337:
29:
404:
224:
296:
461:. Hallblad (1720–1814), who had developed or learnt a method for transferring an oil painting from one canvas to another, removed the paint layer from Rembrandt's original canvas and attached it to a new one. Some damage appears to have occurred during this risky process; the extra sword now seen on the painting was probably added by Hallblad to mask this. The painting is still owned by the Academy of Arts but has been deposited since 1864 in the
171:
487:(£61m, or $ 123m), but then put it on sale at 300 million kronor (£24m, or $ 49m—that is, at a 60% discount), on the condition that it be deposited straight back to the museum, and shown there as before, after purchase. This unusual measure was taken in order to raise money for exhibitions and other activities. Ultimately the painting did not find a buyer, and the Academy retained ownership.
348:
him for reasons that are undocumented, but may have involved perceptions of a lack of the decorum felt necessary for history painting, lack of finish and an insufficiently heroic approach to the story. When all four paintings were in place, the discrepancy was evident. The council probably expected something similar in style, rather than the ominous grandeur of
Rembrandt's conception. The
196:(actually called Julius Civilis by Tacitus, though but once, Claudius Civilis has since become entrenched in art history), in which he "collected at one of the sacred groves, ostensibly for a banquet, the chiefs of the nation and the boldest spirits of the lower class", convinced them to join his rebellion, and then "bound the whole assembly with barbarous rites and strange forms of oath."
347:
A sketch survives (on the back of a funeral ticket dated
October 1661) that shows that he had transferred the scene from Tacitus's "sacred grove" to a large vaulted hall with open arches. After delivery, which was by July 1662, the painting hung in place for a short period before being returned to
360:
was received in the town hall, Rembrandt's painting was gone. One objection may well have been the incongruous crown that
Rembrandt had set upon Claudius Civilis's head and his dominating the scene, hardly features of a consultative, republican attitude. Blankert suggested that the painting had
390:
for his work, whereas Flinck was promised 12,000 guilders for the series of twelve paintings. Jordaens and
Lievens received 1,200 guilders for each of their works. In financial difficulties, Rembrandt was forced to cut it down drastically for easier sale and partly repainted it. The table was
376:
is, for once, justifiable. Rembrandt has evoked the kind of quasi-mythical, heroic-magical past that is the setting for King Lear and
Cymbeline, and, as with Shakespeare, this remoteness has allowed him to insert into an episode of primitive grandeur the life-giving roughage of the grotesque
355:
In August 1662, when the painting was still there, Rembrandt signed an agreement giving a "quarter-share of his profits accruing from the piece for the City Hall and his prospective earnings from it." By 24 September 1662, however, when the archbishop and elector of
Cologne
147:. After the work had been in place briefly, it was returned to Rembrandt, who may have never been paid. Rembrandt drastically cut down the painting to a quarter of the original size to be sold. It is the last secular history painting he finished.
381:
Crenshaw writes that
Rembrandt was away for a couple of months, and "... he did not have enough supporters in the right places when obstacles arose." Instead, Flinck's unfinished work was retrieved and rapidly finished off by the German painter
332:
works had entered the popular imagination as depictions of the revolt, and Flinck's design drew on the engraving of this scene. Van Veen followed baroque ideas of decorum by always showing
Civilis in profile, with only his good eye visible.
303:
The sword-oath was invented by
Rembrandt. There is one sword more in the painting – the one touching the front of the leader's blade – than Batavians holding them; other depictions of the event show handshakes, especially that
727:
Schwartz, G. (2006) Rembrandts
Universe, His Art His Life His World, p. 179-183; Crenshaw, P. (2006) Rembrandt's Bankruptcy. The artist, his patrons and the art market in seventeenth-century Netherlands, p.
430:. Anna Johanna (1745–1801) was married to the Stockholm merchant Henrik Wilhelm Peill (1730–1797). Probably on the advice of artist friends, perhaps because of its size, Peill deposited the painting at the
1828:
516:
Thereafter it returned to the National Museum, which pays the Academy SEK400,000 per annum to display it. In 2023 an anonymous donor provided funding to allow the arrangement to continue.
1812:
372:"one need only look at the surviving fragment to see why official opinion could not accept it.... It is a most marvellous picture, but in places it borders on the absurd. The word
786:
Schwartz, G. (2006) Rembrandts Universe, His Art His Life His World, p. 179-183; Balbian Verster, J.F.L. (1925) DE CLAUDIUS CIVILIS VAN REMBRANDT. In: Amstelodamum, Jrb 22, pp. 10.
472:, noticed the sketch from Munich and assumed that Rembrandt—after his bankruptcy—fled to Sweden. He suggested that Rembrandt had painted the one-eyed Northern god, king and priest
1804:
972:
457:
in 1772, complied, and a plan of the royal collection shows the painting in a central position in one of the galleries. Around 1782, the painting was restored by conservator
103:
287:. The council provided the canvas to the artist. Rembrandt was commissioned to do the scene from Tacitus, one of eight intended to cover the revolt in the original scheme.
982:
1302:
1278:
851:
1570:
2487:
623:, 1978, London, John Murray/Readers Union, 1978, pp. 60. The contract, after sketches had been approved, was dated November 28th, 1659. Slive:90.
