: 9939: 9936: 9932: 9928: 9927: 9925: 9921: 9914: 9910: 9906: 9903: 9899: 9895: 9892: 9888: 9884: 9881: 9877: 9873: 9870: 9866: 9862: 9859: 9855: 9851: 9848: 9844: 9840: 9837: 9833: 9829: 9826: 9822: 9818: 9815: 9811: 9807: 9804: 9800: 9796: 9793: 9789: 9785: 9782: 9778: 9774: 9771: 9767: 9763: 9760: 9759:Hermann Hesse 9756: 9752: 9749: 9745: 9741: 9738: 9734: 9730: 9726: 9721: 9717: 9712: 9708: 9703: 9702: 9700: 9696: 9688: 9683: 9680: 9676: 9672: 9669: 9668:Pearl S. Buck 9665: 9661: 9658: 9654: 9650: 9647: 9643: 9639: 9635: 9630: 9627: 9623: 9619: 9616: 9612: 9608: 9605: 9601: 9597: 9593: 9589: 9585: 9581: 9578: 9574: 9570: 9567: 9563: 9559: 9556: 9555:Sigrid Undset 9552: 9548: 9545: 9544:Henri Bergson 9541: 9537: 9534: 9530: 9526: 9523: 9519: 9515: 9512: 9508: 9504: 9501: 9497: 9493: 9490: 9486: 9482: 9479: 9475: 9471: 9470: 9468: 9464: 9457: 9453: 9449: 9446: 9442: 9438: 9434: 9429: 9426: 9422: 9418: 9414: 9411: 9407: 9403: 9400: 9396: 9392: 9388: 9383: 9380: 9376: 9372: 9369: 9365: 9361: 9358: 9354: 9350: 9347: 9343: 9339: 9336: 9332: 9328: 9325: 9324:Rudolf Eucken 9321: 9317: 9314: 9310: 9306: 9303: 9299: 9295: 9292: 9288: 9284: 9281: 9277: 9273: 9269: 9266: 9262: 9258: 9255: 9251: 9247: 9244: 9240: 9236: 9235: 9233: 9229: 9225: 9221: 9214: 9209: 9207: 9202: 9200: 9195: 9194: 9191: 9185: 9178: 9166: 9163: 9161: 9158: 9156: 9153: 9151: 9148: 9146: 9143: 9141: 9138: 9136: 9134:(grandfather) 9130: 9128: 9122: 9120: 9114: 9112: 9110:(second wife) 9106: 9104: 9098: 9096: 9093: 9092: 9090: 9086: 9080: 9077: 9075: 9074:Tom & Viv 9071: 9069: 9068: 9064: 9063: 9061: 9057: 9051: 9048: 9046: 9043: 9041: 9038: 9036: 9035: 9034:The Criterion 9031: 9030: 9028: 9024: 9016: 9013: 9011: 9008: 9006: 9003: 9002: 9001: 8998: 8996: 8995: 8991: 8989: 8987: 8983: 8980: 8979: 8975: 8973: 8971: 8967: 8966: 8964: 8960: 8953: 8949: 8946: 8945: 8941: 8939: 8938: 8934: 8931: 8927: 8924: 8920: 8918: 8917: 8913: 8912: 8910: 8906: 8900: 8899: 8895: 8893: 8892: 8888: 8886: 8885: 8881: 8879: 8878: 8874: 8872: 8871: 8867: 8865: 8864: 8860: 8858: 8857: 8853: 8852: 8850: 8846: 8840: 8839: 8838:Four Quartets 8835: 8833: 8832: 8828: 8826: 8825: 8821: 8819: 8818: 8814: 8812: 8811: 8807: 8804: 8800: 8797: 8793: 8790: 8786: 8783: 8779: 8777: 8776: 8772: 8771: 8769: 8765: 8760: 8749: 8745: 8742: 8738: 8736: 8735: 8731: 8729: 8728: 8727:Ash Wednesday 8724: 8722: 8721: 8717: 8715: 8714: 8710: 8707: 8703: 8700: 8696: 8693: 8689: 8686: 8682: 8679: 8675: 8674: 8672: 8668: 8664: 8659: 8655: 8648: 8643: 8641: 8636: 8634: 8629: 8628: 8625: 8619: 8615: 8611: 8608: 8605: 8601: 8598: 8595: 8592: 8589: 8585: 8581: 8575: 8573: 8570: 8569: 8566:Miscellaneous 8560: 8557: 8555: 8551: 8548: 8545: 8542: 8540: 8536: 8532: 8530: 8526: 8522: 8518: 8515: 8512: 8510: 8506: 8503: 8500: 8494: 8490: 8486: 8485: 8476: 8473: 8471: 8468: 8466: 8463: 8461: 8458: 8457: 8448: 8447: 8443: 8441: 8438: 8435: 8432: 8430: 8429: 8424: 8421: 8418: 8415: 8413: 8409: 8406: 8403: 8401: 8398: 8390: 8386: 8383: 8381: 8377: 8374: 8371: 8367: 8364: 8362: 8358: 8355: 8353: 8349: 8346: 8345: 8336: 8331: 8328: 8325: 8322: 8319: 8315: 8311: 8307: 8304: 8302: 8301:Eliot's grave 8299: 8296: 8293: 8291: 8287: 8284: 8281: 8279: 8275: 