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for literature to promote the works of authors from other countries which would not normally be read by
Americans. The exhibition prompted Mobil to focus on Māori authors and in 1984 a panel of New Zealand judges was set up to select a work to be put forward for the Prize. The winner of the Prize in
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In 1998 Amiria
Salmond acknowledged the success of the exhibition for "the beauty of the pieces on display, and for the way in which indigenous and Euro-American traditions were woven together in fertile co-operation between Maori scholar Sidney Moko Mead and curators from the Metropolitan Museum of
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When the Te Maori cultural group performed at the
American Museum of Natural History there was no doubt something had happened. The audience was already won over even before the performance began. What they wanted was to touch Maori culture and Maori people to learn more and more and more. They were
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Museum practice changed to involve Māori in the interpretation and display of their cultural heritage. Museums began embedding a bicultural approach to 'consultation, planning, presentation' and audience engagement with taonga. The museum sector overall started to understand that taonga were more
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Unlike previous exhibitions of Māori work, iwi had to give permission for the artworks to be included, highlighting the difference between museum ownership and authority. This was seen as an outcome of political and cultural advocacy by Māori since the 1960s.
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raised the idea again, and in 1981 the New
Zealand Cabinet approved the exhibition in principle. The Nga Mangai o Te Maori management committee was formed in April 1981 to organise the exhibition. Members of that committee included
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Art in New York. The objects were treated at once as pieces of fine art, aesthetically refined and masterly in their execution, and as ancestors, material embodiments of relationships between people and the land."
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Mead described the effect at the prestigious institution of the Met: "It did much to make tikanga Māori more acceptable not only to the population at large of
Aotearoa but, more importantly, among our own people."
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The exhibition was criticised for what it excluded, including toi raranga (fibre art / weaving, mostly created by women, as opposed to carving, mostly done by men), and contemporary Māori art.
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holds a significant collection of Māori material culture. For much of its history, the museum acquired and displayed these materials without consultation with Māori or regard for their values.
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This model has become an international standard of practice among museums that hold Māori and
Pacific works, and has influenced institutions with holdings from other Indigenous communities.
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The change from ethnographic treatment of the works was reflected in how they were displayed, giving them individual focus through space and lighting more like that used in art galleries.
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is broader than artwork, referring to anything of value, including socially and culturally valuable objects, resources, and ideas, and is sometimes translated into
English as 'treasures'.
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During the tour the Māori participants connected with First
Nations communities. In San Francisco their taonga were welcomed by baskets by Pomo, Yokuts, Hupa, Yurok and Karok creators.
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The idea of a major exhibition of Māori artworks that would tour the United States was first raised in 1973 by
Douglas Newton, Evelyn A. J. Hall and John A Friede from the
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The
National Museum trialled this method of display in 1983, exhibiting the taonga from their collections that would be shown in Te Maori at the Academy of Fine Arts.
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Groups of Māori from several iwi travelled with the exhibition to supervise installation and care of the taonga, perform ceremonies, and participate in events.
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From the time contact was first made between Māori and Europeans, Māori social and cultural objects were collected for inclusion in private collections and
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raised the profile of Māori culture in New Zealand significantly. Māori used the increased respect afforded to their culture to push for further changes.
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During the planning process, the objects displayed were called 'taonga' by the involved institutions, acknowledging more meaning than the term 'artwork'.
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Harple,, Todd S. "Considering The Maori in the Nineteenth and Twentieth Centuries: The Negotiation of Social Identity in Exhibitory Cultures".
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Gathercole, Peter (2002). "'Te Maori' in the Longer View". In Herle, Anita; Stanley, Nick; Stevenson, Karen; Welsch, Robert L. (eds.).
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321:), which debuted at the museum in 1971, was considered to be a more humanising display and celebration of Māori culture.
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The international response to the exhibition influenced New Zealand media to pay attention to Māori art. In 1984 a
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was very well received, both at home and abroad. The New Zealand institutions saw 'unprecedented' visitor numbers.