1414:
1110:
1987:
1844:
263:, her two daughters and two daughters-in-law came to see the new building, the council commissioned twelve paintings from Rembrandt's ex-pupil
336:
2027:
2011:
1642:
977:
251:
in the 17th century (a view Rembrandt shared), and the Batavian revolt was regarded, and romanticised, as a precursor of the recently ended
2502:
2492:
1310:
1270:
822:
Nordenfalk (1982), p. 10-12; Bille, C. (1956) Rembrandt's Claudius Civilis and its owners in the 18th century”. In: Oud-Holland, pp. 54–59.
777:
Crenshaw, P. (2006) Rembrandt's Bankruptcy. The artist, his patrons and the art market in seventeenth-century Netherlands, pp. 119, 146–7.
1975:
1770:
1674:
988:
2282:
2477:
1134:
840:
Roever, N. de (1891) "Een Rembrandt op ‘t Stadhuis". In: Oud-Holland IX (1891), p. 297-306 & Oud-Holland X (1892), p. 137-146.
352:
is typical of Rembrandt's late works, but the "eerie light and shadow and the iridescent greyish blues and pale yellows" are not.
2106:
1959:
1908:
1836:
1706:
1506:
1342:
1182:
877:
804:
Crenshaw, P. (2006) Rembrandt's Bankruptcy. The artist, his patrons and the art market in seventeenth-century Netherlands, p. 85.
663:
361:
too much dark, unused space, compared with the others who had filled the image space with figures in a more conventional manner.
1078:
2445:
1682:
1666:
1374:
2388:
2210:
1366:
1358:
391:
elongated, and he added the man on the left. In the next few months, Rembrandt was forced to sell the grave of his wife,
2138:
2067:
1943:
1514:
1222:
1015:
675:
574:
446:. In 1798, the work was donated to the Academy of Fine Arts by Anna Johanna Grill, the widow of Peill and the sister of
1916:
1546:
1166:
93:
2328:
2043:
2035:
2003:
1634:
1602:
1438:
1318:
1230:
1126:
947:
925:
706:
563:
321:
2051:
2019:
1714:
1538:
1350:
1262:
2467:
2226:
1900:
1334:
1246:
1198:
1053:
679:
Other drawings claimed in the past as figure sketches for this work are unlikely to be so – see Slive:332, n.35.
2241:
2234:
2087:
2075:
2059:
1995:
1820:
1586:
1486:
1174:
1150:
1041:
958:
746:
Israel, J. (1995) The Dutch Republic, Its Rise, Greatness, and Fall 1477–1806. Clarendon Press, Oxford, p. 879.
527:
271:, but Flink died in 1660 before completing any of the works. The work was then shared out by the burgomasters
135:, c. 1661–62, which was originally the largest he ever painted, at about five by five metres in the shape of a
422:(1675–1751). Supposedly it came to Sweden as inheritance from Kohl's widow, Sophia Grill, who died in 1766 in
2267:
2170:
2096:
1658:
1406:
1254:
1037:
1033:
431:
411:
1382:
2482:
2368:
2091:
1562:
1398:
1286:
1238:
1086:
1070:
28:
517:
505:
From May 2017 till September 2018, the painting was the centerpiece of a special Rembrandt exhibit at the
488:
1868:
1852:
1594:
1522:
1454:
1430:
1118:
1045:
386:
in four days. Ovens, then living in the house and using the studio formerly owned by Flinck, got paid 48
357:
207:, whose facial disfigurement he shared"—that is to say, the loss of one eye. He feigned friendship with
2497:
2360:
2312:
2146:
1762:
1738:
1722:
1554:
1462:
418:
On 10 August 1734, the painting was bought at auction in Amsterdam by the merchant Nicolaas Kohl from
2277:
1967:
1860:
1796:
1754:
1626:
1578:
1493:
1214:
1206:
1102:
260:
199:
Civilis, Tacitus writes, "was unusually intelligent for a native, and passed himself off as a second
129:
2472:
2130:
1924:
1446:
1158:
1142:
506:
240:
144:
831:
Balbian Verster, J.F.L. (1925) DE CLAUDIUS CIVILIS VAN REMBRANDT. In: Amstelodamum, Jrb 22, pp. 3.
607:
Balbian Verster, J.F.L. (1925) DE CLAUDIUS CIVILIS VAN REMBRANDT. In: Amstelodamum, Jrb 22, pp. 7.
2186:
2154:
1778:
1650:
1008:
403:
2257:
2194:
1884:
1390:
1062:
256:
2336:
2304:
2296:
2288:
2178:
1294:
392:
211:
in order to regain his freedom. When he returned to his tribal grounds in the marshes of the
2425:
2376:
2320:
1530:
1478:
439:
407:
268:
193:
8:
1892:
1190:
480:
was discovered in 1866, and the true history of the painting had been published in 1891.
248:
184:
426:(Netherlands). It was acquired by Anna Johanna Grill, the sole daughter of the wealthy
2411:
2344:
1951:
1326:
1094:
1001:
189:
2418:
2218:
1876:
943:
921:
702:
559:
447:
276:
272:
208:
2202:
2122:
1730:
1610:
1422:
458:
443:
309:
244:
989:
The painting was hanging on the first floor (eerste verdieping) in the left corner
2396:
2114:
1746:
1690:
1470:
856:
498:
589:
Schwartz, G. (2006) Rembrandts Universe, His Art His Life His World, p. 179-183.
