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Takarazuka Grand Theater

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publicly-accessible multimedia archives, which house information on previous works, performers, and visual artifacts such as posters and advertisements. Located within the theater are five restaurants, which orient their menus to specific repertoires and include the favorite foods of Takarazuka performers. Several stores are also located within the Grand Theater, including the Revue Shop (which sells souvenirs) and Quatre RĂȘves (which sells Takarazuka memorabilia, such as photographs and catalogs).
392:, three curtains, sixty decorative lights, seven floodlights, and a circular rotating stage that is 14.6 meters (48 ft) in diameter. The theater uses advanced acoustic technology, including a sound field control system that ensures equal acoustic quality for all seats in the venue, and a positional sound image control system that allows sound to be timed to the movement of the actresses. Acoustic tests performed by the 381:
The New Takarazuka Grand Theater opened in 1993 as a two‐level, 2,527 seat venue. Twenty-three additional seats were added in 2005 following renovations to provide better stage visibility for the second level, bringing the total capacity of the theater to 2,550. The stage is 23.6 meters (77 ft)
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By the 1980s the theater generally resembled its current incarnation, in terms of both its facilities and its European-style interior design defined by marble floors, red carpets, and crystal chandeliers. By the end of the decade, the growth of the Revue obligated the creation of a more modern and
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in 1938. The majority of the theater's interior was destroyed by a fire on January 25, 1935, causing the theater to briefly close for renovations and re-open in March of that year. The technical equipment and interior design were regularly improved in the decades subsequent to the fire.
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In addition to its performance space, the Grand Theater houses multiple amenities. The second floor of the theater houses the Salon de Takarazuka, an exhibition space on the history of the Revue showcasing costumes, stage drawings, videos, and music. The Salon also houses the Revue's
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The Takarazuka Grand Theater opened in July 1924. At the time of its establishment it was the largest theater in Asia; sources alternately report its audience capacity as between 3,000 and 4,200. The theater was designed by two architects from the
270:. Early Revue productions were staged at the Paradise Theater, a renovated indoor pool in Takarazuka that the Revue quickly outgrew. To accommodate a larger audience, Kobayashi conceived of the Grand Theater as an immense structure located in the 193:, an all-female theater troupe established in 1913. The Grand Theater opened in 1924 and was rebuilt in 1993; the two iterations of the structure are occasionally distinguished as the "Old Takarazuka Grand Theater" 411:
Adjacent to the Grand Theater is Bow Hall, a smaller theater also operated by the Takarazuka Revue. Established in 1978, Bow Hall is a 500-seat theater that stages experimental works; the name references the
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technically-efficient Grand Theater. The newly-constructed theater, which opened on January 1, 1993. incorporates multiple stages, dressing rooms, rehearsal rooms, offices, storage space, and the
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wide – 54 meters (177 ft) including the back stage – and 19 meters (62 ft) deep, and is equipped with eight trapdoors, 26 step stairs referred to as "The Great Stairs"