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Vidal Greth, Carlos (11 July 1985). "Art of the New Zealand natives has spiritual as well as aesthetic value".
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One carving, Uenuku was almost not included in the expedition because it was too fragile however Maori Queen
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Lagorie, Irene (21 July 1985). "De Young's 'Te Maori' Characterized By Artistic Excellence, Human Dignity".
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Whakaahua Maori (1986) – an exhibition of the human form in Māori art held at Te Papa which was part of the
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American press carried the messages that Māori were a living people, and that taonga held spiritual value.
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on their faces. Accompanying the taonga with these practices was described as 'the complete package' by
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These objects were collected, catalogued and displayed ethnographically, treating Māori as a part of
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This is significant because for Maori carving involves important cultural ideas around identity and
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and curation. Funding for this training with the profits of the exhibition was recommended by the
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265:("the return home"). It was the first time Māori art was shown internationally as art instead of
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Equestrian Portrait of Cornelis and Michiel Pompe van Meerdervoort with Their Tutor and Coachman
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Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania
403:(greenstone). Most came from the collections of 12 New Zealand institutions, 51 loaned by
274:
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impacted museum practice in New Zealand and globally. It is considered a milestone in the
8:
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Maia Nuku (2021). ""Te Maori": New Precedents for Indigenous Art at The Met".
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Stephens, Vanessa (26 September 1988). "Te Maori profits set for curator training".
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Museums and Māori: Heritage Professionals, Indigenous Collections, Current Practice
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Peter Gathercole (2002). "'Te Maori' in the longer view". In Anita Herle (ed.).
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rather than creators of culture that might be exhibited in an artistic context.
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closed on 10 September 1987, three years to the day after opening at the Met.
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More Māori started working in museums, and training in specialisations like
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It also influenced the new building of the national museum of New Zealand
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Part of the exhibition was carefully held practices and values guided by
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1445:. Manatū Taonga Ministry for Culture and Heritage. 4 September 2020.
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506:(the Met) in New York on 10 September 1984 and was also presented at
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continued once the taonga returned to New Zealand in August 1986 as
407:, 38 from the National Museum. One came from the collections of the
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One such example was its display of ‘mokamokai’ (now referred to as
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1982:
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included 174 taonga, most being whakairo (carved wood) or carved
2901:
The Empress Elizabeth of Russia on Horseback, Attended by a Page
703:
Te Waka Toi: contemporary Māori art from New Zealand (1992–1993)
344:, delays were caused by Kirk's passing and the lack of funding.
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1119:(in English and Māori). Illustrator: Athol McCredie. Auckland:
918:(in English and Māori). Illustrator: Athol McCredie. Auckland:
893:
891:
286:
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194:
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Mont Sainte-Victoire and the Viaduct of the Arc River Valley
1328:
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1931:. Honolulu: University of Hawaiʻi Press. pp. 271–279.
965:(in English and Māori). Department of Māori Affairs. 1988.
785:
Exhibiting Māori: a history of colonial cultures of display
611:
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reaching out to us in a way that is difficult to describe.
3482:
AngloMania: Tradition and Transgression in British Fashion
1967:"'Te Maori': New Precedents for Indigenous Art at The Met"
1323:
270:
3286:
The Martyrdom of Saint Barbara (Lucas Cranach the Elder)
1599:
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444:
414:
Artists whose work featured in the exhibition included:
3111:
The Interior of an Atelier of a Woman Painter (Lemoine)
3231:
Lydia Crocheting in the Garden at Marly (Mary Cassatt)
1686:"Te Māori – A Celebration of the People and their Art"
3531:
Heavenly Bodies: Fashion and the Catholic Imagination
1428:
3587:
Rei Kawakubo/Comme des Garçons Art of the In-Between
2350:
Pair of Incense Boxes in the Shape of Mandarin Ducks
1372:
640:
Te Māori – A Celebration of the People and their Art
2831:
The Dance Class (Degas, Metropolitan Museum of Art)
1341:. Manatū Taonga Ministry for Culture and Heritage.
