The Osborne - Knowledge

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Street, contained the apartments' libraries and parlor rooms. The foyer, dining room, kitchen, and one bedroom of each apartment also contained high ceilings. The rear sections had bedrooms and private baths, separated from the main living areas by flights of seven steps, and the ceilings are just over 8 feet (2.4 m) high. The westernmost apartments of each floor, as expanded in 1906, were generally larger than the other units, with seven bedrooms and enlarged reception and dining rooms. The apartment designs were also marked by their elaborate interior features, including mahogany wood decoration, bronze

402:, with a main entrance on 57th Street and a variety of window configurations. The first floor has an elaborate foyer and lobby, while the other floors contain apartments in duplex arrangements. The southern section of the building, facing 57th Street, is 11 stories tall and originally contained main living spaces with high ceilings. The northern section, at the rear of the building, is 15 stories tall and contained the bedrooms and servant's rooms. The Osborne was originally built with 38 apartments, although many of these units were gradually subdivided starting in the early 1920s. 805: 690: 1033:

25,489,978 in 2023). Korein had planned to demolish the Osborne, replacing it with a 17-story residential building designed by Robert Bien. In response, tenants collected $ 500,000 to give to Korein in exchange for the building's ownership. The payment was roughly double the $ 250,000 deposit that Korein had paid for the building. The planned replacement tower was canceled the next year after the Osborne Tenants Corporation bought the Osborne and converted it into a cooperative. The co-op board took a $ 2 million mortgage for the building in 1965.

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single round-arched window with a flat keystone above and a decorative stone panel below. The outermost pair of bays, now the first and eighth bays, each contain a pair of rectangular sash windows. On Seventh Avenue, the seven southernmost bays each contain one rectangular sash window at the 2nd story. A modillioned cornice runs above the 2nd story along 57th Street and Seventh Avenue, except in the fourth and fifth bays along 57th Street. The cornice was intended to give the impression that the building was shorter than it actually was.

1348:(LPC) first considered city-landmark status for the Osborne in 1966 and 1967. The Osborne's co-op board withdrew the building's application for landmark status because of concerns that landmark status would entail additional regulation, given that modifications to city landmarks required LPC approval. A second landmark hearing was held in 1980, followed by a third such hearing in 1985. After a fourth set of hearings in 1989, the LPC ultimately designated the Osborne's exterior as a city landmark in 1991. The Osborne was added to the 38: 1025: 8637: 1420: 755: 8567: 8587: 8577: 8068: 8613: 1396: 1012:

were each given seven bedrooms and an expanded reception room. Many businesses moved to the surrounding area in the late 19th and early 20th centuries. Thus, in 1919, the Taylor family converted the ground-floor apartments to commercial spaces, which the family believed would be more profitable. At this time, the main entrance porch and the moat that originally surrounded the ground floor were removed.

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original structure contains a light well halfway along the northern elevation. The placement of this light well was unusual, given that many contemporary structures had light courts at the front, which for the Osborne would be the southern elevation. The other light well is between the annex and the western side of the original building. The Osborne, including its annex, is 162 feet (49 m) tall.

446:. As built, the Osborne measured 150 feet (46 m) along 57th Street to the south and 100 feet (30 m) along Seventh Avenue to the east. The Osborne was extended by 25 feet (7.6 m) to the west in 1906, giving the Osborne a frontage of 175 feet (53 m) on 57th Street and 100 feet on Seventh Avenue. The site covers 17,572 square feet (1,632.5 m) and was created by combining six 1049:) became permanent in early 2022, the Osborne's co-op board sued 57th and 7th Associates, to which the building's commercial space was leased. The co-op board claimed that 57th and 7th Associates had failed to enforce restrictions regarding the use by sub-tenants of the building's commercial spaces, including the installation of outdoor dining and unauthorized signage. 893:

floors. The 11th floor did not contain any residents and was used by service workers and as storage. Each of the upper stories was separated into western and eastern halves, with two apartments per side. Each side was served by its own elevator and staircase, connected only at ground level. When completed, the building had four elevators and a heating and power plant.