8272: 8271: 8256: 8252: 8249: 8246: 8242: 8239: 8235: 8232: 8229: 8225: 8222: 8218: 8215: 8211: 8207: 8203: 8199: 8195: 8191: 8187: 8183: 8178: 8175: 8172: 8168: 8165: 8161: 8158: 8154: 8151: 8148: 8144: 8141: 8138: 8134: 8130: 8127: 8124: 8121: 8118: 8115: 8111: 8108: 8104: 8101: 8097: 8095: 8091: 8087: 8084: 8081: 8077: 8074: 8070: 8067: 8063: 8060: 8059:Kirk, Russell 8057: 8054: 8050: 8047: 8044: 8040: 8037: 8034: 8030: 8027: 8024: 8020: 8018: 8014: 8010: 8009: 8004: 8000: 7997: 7993: 7990: 7986: 7984:(2000, 2011). 7983: 7979: 7976: 7972: 7969: 7966: 7962: 7959: 7956: 7952: 7949: 7946: 7942: 7939: 7936: 7932: 7929: 7925: 7922: 7918: 7915: 7911: 7908: 7904: 7901: 7897: 7894: 7893: 7888: 7885: 7881: 7878: 7874: 7870: 7867: 7864: 7860: 7857: 7853: 7850: 7846: 7842: 7839: 7836: 7832: 7829: 7828: 7814: 7810: 7804: 7802: 7794: 7790: 7786: 7780: 7773: 7767: 7752: 7748: 7742: 7727: 7723: 7717: 7700: 7695: 7688: 7672: 7668: 7662: 7646: 7642: 7641: 7636: 7630: 7622: 7620:9780802039408 7616: 7612: 7611: 7603: 7588: 7584: 7578: 7570: 7566: 7559: 7552: 7541: 7534: 7518: 7514: 7513: 7507: 7499: 7483: 7479: 7473: 7465: 7464: 7459: 7452: 7445: 7439: 7437: 7428: 7427: 7422: 7420: 7415:(Fall 1997). 7414: 7413:Kirk, Russell 7408: 7400: 7399: 7394: 7393:"Undesirable" 7387: 7372: 7371: 7366: 7364: 7355: 7353: 7351: 7349: 7347: 7331: 7330: 7325: 7321: 7320:Bloom, Harold 7315: 7308: 7302: 7295: 7289: 7283: 7282:0-521-58673-9 7279: 7275: 7271: 7266: 7259: 7258: 7253: 7252: 7247: 7242: 7235: 7229: 7227: 7219: 7213: 7198: 7197: 7192: 7185: 7178: 7172: 7165: 7159: 7152: 7147: 7140: 7134: 7127: 7121: 7119: 7102: 7098: 7091: 7075: 7074: 7066: 7050: 7046: 7040: 7024: 7017: 7009: 7005: 7001: 6997: 6993: 6989: 6986:(2): 95–101. 6985: 6981: 6974: 6966: 6962: 6958: 6954: 6950: 6946: 6942: 6938: 6931: 6924: 6918: 6902: 6898: 6891: 6889: 6881: 6877: 6876: 6869: 6853: 6849: 6842: 6835: 6829: 6822: 6818: 6815: 6810: 6803: 6799: 6794: 6786: 6771: 6767: 6763: 6762: 6756: 6748: 6741: 6738:Eliot, T. S. 6735: 6727: 6723: 6719: 6715: 6711: 6707: 6703: 6699: 6695: 6691: 6687: 6680: 6678: 6670: 6658: 6657:Joshua Spodek 6654: 6648: 6632: 6628: 6624: 6618: 6611: 6607: 6602: 6595: 6589: 6582: 6576: 6569: 6563: 6554: 6547: 6543: 6538: 6523: 6519: 6512: 6505: 6499: 6492: 6487: 6479: 6475: 6471: 6469:9780521828093 6465: 6461: 6454: 6447: 6442: 6434: 6430: 6426: 6422: 6416: 6408: 6402: 6398: 6391: 6384: 6380: 6376: 6372: 6368: 6362: 6355: 6351: 6347: 6343: 6337: 6330: 6324: 6309: 6303: 6299: 6298: 6290: 6274: 6272: 6264: 6257: 6251: 6235: 6229: 6213: 6207: 6192: 6188: 6181: 6166: 6162: 6155: 6139: 6135: 6130: 6122: 6114: 6112:9780415159470 6108: 6104: 6097: 6081: 6074: 6067: 6063: 6060: 6056: 6052: 6046: 6031: 6027: 6023: 6022: 6017: 6011: 6004: 6000: 5995: 5988: 5987: 5982: 5977: 5969: 5963: 5956: 5950: 5943: 5938: 5932: 5917: 5913: 5909: 5905: 5898: 5891: 5885: 5877: 5871: 5865: 5857: 5851: 5847: 5843: 5842: 5834: 5827: 5823: 5818: 5811: 5809: 5803: 5802: 5795: 5788: 5782: 5773: 5765: 5761: 5754: 5748: 5745: 5739: 5737: 5735: 5733: 5717: 5711: 5707: 5706: 5698: 5683: 5677: 5673: 5672: 5664: 5656: 5650: 5646: 5642: 5641: 5633: 5626: 5622: 5617: 5610: 5607:Eliot, T. S. 5604: 5596: 5592: 5588: 5581: 