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The Grand Theater was immediately popular, with its success leading to the establishment of the nearby Takarazuka Hotel in 1926, and the film production company
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reading "Do not worry, Takarazuka girls! We will not bomb you!" and "We will make Takarazuka flower again soon." The Grand Theater was occupied by
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of the Takarazuka Revue was marked with a revue held at the Takarazuka Grand Theater. The Grand Theater closed in April 2020 as a result of the
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that would contrast other theaters of the era, which were typically small, aimed at a discerning audience, and located in major cities.
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took over the Grand Theater for use as a barracks. The Grand Theater was not significantly damaged during wartime
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and re-opened in July of that year, at half capacity and with recorded music instead of a live orchestra.
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upon the conclusion of the war in September 1945, and reopened to the public in April 1946.
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to house the Revue and Grand Theater as it was located at the terminus of a Hankyu line to
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A History of the Takarazuka Revue Since 1914: Modernity, Girls' Culture, Japan Pop
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The Takarazuka Grand Theater (right) and Bow Hall (left) on the banks of the
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as a result of a government order that shuttered most leisure institutions.
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Takarazuka: Sexual Politics and Popular Culture in Modern Japan
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In 1944, the Grand Theater was forced to close amid the
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audience on March 4, 1944; in May of that year, the
754: 752: 911:. Polish Institute of World Art Studies: 215–222. 1038: 884:The Journal of the Acoustical Society of America 749: 385: 225: 206: 196: 178: 219: 903:LeciƄska-Ruchniewicz, Monika (January 2017). 424:The Takarazuka Grand Theater is served by 965: 942: 923: 830: 818: 806: 794: 782: 770: 696: 679: 667: 655: 643: 631: 567: 540: 580: 578: 576: 419: 377:Interior of the Takarazuka Grand Theater 372: 276: 248:in 1913 as an all-female troupe staging 966:Yoshihara, Yukari (November 22, 2007). 189:, Japan. It is the home theater of the 1039: 404:, results deemed "very satisfactory". 203:and the "New Takarazuka Grand Theater" 924:Robertson, Jennifer (July 21, 1998). 573: 877: 758: 368: 13: 943:Yamanashi, Makiko (May 16, 2012). 928:. University of California Press. 14: 1078: 1006: 489: 477: 465: 453: 281:The Old Takarazuka Grand Theatre 32: 870: 836: 721: 428:, which connects to the Hankyu 968:"Popular Shakespeare in Japan" 396:found the Grand Theater has a 1: 878:Hase, Shigeo (October 1996). 501: 394:Acoustical Society of America 355:Spanish Colonial architecture 213:. The theater is adjacent to 1047:1921 establishments in Japan 506: 16:Theater in Takarazuka, Japan 7: 386: 339:airborne leaflet propaganda 226: 207: 197: 179: 10: 1083: 1062:Theatres completed in 1921 988:10.1017/CCOL052187839X.011 980:Cambridge University Press 446: 343:American occupation forces 235: 122:Takarazuka Stage Co., Ltd. 716:LeciƄska-Ruchniewicz 2017 620:LeciƄska-Ruchniewicz 2017 556:LeciƄska-Ruchniewicz 2017 520:LeciƄska-Ruchniewicz 2017 220: 208:Shin Takarazuka Daigekijƍ 170: 150: 142: 137: 127: 117: 107: 68: 50: 46: 31: 24: 357:. On April 5, 2014, the 292:Tokyo Takarazuka Theater 258:, and chose the city of 198:KyĆ« Takarazuka Daigekijƍ 185:is a theater located in 162:Takarazuka Grand Theater 25: 20:Takarazuka Grand Theater 351:Takarazuka Music School 54:1 Chome-1-57 Sakaemachi 400:of 1.1 seconds at 500 378: 331:Imperial Japanese Navy 282: 92:34.80722°N 135.34639°E 420:Transportation access 376: 280: 304:Hanshinkan Modernism 288:Takenaka Corporation 180:Takarazuka Daigekijƍ 909:East Asian Theatres 809:, pp. 131–132. 