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The Dead (Kracht novel)

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writes: "The Dead reads like a reboot of J. G. Ballard’s Crash, in a treatment by Wes Anderson, after a weekend spent binge-watching John Schlesinger’s version of The Day of the Locust. The result draws out a comically bleak but shakily ambiguous vision of the coming image-world of fascist politics
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writes: "Across , Kracht leaves clues and tracks (perhaps traps) for the readers to connect (or tumble into), eschewing certainty through deliciously stimulating ambiguity in a remarkable, elegiac, sensual, often grotesque and hilarious novel." and the
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In telling the story of cinema’s development from silent to sound film, the novel considers the issue of "performance" – both in terms of individual identity and the social norms that represent the background to the performing of this identity.
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on the cover. Greek, Russian, Swedish, Danish, Italian, Korean, Polish, Croatian, French, Latvian, Lithuanian and Norwegian translations have been published, while Albanian, Malayalam, Japanese and Mongolian translations are in preparation.
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and Tinseltown productions, and of how both authorized a new power of the screen in startlingly effective ways.", while the
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and tells the story of a (fictional) Swiss director, Emil Nägeli, and a Japanese government official (
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An English translation by Daniel Bowles was published on 17 July 2018 through
691: 641: 555: 232: 227:. The cover art for the original German edition features the 1926 painting 192: 153: 28: 649: 247: 180: 674: 204: 547: 259: 160:, his fifth novel. It is set in the film industry at the end of the 501: 328: 272:
notes "The Dead is wholly unpredictable...and politically astute."
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play with three acts. The language is inspired by the works of
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Ich werde hier sein im Sonnenschein und im Schatten
219:The book was published on 8 September 2016 through 432:"Christian Kracht erhält den Schweizer Buchpreis" 689: 288:. It was nominated for the Bavarian Book Prize. 242:. American hardcover first editions feature a 517: 524: 510: 27: 718:Novels about film directors and producers 351:Rabe, Jens-Christian (8 September 2016). 191:, while there are longer appearances by 429: 380:Kracht, Christian (2016). "Impressum". 321: 690: 379: 505: 531: 350: 430:Bucheli, Roman (13 November 2016). 322:Stephan, Felix (9 September 2016). 175:The narrative is structured like a 13: 14: 749: 482: 229:Night Rain on Shinohashi Bridge 713:Kiepenheuer & Witsch books 452: 423: 398: 373: 344: 315: 214: 16:2016 novel by Christian Kracht 1: 738:Japan in non-Japanese culture 308: 231:by the Japanese print artist 466:(in German). 26 October 2016 275: 254: 7: 291: 280:The book received the 2016 265:Los Angeles Review of Books 185:historiographic metafiction 10: 754: 723:Novels by Christian Kracht 33:Cover of the first edition 703:21st-century Swiss novels 660: 633: 598: 539: 270:Times Literary Supplement 240:Farrar, Straus and Giroux 120: 112: 104:Published in English 102: 94: 84: 74: 66: 58: 48: 38: 26: 324:"Der fernöstliche Diwan" 221:Kiepenheuer & Witsch 79:Kiepenheuer & Witsch 497:American publicity page 708:German-language novels 149: 623:The Ministry of Truth 489:German publicity page 728:Novels set in Berlin 668:Frauke Finsterwalder 437:Neue ZĂĽrcher Zeitung 410:Macmillan Publishers 156:by the Swiss writer 733:Novels set in Japan 615:Der gelbe Bleistift 358:SĂĽddeutsche Zeitung 286:Hermann-Hesse-Preis 49:Original title 23: 201:Siegfried Kracauer 197:Ernst Hanfstaengel 21: 685: 684: 391:978-3-462-04554-3 298:Cinema of Germany 132: 131: 127:978-3-462-04554-3 95:Publication place 745: 