5579: 5570: 5564: 5557: 5551: 5544: 5540: 5535: 5528: 5525:Eliot, T. S. 5522: 5507: 5503: 5496: 5488: 5484: 5480: 5476: 5468: 5453: 5449: 5443: 5435: 5428: 5422: 5420: 5413: 5411: 5394: 5390: 5384: 5382: 5380: 5372: 5368: 5362: 5355: 5351: 5345: 5341: 5340: 5332: 5325: 5319: 5317: 5308: 5302: 5298: 5291: 5283: 5282: 5275: 5267: 5266: 5258: 5250: 5246: 5239: 5231: 5229:9784903742212 5225: 5221: 5214: 5206: 5202: 5198: 5194: 5193: 5185: 5177: 5173: 5169: 5162: 5154: 5150: 5146: 5139: 5137: 5135: 5123: 5119: 5115: 5114: 5109: 5102: 5100: 5092: 5088: 5084: 5078: 5070: 5063: 5055: 5048: 5040: 5034: 5030: 5026: 5019: 5012: 5008: 5003: 5001: 4984: 4978: 4971: 4967: 4962: 4960: 4958: 4956: 4954: 4952: 4950: 4948: 4946: 4938: 4925: 4919: 4915: 4914: 4906: 4898: 4894: 4887: 4872: 4868: 4862: 4847: 4843: 4837: 4831: 4827: 4824: 4821: 4815: 4813: 4811: 4809: 4807: 4805: 4800: 4789: 4786: 4783: 4780: 4777: 4774: 4771: 4768: 4765: 4762: 4759: 4756: 4753: 4750: 4747: 4744: 4741: 4738: 4735: 4732: 4729: 4725: 4722: 4720: 4716: 4713: 4711: 4707: 4704: 4702: 4698: 4695: 4693: 4689: 4686: 4685: 4675: 4672: 4669: 4666: 4663: 4660: 4657: 4654: 4653: 4644: 4641: 4638: 4637: 4633: 4630: 4627: 4624: 4621: 4618: 4615: 4613: 4609: 4608: 4604: 4601: 4598: 4595: 4592: 4589: 4586: 4583: 4580: 4577: 4574: 4571: 4570: 4566: 4563: 4560: 4557: 4554: 4551: 4548: 4545: 4542: 4537: 4533: 4532: 4530: 4527: 4524: 4523: 4519: 4516: 4513: 4510: 4507: 4506: 4497: 4496: 4492: 4489: 4488: 4484: 4481: 4480: 4476: 4473: 4472: 4468: 4465: 4464: 4460: 4457: 4456: 4452: 4449: 4448: 4444: 4443: 4434: 4433: 4432:Four Quartets 4429: 4427: 4426: 4421: 4417: 4414: 4411: 4410: 4406: 4403: 4400: 4397: 4396: 4395:Ash Wednesday 4392: 4388: 4386: 4382: 4379: 4376: 4373: 4370: 4367: 4364: 4361: 4358: 4355: 4354: 4350: 4347: 4346: 4342: 4341: 4339: 4338: 4334: 4331: 4330: 4326: 4323: 4322: 4318: 4314: 4311: 4309: 4306: 4304: 4303: 4299: 4297: 4294: 4292: 4289: 4287: 4284: 4282: 4279: 4277: 4274: 4272: 4271:A Cooking Egg 4269: 4267: 4266:Sweeney Erect 4264: 4262: 4259: 4257: 4256: 4252: 4251: 4249: 4248: 4244: 4240: 4237: 4235: 4232: 4230: 4227: 4225: 4224:Mr. Apollinax 4222: 4220: 4217: 4215: 4212: 4209: 4208: 4203: 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4182: 4178: 4176: 4175: 4171: 4170: 4168: 4167: 4163: 4162: 4144: 4142:" Ode" (1910) 4141: 4138: 4135: 4132: 4129: 4126: 4123: 4120: 4117: 4114: 4111: 4108: 4105: 4104: 4103: 4100: 4095: 4092: 4089: 4086: 4083: 4080: 4077: 4076: 4075: 4072: 4071: 4064: 4061: 4057: 4053: 4046: 4034: 4030: 4028: 4024: 4021: 4017: 4016:Eliot College 4014: 4013: 4010:Other honours 4004: 4001: 3997: 3994: 3990: 3987: 3983: 3982: 3973: 3969: 3966: 3965: 3953: 3950:(shared with 3949: 3948: 3943: 3939: 3934: 3933: 3928: 3924: 3922: 3918: 3914: 3913: 3904: 3901: 3898: 3895: 3892: 3891: 3880: 3877: 3875: 3872: 3869: 3864: 3860: 3857: 3855: 3852: 3849: 3844: 3840: 3838:United States 3837: 3835: 3832: 3829: 3824: 3820: 3817: 3815: 3812: 3809: 3804: 3801: 3797: 3794: 3786: 3778: 3776: 3772: 3768: 3767:Derek Walcott 3764: 3763: 3759: 3755: 3751: 3747: 3743: 3739: 3735: 3731: 3730:Seamus Heaney 3727: 3726:Geoffrey Hill 3723: 3719: 3715: 3711: 3707: 3703: 3699: 3695: 3691: 