29:
196:
change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from
Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
164:. In this play, a young woman is visited by her betrothed, whom she does not know. To get a better idea of the type of person he is, she trades places with her servant and disguises herself. However, unbeknownst to her, her fiancé has the same idea and trades places with his valet. The "game" pits the two false servants against the two false masters, and in the end, the couples fall in love with their appropriate counterpart.
203:
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the
199:
Dorante arrives at
Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true
195:
Silvia is engaged to marry
Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can
321:
303:“The Game of Love and Chance” (2023, Shaw Festival, Niagara-on-the-Lake. Ontario, Canada, Shawfest.com) Improv version directed by Tim Carroll
394:
168:
204:
game, hoping that
Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
187:
is featured. Lisette, who appears in other
Marivaux plays, also takes on a stock personality as the feisty servant.
351:
279:
as part of a literature course. Several scenes from the play are shown in rehearsal or in performance.
275:(2003) revolves around modern high school students in the suburbs of Paris who attempt to produce
297:
207:
The play ends with the union of the two couples: Silvia and
Dorante, and Lisette and Arlequin.
399:
180:
161:
8:
389:
238:
293:
44:
369:
200:
manners and the gross exaggerations they exact while playing their roles as master.
283:
176:
342:
142:
134:
112:
92:
383:
149:
271:
28:
364:
228:
184:
62:
153:
145:
82:
102:
269:
Although it is not really an adaptation, the French film
345:
in French with literary commentaries of select scenes.
355:
216:
Silvia - a headstrong young woman, engaged to
Dorante
286:produced a musical adaptation of the play in 2011.
381:
219:Dorante - a proper young man, engaged to Silvia
322:"Valérie Donzelli, championne de triathlon"
253:has been produced several times in France:
160:was first performed 23 January 1730 by the
27:
365:A Selection from the Comedies of Marivaux
328:. August 22, 2013 – via Le Monde.
382:
13:
292:(2013, TV adaptation, directed by
14:
411:
336:
222:Monsieur Orgon - Silvia's father
190:
314:
264:Le Jeu de l'amour et du hasard
258:Le Jeu de l'amour et du hasard
244:
139:Le Jeu de l'amour et du hasard
34:Le Jeu de l'amour et du hasard
1:
307:
210:
7:
395:Plays by Pierre de Marivaux
352:Jeu de l'amour et du hasard
343:Jeu de l'amour et du hasard
277:The Game of Love and Chance
251:The Game of Love and Chance
173:The Game of Love and Chance
158:The Game of Love and Chance
130:The Game of Love and Chance
22:The Game of Love and Chance
10:
416:
118:
108:
98:
88:
78:
70:
50:
40:
26:
21:
225:Mario - Silvia's brother
167:Like many of Marivaux's
296:, with actors from the
234:Lisette - Silvia's maid
138:
376:with notes in English
122:Monsieur Orgon's home
266:(made for TV, 1967)
260:(made for TV, 1954)
181:Commedia dell'arte
45:Pierre de Marivaux
370:Project Gutenberg
298:Comédie française
231:- Dorante's valet
183:. In this play,
162:Comédie Italienne
141:) is a three-act
126:
125:
89:Original language
407:
375:
372:
348:
330:
329:
318:
294:Valérie Donzelli
284:Takarazuka Revue
177:stock characters
31:
19:
18:
16:Play by Marivaux
415:
414:
410:
409:
408:
406:
405:
404:
380:
379:
373:
362:
346:
339:
334:
333:
320:
319:
315:
310:
247:
213:
193:
113:Romantic comedy
79:Place premiered
74:23 January 1730
65:
61:
59:
57:
55:
36:
17:
12:
11:
5:
413:
403:
402:
397:
392:
378:
377:
360:
358:
349:
338:
337:External links
335:
332:
331:
312:
311:
309:
306:
305:
304:
301:
287:
280:
267:
261:
246:
243:
242:
241:
235:
232:
226:
223:
220:
217:
212:
209:
192:
189:
169:other comedies
124:
123:
120:
116:
115:
110:
106:
105:
100:
96:
95:
90:
86:
85:
80:
76:
75:
72:
71:Date premiered
68:
67:
58:Monsieur Orgon
52:
48:
47:
42:
38:
37:
32:
24:
23:
15:
9:
6:
4:
3:
2:
412:
401:
398:
396:
393:
391:
388:
387:
385:
371:
367:
366:
361:
359:
357:
353:
350:
344:
341:
340:
327:
323:
317:
313:
302:
299:
295:
291:
288:
285:
281:
278:
274:
273:
268:
265:
262:
259:
256:
255:
254:
252:
240:
236:
233:
230:
227:
224:
221:
218:
215:
214:
208:
205:
201:
197:
188:
186:
182:
178:
175:makes use of
174:
170:
165:
163:
159:
155:
151:
147:
144:
140:
136:
132:
131:
121:
117:
114:
111:
107:
104:
101:
97:
94:
91:
87:
84:
81:
77:
73:
69:
64:
53:
49:
46:
43:
39:
35:
30:
25:
20:
400:Comedy plays
363:
356:Cesar.org.uk
325:
316:
289:
276:
270:
263:
257:
250:
248:
206:
202:
198:
194:
191:Plot summary
172:
166:
157:
129:
128:
127:
33:
374:(in French)
347:(in French)
326:Le Monde.fr
290:Que d'amour
245:Adaptations
152:playwright
390:1730 plays
384:Categories
308:References
211:Characters
51:Characters
41:Written by
272:L'Esquive
249:The play
179:from the
229:Arlequin
185:Arlequin
154:Marivaux
143:romantic
63:Arlequin
119:Setting
99:Subject
66:Lisette
56:Dorante
239:lackey
150:French
146:comedy
135:French
93:French
83:France
54:Silvia
109:Genre
60:Mario
282:The
103:love
368:at
354:on
156:.
148:by
386::
324:.
237:A
171:,
137::
300:)
133:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.