3396:The Musician (Bartholomeus van der Helst painting)
1161:"Auckland War Memorial Museum News Number Sixteen"
1034:
1032:
1030:
524:
3281:The Marriage of the Virgin (Michelino da Besozzo)
3251:Madonna and Child Enthroned with Saints (Raphael)
2656:Bringing Down Marble from the Quarries to Carrara
963:Te Māori : he tukunga korero : a report
957:
955:
301:Auckland War Memorial Museum – Tāmaki Paenga Hira
243:in modern sources) was a watershed exhibition of
3644:
3559:Manus x Machina: Fashion in an Age of Technology
3246:Madonna and Child (Bellini, New York, 1485–1490)
3186:Lady with the Rose (Charlotte Louise Burckhardt)
3126:Isaac Blessing Jacob (Gerbrand van den Eeckhout)
1948:Te Maori: Maori Art from New Zealand Collections
1620:
1548:
1289:
1117:Te Maori: Maori art from New Zealand collections
993:
916:Te Maori: Maori art from New Zealand collections
638:. Two films on Māori art were produced in 1985:
514:in San Francisco (July–September 1985), and the
3510:Death Becomes Her: A Century of Mourning Attire
3201:The Last Communion of Saint Jerome (Botticelli)
3041:A Goldsmith in His Shop, Possibly Saint Eligius
2916:Esther before Ahasuerus (Artemisia Gentileschi)
1027:
347:In 1979 Douglas Newton and Wilder Green of the
3475:American Woman: Fashioning a National Identity
2741:Christ Carrying the Cross (El Greco, New York)
2071:
1912:The Oxford Companion to New Zealand Literature
1712:"Koha – Te Māori Guard, New York | Television"
1614:
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987:
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853:
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772:
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768:
766:
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3241:Madame Grand (Louise Élisabeth Vigée Le Brun)
2636:Bouquet of Small Chrysanthemums (Léon Bonvin)
2057:
1929:Pacific Art: Persistence, Change, and Meaning
1542:
1470:
1466:
1464:
1357:
453:. This included dawn ceremonies, traditional
3416:Nativity scenes attributed to Zanobi Strozzi
2971:The Five Points (Metropolitan Museum of Art)
1873:"Maori writers will be read internationally"
1829:
1798:
1709:
1683:
1657:
1623:Pacific Art: Persistence, change and meaning
1259:Jornal of Arts Management, Law & Society
1198:
1093:
3321:The Midnight Ride of Paul Revere (painting)
1527:
1518:
1283:
1047:(1st ed.). Wellington: Te Papa Press.
1043:; Skinner, Damian, eds. (7 November 2019).
844:
759:
3411:Mystic Marriage of St. Catherine (Memling)
2746:Christ Presented to the People (Il Sodoma)
2064:
2050:
1997:
1926:
1461:
33:touring exhibition of Māori art, 1984–1986
3566:The Metropolitan Museum of Art Centennial
3552:Jacqueline Kennedy: The White House Years
2981:The Forest in Winter at Sunset (painting)
2335:Miniature Altarpiece with the Crucifixion
1761:
1512:
1388:Te Maori: te hokinga mai: The return home
324:
3451:Portrait of Madame Jacques-Louis Leblanc
3311:Merry company with two men and two women
2796:A Cowherd at Valhermeil, Auvers-sur-Oise
2365:Studiolo from the Ducal Palace in Gubbio
1835:
1804:
1755:
1735:
1204:
626:covered the exhibition and featured the
2816:Crucifixion with the Virgin and St John
2446:Adoration of the Magi (Bosch, New York)
1910:Roger Robinson and Nelson Wattie, eds.
1587:Salmond, Amiria (1998). "Exhibitions".