3687: 3683: 3673: 3671: 3666: 3661: 3657: 3653: 3648: 3646: 3642: 3638: 3634: 3633:Oswald Mosley 3630: 3626: 3622: 3618: 3613: 3611: 3607: 3603: 3599: 3595: 3591: 3587: 3583: 3579: 3575: 3571: 3561: 3559: 3555: 3551: 3546: 3542: 3538: 3533: 3531: 3527: 3526:neoclassicism 3523: 3517: 3515: 3514:Four Quartets 3502: 3497: 3495: 3490: 3488: 3483: 3482: 3480: 3479: 3474: 3464: 3462: 3452: 3451: 3450: 3449: 3442: 3439: 3434: 3433: 3429: 3425: 3422: 3420: 3417: 3416: 3415: 3412: 3410: 3407: 3405: 3402: 3400: 3397: 3395: 3392: 3390: 3387: 3385: 3382: 3381: 3375: 3374: 3367: 3364: 3362: 3359: 3357: 3354: 3352: 3349: 3347: 3344: 3342: 3339: 3337: 3334: 3332: 3331:The Spectator 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3290: 3287: 3286: 3285: 3284:Daily Express 3282: 3280: 3277: 3275: 3272: 3271: 3265: 3264: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3231: 3228: 3226: 3223: 3221: 3218: 3216: 3213: 3211: 3208: 3203: 3200: 3198: 3195: 3193: 3190: 3188: 3185: 3183: 3180: 3178: 3175: 3170: 3167: 3165: 3162: 3160: 3157: 3155: 3152: 3151: 3148:Organisations 3145: 3144: 3137: 3134: 3132: 3129: 3127: 3124: 3123: 3122: 3121: 3115: 3112: 3110: 3107: 3105: 3102: 3100: 3097: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3072: 3070: 3067: 3066: 3065: 3057: 3056: 3046: 3045: 3041: 3036: 3035: 3031: 3026: 3025: 3021: 3016: 3015: 3011: 3006: 3005: 3001: 2996: 2995: 2991: 2986: 2985: 2981: 2976: 2975: 2971: 2966: 2965: 2961: 2955: 2951: 2946: 2945: 2941: 2936: 2935: 2931: 2925: 2921: 2916: 2915: 2911: 2906: 2905: 2901: 2896: 2895: 2891: 2886: 2885: 2881: 2876: 2875: 2871: 2866: 2865: 2861: 2855: 2851: 2846: 2845: 2841: 2836: 2835: 2831: 2830: 2824: 2823: 2816: 2813: 2811: 2808: 2806: 2803: 2801: 2798: 2796: 2793: 2791: 2788: 2786: 2783: 2781: 2778: 2776: 2773: 2771: 2768: 2766: 2763: 2761: 2758: 2756: 2753: 2751: 2748: 2746: 2743: 2741: 2738: 2736: 2733: 2731: 2728: 2726: 2723: 2721: 2720:Hanbury-Tracy 2718: 2716: 2713: 2711: 2708: 2706: 2703: 2701: 2698: 2696: 2693: 2691: 2688: 2687: 2681: 2680: 2673: 2670: 2668: 2665: 2663: 2660: 2658: 2655: 2653: 2650: 2648: 2645: 2643: 2640: 2638: 2635: 2633: 2630: 2628: 2625: 2623: 2620: 2618: 2615: 2613: 2610: 2608: 2605: 2603: 2600: 2598: 2595: 2591: 2588: 2587: 2586: 2583: 2581: 2578: 2576: 2573: 2571: 2568: 2566: 2563: 2561: 2558: 2556: 2553: 2551: 2548: 2546: 2543: 2541: 2538: 2537: 2531: 2530: 2523: 2520: 2518: 2515: 2513: 2510: 2508: 2505: 2503: 2500: 2498: 2495: 2493: 2490: 2488: 2485: 2483: 2480: 2478: 2475: 2473: 2470: 2468: 2465: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2405: 2403: 2400: 2398: 2395: 2393: 2390: 2388: 2385: 2383: 2380: 2378: 2375: 2373: 2370: 2368: 2365: 2363: 2360: 2358: 2355: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2335: 2333: 2330: 2329: 2326:Intellectuals 2323: 2322: 2315: 2312: 2310: 2307: 2305: 2304:Young England 2302: 2300: 2297: 2295: 2292: 2290: 2287: 2285: 2282: 2280: 2277: 2275: 2272: 2270: 2267: 2266: 2260: 2259: 2252: 2249: 2247: 2244: 2242: 2239: 2237: 2234: 2232: 2229: 2227: 2224: 2222: 2221:Protectionism 2219: 2217: 2214: 2212: 2209: 2207: 2204: 2202: 2199: 2197: 2196:Family values 2194: 2190: 2189: 2185: 2183: 2180: 2178: 2175: 2174: 2173: 2170: 