545:
Schwartz, G. (1987) Rembrandt. Zijn leven, zijn schilderijen, pp. 319, 320, 331.
383:
2401:
1618:
462:
324:
had commissioned a set of twelve paintings by Van Veen on the same subject for
280:
151:
117:
79:
2461:
2406:
2352:
2162:
906:
616:
484:
365:
313:
264:
852:"Rembrandt for sale at discount price (but you must give it back to museum)"
688:
Schwartz, G. (2006) Rembrandts Universe, His Art His Life His World, p. 182.
295:
223:
953:
435:
387:
252:
174:
Inside the palace on the second floor, with one of the lunettes by Jordaens
125:
235:
The painting was commissioned for the gallery of the new city hall on the
71:
196 cm × 309 cm (77 in × 122 in)
469:
427:
349:
284:
434:. It can be seen hanging on the wall in the background of a painting by
510:
477:
423:
236:
973:
The painting in the online collection of the Nationalmuseum, Stockholm
737:
Schmidt, H. (1920) Jürgen Ovens. Sein Leben und seine Werke, p. 85-88.
341:
The Conspiracy of Claudius Civilis and the Batavians in the Schakerbos
279:, who were certainly decisive, between a number of painters including
1024:
419:
325:
305:
200:
155:
140:
132:
83:
42:
442:
to the Academy in 1782. In 1785 the painting was transferred to the
267:
to fill all the large spaces using a programme drawn up by the poet
813:
Nordenfalk (1982) p. 11; Cavalli-Björkman/Fryns/Sidén (2005) p. 408
204:
329:
179:
136:
453:
Peill, who had previously supported the King financially in his
492:
The painting later traveled to Amsterdam for an exhibition on
212:
170:
159:
483:
In March 2008, the Academy valued the painting at 750 million
450:, who was a member and for a while president of the Academy.
993:
468:
In the beginning of the twentieth century, a Danish author,
473:
913:, 1978, London, John Murray/Readers Union, pp. 60–61.
312:
as one of a set of thirty-six illustrations to designs by
299:
Funeral ticket sketch (see text), October 1661 or later.
1303:
Pendant portraits of Maerten Soolmans and Oopjen Coppit
1279:
Diana Bathing with her Nymphs with Actaeon and Callisto
933:
Batavernas trohetsed: Rembrandts enda monumentalmålning
674:
196 x 180 mm. Staatliche Graphihische Sammlung, Munich
215:, he organized the revolt he had long been planning.
122:
De samenzwering van de Bataven onder Claudius Civilis
2459:
878:"Rembrandt's The Conspiracy of Claudius Civilis"
643:Rembrandt's Universe, His Art His Life His World
496:, and was on display at the Rijksmuseum next to
1111:Bust of a Man Wearing a Gorget and Plumed Beret
1988:Self-Portrait Wearing a White Feathered Bonnet
2028:Self-Portrait with Beret and Turned-Up Collar
2012:Self-Portrait in a Black Beret and Gold Chain
1009:
701:; 1978, pp. 74–8, Thames and Hudson, London,
1415:The Archangel Raphael Leaving Tobias' Family
1976:Portrait of a Young Man with a Golden Chain
768:, p. 60. London. John Murray/Readers Union.
1675:Ahasuerus and Haman at the Feast of Esther
1016:
1002:
320:on the revolt. In the following year, the
290:
227:Floorplan second floor (1661) Rembrandt's
192:(69–70 AD), led by the one-eyed chieftain
2488:Paintings in the Nationalmuseum Stockholm
755:Blankert, A. (1976) Ferdinand Bol, p. 63.
598:See UCLA website in external links below
402:
335:
294:
222:
169:
1837:Portrait of a Man Rising from His Chair
1183:The Anatomy Lesson of Dr. Nicolaes Tulp
139:. The painting was commissioned by the
2460:
1079:Suffer little children to come unto me
849:
664:One of the set, now in the Rijksmuseum
1667:Moses Breaking the Tablets of the Law
997:
2211:Descent from the Cross by Torchlight
1367:Samson Threatening His Father-In-Law
795:Tümpel, C. (1992) Rembrandt, p. 163.
654:Tümpel, C. (1992) Rembrandt, p. 163.
247:were regarded as the highest in the
2503:Paintings based on works by Tacitus
2493:Cultural depictions of Dutch people
1944:Self-Portrait with Dishevelled Hair
985:with one of the Tempesta engravings
920:, 1978, London, Thames and Hudson,
13:
1917:Portrait of a Man with Arms Akimbo
1699:The Conspiracy of Claudius Civilis
935:, 1982, Stockholm, Nationalmuseum.
113:The Conspiracy of Claudius Civilis
94:Royal Swedish Academy of Fine Arts
22:The Conspiracy of Claudius Civilis
14:
2514:
2044:Self-Portrait as the Apostle Paul
1643:Jacob Blessing the Sons of Joseph
1635:The Anatomy Lesson of Dr. Deijman
1439:Landscape with the Good Samaritan
966:
476:. In fact, Rembrandt's burial in
414:. Painting by Elias Martin (1782)
188:in depicting an episode from the
150:The painting is on exhibition at
2283:Cultural depictions of Rembrandt
2052:Self-Portrait as Zeuxis Laughing
1539:Abraham Serving the Three Angels
398:
104:Nationalmuseum Collection online
27:
2478:Ancient Rome in art and culture
2227:The Virgin and Child with a Cat
1901:Portrait of Catharina Hooghsaet
1335:The Prodigal Son in the Brothel
1247:The Storm on the Sea of Galilee
870:
843:
834:
825:
816:
807:
798:
789:
780:
771:
758:
749:
740:
731:
721:
712:
691:
682:
668:
657:
648:
2235:Christ Presented to the People
2076:Self-Portrait at the Age of 63
2060:Self-Portrait with Two Circles
1996:Self-Portrait at the Age of 34
1821:Portrait of Jacob de Gheyn III
1771:The Return of the Prodigal Son
1587:Aristotle with a Bust of Homer
1175:Andromeda Chained to the Rocks
850:Ritter, Karl (12 March 2008).