1586:
1533:
1439:"Te Maori exhibition opens in New York"
1332:
3673:Metropolitan Museum of Art exhibitions
3645:
3116:Interior with a Young Couple and a Dog
2866:The Denial of Saint Peter (Caravaggio)
2826:Cypresses (Metropolitan Museum of Art)
2811:Crucifixion and Last Judgement diptych
2766:Coast Guard Station, Two Lights, Maine
2721:Cemetery, New Mexico (Marsden Hartley)
2476:Allegory of the Planets and Continents
2318:Hunting of Birds with a Hawk and a Bow
1817:from the original on 12 September 2024
1805:Williams, Matariki (20 January 2024).
1476:Toi Tū Toi Ora: Contemporary Māori Art
3361:Mountain Stream (John Singer Sargent)
2896:Egyptians Raising Water from the Nile
2776:The Collector of Prints (Edgar Degas)
2451:Adoration of the Shepherds (Mantegna)
2045:
2028:Ministry of Foreign Affairs and Trade
1888:
1886:
1867:
1865:
1390:(in English and Māori). Illustrator:
1345:from the original on 4 September 2024
1295:Tikanga Māori: living by Māori values
1252:
1250:
1205:Tamarapa, Awhina (9 September 2009).
999:Tikanga Māori: living by Māori values
819:
736:
542:("The return home"). Starting at the
445:Inclusion of Māori cultural practices
174:National Endowment for the Humanities
3668:Art exhibitions in the United States
3620:
3573:The Model as Muse: Embodying Fashion
3191:Lake George (John Frederick Kensett)
3136:Italian Hill Town (Arthur B. Davies)
3076:Head of Christ (Rembrandt, New York)
2596:Banquet in Silence (Marsden Hartley)
2591:The Banks of the Bièvre near Bicêtre
2546:The Artist's Wife and His Setter Dog
1964:
1945:
897:Wilder Green, "Acknowledgements" in
433:
367:The exhibition was supported by the
269:collections, and the involvement of
3545:In America: An Anthology of Fashion
3371:Movement No. 5, Provincetown Houses
3216:Lobster Fishermen (Marsden Hartley)
3001:Fur Traders Descending the Missouri
2876:The Dream of Aeneas (Salvator Rosa)
2731:The Chess Players (Eakins painting)
2646:The Bridge at Villeneuve-la-Garenne
2631:Annunciation (Botticelli, New York)
1660:"Koha – Te Māori, a Cloak of Words"
1256:
1237:"Greenstone carver and proud to be"
430:decided it needed to be included.
13:
3386:Mrs. Beckington (Alice Beckington)
2461:The Afternoon Meal (Luis Meléndez)
1920:
1883:
1862:
1478:(in English and Māori). Auckland:
1333:Tapsell, Paora (22 October 2014).
1247:
1207:"Te Maori – 25th year anniversary"
822:"Hana [Jackson] Te Hemara"
691:International Festival of the Arts
554:in Christchurch, finishing at the
381:was co-curator of the exhibition.
14:
3724:
3161:July Fourteenth, Rue Daunou, 1910
2936:The Farm at Les Collettes, Cagnes
2791:Cow's Skull: Red, White, and Blue
2606:A Basket of Clams (Winslow Homer)
2283:Armenian Gospel with Silver Cover
2017:
1275:: CS1 maint: extra punctuation (
616:Koha – Te Māori, a Cloak of Words
469:, during which some warriors had
409:University of Pennsylvania Museum
391:
3629:
3628:
3619:
3594:Superheroes: Fashion and Fantasy
3538:In America: A Lexicon of Fashion
3503:China: Through the Looking Glass
3468:Alexander McQueen: Savage Beauty
3376:Mr. and Mrs. I. N. Phelps Stokes
3276:Manuel Osorio Manrique de Zúñiga
2956:Fish Market (Joachim Beuckelaer)
2541:Artillery (Roger de la Fresnaye)
2226:Metropolitan Museum of Art Guide
1449:from the original on 30 May 2024
1217:from the original on 21 May 2024
832:from the original on 5 June 2024
681:Major exhibitions influenced by
648:Koha – Te Māori Guard, New York.