2168: 2165: 2163: 2160: 2159: 2153: 2152: 2143: 2140: 2138: 2135: 2133: 2130: 2128: 2125: 2124: 2123: 2120: 2118: 2115: 2113: 2110: 2108: 2105: 2103: 2100: 2096: 2093: 2092: 2091: 2088: 2086: 2083: 2081: 2080:Compassionate 2078: 2076: 2073: 2069: 2066: 2065: 2064: 2061: 2059: 2056: 2054: 2051: 2050: 2044: 2043: 2039: 2035: 2034: 2031: 2024: 2023: 2019: 2015: 2014: 2011: 2008: 2007:Cynthia Ozick 2004: 1999: 1996: 1991: 1989: 1985: 1981: 1977: 1972: 1970: 1965: 1961: 1957: 1956:Edmund Wilson 1953: 1949: 1944: 1942: 1926: 1922: 1920: 1915: 1910: 1908: 1903: 1901: 1895: 1893: 1889: 1884: 1882: 1878: 1873: 1870: 1866: 1865: 1864:New Criticism 1860: 1850: 1846: 1844: 1840: 1836: 1832: 1828: 1824: 1820: 1817:, (1953) and 1816: 1812: 1808: 1803: 1799: 1798:Peter Ackroyd 1795: 1794:Thomas Becket 1791: 1787: 1783: 1779: 1775: 1771: 1767: 1763: 1758: 1756: 1755: 1750: 1746: 1742: 1738: 1733: 1731: 1727: 1723: 1719: 1715: 1711: 1707: 1703: 1702:Ash Wednesday 1699: 1698:Four Quartets 1693: 1689: 1685: 1681: 1677: 1673: 1669: 1659: 1657: 1653: 1649: 1648:Four Quartets 1644: 1642: 1638: 1634: 1630: 1626: 1622: 1617: 1614: 1611: 1608: 1606: 1602: 1598: 1594: 1590: 1586: 1582: 1578: 1577:Four Quartets 1572: 1571:Four Quartets 1565: 1564:Four Quartets 1560: 1558: 1554: 1550: 1549: 1544: 1540: 1536: 1532: 1528: 1522: 1515: 1510: 1508: 1507: 1501: 1496: 1494: 1490: 1484: 1473: 1472: 1468: 1463: 1461: 1457: 1453: 1452:Joseph Conrad 1449: 1445: 1441: 1437: 1433: 1429: 1427: 1423: 1422:Edmund Wilson 1417: 1413: 1403: 1400: 1398: 1397: 1392: 1388: 1382: 1380: 1375: 1373: 1369: 1363: 1361: 1357: 1356: 1355:The Criterion 1351: 1345: 1338: 1333: 1327: 1322: 1320: 1316: 1315: 1310: 1309: 1304: 1299: 1297: 1293: 1289: 1285: 1284: 1279: 1273: 1263: 1261: 1257: 1253: 1249: 1245: 1244:Four Quartets 1241: 1237: 1232: 1228: 1226: 1222: 1221: 1216: 1212: 1208: 1204: 1200: 1196: 1192: 1188: 1184: 1181:(London) and 1180: 1176: 1171: 1162: 1160: 1156: 1151: 1149: 1148: 1143: 1139: 1135: 1131: 1130:Poets' Corner 1126: 1124: 1120: 1116: 1112: 1108: 1099: 1090: 1087: 1085: 1081: 1077: 1073: 1069: 1064: 1062: 1058: 1054: 1050: 1045: 1043: 1038: 1036: 1032: 1028: 1023: 1013: 1011: 1007: 1006:Peter Ackroyd 1002: 1000: 996: 990: 988: 987: 982: 978: 974: 970: 966: 962: 958: 954: 950: 942: 937: 928: 926: 922: 921:Charles Madge 918: 914: 910: 906: 902: 898: 894: 892: 888: 884: 883:Wyndham Lewis 880: 876: 872: 868: 867:John Betjeman 864: 856: 852: 847: 838: 836: 830: 828: 824: 823: 822:Tom & Viv 817: 815: 811: 807: 803: 797: 795: 791: 787: 782: 780: 776: 767: 763: 754: 752: 750: 745: 744:F. H. 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S. Eliot 13029:Mungojerrie 12984:Bombalurina 12966:T. S. Eliot 12892:Shaina Taub 12856:Toby Marlow 12804:Justin Paul 12735:Kinky Boots 12722:Alan Menken 12700:Trey Parker 12682:David Bryan 12475:Lynn Ahrens 12379:John Kander 12228:T. S. Eliot 12192:John Kander 11977:John Kander 11959:Mitch Leigh 11913:Lionel Bart 11857:Cole Porter 11778:Shaina Taub 11736:Diablo Cody 11722:Robert Horn 11602:Trey Parker 11504:Jeff Whitty 11415:Alfred Uhry 11387:Peter Stone 11188:T. S. Eliot 11160:Peter Stone 11057:Philip Rose 11053:Peter Udell 11007:Mel Shapiro 10755:T. S. Eliot 