635:
626:
610:
601:
592:
583:
568:
548:
539:
528:List of paintings by Rembrandt
1:
2316: (1954 documentary film)
1715:Syndics of the Drapers' Guild
1407:The Preacher Eleazar Swalmius
1255:A Lady and Gentleman in Black
1023:
893:
432:Royal Swedish Academy of Arts
218:
52:
1399:Landscape with Arched Bridge
1343:Raising of the Cross (study)
1239:The Shipbuilder and his Wife
1135:The Parable of the Rich Fool
1071:The Stoning of Saint Stephen
911:An Introduction to Rembrandt
766:An Introduction to Rembrandt
621:An Introduction to Rembrandt
318:Batavorum cum Romanis bellum
239:, finished in 1655 (now the
231:was in the lower left corner
165:
7:
1869:Portrait of Petronella Buys
1853:Portrait of Marten Soolmans
1829:Aeltje Pietersdr Uylenburgh
1707:Saint Matthew and the Angel
1595:A Woman Bathing in a Stream
1523:The Holy Family with Angels
1507:The Woman Taken in Adultery
1455:The Girl in a Picture Frame
1431:The Wedding Feast of Samson
1119:Tobit and Anna with the Kid
558:, pp. 332, n. 34, Yale UP,
521:
358:Maximilian Henry of Bavaria
10:
2519:
2313:Rembrandt: A Self-Portrait
2107:Joseph and Potiphar's Wife
1723:Homer Dictating his Verses
1463:The Scholar at the Lectern
978:National Museum, Stockholm
2435:
2387:
2369:I Am Rembrandt's Daughter
2278:Bibliography of Rembrandt
2266:
2250:
2086:
1968:Self-Portrait in a Gorget
1935:
1861:Portrait of Oopjen Coppit
1797:Portrait of Nicolaes Ruts
1788:
1755:Young Woman with a Lapdog
1683:The Denial of Saint Peter
1215:Philosopher in Meditation
1207:Old Man with a Gold Chain
1103:The Baptism of the Eunuch
1052:
1031:
940:Dutch Painting, 1600–1800
556:Dutch Painting, 1600–1800
261:Amalia of Solms-Braunfels
99:
89:
75:
67:
59:
48:
38:
26:
21:
2131:The Artist and his Model
1925:Portrait of Dirck van Os
1845:Oval Portrait of a Woman
1447:Still Life with Peacocks
1359:The Entombment of Christ
1159:Anna and the Blind Tobit
1143:The Artist in his Studio
533:
507:Gothenburg Museum of Art
2139:The Death of the Virgin
1779:Landscape with a Castle
1651:Courtesan at her Mirror
1223:The Abduction of Europa
983:UCLA, The Batavian myth
554:Slive, Seymour, (1995)
291:Treatment and reception
253:war against the Spanish
2468:Paintings by Rembrandt
2258:Rembrandt House Museum
1885:Portrait of Maria Trip
1571:Descent from the Cross
1547:Susanna and the Elders
1391:The Blinding of Samson
1311:Descent from the Cross
1271:Descent from the Cross
1167:The Raising of Lazarus
903:, 2006, Milano, Skira.
677:Online image of sketch
415:
379:
344:
300:
257:John Maurice of Nassau
232:
175:
121:
2179:Hundred Guilder Print
1603:Bathsheba at Her Bath
1231:Adoration of the Magi
1127:The Flight into Egypt
641:Schwartz, G. (2006).
438:of the visit of King
412:Royal Academy of Arts
406:
370:
339:
298:
226:
178:The painting follows
173:
143:city council for the
16:Painting by Rembrandt
2426:Vereniging Rembrandt
2377:The Rembrandt Affair
2361:Rembrandt's J'Accuse
2321:Rembrandt fecit 1669
1479:Concord of the State
1351:The Rape of Ganymede
1263:Raising of the Cross
408:Gustav III of Sweden
269:Joost van den Vondel
2483:Paintings of people
2195:Goldweigher's Field
2171:Portrait of Jan Six
1893:Portrait of Jan Six
1813:Portrait of a Woman
1375:The Standard Bearer
1199:Christ on the Cross
1191:Christ with a Staff
249:hierarchy of genres
2364:(2008 documentary)
2345:Stealing Rembrandt
2332: (1995 novel)
2329:The Anatomy Lesson
1952:Rembrandt Laughing
1487:David and Jonathan
1319:Belshazzar's Feast
1151:Samson and Delilah
1095:Balaam and the Ass
931:Nordenfalk, Carl.