3517:Fashion and History: A Dialogue
3346:Morning, An Overcast Day, Rouen
3326:Miss V Dressed as a Bullfighter
2986:The Fortune Teller (de La Tour)
2806:Crucifixion (Corpus Hypercubus)
2786:Captain George K. H. Coussmaker
2601:Bashi-Bazouk (Jean-Léon Gérôme)
2355:Pomegranate carved in the round
1946:Mead, Sidney Moko, ed. (1984).
1904:
1844:
1729:
1703:
1677:
1651:
1580:
1229:
546:in Wellington, it travelled to
525:Te Hokinga Mai: The return home
369:Queen Elizabeth II Arts Council
169:National Endowment for the Arts
105:Field Museum of Natural History
3678:Art exhibitions in New Zealand
2651:Brigand and His Wife in Prayer
2536:Aristotle with a Bust of Homer
2511:Anthony van Dyck self portrait
2000:First light: a magical journey
813:
700:Treasures and Landmarks (1990)
544:National Museum of New Zealand
518:in Chicago (March–June 1986).
512:M. H. de Young Memorial Museum
1:
3489:Before Yesterday We Could Fly
3301:Max Schmitt in a Single Scull
3176:Lachrymae (Frederic Leighton)
2466:Alexander Hamilton (Trumbull)
2268:Cesnola Sphinx Funerary Stele
1894:"Pegasus Prize is big league"
1807:"On Te Maori and it's legacy"
858:. Wellington: Te Papa Press.
854:Conal McCarthy (April 2011).
753:
405:Auckland Institute and Museum
317:(organised by Māori activist
280:
3341:Moonlight, Wood Island Light
3146:Jo, the Beautiful Irishwoman
3011:George Washington (Trumbull)
2891:Egyptian Woman with Earrings
2771:Coast Scene, Isles of Shoals
2736:Children Playing with a Goat
2531:Ariadne (Giorgio de Chirico)
2436:The Accommodations of Desire
1176:Auckland War Memorial Museum
567:
552:Robert McDougall Art Gallery
7:
3401:A Musician and His Daughter
3131:Isle of the Dead (painting)
3026:Girl with a Cat (Gwen John)
2841:The Dead Christ with Angels
2360:Rectangular Octave Virginal
2096:Anna Wintour Costume Center
2002:. New York: Paragon House.
1971:Metropolitan Museum Journal
1764:Metropolitan Museum Journal
1627:University of Hawaiʻi Press
1606:"Exhibition 'misleading'".
634:(opening ceremony) lead by
494:
349:American Federation of Arts
148:American Federation of Arts
10:
3729:
3406:The Musicians (Caravaggio)
3356:Mother and Child (Cassatt)
3236:Madame Élisabeth de France
3101:I Saw the Figure 5 in Gold
3051:The Gulf Stream (painting)
3016:Gilbert Stuart (Goodridge)
2886:Madonna and Child (Duccio)
2621:Black Stork in a Landscape
2571:Bamboo in the Four Seasons
2395:Statuette of the lady Tiye
2303:Fieschi Morgan Staurotheke
2073:Metropolitan Museum of Art
1858:(28): 40. 1 February 1986.
652:Te Māori – Te Hokinga Mai.
528:
504:Metropolitan Museum of Art
331:Metropolitan Museum of Art
74:Metropolitan Museum of Art
3617:
3459:
3441:Old Trees, Level Distance
3381:Mrs. Atkinson (Gwen John)
3331:Model by the Wicker Chair
3256:Magdalene with Two Flames
3166:The Kearsarge at Boulogne
3086:The Hermit (Il solitario)
3066:The Harvesters (painting)
2881:Dressing for the Carnival
2566:Autumn Rhythm (Number 30)
2561:Autumn Ivy (Ogata Kenzan)
2516:Approaching Thunder Storm
2408:
2329:Kneeling Bull with Vessel
2235:
2207:
2149:
2124:
2086:
2079:
1536:Monterey Peninsula Herald
1335:"Te Māori and its impact"
599:
556:Auckland City Art Gallery
510:(February–May 1985), the
418:Mike Mason – greenstone (
289:, as were human remains.