1000:. The estate also planned to sell adjoining 25-by-100-foot (7.6 by 30.5 m) lot to the west, which adjoined the Art Students League building. John S. Ely, a son-in-law of the late John Taylor, paid $ 1.01 million for the building and $ 35,000 for the adjacent lot at an auction in March 1896. At the time, the neighborhood was being developed rapidly, and 973:

apartments were reported as "nearly ready for tenants". Advertisements in New York City newspapers boasted, in boldface letters, that the building was "the most magnificently finished and decorated apartment house in the world". The first tenants moved into the building in November 1885. The next month, the

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Contemporary advertisements described the Osborne as occupying "the highest ground below Fifty-seventh Street"; this feature became more attractive to potential tenants, as the state government had passed the Daly Law in 1885 to limit similar structures to five or six stories. As such, despite Thomas

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foreclosed on the Osborne at auction in 1888. William Taylor, another member of the Taylor family, bought the building that March for $ 1,009,250 (equivalent to $ 34,224,789 in 2023). The next year, Ware expanded the attic to a full size; this provided additional room for servants' quarters while

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During the early 19th century, apartment developments in the city were generally associated with the working class, but by the 1870s, apartments were also becoming desirable among the middle and upper classes. Between 1880 and 1885, more than ninety apartment buildings were developed in the city. The

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The 57th Street annex rises only to the 10th story. The 3rd through 9th stories of the annex correspond to those in the original building. They contain a metal oriel on the left and a sash window on the right, similar to at the base. As with the original facade, there are bartizans on the 5th and 6th

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On the 3rd through 6th stories, the original section of the 57th Street facade contains triple-sided, stone-clad oriel windows on the first, fourth, fifth, and eighth bays from the east. The second, third, sixth, and seventh bays contain rectangular windows, with balconettes at the fifth story. Above

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As early as 1980, the lobby and foyer were also considered for interior-landmark status. During the 1985 hearing, the LPC had considered designating the lobby and foyer as an interior landmark. The LPC deferred a decision on the designation because the agency's rules mandated that interior landmarks

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Despite its proximity to Carnegie Hall and West 57th Street's arts hub, the Osborne did not have any musicians, artists, or authors listed as residents prior to World War II, and only two architects were recorded as living there during that time. However, it was popular among the upper middle class,

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wrote in 1993 that the Osborne had 109 units, of which 14 retained their original large configurations. As a result of these subdivisions, the modern layouts of the apartments are more complex. For instance, an apartment might have its entrance in one of the rear mezzanines and its main rooms in the

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On the 2nd story along 57th Street, the original facade has eight bays. Within the center two bays, now the fourth and fifth bays from the east, there are four round-arched windows, topped by flat keystones. The two bays on either side, now the second, third, sixth, and seventh bays, each contain a

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Davida Tenenbaum Deutsch, an architectural historian who lived in the building, started holding bazaars in 1976 to fund the restoration of the lobby, ultimately raising nearly $ 100,000 (equivalent to $ 535,439 in 2023). By the mid-1980s, prices for apartments in the Osborne were as high as in

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The Taylor family started constructing the 57th Street annex in 1906, on the adjoining lot to the west. The annex was designed by family member Alfred S. G. Taylor, in conjunction with J. C. Levi. The annex, completed in 1908, provided additional bedroom space for the westernmost apartments, which

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The lobby extends north of the foyer and measures 92 by 14 feet (28.0 by 4.3 m), with a ceiling 15 feet (4.6 m) high. The floors contain mosaics made of small tiles, alternating with Italian marble slabs. The western and eastern walls of the lobby contain marble wainscoting, interspersed

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The building's namesake was the stone contractor Thomas Osborne, who had acquired the land in 1883 from restaurateur John Taylor, constructing the building as a speculative investment. The $ 2 million construction cost forced Thomas Osborne into foreclosure, leading Taylor's family to acquire

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reported that the Osborne was sold to unnamed investors for $ 1,209,000 (equivalent to $ 40,998,533 in 2023). The buyer was subsequently revealed to be John Taylor's son John H. Taylor; by then, the senior John Taylor had died. The development of the Osborne spurred the construction of nearby