416:
345:
301:
233:
190:Batavian rebellion
176:
2498:History paintings
2455:
2454:
2340: (1999 film)
2308: (1942 film)
2300: (1940 film)
2292: (1936 film)
2219:The Three Crosses
1909:Portrait of a Man
1877:A Polish Nobleman
1805:Portrait of a Man
1659:Saint Bartholomew
1034:Lists of drawings
950:, pp. 90–91.
942:, 1995, Yale UP,
928:, pp. 74–76.
764:Clark, K. (1978)
448:Adolf Ulric Grill
277:Andries de Graeff
245:History paintings
209:Emperor Vespasian
109:
108:
2510:
2448:
2441:
2203:Doctor Fautrieus
2123:River with Trees
1731:The Jewish Bride
1611:The Polish Rider
1563:The Kitchen Maid
1423:The Stone Bridge
1087:History Painting
1018:
1011:
1004:
995:
994:
959:The Power of Art
938:Slive, Seymour.
888:
887:
885:
884:
874:
868:
867:
865:
864:
847:
841:
838:
832:
829:
823:
820:
814:
811:
805:
802:
796:
793:
787:
784:
778:
775:
769:
762:
756:
753:
747:
744:
738:
735:
729:
725:
719:
716:
710:
709:and Slive, p. 90
695:
689:
686:
680:
672:
666:
661:
655:
652:
646:
639:
633:
632:Slive, pp. 90–91
630:
624:
614:
608:
605:
599:
596:
590:
587:
581:
572:
566:
552:
546:
543:
444:Stockholm Palace
343:by Otto van Veen
310:Antonio Tempesta
255:. In 1659, when
194:Claudius Civilis
54:
33:central fragment
31:
19:
18:
2518:
2517:
2513:
2512:
2511:
2509:
2508:
2507:
2473:1660s paintings
2458:
2457:
2456:
2451:
2444:
2439:
2431:
2397:Rembrandt, Iowa
2383:
2269:
2262:
2246:
2242:Mughal drawings
2187:Conus Marmoreus
2155:The Three Trees
2115:Bearded Old Man
2094:
2082:
1931:
1784:
1747:David and Uriah
1691:Titus as a Monk
1471:The Night Watch
1048:
1027:
1022:
969:
896:
891:
882:
880:
876:
875:
871:
862:
860:
857:The Independent
848:
844:
839:
835:
830:
826:
821:
817:
812:
808:
803:
799:
794:
790:
785:
781:
776:
772:
763:
759:
754:
750:
745:
741:
736:
732:
726:
722:
717:
713:
696:
692:
687:
683:
676:
673:
669:
662:
658:
653:
649:
640:
636:
631:
627:
615:
611:
606:
602:
597:
593:
588:
584:
573:
569:
553:
549:
544:
540:
536:
524:
499:The Night Watch
401:
293:
273:Joan Huydecoper
221:
168:
34:
17:
12:
11:
5:
2516:
2506:
2505:
2500:
2495:
2490:
2485:
2480:
2475:
2470:
2453:
2452:
2450:
2449:
2446:Stolen in 1990
2442:
2436:
2433:
2432:
2430:
2429:
2423:
2415:
2409:
2404:
2402:Rembrandtplein
2399:
2393:
2391:
2385:
2384:
2382:
2381:
2373:
2365:
2357:
2349:
2341:
2333:
2325:
2317:
2309:
2301:
2293:
2285:
2280:
2274:
2272:
2264:
2263:
2261:
2260:
2254:
2252:
2248:
2247:
2245:
2244:
2239:
2231:
2223:
2215:
2207:
2199:
2191:
2183:
2175:
2167:
2159:
2151:
2143:
2135:
2127:
2119:
2111:
2102:
2100:
2084:
2083:
2081:
2080:
2072:
2064:
2056:
2048:
2040:
2032:
2024:
2016:
2008:
2000:
1992:
1984:
1972:
1964:
1956:
1948:
1939:
1937:
1936:Self-portraits
1933:
1932:
1930:
1929:
1921:
1913:
1905:
1897:
1889:
1881:
1873:
1865:
1857:
1849:
1841:
1833:
1825:
1817:
1809:
1801:
1792:
1790:
1786:
1785:
1783:
1782:
1775:
1767:
1759:
1751:
1743:
1735:
1727:
1719:
1711:
1703:
1695:
1687:
1679:
1671:
1663:
1655:
1647:
1639:
1631:
1623:
1619:Slaughtered Ox
1615:
1607:
1599:
1591:
1583:
1579:Saul and David
1575:
1567:
1559:
1555:Head of Christ
1551:
1543:
1535:
1527:
1519:
1515:Joseph's Dream
1511:
1503:
1491:
1483:
1475:
1467:
1459:
1451:
1443:
1435:
1427:
1419:
1411:
1403:
1402:(c. 1636-1637)
1395:
1387:
1379:
1371:
1363:
1355:
1347:
1339:
1331:
1323:
1315:
1307:
1299:
1291:
1283:
1275:
1267:
1259:
1251:
1243:
1235:
1227:
1219:
1211:
1203:
1195:
1187:
1179:
1171:
1170:(c. 1630–1632)
1163:
1155:
1147:
1139:
1131:
1123:
1115:
1107:
1099:
1091:
1083:
1075:
1067:
1058:
1056:
1050:
1049:
1046:self-portraits
1032:
1029:
1028:
1021:
1020:
1013:
1006:
998:
992:
991:
986:
980:
975:
968:
967:External links
965:
964:
963:
951:
936:
929:
918:Dutch painting
914:
907:Clark, Kenneth
904:
895:
892:
890:
889:
869:
842:
833:
824:
815:
806:
797:
788:
779:
770:
757:
748:
739:
730:
720:
711:
699:Dutch painting
690:
681:
667:
656:
647:
634:
625:
617:Clark, Kenneth
609:
600:
591:
582:
567:
547:
537:
535:
532:
531:
530:
523:
520:
494:Late Rembrandt
465:in Stockholm.