219:
203:
187:
161:
140:
124:
110:
100:
79:
69:
55:
41:
37:
32:
23:
3096:Houses on the Achterzaan
3006:Garden at Sainte-Adresse
2906:Entrance to a Dutch Port
2856:The Defense of Champigny
2756:Claes Duyst van Voorhout
2701:Camouflage Self-Portrait
2666:Broadway and 42nd Street
2431:The Abduction of Rebecca
2426:A Vase of Flowers (1716)
2385:Woman Seen from the Back
2116:Thomas J. Watson Library
2106:Robert Goldwater Library
1243:(25): 40. 1 August 1985.
729:
697:Taonga Maori (1989–1990)
540:Te Maori: Te Hokinga Mai
531:Te Maori: Te Hokinga Mai
262:Te Maori: Te Hokinga Mai
211:Te Maori: Te Hokinga Mai
3580:The Pictures Generation
3366:Mountain with Red House
3351:Moses Striking the Rock
3106:In a Courtyard, Tangier
3056:Harlequin with a Guitar
3031:Glass Blowers of Murano
2966:Fishing Boats, Key West
2696:The Calm Sea (painting)
2626:Boating (Édouard Manet)
2521:Arab Woman (watercolor)
2496:Ancient Rome (painting)
2313:The Hunt of the Unicorn
2033:Te Māori and its impact
1879:(16): 20. 1 March 1984.
783:Conal McCarthy (2007).
657:than isolated objects.
255:from 1984 to 1986, and
16:Exhibition of Māori art
3496:Camp: Notes on Fashion
3436:Oedipus and the Sphinx
3426:Northeaster (painting)
3081:The Heart of the Andes
2996:The Funeral (painting)
2926:The Experts (painting)
2716:Catania and Mount Etna
2706:Cannon Rock (painting)
2676:Burg Weiler Altarpiece
2581:Bain à la Grenouillère
2501:Annunciation (Memling)
2400:Phoenician metal bowls
2194:Philippe de Montebello
2174:Herbert Eustis Winlock
2159:Luigi Palma di Cesnola
1998:O'Biso, Carol (1987).
1900:(17): 2. 1 April 1984.
1595:(5) – via JSTOR.
1554:"Te Maori in New York"
671:management committee.
650:Waru also made a film
612:Television New Zealand
508:Saint Louis Art Museum
325:Exhibition development
315:Kakahu Fashion Project
153:New Zealand Government
87:Saint Louis Art Museum
3698:1985 in San Francisco
3683:1984 in New York City
3181:Lady at the Tea Table
3151:Joy of Life (Valadon)
3061:The Harvest, Pontoise
2851:The Death of Socrates
2846:The Death of Harmonia
2781:Comtesse de la Châtre
2616:Black Iris (painting)
2471:The Allegory of Faith
2340:Modern Gothic cabinet
1710:NZ On Screen (1985).
1684:NZ On Screen (1985).
1658:NZ On Screen (1984).
1041:Māhina-Tuai, Kolokesa
707:Mobil, who sponsored
259:from 1986 to 1987 as
3446:Pity (William Blake)
3431:Nude Before a Mirror
3391:Mrs. Hugh Hammersley
3316:Mezzetino (painting)
3296:The Matador Saluting
3291:The Masquerade Dress
3171:The Lacemaker (Maes)
2991:Fruit Dish and Glass
2946:Ferry near Gorinchem
2931:The Falls of Niagara
2921:Ethel Scull 36 Times
2801:Cows Crossing a Ford
2641:Boy Carrying a Sword
2506:Annunziata Polyptych
2441:The Actor (painting)
2390:Statuette of Mercury
2288:Calligraphic Galleon
2263:Coffin of Nedjemankh
2179:Francis Henry Taylor
2164:Caspar Purdon Clarke
2088:The Met Fifth Avenue
1950:. New York: Abrams.
