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The Columbia Anthology of Modern Chinese Drama

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460:"read well and also perform well" and that "speaking as both a teacher and director of Asian theatre these translations are eminently playable in English." Wetmore was unable to read or speak Mandarin or Cantonese, so therefore he chose not to comment on any accuracy of the translations. Wetmore advocated for the release of a softcover version that may be more economical for individual students. 467:, referred to the anthology as "by far the most monumental attempt to bring together dramatic texts of China's modern huaju in English translation." Fei said notable works by Guo Shixing and Sha Yexin are excluded, but still stated that "Chen's selection is excellent". Reviewing the abridged edition, Xing Fan of 471:
wrote that "the thirteen plays offer the reader a nuanced, rich, and dynamic picture of modern Chinese drama: they embrace both those of enduring popularity and the rarely staged, lesser known, and they comprise a variety of" genres. The reviewer also praised the introduction as highly informative.
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Wetmore referred to Chen's statement in the introduction, her desire that the book "will inspire other scholars, students, and general readers to explore the richness of Chinese theatre", and wrote himself that he "hopes it will, too, and believes it can." Wetmore added that the English translations
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stated that even though using an individual introduction to each work would have allowed the inclusion of production histories and biographical information of the playwrights, "that is the tradeoff for the bigger picture presented by the comprehensive introduction aimed at general readers and
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had written and provided the English translations of their respective works. Some translations had originated in earlier works and were modified. Mary Mazzilli of
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Translators of the plays include Brenda Austin, Amy Dooling, Edward Gunn, Nick Kaldis, Jonathan S. Noble, John Weinstein, and Shiao-ling Yu. Taiwanese author
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and comedies. The time span of the plays ranges from 1919 to 2000. About half of the plays were published before the 1980s, including five plays from the
357: 377: 656:"Review of The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World; The Columbia Anthology of Modern Chinese Drama" 105: 542: 373: 362: 339: 244: 190: 381: 811: 185: 785: 135: 66: 543:《正角登场:当代中国大众戏剧》 (Acting the Right Part: Political Theater and Popular Drama in Post-Mao China, University of Hawaii Press, 2002) 125:
wrote that "This adds a contemporary flavour to the texts without detracting from the meaning and style from the originals."
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The introduction, an overview of the genre, places the plays in chronological order and describes the role of
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in politics and culture. This introduction includes citations and endnotes. Kevin J. Wetmore, Jr. of
58: 521: 496: 79: 468: 507: 482: 8: 487: 224: 219: 121: 75: 749: 741: 691: 683: 753: 733: 695: 675: 517: 492: 399:. The 2014 paperback version, described as an "Abridged Edition", includes 13 plays: 91: 725: 667: 267: 229:
Wetmore stated that this inclusion was "I believe, for the first time" the play