10714:Nobel Prize 10538:Alice Munro 10461:Orhan Pamuk 10274:Octavio Paz 10109:Saul Bellow 9995:Nelly Sachs 9781:T. S. Eliot 9566:Thomas Mann 9500:W. B. Yeats 9456:Knut Hamsun 9076:(1984 play, 8962:Adaptations 8767:Later poems 8734:Ariel Poems 8670:Early poems 8654:T. S. Eliot 8425:printed in 8330:T. S. Eliot 8274:T. S. Eliot 8251:Tate, Allen 8238:T. S. Eliot 8147:T. S. Eliot 8137:W.W. Norton 7592:16 February 7246:Gross, John 6637:27 February 6594:T. S. Eliot 6504:T. S. Eliot 6425:T. S. Eliot 6240:23 November 6170:27 February 6086:12 November 5625:James Joyce 5393:T. S. Eliot 5118:Donald Hall 4503:Non-fiction 4337:Ariel Poems 4204:(about the 4150: 1911 3750:James Joyce 3718:Trevor Nunn 3660:Craig Raine 3656:T. S. Eliot 3654:(2001) and 3637:Blackshirts 3441:Remigration 3389:Blue Labour 3202:Monday Club 3154:Bright Blue 2534:Politicians 2241:Sovereignty 2201:Imperialism 2182:Meritocracy 2177:Aristocracy 2117:Progressive 2095:Thatcherism 1941:sui generis 1770:George Bell 1747:(1926) and 1706:Elizabethan 1601:theological 1591:" (1940), " 1587:" (1936), " 1527:light verse 1489:Anglicanism 1391:James Joyce 1183:Poems: 1920 1155:blue plaque 1153:In 1986, a 1063:, in 1965. 953:Anglicanism 913:W. H. Auden 887:James Joyce 879:Lloyds Bank 751:examination 486:New England 453:(1935) and 437:" (1925), " 136:(1927–1965) 131:(1888–1927) 123:Citizenship 32:T. S. Eliot 13298:Epic poets 13222:Categories 13054:Rumpus Cat 13034:Munkustrap 13004:Jellylorum 12994:Grizabella 12976:Characters 12800:Benj Pasek 12708:Matt Stone 12550:Greg Kotis 12532:Mel Brooks 12503:Elton John 12343:Cy Coleman 12325:Cy Coleman 12138:Cy Coleman 11995:Jule Styne 11963:Joe Darion 11941:Jerry Bock 11894:No Strings 11843:Kurt Weill 11624:Enda Walsh 11610:Matt Stone 11528:Bob Martin 11472:Greg Kotis 11454:Mel Brooks 11169:Dreamgirls 11044:Shenandoah 11003:John Guare 10742:Literature 9935:Ivo Andrić 9770:André Gide 9615:Ivan Bunin 9346:Paul Heyse 9155:Ezra Pound 9145:Emily Hale 9079:1994 film) 9026:Publishing 8817:East Coker 8370:Faded Page 8253:, editor. 8051:. editor, 8008:Cencrastus 7884:Modern Age 7756:1 December 7731:1 December 7706:1 December 7545:7 November 7523:1 December 7488:1 December 7363:T.S. Eliot 7202:1 December 7107:26 January 7080:26 January 6880:LITERATURA 6787:required.) 6663:7 November 6527:3 February 6218:1 December 5721:26 October 5687:26 October 5457:6 February 5306:0271027622 5153:B000TM4Z00 4893:T.S. Eliot 4422:(1939) in 4214:Aunt Helen 3722:Ted Hughes 3710:Allen Tate 3702:Hart Crane 3694:Ezra Pound 3606:Tom Paulin 3419:Liberalism 3296:Daily Mail 3279:The Critic 2974:Black Mass 2827:Literature 2810:Worsthorne 2765:O'Sullivan 2517:Wordsworth 2352:Chesterton 2284:Jacobitism 2156:Principles 2107:One-nation 2063:Cameronism 2047:Ideologies 1967:regard to 1835:Tony Award 1726:Thomas Kyd 1589:East Coker 1535:Ezra Pound 1500:Edwin Muir 1450:mythos of 1440:Guy Fawkes 1432:Allen Tate 1278:Ezra Pound 1256:W.B. Yeats 1236:Upanishads 1123:East Coker 1111:Kensington 1072:Kensington 1031:Emily Hale 977:classicist 925:Ted Hughes 733:Ezra Pound 705:Emily Hale 526:Tom Sawyer 521:Mark Twain 395:playwright 109:playwright 97:Occupation 66:1888-09-26 13483:Lecturers 13393:Modernism 