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uniform of a high-ranking official. His nose is already pretending to be a human. He chases his nose, who refuses to return to his face. Kovalyov becomes distracted by a pretty girl, and while he is not watching, the nose escapes. Kovalyov attempts to contact the chief of police, but he is not home. So he visits the newspaper office to place an advertisement about the loss of his nose, but is refused. He then speaks to a police inspector who also refuses to help. Finally, Kovalyov returns home. Kovalyov returns to his flat, where the police officer who caught Ivan returns the nose (which was apprehended at a coach station, trying to flee the city). Kovalyov's joy is cut short when he finds out that he is unable to reattach the nose, even with the help of a
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211:. The next day, Kovalyov writes a letter to Madame Alexandra Grigorievna Podtochina, a woman who wants him to marry her daughter, and accuses her of stealing his nose; he believes that she has placed a curse on him for his fickleness toward her daughter. He writes to ask her to undo the spell, but she is confused by his letter, and reiterates her desire to have him marry her daughter. Her reply convinces him that she is innocent. In the city, rumours of the nose's activities have spread, and crowds gather in search of it.
280:, a wholly new portion of the population was able to move up socially if it worked hard enough. In a society that was obsessed with status, people had to always look their best and prioritize their outside appearance. When Major Kovalyov sees his own nose dressed in the uniform of a higher-ranking official than himself, he is momentarily embarrassed and unable to approach the nose. Even within the context of a ridiculous scenario, feelings of inferiority and jealousy still manage to creep into Major Kovalyov's mind.
374:, in which the subject of noses is elaborately dealt with, especially in "Slawkenbergius's Tale". Noses, and even heads, which run about on their own, which disappear and then return, which are even baked in bread (as in Part I of Gogol's story), are to be found in Russian literature of the 1820s and 1830s. Out of these works, Gogol's is the most famous because it presents an absurd tale that not only serves as social commentary, but also as a comedic tale for all ages.
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and forth between the identity of the nose emphasizes how Gogol's
Petersburg valued outward appearance much more than one's true identity. Major Kovalyov is a minor official who acts like he is much higher ranking than he actually is. He refers to women as prostitutes and asks them to come to his apartment. His main objectives in life are to climb the table of ranks and marry well, but without his nose, he can do neither.
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with Gogol's belief that the nose is the most important part of a person's anatomy. Major
Kovalyov obsesses over his appearance, cleanliness and rank. His behavior reflects the influence of vision-oriented Western culture that emphasizes deodorization and hygiene. And yet he is deeply upset when he loses his nose, which shows that olfactory sensation is still important despite Western influence.
166:. The use of a nose as the main source of conflict in the story could have been due to Gogol's own experience with an oddly shaped nose, which was often the subject of self-deprecating jokes in letters. The use of iconic landmarks in the story, as well as the sheer absurdity of the story, has made "The Nose" an important part of St. Petersburg's literary tradition.
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all of his energy and thought goes towards maintaining his outward appearance. "The collegiate assessor’s private and public faces seem almost unrelated." This kind of portrayal of an average citizen of Saint
Petersburg reflects Gogol's position as a transplant to the city, who views the social hierarchy of the city from an outside perspective.
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In Russia, the nose has been host to a variety of proverbs that range from "torn off" (if it is too curious), "lifted up" (if you have a high opinion of yourself), or "hung up" (with obvious defeat and failure). By the 19th century, there has been an extensive literature in
Russian prose dedicated to
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Major
Kovalyov awakens to discover that his nose is missing. He grabs a mirror to see his face, and there is only a smooth, flat patch of skin in its place. He leaves his home to report the incident to the chief of police. On his way to the chief of police, Major Kovalyov sees his nose dressed in the
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has intrigued critics with its absurd story and social commentary. The absurdity of the story creates a certain distance between the author and the reader, which provides an opportunity for readers to enjoy the comedic aspects of the story, but closer analysis allows readers to see that the story is
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His nose serves as a symbol of his own snobbery and pretentious attitude. Once he loses his nose, his entire demeanor towards the world changes. His nose acts as the source of his own pride, and is what allows him to look down on everyone else. The loss of his nose represents a loss of his identity.