463:Nationalmuseum
400:
397:
322:States General
292:
289:
281:Jacob Jordaens
220:
217:
167:
164:
152:Nationalmuseum
107:
106:
101:
97:
96:
91:
87:
86:
80:Nationalmuseum
77:
73:
72:
69:
65:
64:
61:
57:
56:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
2515:
2504:
2501:
2499:
2496:
2494:
2491:
2489:
2486:
2484:
2481:
2479:
2476:
2474:
2471:
2469:
2466:
2465:
2463:
2447:
2443:
2438:
2437:
2434:
2427:
2424:
2421:
2420:
2416:
2413:
2410:
2408:
2407:Rembrandtpark
2405:
2403:
2400:
2398:
2395:
2394:
2392:
2390:
2386:
2379:
2378:
2374:
2371:
2370:
2366:
2363:
2362:
2358:
2355:
2354:
2353:Nightwatching
2350:
2347:
2346:
2342:
2339:
2338:
2334:
2331:
2330:
2326:
2323:
2322:
2318:
2315:
2314:
2310:
2307:
2306:
2302:
2299:
2298:
2294:
2291:
2290:
2286:
2284:
2281:
2279:
2276:
2275:
2273:
2271:
2265:
2259:
2256:
2255:
2253:
2249:
2243:
2240:
2237:
2236:
2232:
2229:
2228:
2224:
2221:
2220:
2216:
2213:
2212:
2208:
2205:
2204:
2200:
2197:
2196:
2192:
2189:
2188:
2184:
2181:
2180:
2176:
2173:
2172:
2168:
2165:
2164:
2163:The State Bed
2160:
2157:
2156:
2152:
2149:
2148:
2144:
2141:
2140:
2136:
2133:
2132:
2128:
2125:
2124:
2120:
2117:
2116:
2112:
2109:
2108:
2104:
2103:
2101:
2098:
2093:
2089:
2085:
2078:
2077:
2073:
2070:
2069:
2068:Self-Portrait
2065:
2062:
2061:
2057:
2054:
2053:
2049:
2046:
2045:
2041:
2038:
2037:
2036:Self-Portrait
2033:
2030:
2029:
2025:
2022:
2021:
2020:Self-Portrait
2017:
2014:
2013:
2009:
2006:
2005:
2004:Self-Portrait
2001:
1998:
1997:
1993:
1990:
1989:
1985:
1982:
1978:
1977:
1973:
1970:
1969:
1965:
1962:
1961:
1960:Self-Portrait
1957:
1954:
1953:
1949:
1946:
1945:
1941:
1940:
1938:
1934:
1927:
1926:
1922:
1919:
1918:
1914:
1911:
1910:
1906:
1903:
1902:
1898:
1895:
1894:
1890:
1887:
1886:
1882:
1879:
1878:
1874:
1871:
1870:
1866:
1863:
1862:
1858:
1855:
1854:
1850:
1847:
1846:
1842:
1839:
1838:
1834:
1831:
1830:
1826:
1823:
1822:
1818:
1815:
1814:
1810:
1807:
1806:
1802:
1799:
1798:
1794:
1793:
1791:
1787:
1781:
1780:
1776:
1773:
1772:
1768:
1765:
1764:
1760:
1757:
1756:
1752:
1749:
1748:
1744:
1741:
1740:
1736:
1733:
1732:
1728:
1725:
1724:
1720:
1717:
1716:
1712:
1709:
1708:
1704:
1701:
1700:
1696:
1693:
1692:
1688:
1685:
1684:
1680:
1677:
1676:
1672:
1669:
1668:
1664:
1661:
1660:
1656:
1653:
1652:
1648:
1645:
1644:
1640:
1637:
1636:
1632:
1629:
1628:
1627:Pallas Athene
1624:
1621:
1620:
1616:
1613:
1612:
1608:
1605:
1604:
1600:
1597:
1596:
1592:
1589:
1588:
1584:
1581:
1580:
1576:
1573:
1572:
1568:
1565:
1564:
1560:
1557:
1556:
1552:
1549:
1548:
1544:
1541:
1540:
1536:
1533:
1532:
1528:
1525:
1524:
1520:
1517:
1516:
1512:
1509:
1508:
1504:
1501:
1500:
1496:
1492:
1489:
1488:
1484:
1481:
1480:
1476:
1473:
1472:
1468:
1465:
1464:
1460:
1457:
1456:
1452:
1449:
1448:
1444:
1441:
1440:
1436:
1433:
1432:
1428:
1425:
1424:
1420:
1417:
1416:
1412:
1409:
1408:
1404:
1401:
1400:
1396:
1393:
1392:
1388:
1385:
1384:
1380:
1377:
1376:
1372:
1369:
1368:
1364:
1361:
1360:
1356:
1353:
1352:
1348:
1345:
1344:
1340:
1337:
1336:
1332:
1329:
1328:
1324:
1321:
1320:
1316:
1313:
1312:
1308:
1305:
1304:
1300:
1297:
1296:
1292:
1289:
1288:
1284:
1281:
1280:
1276:
1273:
1272:
1268:
1265:
1264:
1260:
1257:
1256:
1252:
1249:
1248:
1244:
1241:
1240:
1236:
1233:
1232:
1228:
1225:
1224:
1220:
1217:
1216:
1212:
1209:
1208:
1204:
1201:
1200:
1196:
1193:
1192:
1188:
1185:
1184:
1180:
1177:
1176:
1172:
1169:
1168:
1164:
1161:
1160:
1156:
1153:
1152:
1148:
1145:
1144:
1140:
1137:
1136:
1132:
1129:
1128:
1124:
1121:
1120:
1116:
1113:
1112:
1108:
1105:
1104:
1100:
1097:
1096:
1092:
1089:
1088:
1084:
1081:
1080:
1076:
1073:
1072:
1068:
1065:
1064:
1060:
1059:
1057:
1055:
1051:
1047:
1043:
1039:
1035:
1030:
1026:
1019:
1014:
1012:
1007:
1005:
1000:
999:
996:
990:
987:
984:
981:
979:
976:
974:
971:
970:
961:
960:
955:
952:
949:
948:0-300-07451-4
945:
941:
937:
934:
930:
927:
926:0-500-20167-6
923:
919:
915:
912:
908:
905:
902:
898:
897:
879:
873:
859:
858:
853:
846:
837:
828:
819:
810:
801:
792:
783:
774:
767:
761:
752:
743:
734:
724:
715:
708:
707:0-500-20167-6
704:
700:
697:Fuchs, R.H.;
694:
685:
678:
671:
665:
660:
651:
645:, p. 179-183.
644:
638:
629:
622:
618:
613:
604:
595:
586:
580:
578:
571:
565:
564:0-300-07451-4
561:
557:
551:
542:
538:
529:
526:
525:
519:
518:
514:
512:
508:
503:
501:
500:
495:
490:
489:
486:
481:
479:
475:
471:
466:
464:
460:
459:Erik Hallblad
456:
451:
449:
445:
441:
437:
433:
429:
425:
421:
413:
409:
405:
399:Later history
396:
394:
389:
385:
378:
375:
374:Shakespearean
369:
367:
366:Kenneth Clark
362:
359:
353:
351:
342:
338:
334:
331:
327:
323:
319:
315:
314:Otto van Veen
311:
307:
297:
288:
286:
282:
278:
274:
270:
266:
265:Govert Flinck
262:
258:
254:
250:
246:
242:
238:
230:
225:
216:
214:
210:
206:
202:
197:
195:
191:
187:
186:
181:
172:
163:
161:
157:
153:
148:
146:
142:
138:
134:
131:
130:Dutch painter
127:
123:
119:
115:
114:
105:
102:
98:
95:
92:
88:
85:
81:
78:
74:
70:
66:
63:Oil on canvas
62:
58:
51:
47:
44:
41:
37:
30:
25:
20:
2428:(foundation)
2417:
2380:(2010 novel)
2375:
2372:(2008 novel)
2367:
2359:
2351:
2343:
2335:
2327:
2319:
2311:
2303:
2295:
2287:
2233:
2225:
2217:
2209:
2201:
2193:
2185:
2177:
2169:
2161:
2153:
2145:
2137:
2129:
2121:
2113:
2105:
2074:
2066:
2058:
2050:
2042:
2034:
2026:
2018:
2010:
2002:
1994:
1986:
1980:
1974:
1966:
1958:
1950:
1942:
1923:
1915:
1907:
1899:
1891:
1883:
1875:
1867:
1859:
1851:
1843:
1835:
1827:
1819:
1811:
1803:
1795:
1777:
1769:
1761:
1753:
1745:
1737:
1729:
1721:
1713:
1705:
1698:
1697:
1689:
1681:
1673:
1665:
1657:
1649:
1641:
1633:
1625:
1617:
1609:
1601:
1593:
1585:
1577:
1569:
1561:
1553:
1545:
1537:
1529:
1521:
1513:
1505:
1498:
1494:
1485:
1477:
1469:
1461:
1453:
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1357:
1349:
1341:
1333:
1325:
1317:
1309:
1301:
1293:
1285:
1277:
1269:
1261:
1253:
1245:
1237:
1229:
1221:
1213:
1205:
1197:
1189:
1181:
1173:
1165:
1157:
1149:
1141:
1133:
1125:
1117:
1109:
1101:
1093:
1085:
1077:
1069:
1061:
957:
939:
932:
917:
916:Fuchs, R.H.
910:
900:
881:. Retrieved
872:
861:. Retrieved
855:
845:
836:
827:
818:
809:
800:
791:
782:
773:
765:
760:
751:
742:
733:
723:
718:Slive, p. 90
714:
698:
693:
684:
670:
659:
650:
642:
637:
628:
620:
612:
603:
594:
585:
576:
570:
555:
550:
541:
515:
504:
497:
493:
491:
482:
467:
454:
452:
436:Elias Martin
417:
384:Jürgen Ovens
380:
373:
371:
363:
354:
346:
340:
317:
316:in the book
302:
241:Royal Palace
234:
228:
198:
183:
177:
149:
126:oil painting
112:
111:
110:
2356:(2007 film)
2348:(2003 film)
2324:(1977 film)
2268:Works about
2182:(1647–1649)
2095:(including
2063:(1665–1669)
1774:(1662–1669)
1574:(1650–1652)
1534:(1645–1648)
1234:(1632–1633)
899:D'Adda, R.
