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might have been, and should have been, something very much better than it is. It ought to have been at least exciting, which it isn't. The fault lies mainly with three things: the script, Cary Grant, and the music. The script wins the year's prize for fatuity, Mr. Grant plays an
English naval officer
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Britain, Spain's ally, sends a Royal Navy ordnance officer, Captain
Anthony Trumbull, to find the huge cannon and see that it is handed over to British forces before it can be retrieved by the French. However, when Trumbull arrives at the Spanish headquarters, he finds that it has been evacuated and
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from the occupying French before he releases it to the
British. Most of the film deals with the hardships of transporting the large cannon to Ávila across rivers and over mountains, while also evading the occupying French forces that have been ordered to find it. A sub-plot concerns the struggle for
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The cannon is moved and hidden inside a cathedral while it is repaired. Afterwards, it is disguised as an ornamental processional platform during a
Catholic Holy Week religious procession in order to move it past the occupying French. French officers, however, are informed of the cannon's cathedral
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Meanwhile, sadistic
General Jouvet, the French commander of the French forces in Ávila, orders the execution of 10 Spanish hostages daily until information on the cannon's whereabouts is surrendered. The cannon has, in fact, been recovered and undergoes an arduous journey across Spain toward Ávila.
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Trumbull repeatedly fires the huge siege cannon, its large solid shot slowly demolishing one section of Ávila's high walls. Despite suffering heavy losses as they charge forward, the guerrillas pour through the city's breached wall and overwhelm the French forces. General Jouvet is killed, and the
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The guerrilla band, whose ranks have swelled considerably, almost lose the cannon when
General Jouvet deploys artillery at a mountain pass that they must use to get to Ávila. With help from the local populace, the band gets the cannon through, despite heavy losses, although it rolls down a long
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was successful, spurred by the popularity of the leading actors. With US rentals of $ 3.5 million, from a gross of $ 8.75 million, and worldwide rentals of $ 6.7 million, it was one of the 20 highest-grossing films of 1957. However, high production costs caused the film to lose $ 2.5 million.
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praised the film's production values, saying "Top credit must go to the production. The panoramic, long-range views of the marching and terribly burdened army, the painful fight to keep the gun mobile through ravine and over waterway – these are major pluses." In 1998, Author
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with the alarmed rigidity of an inexperienced sword- swallower, and the music bellows almost without pause from start to finish….Parts of this mostly dogged and long-winded film are impressive, mostly those where the landscape is allowed to take over…”
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is now occupied by a guerrilla band led by the French-hating Miguel. Miguel shows
Trumbull the abandoned cannon's location at the bottom of a steep ravine. He says he will only help move the huge gun if it is first used against the fortified walls of
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artillery officer who has orders to retrieve a huge siege cannon from Spain and transport it by ship to
British forces. First, however, the leader of the Spanish guerrillas wants to transport the weapon 1,000 km (620 mi) across
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on
October 18, 1957: “With Stanley Kramer producing and directing, two such interesting actors as Frank Sinatra and Sophia Loren, a first-rate story (from C. S. Forester's The Gun), and some magnificent Spanish scenery,
636:, which imagined the behind-the-scenes drama of the Kramer production, including Sinatra leaving the production early and Grant falling in love with co-star Loren. The play was staged from the viewpoint of
401:, which Miguel is obsessed with capturing. During their association, the two men grow to dislike each other. One cause of their enmity is Miguel's mistress, Juana, who falls in love with Trumbull.
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last French troops are overrun and killed in the town square. After the battle, Trumbull bids farewell to a dying Juana and then places Miguel's dead body at the foot of the statue of Ávila's,
393:, Napoleon's armies overrun Spain. An enormous siege cannon, belonging to the Spanish army, is abandoned when it slows down the army's retreat. French cavalrymen are dispatched to find it.