13173:Accolades 13116:2019 film 12958:Based on 12860:Lucy Moss 12827:Hadestown 12772:Lisa Kron 12586:Jeff Marx 12559:Hairspray 12541:Urinetown 12425:Don Black 12360:Falsettos 12251:Big River 12088:1976–2000 11829:1947–1975 11738:(2020/21) 11666:Lisa Kron 11481:Hairspray 11467:Urinetown 11355:Don Black 11304:Falsettos 11211:Big River 11068:1976–2000 10929:1950–1975 10723:Chemistry 10716:laureates 10659:Jon Fosse 10571:Bob Dylan 10394:2001–2020 10163:1981–2000 9923:1961–1980 9698:1941–1960 9466:1921–1940 9231:1901–1920 9220:Laureates 9015:2019 film 9010:1998 film 8988:(TV play) 8706:Gerontion 8597:T S Eliot 8477:Home Page 8268:Biography 8202:143631556 8017:0264-0856 7895:, vol. 2. 7849:Dodd Mead 7008:149839426 6957:162044168 6726:162999145 6710:0026-8232 6478:22749928M 6433:24766653M 6196:3 January 6144:3 January 6030:0140-0460 6021:The Times 5921:6 January 5916:0261-3077 5511:6 January 5399:6 January 4255:Gerontion 4112:"" (1905) 3698:Bob Dylan 3676:Influence 3586:estaminet 3582:Gerontion 3554:symbolist 3424:Socialism 3361:The Times 3256:(Defunct) 3233:(Defunct) 3205:(Defunct) 3172:(Defunct) 3099:Reform UK 2904:Orthodoxy 2898:(1867–68) 2874:Coningsby 2864:On Heroes 2662:Salisbury 2657:Rees-Mogg 2632:Macmillan 2590:Positions 2575:Churchill 2550:Braverman 2377:Dalrymple 2362:Coleridge 2309:New Right 2294:Corn Laws 2289:Old Whigs 2251:Tradition 2112:Powellism 1890:"—of an " 1625:the Blitz 1493:salvation 1442:" of the 1276:In 1915, 1262:, 1948). 1107:emphysema 893:in 1938. 810:migraines 779:governess 749:viva voce 602:St. Louis 531:big river 498:Unitarian 494:St. Louis 433:(1922), " 406:St. Louis 399:Modernist 360:Signature 350:Relatives 187:Modernism 178:1905–1965 144:Education 112:publisher 92:, England 73:St. Louis 13206:Category 13019:Macavity 12781:Hamilton 12763:Fun Home 12664:Tom Kitt 12577:Avenue Q 12507:Tim Rice 12383:Fred Ebb 12196:Fred Ebb 12178:Tim Rice 11981:Fred Ebb 11675:Hamilton 11661:Fun Home 11574:Lee Hall 11499:Avenue Q 11174:Tom Eyen 11146:Tim Rice 10733:(Sweden) 10351:Dario Fo 9126:(mother) 9118:(father) 8863:The Rock 8692:Preludes 8600:Archived 8517:Archived 8482:Archives 8454:Websites 8408:Archived 8389:LibriVox 8372:(Canada) 8312:, 1977, 8286:Archived 7892:Scrutiny 7671:Archived 7645:Archived 7640:Playbill 7517:Archived 7463:Prospect 7444:The Rock 7126:The Dial 7055:3 August 7029:3 August 6907:3 August 6858:3 August 6817:Archived 6423:(1984). 6279:3 August 6138:Archived 6062:Archived 5529:. p. 75. 5452:Birkbeck 5122:Archived 4989:26 April 4876:20 April 4851:12 April 4826:Archived 4699:(1982), 4690:(1963), 4455:The Rock 4402:Coriolan 4385:Macavity 4229:Hysteria 4187:Preludes 4049:Source: 3974:" (1982) 3658:(2006), 3625:The Rock 2785:Sullivan 2725:Hitchens 2695:Benjamin 2672:Willetts 2667:Thatcher 2580:Disraeli 2457:Ludovici 2452:Lawrence 2392:Ferguson 2367:Conquest 2269:Cavalier 2226:Royalism 2206:Loyalism 2018:a series 1813:(1949), 1809:(1939), 1782:The Rock 1762:The Rock 1710:Jacobean 1637:Quartets 1633:Quartets 1621:Quartets 1557:Broadway 1506:literati 1448:agrarian 1201:to form 1191:Prufrock 981:royalist 857:, London 806:insomnia 757:Marriage 701:Sanskrit 689:Sorbonne 610:Missouri 404:Born in 391:essayist 203:" (1915) 106:essayist 13080:Musical 12989:Demeter 12717:Newsies 12677:Memphis 12466:Ragtime 12452:Titanic 12402:Passion 12072:The Wiz 12026:Follies 12012:Company 11972:Cabaret 11908:Oliver! 