607:Ferien fĂĽr immer 533:Christian Kracht 526: 519: 512: 503: 502: 493: 476: 475: 473: 471: 456: 450: 449: 447: 445: 427: 421: 420: 418: 416: 402: 396: 395: 377: 371: 370: 368: 366: 348: 342: 341: 339: 337: 319: 282:Swiss Book Prize 166:Masahiko Amakasu 158:Christian Kracht 144: 90:8 September 2016 86:Publication date 43:Christian Kracht 31: 24: 20: 753: 752: 748: 747: 746: 744: 743: 742: 688: 687: 686: 681: 656: 629: 594: 535: 530: 491: 485: 480: 479: 469: 467: 458: 457: 453: 443: 441: 428: 424: 414: 412: 404: 403: 399: 392: 378: 374: 364: 362: 349: 345: 335: 333: 320: 316: 311: 303:Cinema of Japan 294: 278: 257: 217: 189:Charlie Chaplin 170:May 15 Incident 140: 105: 87: 34: 17: 12: 11: 5: 751: 741: 740: 735: 730: 725: 720: 715: 710: 705: 700: 683: 682: 680: 679: 671: 664: 662: 658: 657: 655: 654: 646: 637: 635: 631: 630: 628: 627: 619: 611: 602: 600: 596: 595: 593: 592: 584: 576: 568: 560: 552: 543: 541: 537: 536: 529: 528: 521: 514: 506: 500: 499: 494: 484: 483:External links 481: 478: 477: 451: 422: 397: 390: 372: 343: 313: 312: 310: 307: 306: 305: 300: 293: 290: 277: 274: 256: 253: 244:George Hurrell 216: 213: 130: 129: 124: 118: 117: 114: 110: 109: 106: 103: 100: 99: 96: 92: 91: 88: 85: 82: 81: 76: 72: 71: 68: 64: 63: 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 15: 9: 6: 4: 3: 2: 750: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 709: 706: 704: 701: 699: 696: 695: 693: 677: 676: 672: 669: 666: 665: 663: 661:Miscellaneous 659: 652: 651: 647: 644: 643: 639: 638: 636: 632: 625: 624: 620: 617: 616: 612: 609: 608: 604: 603: 601: 597: 590: 589: 585: 582: 581: 577: 574: 573: 569: 566: 565: 561: 558: 557: 553: 550: 549: 545: 544: 542: 538: 534: 527: 522: 520: 515: 513: 508: 507: 504: 498: 495: 490: 487: 486: 465: 461: 455: 439: 438: 433: 426: 411: 407: 401: 393: 387: 384:(in German). 383: 376: 360: 359: 354: 347: 331: 330: 325: 318: 314: 304: 301: 299: 296: 295: 289: 287: 284:and the 2016 283: 273: 271: 266: 261: 252: 249: 245: 241: 236: 234: 230: 226: 222: 212: 208: 206: 202: 198: 194: 190: 186: 182: 178: 173: 171: 167: 163: 159: 155: 151: 147: 143: 138: 137: 128: 125: 123: 119: 115: 111: 107: 101: 97: 93: 89: 83: 80: 77: 73: 69: 65: 62:Daniel Bowles 61: 57: 54: 51: 47: 44: 41: 37: 30: 25: 19: 673: 650:Sisi & I 648: 642:Finsterworld 640: 621: 613: 605: 599:Travel books 586: 579: 578: 570: 562: 554: 546: 468:. 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Retrieved 327: 317: 279: 258: 246:portrait of 237: 233:Hasui Kawase 228: 218: 209: 193:Lotte Eisner 174: 154:gothic novel 152:) is a 2016 135: 134: 133: 108:17 July 2018 52: 18: 698:2016 novels 678:(2004–2006) 634:Screenplays 492:(in German) 470:13 November 444:13 November 440:(in German) 361:(in German) 332:(in German) 248:Jean Harlow 215:Publication 181:Thomas Mann 692:Categories 675:Der Freund 464:Buchreport 406:"The Dead" 309:References 205:Fritz Lang 162:Weimar era 59:Translator 588:Eurotrash 548:Faserland 415:8 October 382:Die Toten 276:Accolades 260:Bookforum 255:Reception 150:Die Toten 142:‹See Tfd› 75:Publisher 53:Die Toten 22:The Dead 580:The Dead 572:Imperium 329:Die Zeit 292:See also 136:The Dead 67:Language 225:Cologne 98:Germany 670:(wife) 653:(2023) 645:(2013) 626:(2006) 618:(2000) 610:(1998) 591:(2021) 583:(2016) 575:(2012) 567:(2008) 559:(2001) 551:(1995) 540:Novels 388:  146:German 70:German 39:Author 113:Pages 556:1979 472:2016 446:2016 417:2017 386:ISBN 367:2016 338:2016 203:and 122:ISBN 223:in 177:Noh 116:224 694:: 462:. 434:. 408:. 355:. 326:. 235:. 207:. 199:, 195:, 172:. 148:: 525:e 518:t 511:v 474:. 448:. 419:. 394:. 369:. 340:. 139:(

Index


Christian Kracht
Kiepenheuer & Witsch
ISBN
978-3-462-04554-3
‹See Tfd›
German
gothic novel
Christian Kracht
Weimar era
Masahiko Amakasu
May 15 Incident
Noh
Thomas Mann
historiographic metafiction
Charlie Chaplin
Lotte Eisner
Ernst Hanfstaengel
Siegfried Kracauer
Fritz Lang
Kiepenheuer & Witsch
Cologne
Hasui Kawase
Farrar, Straus and Giroux
George Hurrell
Jean Harlow
Bookforum
Los Angeles Review of Books
Times Literary Supplement
Swiss Book Prize

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