522:, pp. 218–219. 215:Takarazuka Bow Hall 97:34.80722; 135.34639 88: /  21: 972:Shakespeare Survey 785:, p. 60, 151. 426:Takarazuka Station 398:reverberation time 379: 327:standing-room only 283: 227:Takarazuka Bauhƍru 112:Hankyu Corporation 19: 1067:Takarazuka, Hyƍgo 1057:Theatres in Japan 369:Venue information 363:COVID-19 pandemic 323:Tsubasa no Kessen 260:Takarazuka, Hyƍgo 187:Takarazuka, Hyƍgo 158: 157: 1074: 1052:Takarazuka Revue 1033: 1030: 1029: 1027:Official website 1021: 1018: 1017: 1015:Official website 1001: 962: 939: 920: 899: 896:10.1121/1.416097 864: 863: 861: 859: 850:. Archived from 848:Takarazuka Revue 840: 834: 828: 822: 816: 810: 804: 798: 792: 786: 780: 774: 768: 762: 756: 747: 746: 744: 742: 734:Mainichi Shimbun 725: 719: 713: 700: 694: 683: 677: 671: 665: 659: 653: 647: 641: 635: 629: 623: 617: 602: 601: 599: 597: 582: 571: 565: 559: 553: 544: 538: 523: 517: 493: 481: 469: 457: 441:Fukuchiyama Line 391: 389: 319:Second World War 246:Ichizƍ Kobayashi 242:Takarazuka Revue 231: 229: 223: 222: 212: 210: 202: 200: 191:Takarazuka Revue 184: 182: 172: 103: 102: 100: 99: 98: 93: 89: 86: 85: 84: 81: 61:Hyƍgo Prefecture 36: 22: 18: 1082: 1081: 1077: 1076: 1075: 1073: 1072: 1071: 1037: 1036: 1031: 1025: 1024: 1019: 1013: 1012: 1009: 1004: 998: 959: 949:Global Oriental 936: 873: 868: 867: 857: 855: 854:on June 9, 2015 842: 841: 837: 829: 825: 821:, p. xxii. 817: 813: 805: 801: 793: 789: 781: 777: 769: 765: 757: 750: 740: 738: 737:. 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Retrieved 852:the original 847: 838: 826: 814: 802: 790: 778: 766: 739:. Retrieved 732: 723: 675: 663: 651: 639: 627: 594:. Retrieved 589: 563: 515: 423: 410: 406: 380: 347: 322: 316: 308: 298:, hydraulic 284: 249: 239: 214: 161: 159: 154:January 1993 138:Construction 982:: 130–141. 890:(4): 2707. 268:hot springs 95: / 83:135°20â€Č47″E 70:Coordinates 1041:Categories 590:Nippon.com 502:References 430:Takarazuka 359:centennial 300:trap lifts 80:34°48â€Č26″N 57:Takarazuka 40:Muko River 917:2543-4624 759:Hase 1996 507:Citations 335:air raids 146:July 1924 858:June 21, 741:June 21, 596:June 21, 460:Entrance 387:Ookaidan 167:Japanese 129:Capacity 118:Operator 447:Gallery 438:JR West 272:suburbs 236:History 221:ćźćĄšăƒă‚Šăƒ›ăƒŒăƒ« 175:Hepburn 151:Rebuilt 51:Address 994:  955:  932:  915:  484:Lounge 256:Hankyu 143:Opened 496:Stage 472:Lobby 434:Imazu 264:Osaka 171:ćźćĄšć€§ćŠ‡ć Ž 133:2,550 108:Owner 64:Japan 26:ćźćĄšć€§ćŠ‡ć Ž 992:ISBN 953:ISBN 930:ISBN 913:ISSN 860:2021 743:2021 598:2021 432:and 240:The 160:The 984:doi 892:doi 888:100 1043:: 990:. 978:. 976:60 974:. 970:. 951:. 947:. 907:. 886:. 882:. 846:. 751:^ 731:. 704:^ 687:^ 606:^ 588:. 575:^ 548:^ 527:^ 443:. 402:Hz 306:. 224:, 177:: 173:, 169:: 59:, 1000:. 986:: 961:. 938:. 919:. 898:. 894:: 862:. 761:. 745:. 600:. 390:) 384:( 230:) 218:( 211:) 205:( 201:) 195:( 183:) 165:(

Index


Muko River
Takarazuka
Hyƍgo Prefecture
Coordinates
34°48â€Č26″N 135°20â€Č47″E / 34.80722°N 135.34639°E / 34.80722; 135.34639
Hankyu Corporation
Takarazuka Stage Co., Ltd.
Capacity
Japanese
Hepburn
Takarazuka, Hyƍgo
Takarazuka Revue
Takarazuka Revue
Ichizƍ Kobayashi
taishƫ engeki
Hankyu
Takarazuka, Hyƍgo
Osaka
hot springs
suburbs

Takenaka Corporation
Tokyo Takarazuka Theater
revolving stage
trap lifts
Hanshinkan Modernism
Takarazuka Eiga
Second World War
standing-room only

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