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his father's servants had a better station in life than he. His father receives him with a tender gesture and welcomes him as his own son. His hands seem to suggest mothering and fathering at once; the left appears larger and more masculine, set on the son's shoulder, while the right is softer and more receptive in gesture. Standing at the right is the prodigal son's older brother, who crosses his hands in judgment; in the parable he objects to the father's compassion for the sinful son:
219:, he had lived a life in which neither the lostness of the younger son nor the lostness of the elder son was alien to him. Both needed healing and forgiveness. Both needed to come home. Both needed the embrace of a forgiving father. But from the story itself, as well as from Rembrandt's painting, it is clear that the hardest conversion to go through is the conversion of the one who stayed home.
140:
In the painting, the son has returned home in a wretched state from travels in which he has wasted his inheritance and fallen into poverty and despair. He kneels before his father in repentance, wishing for forgiveness and the position of a servant in his father's household, having realized that even
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artists in the evocation of religious mood and human sympathy. The aged artist's power of realism is not diminished, but increased by psychological insight and spiritual awareness ... The observer is roused to a feeling of some extraordinary event ... The whole represents a symbol of homecoming, of
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But he answered his father, "Behold, these many years I have served you, and I never disobeyed a commandment of yours, but you never gave me a goat, that I might celebrate with my friends. But when this, your son, came, who has devoured your living with prostitutes, you killed the fattened calf for
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includes figures not directly related to the parable but seen in some of these earlier works; their identities have been debated. The woman at top left, barely visible, is likely the mother, while the seated man, whose dress implies wealth, may be an advisor to the estate or a tax collector.
196:"may be most moving painting. It is also his quietest—a moment stretching into eternity. So pervasive is the mood of tender silence that the viewer feels a kinship with this group. That bond is perhaps stronger and more intimate in this picture than in any earlier work of art."
174:
demonstrates the mastery of the late
Rembrandt. His evocation of spirituality and the parable's message of forgiveness has been considered the height of his art. Rembrandt scholar Rosenberg (et al.) calls the painting "monumental", writing that Rembrandt
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in 1986, where he was able to contemplate the painting alone for hours. Considering the role of the father and sons in the parable in relation to
Rembrandt's biography, he wrote:
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Rembrandt was moved by the parable, and he made a variety of drawings, etchings, and paintings on the theme that spanned decades, beginning with a 1636 etching (see
Gallery).
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The father explains, "But it was appropriate to celebrate and be glad, for this, your brother, was dead, and is alive again. He was lost, and is found" (Luke 15:32).
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interprets the
Christian idea of mercy with extraordinary solemnity, as though this were his spiritual testament to the world. goes beyond the work of all other
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as "a picture which those who have seen the original in St. Petersburg may be forgiven for claiming as the greatest picture ever painted".
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Rembrandt is as much the elder son of the parable as he is the younger. When, during the last years of his life, he painted both sons in
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the darkness of human existence illuminated by tenderness, of weary and sinful mankind taking refuge in the shelter of God's mercy.
125:. It is among the Dutch master's final works, likely completed within two years of his death in 1669 . Depicting the moment of the
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The return of the prodigal son: a meditation on fathers, brothers, and sons
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203:(1932–1996) was so taken by the painting that he eventually wrote a book,
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262 cm × 205 cm (103 in × 81 in)
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Rembrandt's 1636 etching on the subject, influenced by a woodcut by
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The
Biblical Rembrandt: human painter in a landscape of faith
337:. Yale University Press. Pp. 66, 80–81. Quoted in Janson, 598
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Pendant portraits of
Maerten Soolmans and Oopjen Coppit
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Diana
Bathing with her Nymphs with Actaeon and Callisto
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Rosenberg, J., Slive, S., & Ter, K. E. H. (1997 ).
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The Return of the
Prodigal Son: A Story of Homecoming
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by Jan Blanc, professor at the
University of Geneva
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An assumption based on earlier drawings. Durham 176
133:, it is a renowned work described by art historian
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487:A free educational documentary about Rembrandt's
401:Horst Woldemar Janson; Anthony F. Janson (2003).