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At the end of the story, it appears that Gogol is talking directly to the reader. It is never explained why the Nose fell off in the first place, why it could talk, nor why it found itself reattached. By doing this, Gogol was playing on the assumptions of readers, who may happily seek absurd stories
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Major
Kovalyov is a person with many inconsistencies and contradictions. Gogol uses this to highlight the "fractured identity of the main character." There is a significant imbalance on how Kovalyov views himself, and how the outside world perceives him. Rather than focusing on his inner appearance,
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On 25 March, the barber Ivan
Yakovlevich finds out that his wife has made bread. During breakfast, he cuts a loaf in half and finds a nose in his bread. With horror, he recognizes this nose as that of one of his regular customers, Collegiate Assessor Kovalyov (known as 'Major Kovalyov'). Ivan's wife
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Some critics have equated the garbled language between
Kovalyov's nose and the other characters in the story to mythological consciousness. Due to the situation the characters find themselves in, human qualities are transferred to natural objects and a mythological sense of perception pervades the
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The theme of identity is highlighted by how the nose is both easy to identify and hard to identify at various points in the story. The barber notices the owner of the nose very quickly when he sees it. However, the nose is able to slip away from
Kovalyov by disguising itself as a doctor. This back
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Some critics analyze the story literally instead of searching for symbolic significance. A literal interpretation suggests that Gogol's story is about the importance of olfactory perception, which is obscured in
Western society by a focus on vision and appearance. This interpretation is consistent
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Newspaper Advertising Clerk – this is who Kovalyov contacts to get an ad in the paper about his missing nose. When the newspaper advertising clerk first hears about the story, he is unable to understand what has happened. He rejects Kovalyov's ad because he believes that the ridiculousness of the
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The supernatural also comes into play in this story. The nose is able to transform its size depending on what is needed to further the plot. Sometimes it is portrayed as the size of a common nose, while other times it is portrayed as the same size as a human. This strange ability plays into the
331:, as an unreal element is woven into a realistic narration. Critics also note the abrupt changes in the narrative that appear to them to be pieced together like fragments. The story line appears to have multiple branches to facilitate the nature of unpredictability as a theme in the story.
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demands that Ivan remove the nose from her home, so he wraps it up in cloth and attempts to throw it off a bridge. He tries to get rid of the nose by throwing it into the Neva River, but he is caught by a police officer. Ivan attempts to bribe the police officer, but the officer refuses.
501:'s play "Nose! Nose? No-se!", like Gogol's short story, features a Major Kovalyov who wanders around St. Petersburg in search of his nose. The Kovalyov in Amalrik's play lives in a Marxist totalitarian society and is excessively concerned about his middle-class status.
169:"The Nose" is divided into three parts and tells the story of Collegiate Assessor ('Major') Kovalyov, who wakes up one morning without his nose. He later finds out that his nose has developed a life of its own, and has apparently surpassed him by attaining the rank of
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181:. By allowing commoners to gain hereditary nobility through service to the state, a huge population was given the chance to move up in social status. This opportunity, however, also gave way to large bureaucracies, in which many of Gogol's characters worked.
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characters' thoughts as opposed to the former modern man perception noted for its self-interest consciousness. The story juxtaposes the nose as a symbol of salvation for Major Kovalyov as opposed to a symbol of self-destruction for barber Ivan Yakovlevitch.