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within the left-side bay, which is the tenth bay from the east. The annex's right-side bay, the ninth bay from the east, contains a rectangular window opening on each mezzanine. The northernmost Seventh Avenue bay also contains three shorter stories in the double-height base, with two rectangular

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The Taylor family could not maintain the Osborne in the mid-20th century, and the interior had degraded by the 1950s. In 1961, the Osborne was sold to the Linland Corporation, operated by real-estate investor Sarah Korein, in a deal that valued the building at $ 2.5 million (equivalent to $

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Simultaneously, West 57th Street was being developed with townhouses, some of which were known as New York City's "choicest" residences, as well as artists' studio apartments. 57th Street attracted large developments because it was wider than other crosstown streets and was similar in width to a

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On the 7th through 9th stories of the original 57th Street facade, the first, fourth, fifth, and eighth bays each contain three windows per story. The second, third, sixth, and seventh bays of this facade each contain two windows per story. The windows in each story are separated by carved stone

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The primary section of the Osborne faces south toward 57th Street and is designed with 11 stories. The rear section, facing north, contains 15 duplex levels, though the roof is at the same height as in the rest of the building. The northern portion of the building contains two "light wells". The

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writes that each of the 2nd through 10th stories originally contained four apartments; according to Hawes, there were fewer apartments on the 2nd floor because that story also included the banquet hall. There were two apartments on the ground floor, for 38 total units on the ground through 10th

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Each apartment was arranged in a specific way, with a parlor, reception room, library room, dining room, pantry, and kitchen in the front, as well as bedrooms in the rear. The main living spaces, where guests were entertained, contained 15-foot (4.6 m) ceilings. The front end, facing 57th

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In October 1883, three investors formed a company to buy Osborne's apartment building for $ 700,000. However, the sale never happened. By the next year, Osborne was still anticipating that he would sell the building upon its completion. The building's roof was completed by June 1884, when the

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reviewed the design negatively, writing in 1884, "An attempt has been made by Mr. Jas. E. Ware to give variety to the immense number of windows in the eleven stories on the street fronts. For the fifteen stories in the rear nothing can be done". The critic particularly regarded the 6th- and

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The 3rd through 6th stories of the northernmost Seventh Avenue bay contain six offset duplex levels, each with a triple-sided, stone-clad oriel window. The 7th through 9th stories of the northernmost Seventh Avenue bay contain four offset duplex levels, each with a triple rectangular window.

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had to be public spaces. In late 2015, the LPC again hosted a public hearing on whether to designate the Osborne's lobby and foyer as a city landmark. The Victorian Society supported the proposed interior designation but, because the lobby and foyer were legally private interior spaces,

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placing the roof at a uniform height. The northern section of the building had contained 14 levels, while the southern section was largely 10 stories with a partial 11th-story attic. The cornice of the northern section had originally sloped downward because of the uneven roof height.

560:. The hub had been developed during the late 19th and early 20th centuries. The hub was developed following the opening of Carnegie Hall in 1891, though the Osborne predates Carnegie Hall. Several buildings in the area were constructed as residences for artists and musicians, such as 959:

that May, to cost $ 650,000. The original plans included a fireproof structure with four elevators; some iron-and-marble staircases; various spaces such as a florist and pharmacy; and the newest electric, plumbing, and heating systems of the time. Osborne had been inspired by

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wall surface, as well as carvings, mosaic tiles, and roundels. There are marble niches with benches, as well as Tiffany mosaics and stained glass on the niche walls. The Osborne was the first building to use foil-backed mosaics in a nonreligious setting. The ceiling, which is

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rise from the 5th and 6th story at each corner of the original facade, supporting the cornice. A similar window arrangement appears on the seven southernmost bays facing Seventh Avenue, where the fourth and fifth bays from the south are grouped into a single oriel structure.

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opposed the designation. This was part of a review of 95 listings that had been calendared by the LPC for several decades but never approved as city landmarks. The LPC rejected the interior-landmark designation in February 2016 because the interior was a private space.