598:(1957), which was being shot in various locales around Europe, including Spain. When he realized there was to be no reconciliation, Sinatra hurriedly left the production, asking director
381:, once famous as the "bad boy of music" in the 1920s. It is the only one of Antheil's many film scores to have been preserved on a commercial soundtrack recording.
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When the cannon finally arrives at the guerrillas' camp on the plains outside Ávila, Trumbull and Miguel prepare to attack the city. However, Ávila is defended by
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to condense his scenes into a more abbreviated shooting schedule; Kramer obliged. Conversely, Cary Grant was pleased to be away from his troubled marriage to
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The color of
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location, but by the time they arrive, it has been repaired and moved, leaving no trace that it was ever there.
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hillside and is damaged, becoming partially dismounted from its transport carriage.
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Earl Felton, who had been drafted to save the day. The play was directed by
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the love of the Spanish woman Juana (Loren) by the two male protagonists.
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later that year. They would remain together until his death in 2007.
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903:"BBC Radio 4 - Drama on 4, Mike Walker - The Gun Goes to Hollywood"
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BBC Radio 4's The Afternoon Play – The Gun Goes to Hollywood
947:"Gun Happy » 18 Oct 1957 » The Spectator Archive"
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United Artists: The Company That Changed the Film Industry
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described the film as "overblown empty epic nonsense."
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as Frank Sinatra and Jonathan Getz as Stanley Kramer.
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The film's music score was the last important work by
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Jaynes, Barbara Grant; Trachtenberg, Robert (2004).
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1243:Judgment: The Trial of Julius and Ethel Rosenberg
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366:contributed an uncredited screenplay re-write,
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930:The Macmillan International Film Encyclopedia
659:The cannon appears to have been based on the
789:, University of Wisconsin Press, 1987 p. 101
652:as Cary Grant, Kate Steele as Sophia Loren,
504:The title credits by Saul Bass are based on
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682:Opening to mixed reviews on July 10, 1957,
556:. Unsourced material may be challenged and
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617:for Outstanding Directorial Achievement.
576:Learn how and when to remove this message
802:Top 20 Films of 1957 by Domestic Revenue
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336:to help in the recapture of the city of
327:The film's storyline concerns a British
1362:Films with screenplays by Edward Anhalt
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1372:Films based on works by C. S. Forester
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1367:Films with screenplays by Edna Anhalt
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764:List of the largest cannon by caliber
374:designed the opening title sequence.
1021:at the Comic Book DB (archived from
554:adding citations to reliable sources
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352:are loosely based on the 1933 novel
1357:Films shot in the province of Ávila
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344:The film story and screenplay by
1387:English-language war drama films
1342:Films directed by Stanley Kramer
1337:Films produced by Stanley Kramer
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1187:It's a Mad, Mad, Mad, Mad World
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1347:Films scored by George Antheil
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936:is this work's American title.
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754:List of American films of 1957
370:composed the music score, and
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1312:Films based on British novels
1227:Bless the Beasts and Children
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1302:1950s English-language films
1211:The Secret of Santa Vittoria
1203:Guess Who's Coming to Dinner
1079:AFI Catalog of Feature Films
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971:"The Pride and the Passion"
826:"The Pride and The Passion"
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491:Paco el Laberinto as Manolo
300:, produced and directed by
206:December 20, 1957
195:December 19, 1957
16:1957 film by Stanley Kramer
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881:Directors Guild of America
615:Directors Guild of America
269:$ 3.5 million (US rentals)
217:February 2, 1959
1377:Guerrilla warfare in film
1352:Films adapted into comics
1147:The Pride and the Passion
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1073:The Pride and the Passion
1062:The Pride and the Passion
1051:The Pride and the Passion
1040:The Pride and the Passion
853:Cary Grant: A Class Apart
813:The New York Times Movies
713:The Pride and the Passion
684:The Pride and The Passion
630:The Gun Goes to Hollywood
440:as Capt. Anthony Trumbell
426:patron saint Saint Teresa
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1297:American war drama films
876:"10th Annual DGA Awards"
663:, a real prototype from
644:, and the cast included
856:. Burbank, California:
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184:July 10, 1957
159:Stanley Kramer Pictures
1317:Films set in the 1810s
1002:"Dell Four Color #824"
706:reviewed the film for
519:
1287:1950s war drama films
1179:Judgment at Nuremberg
1006:Grand Comics Database
951:The Spectator Archive
934:The Film Encyclopedia
858:Turner Classic Movies
830:www.artofthetitle.com
824:Kirkham, Pat (2011).