87: 795: 737: 714:"Review of THE COLUMBIA ANTHOLOGY OF MODERN CHINESE DRAMA (ABRIDGED EDITION)" 679: 201: 305: 729: 671: 328: 116: 745: 713: 687: 655: 98:. Four of the plays had previously been published in the 1983 anthology 545:" (Chinese language abstract). Xiaomei Chen. Retrieved on May 11, 2014. 261: 78:-era model opera drama. In terms of the political era, 11 are from the 18: 168: 163: 350: 179: 112: 272: 157: 147:
Plays included in the 2010 unabridged version of the anthology:
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era and seven from the 1920s. One of the Maoist plays is a
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This book includes the first-ever English versions of
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is a 2010 book edited and introduced by Xiaomei Chen (
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Faye Chunfang Fei, Professor of English and Drama at
524:, 11/2011, Volume 70, Issue 4, pp. 1114 – 1116. 499:, 06/2011, Volume 206, Issue 206, start p. 449 82:and the remainder are from after the start of the 793: 617: 615: 613: 611: 581: 579: 577: 575: 573: 571: 786:The Columbia Anthology of Modern Chinese Drama 767: 765: 763: 631: 629: 627: 609: 607: 605: 603: 601: 599: 597: 595: 593: 591: 569: 567: 565: 563: 561: 559: 557: 555: 553: 551: 508:The Columbia Anthology of Modern Chinese Drama 483:The Columbia Anthology of Modern Chinese Drama 28:The Columbia Anthology of Modern Chinese Drama 101:Twentieth-century Chinese Drama: An Anthology 94:prior to the 1997 handover, and one is from 760: 624: 588: 548: 86:in 1949. Of the remainder, eight are from 17: 794: 707: 705: 649: 647: 645: 643: 641: 711: 653: 13: 702: 638: 14: 823: 778: 346:Secret Love in Peach Blossom Land 812:Columbia University Press books 535: 405:The Night the Tiger Was Caught 175:The Night the Tiger Was Caught 64:There are 22 plays, including 53: 44: 36: 1: 475: 441:The Legend of the Red Lantern 293:The Legend of the Red Lantern 233:was included in an anthology. 513:The Journal of Asian Studies 465:East China Normal University 454: 417:Breaking Out of Ghost Pagoda 213:Breaking Out of Ghost Pagoda 7: 654:Fei, Faye Chunfang (2012). 504:Loyola Marymount University 449:Jiang Qing and Her Husbands 141:Loyola Marymount University 10: 828: 324:Crown Ourselves with Roses 128: 84:People's Republic of China 296:(Cultural Revolution era) 59:Columbia University Press 528: 502:Wetmore, Kevin J., Jr. ( 257:Return on a Snowy Night 57:) and published by the 401:The Main Event in Life 153:The Main Event in Life 23: 730:10.1353/atj.2016.0016 718:Asian Theatre Journal 469:University of Toronto 115:and Hong Kong author 21: 672:10.1162/DRAM_r_00198 437:The Young Generation 425:Under Shanghai Eaves 409:After Returning Home 286:The Young Generation 250:Under Shanghai Eaves 209:(1925) by Ding Xilin 197:After Returning Home 488:The China Quarterly 122:The China Quarterly 76:Cultural Revolution 41:traditional Chinese 807:Chinese literature 712:Fan, Xing (2016). 447:, and Sha Yexin's 335:Wilderness and Man 288:(1965) by Chen Yun 282:(1958) by Tian Han 33:simplified Chinese 24: 771:Wetmore, p. 1116. 635:Mazzilli, p. 451. 621:Mazzilli, p. 450. 585:Wetmore, p. 1115. 510:" (book review). 485:" (book review). 481:Mazzilli, Mary. " 252:(1937) by Xia Yan 215:(1928) by Bai Wei 92:British Hong Kong 819: 802:2010 anthologies 772: 769: 758: 757: 709: 700: 699: 651: 636: 633: 622: 619: 586: 583: 546: 539: 353:(Taiwanese work) 319:(Hong Kong play) 240:It's only Spring 55: 46: 38: 827: 826: 822: 821: 820: 818: 817: 816: 792: 791: 781: 776: 775: 770: 761: 710: 703: 652: 639: 634: 625: 620: 589: 584: 549: 540: 536: 531: 478: 457: 178:(1922-1923) by 131: 90:, two are from 12: 11: 5: 825: 815: 814: 809: 804: 790: 789: 780: 779:External links 777: 774: 773: 759: 724:(1): 221–223. 701: 666:(3): 187–190. 