1610:. 12 September 1984.
1396:Auckland Art Gallery
820:Underhill, Bridget.
642:by Māori film maker
3663:1984 in New Zealand
3421:Night-Shining White
3221:The Lovesick Maiden
3036:Golden Cock and Hen
2976:Florinda (painting)
2951:The Fingernail Test
2751:Christ with a Staff
2691:Ca' Dolfin Tiepolos
2375:The Triumph of Fame
2243:Amathus sarcophagus
1965:Nuku, Maia (2021).
711:also sponsored the
3713:1980s in Manhattan
3693:1980s in St. Louis
3271:Majas on a Balcony
3211:Lilacs in a Window
3196:Landscape with Sky
3141:Jingo-ji Tripiṭaka
2726:Cervara Altarpiece
2526:Arcadia (painting)
2308:Hounds and Jackals
2298:Chair of Reniseneb
2199:Thomas P. Campbell
1742:www.nzonscreen.com
1716:www.nzonscreen.com
1690:www.nzonscreen.com
1664:www.nzonscreen.com
1589:Anthropology Today
1111:; Bernard Kernot;
1103:; Agnes Sullivan;
910:; Bernard Kernot;
902:; Agnes Sullivan;
457:, speeches in the
371:with funding from
251:) that toured the
3640:
3639:
3306:Mérode Altarpiece
3226:Lukas Spielhausen
2836:The Dancing Class
2278:Magdeburg Ivories
2145:
2144:
2009:978-1-55778-207-6
1852:"Whakaahua Maori"
1811:Art News Aotearoa
1636:978-0-82-482556-0
1489:978-0-1437767-3-4
1474:(16 March 2022).
1308:978-1-77-550222-7
1178:. December 1983.
1054:978-0-9941362-7-5
1012:978-1-77-550222-7
865:978-1-8773857-0-4
798:978-1-84-520474-7
434:Display of taonga
428:Te Atairangikaahu
313:In contrast, the
275:Māori Renaissance
230:
229:
56:Country of origin
3720:
3708:1986 in Illinois
3703:1980s in Chicago
3688:1985 in Missouri
3632:
3631:
3623:
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3608:Vessel Orchestra
3524:Glitter and Doom
3071:Haystacks:Autumn
3046:The Great Sirens
2961:The Fishing Boat
2761:Cloudy Mountains
2711:The Card Players
2586:The Baker's Cart
2111:Temple of Dendur
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379:Hirini Moko Mead
354:Sidney Moko Mead
223:edit on Wikidata
132:Sidney Moko Mead
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3261:The Maidservant
2871:Diana and Cupid
2686:By the Seashore
2611:Beauty Revealed
2416:1476 Altarpiece
2404:
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2169:Edward Robinson
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1368:. 31 July 1985.