727:Comic book adaptation
719:On review aggregator
503:
1382:1950s American films
1332:United Artists films
1327:Films shot in Madrid
1307:Peninsular War films
1251:The Domino Principle
1019:Dell Four Color #824
862:Turner Entertainment
550:improve this section
511:The Disasters of War
316:. The film co-stars
1259:The Runner Stumbles
620:On March 14, 2011,
280:is a 1957 American
1322:Films set in Spain
1125:Films directed by
1056:TCM Movie Database
738:#824 (August 1957)
654:Jonathan Silverman
595:The Sun Also Rises
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134:Ellsworth Hoagland
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1139:Not as a Stranger
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458:as General Jouvet
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1292:1957 drama films
1171:Inherit the Wind
1155:The Defiant Ones
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548:Please help
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470:as Ballinger
462:John Wengraf
450:Sophia Loren
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233:Running time
120:Franz Planer
107:Sophia Loren
66:
1246:(1974) (TV)
759:Tsar Cannon
634:Mike Walker
622:BBC Radio 4
608:Carlo Ponti
604:Betsy Drake
590:Ava Gardner
468:Jay Novello
464:as Sermaine
389:During the
364:Earl Felton
346:Edna Anhalt
322:Jay Novello
304:, starring
294:VistaVision
290:Technicolor
237:132 minutes
192: (U.S.)
82:Produced by
53:Edna Anhalt
39:Directed by
1282:1957 films
1276:Categories
956:2024-08-01
908:BBC Online
860:(TCM) and
770:References
736:Four Color
642:Kate McAll
628:broadcast
496:Production
474:Jose Nieto
438:Cary Grant
329:Royal Navy
306:Cary Grant
282:Napoleonic
266:Box office
221:1959-02-02
210:1957-12-20
199:1957-12-19
188:1957-07-10
151:Production
97:Cary Grant
72:1933 novel
678:Reception
672:Navy Blue
537:does not
476:as Carlos
446:as Miguel
372:Saul Bass
126:Edited by
1219:R. P. M.
1067:AllMovie
986:July 14,
914:July 20,
887:July 20,
743:See also
566:May 2009
488:as Vidal
452:as Juana
286:war film
250:Language
140:Music by
90:Starring
63:Based on
1076:at the
1054:at the
692:Variety
558:removed
543:sources
482:as Jose
355:The Gun
253:English
242:Country
219: (
208: (
197: (
186: (
153:company
68:The Gun
1262:(1979)
1254:(1977)
1238:(1973)
1230:(1971)
1222:(1970)
1214:(1969)
1206:(1967)
1198:(1965)
1190:(1963)
1182:(1961)
1174:(1960)
1166:(1959)
1158:(1958)
1150:(1957)
1142:(1955)
835:30 May
665:Jaipur
312:, and
258:Budget
399:Ávila
338:Ávila
334:Spain
296:from
284:-era
1045:IMDb
988:2023
916:2024
889:2024
837:2023
733:Dell
541:any
539:cite
432:Cast
385:Plot
348:and
320:and
292:and
1065:at
1043:at
632:by
624:'s
552:by
358:by
288:in
74:by
1278::
1004:.
979:.
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905:.
878:.
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794:^
778:^
362:.
324:.
308:,
1118:e
1111:t
1104:v
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