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The building had ultimately cost $ 2 million to construct, at least part of which was covered by loans that John H. Taylor had made to Osborne. The lavish decorations contributed to the massive costs, which turned out to be excessive for Osborne. John Taylor's

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high-ceiling portion. Other units were configured as "apartments within apartments", where the only access was through another tenant's residence. The haphazard nature of the conversions resulted in the sealing-off of spaces such as an entire room and a staircase.

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spandrel panels. In addition, there are stained-glass transom panels near the top of each 7th- and 8th-story window opening. A similar window arrangement appears on the seven southernmost bays facing Seventh Avenue, except that each bay has a single window.

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negatively regarded the design as "crude and unskillful", and wrote that "there is nothing architecturally interesting about the Osborne, except the grouping of the stories, and here and there some carving that is good in execution". In 2020,

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The Osborne's namesake was Thomas Osborne, an Irish immigrant who ran a successful stone contracting business. In 1883, he purchased a lot for $ 210,000 (equivalent to $ 6,867,000 in 2023) from restaurant operator John Taylor. After an

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wrote that the use of brownstone may have instead been used to "convey a sense of the power of stone". The namesake and developer, Thomas Osborne, expected that the facade could attract residents of middle-class brownstone row houses. The

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residence and reportedly sent workers to examine the architecture of that residence. He bragged that the 57th Street building would probably be the tallest in the city, if not the United States, at a height of 200 feet (61 m).

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were also added to provide light to the apartments. In general, the exterior was intended to reflect the ornate design of the interior. The 15 duplex levels at the rear accommodated the shorter ceiling heights of the rooms there.

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In the northernmost Seventh Avenue bay, the 1st, 3rd, 5th, 7th, 10th, and 11th stories correspond to the rest of the building. There are also nine mezzanines: two each above the 1st, 3rd, and 5th stories, and three above the 7th

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Osborne's financial difficulties, the building was successful in attracting middle-class residents. By early 1896, the Osborne was fully occupied, and the Taylor estate was looking to sell the Osborne so the estate could be

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with residents including executives, entrepreneurs, lawyers, and doctors. The building's artistic residents largely moved there after World War II. By the 1960s, the Osborne was known as "the residential Carnegie Hall".

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The base is composed of the lowest two stories. At ground level, the main entrance is in the center of the original facade on 57th Street, between the fourth and fifth bays from the east. The entrance is within a white

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Other critics were more positive. Carter Horsley wrote for City Realty that "Perhaps more than any other building this is a presence, a pile of architecture that manifests great power." Roger Starr, writing for

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advent of the passenger elevator enabled the construction of taller apartment buildings such as the Osborne and the Dakota, whereas previously apartment buildings had been limited to six or seven stories.

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In addition to the lobby and entrance foyer, there were other communal spaces within the building, giving it the feel of an enclosed community. On the second floor was a banquet room. There was a private

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design features such as round-arched entrance and window openings, a rough-cut stone cladding, and recessed windows. It is the second-oldest luxury apartment building in New York City, behind

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with plaster plaques of nude figures and garlands, designed to resemble bronze. Carved-plaster cap friezes and mosaic tiles run along the walls. Above the wainscot, the walls feature a

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took a 21-year lease for the Osborne that year. The upper floors were subdivided into smaller units starting in 1922, and the 11th-floor attic was converted to apartments in 1941.

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In the early and mid-20th century, many of the apartments were subdivided, the ground-floor apartments were removed, and new apartments were created on the 11th floor. The

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the next year. Throughout its history, the Osborne has housed many artists, actors, and musicians, as well as upper-middle-class residents such as doctors and lawyers. The

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The two westernmost bays along 57th Street comprise the 1906 annex and contain three shorter stories within the same double-height base: the ground floor, followed by two

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between these floors. The windows on the 10th and 11th stories do not necessarily align with those on the other floors. There is a copper cornice above the 11th story.