11717:Tootsie 11583:Memphis 11396:Ragtime 11382:Titanic 11336:Passion 11030:Candide 10984:Company 10782:Physics 9222:of the 9059:Related 8981:(opera) 8616:of the 8612:in the 8552:at the 8527:at the 8523:at the 8378:at the 8276:at the 8223:(2001). 8173:(1999). 8159:(1988). 8139:, 2000. 8102:(1968). 8045:(1969). 7977:(1998). 7967:(1949). 7930:(2022). 7923:(2015). 7916:(1987). 7902:(1984). 7865:(1995). 7851:(1971). 7837:(1984). 7335:9 April 6775:27 July 6313:8 March 6165:Premier 6068:, 1957. 6035:3 March 5971:in...." 5812:(1929). 5487:1738642 5170:(ed.). 4531:(1920) 4360:Animula 4250:(1920) 4169:(1917) 4018:of the 3771:Islands 3629:Fascist 3590:Antwerp 3378:Related 3336:The Sun 3316:GB News 3120:Defunct 3060:Parties 2790:Tominey 2780:Starkey 2775:Roberts 2715:Goodwin 2565:Canning 2560:Cameron 2545:Balfour 2540:Baldwin 2502:Stephen 2497:Southey 2492:Scruton 2477:Parvini 2447:Laslett 2437:Kipling 2372:Cowling 2347:Carlyle 2332:Bagehot 2263:History 2172:Elitism 2122:Toryism 2090:Liberal 2058:Burkean 1900:Shelley 1714:Webster 1396:Ulysses 907:(later 814:colitis 802:fatigue 713:Marburg 480:were a 329:Parents 320: 312: 308: 296: 284: 280: 266:Spouses 13088:Memory 13009:Jemima 12894:(2024) 12880:(2023) 12862:(2022) 12834:(2019) 12820:(2018) 12806:(2017) 12788:(2016) 12774:(2015) 12756:(2014) 12742:(2013) 12728:(2012) 12710:(2011) 12688:(2010) 12670:(2009) 12652:(2008) 12638:(2007) 12620:(2006) 12602:(2005) 12588:(2004) 12570:(2003) 12552:(2002) 12534:(2001) 12509:(2000) 12491:(1999) 12484:Parade 12477:(1998) 12459:(1997) 12445:(1996) 12431:(1995) 12427:, and 12409:(1994) 12395:(1993) 12367:(1992) 12353:(1991) 12349:, and 12331:(1990) 12308:(1988) 12294:(1987) 12290:, and 12272:(1986) 12258:(1985) 12244:(1984) 12230:(1983) 12212:(1982) 12198:(1981) 12180:(1980) 12162:(1979) 12148:(1978) 12144:, and 12126:(1977) 12108:(1976) 12079:(1975) 12065:(1974) 12047:(1973) 12033:(1972) 12019:(1971) 12005:(1968) 12001:, and 11983:(1967) 11965:(1966) 11947:(1965) 11929:(1964) 11915:(1963) 11901:(1962) 11887:(1951) 11873:(1950) 11859:(1949) 11845:(1947) 11780:(2024) 11766:(2023) 11752:(2022) 11724:(2019) 11710:(2018) 11696:(2017) 11682:(2016) 11668:(2015) 11654:(2014) 11640:(2013) 11626:(2012) 11612:(2011) 11590:(2010) 11576:(2009) 11562:(2008) 11548:(2007) 11534:(2006) 11506:(2004) 11492:(2003) 11474:(2002) 11460:(2001) 11431:(2000) 11417:(1999) 11410:Parade 11403:(1998) 11389:(1997) 11375:(1996) 11361:(1995) 11343:(1994) 11329:(1993) 11315:(1992) 11297:(1991) 11283:(1990) 11264:(1988) 11250:(1987) 11232:(1986) 11218:(1985) 11204:(1984) 11190:(1983) 11176:(1982) 11162:(1981) 11148:(1980) 11134:(1979) 11120:(1978) 11102:(1977) 11088:(1976) 11059:(1975) 11037:(1974) 11023:(1973) 11009:(1972) 10991:(1971) 10977:(1965) 10963:(1964) 10949:(1950) 10527:Mo Yan 9088:People 8972:(film) 8947:(1941) 8316: 8240:(1975) 8210:258704 8208: 8200: 8131:(ed.) 8109:(1973) 8092: 8015: 7617: 7376:7 June 7280: 7177:Nation 7006: 7000:371487 6998: 6965:171830 6963: 6955: 6878:. 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