470:Karl Madsen
455:coup d'état
428:Claes Grill
350:chiaroscuro
308:in 1612 by
285:Jan Lievens
2462:Categories
1582:(c. 1652)
1063:The Senses
894:References
883:2018-08-01
863:2008-03-12
513:, Sweden.
511:Gothenburg
478:Westerkerk
440:Gustav III
424:Zwammerdam
229:Conspiracy
219:Commission
68:Dimensions
2440:Contested
2419:Rembrandt
2412:Rembrandt
2389:Namesakes
2337:Rembrandt
2305:Rembrandt
2297:Rembrandt
2289:Rembrandt
2270:Rembrandt
2071:(c. 1669)
1928:(c. 1662)
1789:Portraits
1750:(c. 1665)
1630:(c. 1655)
1450:(c. 1639)
1346:(c. 1635)
1338:(c. 1635)
1295:Artemisia
1210:(c. 1631)
1162:(c. 1630)
1154:(1629–30)
1122:(c. 1626)
1066:(1624–25)
1054:Paintings
1042:paintings
1025:Rembrandt
954:Schama, S
901:Rembrandt
577:Histories
575:Tacitus,
420:Arensborg
328:. These
326:The Hague
201:Sertorius
185:Histories
166:Depiction
156:Stockholm
145:Town Hall
141:Amsterdam
133:Rembrandt
84:Stockholm
43:Rembrandt
2414:(crater)
2147:The Mill
2097:etchings
2088:Drawings
1981:disputed
1979:(1635) (
1971:(c.1629)
1763:Lucretia
1739:Lucretia
1531:The Mill
1038:etchings
522:See also
388:guilders
306:engraved
205:Hannibal
124:) is an
76:Location
2422:(train)
2251:Museums
1742:(1664)
1614:(1655)
1327:Minerva
1250:(1633)
1082:(1620s)
579:4.14–15
410:at the
330:baroque
180:Tacitus
137:lunette
128:by the
100:Website
55:1661–62
2238:(1655)
2230:(1654)
2222:(1653)
2214:(1652)
2206:(1652)
2198:(1651)
2190:(1650)
2174:(1647)
2166:(1646)
2158:(1643)
2150:(1641)
2142:(1639)
2134:(1639)
2126:(1634)
2118:(1634)
2110:(1634)
2092:prints
2079:(1669)
2055:(1662)
2047:(1662)
2039:(1660)
2031:(1659)
2023:(1658)
2015:(1654)
2007:(1652)
1999:(1640)
1991:(1635)
1963:(1629)
1955:(1628)
1947:(1628)
1920:(1658)
1912:(1657)
1904:(1657)
1896:(1654)
1888:(1639)
1880:(1637)
1872:(1635)
1864:(1634)
1856:(1634)
1848:(1633)
1840:(1633)
1832:(1632)
1824:(1632)
1816:(1632)
1808:(1632)
1800:(1631)
1766:(1666)
1758:(1665)
1734:(1664)
1726:(1663)
1718:(1662)
1710:(1661)
1702:(1661)
1694:(1660)
1686:(1660)
1678:(1660)
1670:(1659)
1662:(1657)
1654:(1657)
1646:(1656)
1638:(1656)
1622:(1655)
1606:(1654)
1598:(1654)
1590:(1653)
1566:(1651)
1558:(1648)
1550:(1647)
1542:(1646)
1526:(1645)
1518:(1645)
1510:(1644)
1502:(1643)
1490:(1642)
1482:(1642)
1474:(1642)
1466:(1641)
1458:(1641)
1442:(1638)
1434:(1638)
1426:(1637)
1418:(1637)
1410:(1637)
1394:(1636)
1386:(1636)
1378:(1636)
1370:(1635)
1362:(1635)
1354:(1635)
1330:(1635)
1322:(1635)
1314:(1634)
1306:(1634)
1298:(1634)
1290:(1634)
1282:(1634)
1274:(1633)
1266:(1633)
1258:(1633)
1242:(1633)
1226:(1632)
1218:(1632)
1202:(1631)
1194:(1631)
1186:(1631)
1178:(1631)
1146:(1628)
1138:(1627)
1130:(1627)
1114:(1626)
1106:(1626)
1098:(1626)
1090:(1626)
1074:(1625)
946:
924:
705:
562:
485:kronor
393:Saskia
213:Betuwe
160:Sweden
39:Artist
1383:Danaë
1287:Flora
534:Notes
118:Dutch
90:Owner
2090:and
1499:Ruth
1497:and
1495:Boaz
944:ISBN
922:ISBN
703:ISBN
560:ISBN
474:Odin
364:For
283:and
275:and
60:Type
49:Year
728:85.
509:in
243:).
237:Dam
203:or
182:'s
154:in
2464::
1044:,
1040:,
1036:,
956:.
909:.
854:.
619:,
502:.
395:.
377:".
368::
259:,
162:.
158:,
120::
82:,
53:c.
2099:)
1983:)
1017:e
1010:t
1003:v
962:.
886:.
866:.
116:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_002.jpg)