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panels between the 3rd- and 4th-story windows, and stained-glass transom panels near the top of each 3rd-, 4th-, and 5th-story window opening. In addition,

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The entrance foyer measures 20 feet (6.1 m) square with a 20-foot ceiling. It is connected to the lobby by a short flight of marble and copper steps.

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that the building was "the grandest of the apartment buildings south of Central Park and one of the city's incomparable monuments to shared domesticity".

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run atop the second, sixth, and ninth floors. The facade contains stylistic details such as carved stone panels with classical iconography. Projecting

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wrote, "It is safe to assume that these lots will be worth double their present value ten years hence." A glass and metal sidewalk canopy was erected

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theorized that the material was meant to evoke the design of the brownstone row houses that were common across the city, while architectural writer

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in 1983, stated that the ornate lobby demonstrated that "even the most powerful families in the country can live well in apartments". The

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These included the Osborne Building on Fifth Avenue between 52nd and 53rd Street, which is unrelated to the current apartment structure.

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was also involved in the foyer and lobby's design. The spaces are decorated in shades of red, green, and blue. According to the writer

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north-south avenue. The area around the Osborne was relatively undeveloped in the early 1880s but benefited from the presence of

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and Rembrandt. In addition, the area contained the headquarters of organizations such as the American Fine Arts Society, the

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described the Osborne as "kind of grand but dour", as opposed to the "extravagantly ornate" Alwyn Court across the street.

415: 235: 3064:"'Save the Osborne' Is Music in Tenants' Ears at Luxury Apartment House; Dwelling, 76, Faces Sale and Possible Extinction" 8712: 7560: 7480: 6808: 6788: 6729: 6699: 6482: 6160: 6110: 577: 664:, or side, faces 57th Street, while the secondary elevation is on Seventh Avenue. The 57th Street side has ten vertical 7658: 7034: 6377: 5980: 5570: 1948:"'Round 57th Street: New York's First Gallery District Continues (for Now) to Weather Endless Changes in the Art World" 931: 4904: 3215: 779:

On both 57th Street and Seventh Avenue, there are rectangular windows on the 10th and 11th stories, with a horizontal

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runs between the first and second stories. An entrance porch formerly projected onto 57th Street. There was also an

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reported in 1988 that the "opulent interior" counterbalanced the "undistinguished exterior". According to the

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story, which flank the oriel and support the cornice. The annex's 10th story has a triple rectangular window.

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The entrance foyer and lobby form a connected space. The decorative details were designed by architect

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two blocks north. At the time, the street's developments included the Rembrandt Studio Building, the

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On the road & off the record with Leonard Bernstein : my years with the exasperating genius

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The Osborne is part of a former artistic hub around a two-block section of West 57th Street between

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floor surfaces contained banded edges, and the walls were soundproofed and insulated for privacy.

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at 220 West 57th Street. By the 21st century, the artistic hub had largely been replaced with

8045: 8025: 7739: 7465: 6848: 6608: 6573: 6557: 6472: 6382: 5722: 5184: 4806: 4595: 1285:, American actor, briefly lived in unit 1BB before killing himself and his wife there in 1978 1200: 909: 889: 829: 821: 4634:"Apartment Leased in Central Park West; Former Justice Proskauer Will Remain in the Osborne" 3646:"Streetscapes/Apartment-Building Canopies; An Aspect of City Life Usually Taken for Granted" 2315: 1149:, professional basketball player, coach, and executive, lived in unit 3B while serving as a 804: 8641: 7934: 7842: 7639: 7455: 7363: 7295: 7240: 7155: 7120: 7024: 7019: 6989: 6798: 6724: 6669: 6598: 6286: 6195: 6080: 6065: 6055: 6045: 6025: 5970: 5960: 5868: 5785: 5780: 5775: 5770: 5747: 5610: 5545: 5440: 5430: 5420: 5415: 5410: 5405: 5395: 1424: 1324: 1242: 1166: 1042: 1013: 581: 565: 561: 557: 518: 506: 486: 384: 380: 8: 8617: 7882: 7601: 7555: 7460: 7430: 7265: 7235: 7115: 6704: 6649: 6644: 6593: 6583: 6552: 6547: 6457: 6100: 5950: 5945: 5940: 5858: 5765: 5650: 5575: 5385: 5380: 5375: 5365: 5360: 5355: 5330: 4850: 4342: 3744: 3592: 3558: 3403: 3331: 3297: 1879: 1677: 1519: 1400: 1218: 601: 407: 70: 60: 5155:

New York, New York: How the Apartment House Transformed the Life of the City (1869-1930)

856:, is painted in red and blue tones and gold leaf, in a manner similar to the ceiling at 7358: 7275: 7220: 7140: 7049: 6948: 6903: 6618: 6507: 6462: 6402: 6090: 6060: 6050: 6035: 6010: 6000: 5930: 5873: 5757: 5697: 5585: 5580: 5495: 5490: 5485: 5350: 5345: 4132: 2208: 1460: 689: 665: 645: 490: 466: 5240: 1203:, moved into unit 3DA in 1988 and also owned units 1CB and 2DD until his death in 2017 304: 8586: 7862: 7399: 7245: 7225: 7190: 7110: 7044: 6933: 6522: 6502: 6215: 6210: 6180: 6170: 6115: 5955: 5692: 5480: 5340: 5335: 5286: 5222: 5212: 5159: 5138: 4971: 4912: 4873: 4771: 4737: 4674: 4641: 4603: 4564: 4530: 4491: 4439: 4241: 4174: 4120: 4110: 3910: 3873: 3839: 3800: 3766: 3653: 3614: 3480: 3442: 3223: 3122: 3071: 3019: 2911: 2783: 2737: 2359: 2290: 2225: 2215: 2024: 1981: 1885: 1809: 1230: 1090: 1078: 1046: 654: 597: 470: 439: 406:

the building in 1889. The Taylors sold the Osborne in 1961, and it was turned into a

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New York: the Movie Lover's Guide : the Ultimate Insider Tour of Movie New York

1380:

National Register of Historic Places listings in Manhattan from 14th to 59th Streets

942: 478: 8011: 7867: 7404: 7285: 7170: 7165: 6928: 6878: 6497: 6467: 6447: 6432: 6245: 6190: 6165: 6125: 6095: 6085: 6075: 6070: 5843: 5615: 5475: 5470: 5465: 5460: 5455: 5450: 3866:"News of Realty: Coney Island Site; Talks Under Way on Future of Steeplechase Park" 1246: 1159:, American author and public speaker, who spoke of the building in the documentary 1096: 898: 853: 5192: 3936:"Live in one of New York City's first major luxury apartment buildings for $ 745K" 3793:"Sarah Korein, 93, Whose Dainty Bearing Masked a Tough Property Investor, Is Dead" 1910: 1839: 7949: 7847: 7300: 7004: 6898: 6873: 6778: 6588: 6492: 6387: 6150: 6135: 6040: 6030: 6020: 6015: 6005: 5995: 5990: 5985: 5975: 5965: 5863: 5838: 5682: 5630: 5560: 5153: 5132: 4168: 1375:

List of New York City Designated Landmarks in Manhattan from 14th to 59th Streets

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The Osborne, also known as the Osborne Apartments, is on the northwest corner of

6823: 4810: 4801:"Gig Young Kills Bride And Himself, Cops Say: Cops Say Actor Kills Wife, Self". 7872: 7606: 7532: 6999: 6943: 6858: 6684: 6674: 6442: 6291: 6265: 5925: 5853: 5848: 5727: 5565: 5540: 5535: 1258: 1206: 1196: 961: 813: 699: 650: 8708:

Residential buildings on the National Register of Historic Places in Manhattan

5255: 4124: 1270: 8651: 7944: 7892: 7200: 7135: 7125: 6938: 6803: 6578: 6437: 6397: 6205: 5935: 5898: 5893: 5888: 5883: 5878: 5707: 5605: 5520: 5515: 5299: 4975: 4916: 4877: 4775: 4741: 4678: 4645: 4607: 4568: 4534: 4495: 4443: 4302: 4245: 3914: 3877: 3843: 3804: 3770: 3657: 3618: 3484: 3446: 3227: 3126: 3075: 3023: 2915: 2787: 2741: 2363: 2352:"Streetscapes/The Osborne; Restoring a Stone Dealer's Idiosyncratic Building" 1985: 1813: 1264: 1224: 1190: 1178: 1156: 1134: 1112: 1084: 1024: 965: 825: 817: 494: 482: 443: 372: 126: 113: 5226: 5002: 3350: 2425: 2229: 414:

designated the building as a city landmark in 1991, and it was added to the

37: 7897: 7852: 7772: 7767: 7762: 7522: 7310: 7270: 7260: 7195: 7150: 7130: 7054: 6994: 6828: 6818: 6628: 5903: 5830: 5590: 4104: 2014: 1276: 1252: 1233:, U.S. senator from Wisconsin, lived in the Osborne until his death in 1919 1184: 1146: 1140: 1066: 988: 927: 742: 677: 637: 585: 553: 435: 7777: 5246: 4849:. Vol. 35, no. 913. September 12, 1885. p. 993 – via 8006: 7877: 7378: 7205: 7029: 6918: 6260: 6175: 5737: 5530: 1560:

New York City Department of Information Technology and Telecommunications

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characterizes the entry hall as being 26 by 15 feet (7.9 by 4.6 m).

860:. The space is lit by four copper chandeliers and sixteen bronze double 754: 7537: 7305: 7290: 7250: 6220: 6185: 5742: 5098:"7 Theaters on 42nd Street Fail to Make Cut for Landmark Consideration" 1212: 1128: 1102: 873: 869: 840:, the building's lobby "had been designed to overwhelm, to transport". 633: 609: 573: 454: 399: 5033:"7 Theaters Among Midtown and Hell's Kitchen Sites Up for Landmarking" 4338:"Slamdunk: Knicks president Phil Jackson drops $ 4.85M on Midtown pad" 3607:"The Real Estate Field; Lot Speculation Has Ceased for the Time Being" 710:. Inside the arch opening is a wooden double door with a leaded-glass 7425: 6613: 6542: 6250: 6130: 5295: 3743:. Vol. 103, no. 25. June 21, 1919. p. 834 – via 2601:"The Osborne, 205 West 57th Street, Midtown West, New York, NY 10019" 1764: 1282: 1172: 738: 673: 379:

and constructed from 1883 to 1885. An annex to the west, designed by

266: 3967:"Billionaires' Row Landlord: Outdoor Dining Spoils West 57th Street" 7383: 7105: 6923: 5732: 1124: 768: 764: 715: 447: 4034:"Inside a New York Family's Annabelle Selldorf-Designed Residence" 3175:. Vol. 35, no. 882. February 7, 1885. pp. 127–128. 7100: 5191: 4946: 4762:

Barron, James; Lee, Linda; Rashbaum, William K. (March 8, 2002).

4433:"Julian Clarence Levi. Dies at 96; Oldest Alumnus of Columbia U." 4008: 3509: 3416: 3197: 3151: 2951: 2681: 2629: 2569: 2553: 2537: 2521: 2498: 2477: 2454: 2329: 2184: 2135: 2064: 2043: 1693: 1633: 1496: 1305:

9th-story cornices as haphazard. The next year, a critic for the

902: 877: 832:, was reputed to be Tiffany's first decorating job. The sculptor 730:

running around the building, traversed only by a small overpass.

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Jacqueline Kennedy Onassis High School for International Careers

2776:"The Osbourne: Now 100 Years Old and Still a Nice Place to Live" 2023:(5th ed.). New York: Oxford University Press. p. 307. 568:, the Osborne, and the Rodin Studios, as well as the demolished 3545:. Vol. 57, no. 1458. February 22, 1896. p. 301. 3390:. Vol. 36, no. 927. December 19, 1885. p. 1393. 978:

apartment houses, including the Alwyn Court and Rodin Studios.

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to the north. Right outside the building is an entrance to the

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