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himself notes, the story "contains much that is highly implausible", while an earlier version of the story ended with Kovalyov waking and realizing that the story was indeed a dream. Without the awakening, however, the story becomes a precursor of
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Madame Podtochina – the mother of the girl that Kovalyov has been flirting with for some time. He refuses to propose to her because he believes he can marry someone even better, so Madame Podtochina is constantly bothering him about marrying her
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written during his time living in St. Petersburg. During this time, Gogol's works were primarily focused on the grotesque and absurd, with a romantic twist. Written between 1835 and 1836, "The Nose" tells the story of a
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Ivan Yakovlevitch – this is the barber who finds the nose in his bread. He attempts to throw the nose into the river. When the nose is miraculously reattached to Kovalyov again, he comes to Ivan to get
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Collegiate Assessor Kovalyov – the main character of the story is a civil servant of average rank. He is obsessed with his rank, and one day, he wakes up to find his nose missing.
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The Nose – this character is a body part that is personified in the story. By the way it is dressed, it seems to have achieved a higher rank of civil service than Kovalyov.
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is a piece of sheer play, almost sheer nonsense. In it more than anywhere else Gogol displays his extraordinary magic power of making great comic art out of nothing."
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On 7 April, Kovalyov wakes up with his nose reattached. He is carefully shaved by the barber and returns to his old habits of shopping and flirting with girls.
678:
Sicher, Efraim (1990). "Dialogization and Laughter in the Dark, or How Gogol's Nose Was Made: Parody and Literary Evolution in Bachtin's Theory of the Novel".
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nose references. Critic V. V. Vinogradov believes the nose is not only a symbol of human personality, it is also a source of comedy and pathos in literature.
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A play for radio based on the story was written by UK author Avanti Kumar and first produced and broadcast in Ireland by RTÉ in 1995.
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As a Petersburg tale, "The Nose" has many references to the city of Saint Petersburg, where the action of the story takes place.
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wrote and composed a musical titled "The Nose of Polton Worth" in 1990 based on this story, performed in Montreal and New Haven.
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Society and class played a very important role in determining one's life during the time of Gogol. With the introduction of the
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As a literary theme, the nose had been treated by Russian authors at least ever since the translation, completed in 1807, of
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Klymentiev, Maksym (2009). "The Dark Side of 'The Nose': The Paradigms of Olfactory Perception in Gogol's 'The Nose'".
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Kelly, Michael (2009). "Restoring the Disfigured Human Image: A Gogolian Slap in the Face and Moral Responsibility".
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Since his identity is primarily defined by his outward appearance, the loss of that appearance devastates him.
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Seifrid, Thomas (1993). "Suspicison toward Narrative: The Nose and the Problem of Autonomy in Gogol's 'Nos'".
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Due to the popularity of Gogol's works in Russia and beyond, many cultural monuments to his works, including
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A play based on the short story was written by Tom Swift and produced by The Performance Corporation in 2008.
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official whose nose leaves his face and develops a life of its own. "The Nose" was originally published in
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WMSE (91.7 FM in Milwaukee, WI) broadcast an adaptation by Wisconsin Hybrid Theater (Radio WHT) in 2011.
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Spycher, Peter (1963). "The Nose": A Satirical Comic Fantasy Born of an Impotence Complex".
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1177:"The Nose, Nikolai Gogol. Three Ivans, Two Aunts and an Overcoat. BBC Radio 4 Extra"
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815:"Elements of Fantasy and Semiotic Code for Fractured Identity in Gogol's "The Nose""
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The Fat Git Theatre Company performed their adaptation of the short story in 2011.
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A translated audio book version of the short story was published in
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1249:"The Daily Herald - Russian poll satire takes Putin's manhood away"
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1288:правды», Стас ТЫРКИН | Сайт «Комсомольской (11 September 2020).
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The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich
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444:: A rumor arises that the nose took to walking in these gardens
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The Police officer – he returns the lost nose back to Kovalyov.
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The Moscow Museum of Erotic Art put on an adaptation based on
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The Lost Letter: A Tale Told by the Sexton of the N...Church
894:«Дом Н. В. Гоголя — мемориальный музей и научная библиотека»
426:: Ivan throws the nose into the river Neva from this bridge.
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from the original on 22 December 2021 – via YouTube.