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1299:Huia Publishers
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723:The Bone People
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294:natural history
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179:Air New Zealand
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92:De Young Museum
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3021:A Girl Asleep
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2240:
2238:
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2228:
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2210:
2208:Miscellaneous
2206:
2200:
2197:
2195:
2192:
2190:
2189:Thomas Hoving
2187:
2185:
2184:James Rorimer
2182:
2180:
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2132:The Cloisters
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624:Ernie Leonard
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451:Māori tikanga
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2421:A Cavalryman
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1974:
1970:
1947:
1928:
1911:
1906:
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1855:
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1837:
1831:
1821:17 September
1819:. Retrieved
1810:
1800:
1767:
1763:
1757:
1747:28 September
1745:. Retrieved
1741:
1731:
1721:27 September
1719:. Retrieved
1715:
1705:
1695:27 September
1693:. Retrieved
1689:
1679:
1669:28 September
1667:. Retrieved
1663:
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1625:. Honolulu:
1622:
1616:
1607:
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1529:
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1514:
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1453:11 September
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1442:
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1349:11 September
1347:. Retrieved
1338:
1294:
1285:
1271:cite journal
1262:
1258:
1240:
1231:
1221:11 September
1219:. Retrieved
1211:Te Papa Blog
1210:
1200:
1174:. Auckland:
1171:
1167:
1155:
1116:
1109:Anne Salmond
1095:
1044:
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989:
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908:Anne Salmond
855:
836:28 September
834:. Retrieved
825:
815:
784:
744:te reo Māori
742:The word in
738:
721:
708:
706:
682:
680:
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665:conservation
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604:
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580:
577:
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571:
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560:
550:in Dunedin,
548:Otago Museum
539:
535:
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520:
516:Field Museum
499:
498:
490:
486:
479:
448:
440:
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396:
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314:
312:
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298:
291:
284:
267:ethnographic
260:
239:
238:
233:
232:
231:
25:
18:
3460:Exhibitions
3266:Maine Coast
2671:Broken Eggs
2661:The Brioche
2481:Alpine Pool
2236:Antiquities
2220:Museum Mile
2125:Other sites
2101:Astor Court
1392:Brian Brake
342:Norman Kirk
335:Paul Cotton
257:New Zealand
237:(sometimes
204:Followed by
62:New Zealand
3647:Categories
3156:Juan Legua
2370:Intan Jizō
2253:Burke Jizō
2137:Met Breuer
1898:Tu Tangata
1877:Tu Tangata
1856:Tu Tangata
1792:Q127272340
1738:"Ray Waru"
1645:Q129547499
1574:Q129531921
1506:Q120560720
1498:1296712119
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1241:Tu Tangata
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1071:1118996645
1063:2019458275
1021:Q127272379
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946:Q126190447
882:Q125831399
807:Q129533161
787:. Oxford:
754:References
718:Keri Hulme
644:Don Selwyn
614:programme
281:Background
117:174 Taonga
3658:Māori art
2409:Paintings
2151:Directors
1991:245010880
1977:: 32–50.
1784:0077-8958
1566:0110-1102
1443:NZHistory
1414:22628793M
1184:0111-2252
1121:Heinemann
1079:36253404M
920:Heinemann
874:44879742M
716:1985 was
709:Te Maori,
685:include:
628:kapa haka
568:Reception
467:kapa haka
373:Mobil Oil
141:Organiser
111:Exhibited
3634:Category
3601:Te Maori
2215:Met Gala
2024:Te Māori
1838:Dominion
1815:Archived
1788:Wikidata
1641:Wikidata
1608:Dominion
1570:Wikidata
1552:(1984).
1502:Wikidata
1447:Archived
1418:Wikidata
1386:(1986).
1343:Archived
1313:Wikidata
1293:(2016).
1215:Archived
1188:Wikidata
1143:Wikidata
1139:8331977M
1115:(1984).
1083:Wikidata
1017:Wikidata
997:(2016).
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942:Wikidata
938:8331977M
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878:Wikidata
830:Archived
803:Wikidata
683:Te Maori
669:Te Maori
620:Ray Waru
605:Te Maori
573:Te Maori
536:Te Maori
500:Te Maori
495:The tour
422:) carver
397:Te Maori
308:toi moko
240:Te Māori
234:Te Maori
26:Te Maori
3625:Commons
1914:, 1998.
676:Te Papa
632:pōwhiri
630:at the
455:karakia
420:pounamu
401:pounamu
287:museums
162:Sponsor
125:Curator
42:Country
2080:Places
2037:Te Ara
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463:waiata
249:taonga
188:Funder
101:Closed
70:Opened
1987:S2CID
1164:(PDF)
730:Notes
247:art (
245:Māori
221:[
195:Mobil
2004:ISBN
1952:ISBN
1933:ISBN
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1780:ISSN
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1494:OCLC
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1400:ISBN
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1067:OCLC
1059:LCCN
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1007:ISBN
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646:and
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471:moko
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