637: 623: 587: 547: 533: 532: 530: 527: 526: 525: 500: 477: 474: 456: 453: 385: 384: 378:Zhang Guantian 365: 354: 342: 331: 320: 308: 297: 289: 283: 275: 264: 253: 247: 236: 235: 234: 216: 210: 204: 193: 182: 171: 160: 130: 127: 88:Mainland China 80:Republican Era 9: 6: 4: 3: 2: 824: 813: 810: 808: 805: 803: 800: 799: 797: 788: 787: 783: 782: 768: 766: 764: 755: 751: 747: 743: 739: 735: 731: 727: 723: 719: 715: 708: 706: 697: 693: 689: 685: 681: 677: 673: 669: 665: 661: 657: 650: 648: 646: 644: 642: 632: 630: 628: 618: 616: 614: 612: 610: 608: 606: 604: 602: 600: 598: 596: 594: 592: 582: 580: 578: 576: 574: 572: 570: 568: 566: 564: 562: 560: 558: 556: 554: 552: 544: 538: 534: 523: 519: 515: 514: 509: 505: 501: 498: 494: 490: 489: 484: 480: 479: 473: 470: 466: 461: 452: 450: 446: 442: 438: 434: 430: 426: 422: 418: 414: 410: 406: 402: 398: 394: 390: 383: 379: 375: 371: 370: 366: 364: 360: 359: 355: 352: 348: 347: 343: 341: 337: 336: 332: 330: 326: 325: 321: 318: 314: 313: 312:Metamorphosis 309: 307: 303: 302: 298: 295: 294: 290: 287: 284: 281: 280: 276: 274: 270: 269: 265: 263: 259: 258: 254: 251: 248: 246: 242: 241: 237: 232: 228: 227: 226: 222: 221: 217: 214: 211: 208: 205: 203: 202:Ouyang Yuqian 199: 198: 194: 192: 188: 187: 183: 181: 177: 176: 172: 170: 166: 165: 161: 159: 155: 154: 150: 149: 148: 145: 142: 138: 137: 126: 124: 123: 118: 114: 109: 107: 103: 102: 97: 93: 89: 85: 81: 77: 73: 69: 68: 62: 60: 56: 50: 42: 34: 30: 29: 22:First edition 20: 16: 784: 721: 717: 663: 659: 537: 511: 486: 462: 458: 448: 444: 440: 436: 433:Guan Hanqing 432: 428: 424: 421:Thunderstorm 420: 416: 412: 408: 404: 400: 396: 392: 388: 386: 367: 356: 344: 333: 322: 317:Anthony Chan 310: 306:Gao Xingjian 299: 291: 285: 279:Guan Hanqing 277: 266: 255: 249: 238: 231:Thunderstorm 230: 220:Thunderstorm 218: 212: 206: 195: 184: 173: 162: 151: 146: 134: 132: 120: 110: 99: 65: 63: 54:Chén Xiǎoméi 52: 27: 26: 25: 15: 393:Che Guevara 369:Che Guevara 329:Joanne Chan 144:students." 117:Joanne Chan 106:Edward Gunn 796:Categories 476:References 397:Geologists 374:Huang Jisu 372:(2000) by 363:Yang Limin 361:(1995) by 358:Geologists 340:Li Longyun 338:(1988) by 327:(1988) by 315:(1986) by 304:(1983) by 271:(1958) by 262:Wu Zuguang 260:(1942) by 245:Lin Jianwu 243:(1937) by 223:(1934) by 207:Oppression 200:(1923) by 191:Ding Xilin 189:(1923) by 167:(1922) by 156:(1919) by 754:163516184 738:0742-5457 696:190594114 680:1054-2043 522:0021-9118 497:0305-7410 455:Reception 169:Hong Shen 164:Yama Zhao 746:24737167 688:23262944 451:(1990). 445:Bus Stop 429:Teahouse 382:Shen Lin 351:Stan Lai 301:Bus Stop 268:Teahouse 180:Tian Han 113:Stan Lai 273:Lao She 158:Hu Shih 129:Content 752:  744:  736:  694:  686:  678:  520:  495:  413:A Wasp 395:, and 389:A Wasp 380:, and 225:Cao Yu 186:A Wasp 96:Taiwan 72:Maoist 51:: 49:pinyin 43:: 35:: 750:S2CID 742:JSTOR 692:S2CID 684:JSTOR 529:Notes 136:huaju 67:huaju 734:ISSN 676:ISSN 518:ISSN 506:). " 493:ISSN 726:doi 668:doi 660:TDR 349:by 104:by 45:陳小眉 37:陈小眉 798:: 762:^ 748:. 740:. 732:. 722:33 720:. 716:. 704:^ 690:. 682:. 674:. 664:56 662:. 658:. 640:^ 626:^ 590:^ 550:^ 516:, 491:, 443:, 439:, 435:, 431:, 427:, 423:, 419:, 415:, 411:, 407:, 403:, 391:, 376:, 108:. 61:. 47:; 39:; 756:. 728:: 698:. 670:: 541:"

Index


simplified Chinese
traditional Chinese
pinyin
Columbia University Press
huaju
Maoist
Cultural Revolution
Republican Era
People's Republic of China
Mainland China
British Hong Kong
Taiwan
Twentieth-century Chinese Drama: An Anthology
Edward Gunn
Stan Lai
Joanne Chan
The China Quarterly
huaju
Loyola Marymount University
The Main Event in Life
Hu Shih
Yama Zhao
Hong Shen
The Night the Tiger Was Caught
Tian Han
A Wasp
Ding Xilin
After Returning Home
Ouyang Yuqian

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