1290:"Самым актуальным жанром в России является фантасмагория"
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Another animated short film, made in 1966, directed by
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Bibliomania: Free Online Literature and Study Guides:
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but at the same time still want a normal explanation.
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released the official adaptation of the short story,
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absurdity of the story and adds to its comedic tone.
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438:: Major Kovalyov takes daily walks down this street.
497:directed a TV film adapted from the story in 1977.
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story will make the newspaper look too sensational.
1116:Historical Dictionary of Russian and Soviet Cinema
1046:Mirsky, D. S. (1858). Francis J. Whitfield (ed.).
469:, first performed in 1930, is based on this story.
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708:Bowman, Herbert (6 February 2016). "The Nose".
647:"Magical Realism in the Tales of Nikolai Gogol"
1318:An omnibus collection of Gogol's short fiction
890:"Заметки о мифологическом языке повести "Нос""
837:"Nikolai Gogol's The Nose: An Abstract Satire"
781:Davydov, Sergei (2006). "Gogol's Petersburg".
532:broadcast an adaptation of the story starring
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1329:, English translation, from Project Gutenberg
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1141:"Rumbletown: a faxed, fantastical, fun romp"
1118:. Lanham, MD: Scarecrow Press. p. 128.
1031:Bocharov, Sergei (1992). "Around The Nose".
472:A short film based on the story was made by
412:Kazan Cathedral, where the nose was praying.
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1079:: CS1 maint: numeric names: authors list (
1033:Essays on Gogol: Logos and the Russian Word
314:") is the reverse of the Russian word for "
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917:"The Nose: Some Psychological Reflections"
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559:losing his genitalia to coincide with the
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420:: Ivan, the barber, lives on this street.
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1215:: CS1 maint: archived copy as title (
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432:: Major Kovalyov lives on this street.
1571:Ivan Fyodorovich Shponka and His Aunt
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1153:from the original on 27 February 2023
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474:Alexandre Alexeieff and Claire Parker
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860:Гоголь в русской критике: антология
813:Blair, Clifford (6 February 2016).
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1469:The Order of Vladimir, Third Class
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1050:. Alfred A. Knopff. p. 152.
948:10.1111/j.1467-9434.2009.00526.x
507:-award-winning musical brothers
18:Short story by Nikolai Gogol
1522:Evenings on a Farm Near Dikanka
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527:Three Ivans, Two Aunts and an
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392:Ever since it was published, "
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863:. Фортуна ЭЛ. p. 357.
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915:Friedman, Paul (1951).
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645:Hardy, James (2016).
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1564:A Terrible Vengeance
1237:on 7 September 2011.
442:Tavrichevsky Gardens
259:Olfactory perception
1255:on 26 February 2015
582:Andrei Khrzhanovsky
521:In April 2002, the
478:pinscreen animation
461:Dmitri Shostakovich
324:unreliable narrator
40:Original title
1668:1836 short stories
1146:The McGill Tribune
998:The Russian Review
936:The Russian Review
783:New England Review
680:Russian Literature
570:have been created.
424:Isaakievsky Bridge
418:Voznesensky Avenue
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102:) & audio book
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1620:Diary of a Madman
1578:A Bewitched Place
580:In January 2020,
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268:Society and class
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789:(1): 122–127.
773:
746:(2): 223–241.
727:
697:
686:(2): 211–233.
