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solo) appears holding a flaming cross, and demands that the groom carry the cross to the next chieftain. One chorus urged him to stay while another presses him to leave; eventually he says a reluctant farewell to his new bride. At the end of the third scene the women’s chorus comforts her, and the groom sings a lengthy solo. The following scenes contrast the groom’s journey carrying the flaming cross over the
Scottish highlands with a quiet apparition of the Virgin Mary, and the work ends with a battle and triumphal chorus.
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The first of the work’s eight scenes sees a bridal boat crossing a quiet lake at dawn: the bride (soprano solo) and groom (baritone solo) are greeted in two wedding choruses. The wedding takes place in a woodland chapel, accompanied by the orchestra and a bell. Then, a neighboring chieftain (bass
58:. The action concerns the main character, Norman (baritone), who is summoned to join a rebel army as he comes out of church at his own wedding. The other soloists are Mary, just bride, and Angus (bass), who hurries in bearing the fiery cross that is the signal that the rebels are mustering.
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Bruch was dissatisfied with the translation of the work into
English by Caroline Holland, who took it upon herself to "put the work under a Scottish magnifying glass from A to Z and corrected it as one would correct the bad exercises of a music student."
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does not represent any kind of artistic progress: the public too seemed to feel this when it was meagre in its applause, so that the composer, who was conducting, felt the need to darken his brow."
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Das
Feuerkreuz: dramatische Cantate nach einem Motiv aus Walter Scott's "Lady of the lake"; für Solostimmen, Chor und Orchester (Orgel ad libitum); Op. 52
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but changed his mind, commenting that
Wilhelm’s tastes in music were limited to "the blarings of massed trumpets", and "an unhealthy appetite for (
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at her request when she was visiting Berlin in 1900. In 1892 he also adapted the piece for solo cello and orchestra and published it as Op. 61.
36:; 1889) is a cantata for soprano, baritone, bass, mixed chorus, and orchestra (2.2.2.2(=dbn)-4.2.3.1-timp.perc:1-harp-org-strings) composed by
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77:’s) world of dragons, dwarfs, giants and supermen." instead, he dedicated it to the Breslau Sing-Akademie. After its premiere in that city,
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from this work is often sung on its own and was subsequently published separately (as Op. 52 No. 6). Bruch sent a copy of it to
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was performed in
Rotterdam, Leipzig, Magdeburg, Barmen, Bonn and Riga in the summer of 1899.
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Bruch originally intended to dedicate the work to the new Kaiser,
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Velhagen & Klasings
Monatshefte Volume 4, Issue 2, Part 2
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225:. Cambridge: Cambridge University Press. p. 181.
141:"Bruch, Max Das Feuerkreuz (The Fiery Cross) op. 52"
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40:. It was first performed on 26 February 1889 in
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398:Concerto for Clarinet, Viola, and Orchestra
570:Music dedicated to ensembles or performers
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292:. Woodbridge, Suffolk: Boydell Press.
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44:. It is based on a motif from Sir
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565:Choral compositions by Max Bruch
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289:Max Bruch: His Life and Works
286:Fifield, Christopher (2005).
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525:Rose and Ottilie Sutro
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418:Violin Concerto No. 3
413:Violin Concerto No. 2
408:Violin Concerto No. 1
219:Fiske, Roger (1983).
147:. Boosey & Hawkes
357:List of compositions
442:Serenade in A minor
258:. 1890. p. 473
191:Bruch, Max (1889).
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62:said of the work: "
430:Romance in A minor
56:Heinrich Bulthaupt
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170:"Bruch, Max"
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474:Vocal music
391:Concertante
372:Die Loreley
554:Categories
424:Kol Nidrei
305:6 December
299:1843831368
262:8 December
238:8 December
201:7 December
176:7 December
151:7 December
145:boosey.com
127:References
71:Wilhelm II
21:, Op. 52 (
348:Max Bruch
94:Ave Maria
38:Max Bruch
25:‹See Tfd›
541:Category
494:Arminius
487:Odysseus
380:Hermione
42:Breslau
383:(1872)
375:(1863)
364:Operas
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75:Wagner
29:German
508:Moses
104:Notes
307:2022
294:ISBN
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92:The
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