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448:The Blackwell companion to the Bible and culture
613:Bust of a Man Wearing a Gorget and Plumed Beret
1490:Self-Portrait Wearing a White Feathered Bonnet
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1530:Self-Portrait with Beret and Turned-Up Collar
1514:Self-Portrait in a Black Beret and Gold Chain
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917:The Archangel Raphael Leaving Tobias' Family
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1478:Portrait of a Young Man with a Golden Chain
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1177:Ahasuerus and Haman at the Feast of Esther
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129:'s return to his father in the Biblical
1339:Portrait of a Man Rising from His Chair
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405:History of art: the Western tradition
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1419:Portrait of a Man with Arms Akimbo
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2351:The Prodigal Son (disambiguation)
1546:Self-Portrait as the Apostle Paul
1145:Jacob Blessing the Sons of Joseph
1137:The Anatomy Lesson of Dr. Deijman
941:Landscape with the Good Samaritan
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111:De terugkeer van de verloren zoon
1769:Cultural depictions of Rembrandt
1554:Self-Portrait as Zeuxis Laughing
1041:Abraham Serving the Three Angels
473:The work at the Hermitage Museum
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117:, part of the collection of the
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2021:The Prodigal Son in the Brothel
1729:The Virgin and Child with a Cat
1403:Portrait of Catharina Hooghsaet
837:The Prodigal Son in the Brothel
749:The Storm on the Sea of Galilee
249:The Prodigal Son in the Brothel
2261:Le retour de l'enfant prodigue
2029:The Return of the Prodigal Son
1737:Christ Presented to the People
1578:Self-Portrait at the Age of 63
1562:Self-Portrait with Two Circles
1498:Self-Portrait at the Age of 34
1323:Portrait of Jacob de Gheyn III
1273:The Return of the Prodigal Son
1089:Aristotle with a Bust of Homer
677:Andromeda Chained to the Rocks
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276:List of paintings by Rembrandt
172:The Return of the Prodigal Son
160:The Return of the Prodigal Son
102:The Return of the Prodigal Son
31:The Return of the Prodigal Son
23:The Prodigal Son in the Tavern
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1802: (1954 documentary film)
1217:Syndics of the Drapers' Guild
909:The Preacher Eleazar Swalmius
757:A Lady and Gentleman in Black
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2319:The Wonderful Wizard of Ha's
2295:Reconciliatio et paenitentia
901:Landscape with Arched Bridge
845:Raising of the Cross (study)
741:The Shipbuilder and his Wife
637:The Parable of the Rich Fool
573:The Stoning of Saint Stephen
478:High-resolution reproduction
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1976:Parable of the Prodigal Son
1371:Portrait of Petronella Buys
1355:Portrait of Marten Soolmans
1331:Aeltje Pietersdr Uylenburgh
1209:Saint Matthew and the Angel
1097:A Woman Bathing in a Stream
1025:The Holy Family with Angels
1009:The Woman Taken in Adultery
957:The Girl in a Picture Frame
933:The Wedding Feast of Samson
621:Tobit and Anna with the Kid
445:Sawyer, John F. A. (2006).
424:Henri J. M. Nouwen (1992).
386:. Mercer University Press.
269:
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1799:Rembrandt: A Self-Portrait
1609:Joseph and Potiphar's Wife
1225:Homer Dictating his Verses
965:The Scholar at the Lectern
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1855:I Am Rembrandt's Daughter
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1363:Portrait of Oopjen Coppit
1299:Portrait of Nicolaes Ruts
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1185:The Denial of Saint Peter
717:Philosopher in Meditation
709:Old Man with a Gold Chain
605:The Baptism of the Eunuch
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1347:Oval Portrait of a Woman
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861:The Entombment of Christ
661:Anna and the Blind Tobit
645:The Artist in his Studio
378:Durham, John I. (2004).
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113:) is an oil painting by
21:Not to be confused with
2334:The Burglar's Christmas
1641:The Death of the Virgin
1281:Landscape with a Castle
1153:Courtesan at her Mirror
725:The Abduction of Europa
2377:Paintings by Rembrandt
1387:Portrait of Maria Trip
1073:Descent from the Cross
1049:Susanna and the Elders
893:The Blinding of Samson
813:Descent from the Cross
773:Descent from the Cross
669:The Raising of Lazarus
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209:State Hermitage Museum
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2287:Dives in misericordia
1681:Hundred Guilder Print
1105:Bathsheba at Her Bath
733:Adoration of the Magi
629:The Flight into Egypt
409:. Prentice Hall PTR.
234:Martin van Heemskerck
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16:Painting by Rembrandt
2080:The Prodigal Trilogy
1912:Vereniging Rembrandt
1863:The Rembrandt Affair
1847:Rembrandt's J'Accuse
1807:Rembrandt fecit 1669
981:Concord of the State
853:The Rape of Ganymede
765:Raising of the Cross
303:Quoted in Durham 183
2201:Walkin' to Missouri
2115:The London Prodigal
1978:in arts and culture
1697:Goldweigher's Field
1673:Portrait of Jan Six
1395:Portrait of Jan Six
1315:Portrait of a Woman
877:The Standard Bearer
701:Christ on the Cross
693:Christ with a Staff
451:. Wiley-Blackwell.
430:. Doubleday Books.