659:
631:
630:
628:
625:
624:
623:
618:
613:
608:
606:Table of Ranks
603:
596:
593:
592:
591:
578:
571:
564:
557:Vladimir Putin
553:
550:
547:
544:
537:
525:comedy series
519:
516:
502:
499:Andrei Amalrik
492:
481:
470:
456:
453:
452:
451:
445:
439:
433:
427:
421:
402:
399:
361:
358:
344:
341:
303:
300:
294:
291:
285:
282:
274:Table of Ranks
269:
266:
260:
257:
255:
252:
251:
250:
247:
244:
240:
236:
232:
229:
224:
221:
216:
213:
203:
200:
194:
191:
186:
183:
179:Table of Ranks
154:St. Petersburg
112:
111:
108:
104:
103:
92:
88:
87:
84:
80:
79:
75:
74:
69:
65:
64:
61:
57:
56:
53:
49:
48:
41:
37:
36:
26:
25:
17:
9:
6:
4:
3:
2:
1695:
1684:
1681:
1679:
1676:
1674:
1673:Magic realism
1671:
1669:
1666:
1664:
1661:
1660:
1658:
1642:
1638:
1635:
1631:
1628:
1624:
1621:
1617:
1614:
1610:
1607:
1603:
1600:
1596:
1593:
1589:
1586:
1582:
1579:
1575:
1572:
1568:
1565:
1561:
1558:
1557:Christmas Eve
1554:
1551:
1547:
1544:
1540:
1537:
1533:
1530:
1526:
1524:
1523:
1518:
1517:
1515:
1513:Short stories
1511:
1505:
1504:
1500:
1498:
1497:
1493:
1491:
1490:
1486:
1485:
1483:
1477:
1471:
1470:
1466:
1464:
1463:
1459:
1457:
1456:
1452:
1450:
1449:
1445:
1444:
1442:
1438:
1432:
1431:
1427:
1425:
1424:
1420:
1419:
1417:
1413:
1407:
1404:
1403:
1400:
1396:
1395:Nikolai Gogol
1388:
1383:
1381:
1376:
1374:
1369:
1368:
1365:
1358:
1354:
1353:
1344:
1342:
1339:
1337:
1336:
1331:
1328:
1325:
1323:
1319:
1316:
1315:
1295:
1291:
1284:
1276:
1270:
1254:
1250:
1244:
1236:
1232:
1226:
1218:
1212:
1196:
1192:
1186:
1178:
1172:
1164:
1152:
1148:
1147:
1142:
1135:
1127:
1121:
1117:
1110:
1102:
1101:
1096:
1090:
1082:
1076:
1068:
1064:
1057:
1049:
1042:
1034:
1027:
1019:
1015:
1011:
1007:
1003:
999:
992:
984:
980:
976:
972:
968:
964:
957:
949:
945:
941:
937:
930:
922:
918:
911:
895:
891:
885:
883:
881:
872:
870:9785958200429
866:
862:
861:
853:
845:
838:
831:
823:
816:
809:
807:
805:
796:
792:
788:
784:
777:
769:
765:
761:
757:
753:
749:
745:
741:
734:
732:
723:
719:
715:
711:
704:
702:
693:
689:
685:
681:
674:
672:
670:
668:
666:
664:
655:
648:
641:
639:
637:
632:
622:
619:
617:
614:
612:
611:Nikolai Gogol
609:
607:
604:
602:
599:
598:
589:
588:
583:
579:
576:
572:
569:
565:
562:
558:
554:
551:
548:
545:
542:
538:
535:
534:Stephen Moore
531:
530:
524:
520:
517:
514:
510:
506:
503:
500:
496:
493:
490:
486:
482:
479:
475:
471:
468:
467:
462:
459:
458:
449:
446:
443:
440:
437:
434:
431:
428:
425:
422:
419:
416:
415:
410:
406:
398:
395:
390:
388:
384:
381:, the critic
380:
375:
373:
372:
367:
357:
353:
349:
340:
336:
332:
330:
325:
321:
317:
313:
309:
299:
290:
281:
279:
275:
265:
248:
245:
241:
237:
233:
230:
227:
226:
220:
212:
210:
199:
190:
182:
180:
176:
172:
167:
165:
161:
160:
155:
150:
149:Nikolai Gogol
146:
143:
138:
132:
123:
119:
109:
105:
101:
97:
93:
89:
85:
81:
76:
73:
70:
66:
62:
58:
54:
50:
46:
42:
38:
35:
34:Nikolai Gogol
31:
27:
22:
16:
1641:The Overcoat
1634:The Carriage
1626:
1606:The Portrait
1521:
1501:
1494:
1487:
1467:
1462:The Gamblers
1460:
1453:
1446:
1428:
1421:
1406:Bibliography
1351:
1334:
1297:. Retrieved
1293:
1283:
1269:
1257:. Retrieved
1253:the original
1243:
1235:the original
1225:
1199:. Retrieved
1195:the original
1185:
1171:
1161:– via
1155:. Retrieved
1144:
1134:
1115:
1109:
1098:
1089:
1056:
1047:
1041:
1032:
1026:
1001:
997:
991:
966:
962:
956:
939:
935:
929:
920:
910:
898:. Retrieved
896:(in Russian)
893:
859:
852:
843:
830:
821:
786:
782:
776:
743:
739:
713:
709:
683:
679:
653:
585:
567:
539:An album in
526:
464:
448:Gostiny Dvor
404:
393:
391:
386:
383:D. S. Mirsky
378:
376:
369:
363:
354:
350:
346:
337:
333:
319:
311:
305:
296:
287:
271:
262:
218:
205:
196:
188:
168:
157:
117:
115:
15:
1520:Preface to
1481:collections
1479:Short story
1430:Taras Bulba
1359:(in German)
1299:28 November
1231:"Radio WHT"
900:30 November
523:BBC Radio 4
495:Rolan Bykov
455:Adaptations
322:"). As the
246:The doctor.
145:short story
78:Publication
72:Short story
30:Short story
1657:Categories
1503:Arabesques
1423:Dead Souls
1063:"The Nose"
627:References
223:Characters
215:Part three
91:Media type
24:"The Nose"
1393:Works by
1201:16 August
768:191470781
575:Malayalam
463:'s opera
394:The Nose"
385:writes: "
343:Symbolism
318:" (Сон, "
243:daughter.
142:satirical
131:romanized
100:paperback
83:Publisher
1627:The Nose
1496:Mirgorod
1455:Marriage
1357:LibriVox
1352:Die Nase
1335:The Nose
1327:The Nose
1275:"മൂക്ക്"
1211:cite web
1157:1 August
1151:Archived
1095:"A Nose"
1075:cite web
1067:Archived
795:40244791
760:40871408
595:See also
568:The Nose
541:Romanian
529:Overcoat
466:The Nose
387:The Nose
284:Identity
202:Part two
193:Part one
118:The Nose
96:hardback
68:Genre(s)
60:Language
1294:Kp.ru -
1259:3 March
722:4204413
310:(Нос, "
308:Russian
235:shaved.
140:) is a
133::
122:Russian
94:Print (
63:Russian
52:Country
1415:Novels
1122:
1018:130737
1016:
983:305434
981:
867:
793:
766:
758:
720:
505:Grammy
254:Themes
209:doctor
98:&
55:Russia
1440:Plays
1163:Issuu
1014:JSTOR
979:JSTOR
840:(PDF)
818:(PDF)
791:JSTOR
764:S2CID
756:JSTOR
718:JSTOR
650:(PDF)
509:Jason
316:dream
302:Style
1301:2020
1261:2012
1217:link
1203:2011
1159:2023
1120:ISBN
1100:IMDb
1081:link
902:2020
865:ISBN
511:and
185:Plot
110:1836
1592:Viy
1320:at
1006:doi
971:doi
944:doi
748:doi
688:doi
654:LSU
377:In
368:'s
320:Son
312:Nos
276:by
147:by
137:Nos
126:Нос
120:" (
45:Нос
32:by
1659::
1292:.
1213:}}
1209:{{
1143:.
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1073:{{
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1012:.
1002:52
1000:.
977:.
965:.
940:68
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879:^
842:.
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803:^
787:27
785:.
762:.
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744:51
742:.
730:^
714:31
712:.
700:^
684:28
682:.
662:^
652:.
635:^
128:,
124::
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1618:"
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1303:.
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1205:.
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1035:.
1020:.
1008::
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967:7
950:.
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923:.
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