150:World English Bible
1850:(2008 documentary)
1831:Stealing Rembrandt
1818: (1995 novel)
1815:The Anatomy Lesson
1454:Rembrandt Laughing
989:David and Jonathan
821:Belshazzar's Feast
653:Samson and Delilah
597:Balaam and the Ass
482:Google Art Project
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2142:L'enfant prodigue
2056:L'Enfant prodigue
1996:Parables of Jesus
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1794: (1942 film)
1786: (1940 film)
1778: (1936 film)
1721:The Three Crosses
1411:Portrait of a Man
1379:A Polish Nobleman
1307:Portrait of a Man
1161:Saint Bartholomew
536:Lists of drawings
458:978-1-4051-0136-3
437:978-0-385-41867-6
416:978-0-13-182895-7
393:978-0-86554-886-2
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148:—Luke 15:29–30,
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2013:The Wayfarer
2011:
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355:Nouwen 65–66
351:
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334:
329:
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299:
290:
264:1642 drawing
247:
216:
214:
204:
201:Henri Nouwen
198:
194:Prodigal Son
193:
192:writes that
190:H. W. Janson
187:
178:
171:
170:
159:
157:
154:
144:
139:
127:prodigal son
101:
100:
99:
18:
2313:Fatted calf
2269:Home-Coming
2118:(1605 play)
1842:(2007 film)
1834:(2003 film)
1810:(1977 film)
1754:Works about
1684:(1647–1649)
1597:(including
1565:(1665–1669)
1276:(1662–1669)
1076:(1650–1652)
1036:(1645–1648)
736:(1632–1633)
346:Janson, 598
2371:Categories
2245:Literature
2072:The Gospel
1084:(c. 1652)
565:The Senses
372:References
364:Durham 172
315:Sawyer 313
294:Durham 176
77:Dimensions
1926:Contested
1905:Rembrandt
1898:Rembrandt
1875:Namesakes
1823:Rembrandt
1791:Rembrandt
1783:Rembrandt
1775:Rembrandt
1756:Rembrandt
1573:(c. 1669)
1430:(c. 1662)
1291:Portraits
1252:(c. 1665)
1132:(c. 1655)
952:(c. 1639)
848:(c. 1635)
840:(c. 1635)
797:Artemisia
712:(c. 1631)
664:(c. 1630)
656:(1629–30)
624:(c. 1626)
568:(1624–25)
556:Paintings
544:paintings
527:Rembrandt
252:(c. 1637)
167:Reception
115:Rembrandt
58:1661–1669
49:Rembrandt
2344:See also
2210:" (1994)
2203:" (1952)
1900:(crater)
1649:The Mill
1599:etchings
1590:Drawings
1483:disputed
1481:(1635) (
1473:(c.1629)
1265:Lucretia
1241:Lucretia
1033:The Mill
540:etchings
270:See also
85:Location
2327:Michael
2032:(1660s)
2016:(1500s)
1991:Luke 15
1908:(train)
1244:(1664)
1116:(1655)
829:Minerva
752:(1633)
584:(1620s)
181:Baroque
131:parable
2322:(2007)
2298:(1984)
2290:(1980)
2264:(1907)
2256:(1622)
2237:(1983)
2229:(1981)
2180:(1884)
2172:(1869)
2153:(1968)
2145:(1850)
2099:(2010)
2091:(2008)
2083:(2008)
2075:(2005)
2067:(1955)
2059:(1907)
2040:(1922)
2024:(1637)
1984:Source
1740:(1655)
1732:(1654)
1724:(1653)
1716:(1652)
1708:(1652)
1700:(1651)
1692:(1650)
1676:(1647)
1668:(1646)
1660:(1643)
1652:(1641)
1644:(1639)
1636:(1639)
1628:(1634)
1620:(1634)
1612:(1634)
1594:prints
1581:(1669)
1557:(1662)
1549:(1662)
1541:(1660)
1533:(1659)
1525:(1658)
1517:(1654)
1509:(1652)
1501:(1640)
1493:(1635)
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1422:(1658)
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1382:(1637)
1374:(1635)
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1052:(1647)
1044:(1646)
1028:(1645)
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1004:(1643)
992:(1642)
984:(1642)
976:(1642)
968:(1641)
960:(1641)
944:(1638)
936:(1638)
928:(1637)
920:(1637)
912:(1637)
896:(1636)
888:(1636)
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872:(1635)
864:(1635)
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832:(1635)
824:(1635)
816:(1634)
808:(1634)
800:(1634)
792:(1634)
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768:(1633)
760:(1633)
744:(1633)
728:(1632)
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648:(1628)
640:(1627)
632:(1627)
616:(1626)
608:(1626)
600:(1626)
592:(1626)
576:(1625)
455:
434:
413:
390:
71:canvas
63:Medium
45:Artist
2306:Other
2279:Papal
2218:Album
2188:Songs
2161:Music
2134:Opera
2107:Stage
885:Danaë
789:Flora
282:Notes
146:him."
107:Dutch
2048:Film
1974:The
1592:and
1001:Ruth
999:and
997:Boaz
453:ISBN
432:ISBN
411:ISBN
388:ISBN
55:Year
2005:Art
480:at
121:in
69:on
67:Oil
2373::
546:,
542:,
538:,
308:^
109::
91:,
2336:"
2332:"
2329:"
2325:"
2271:"
2267:"
2206:"
2199:"
1967:e
1960:t
1953:v
1601:)
1485:)
519:e
512:t
505:v
461:.
440:.
419:.
396:.
105:(
25:.
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