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However, his mounting shame and his guilty conscience ultimately force him to confess his betrayal to his wife. He fully expects (and even desires) that his confession will cause her to despise him. However, her wise and forgiving response opens a way for him to forgive himself and to make what
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Stephen
Glennard, the novella's protagonist, is suddenly impoverished and unable to marry the woman he loves. He sells the private letters a former admirer had written to him, before she had become a famous author. He is later overcome by guilt for betraying one who had loved him.
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Glennard was once pursued by
Margaret Aubyn, a famous and recently deceased author, and he still has her passionate love letters to him. Glennard removes his name from the letters and sells them, making him a fortune and establishing a marriage based on the betrayal of another.
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Glennard's career is falling apart and he desperately needs money so that he may marry his beautiful fiancee. He happens upon an advertisement in a London magazine promising the prospect of financial gain.
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in 1905. Scholar Robin Peel, however, argues against this and notes that the book may be a satire of the genre due to its use of irony.
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Apart from
Modernism: Edith Wharton, Politics, and Fiction before World War I
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31:1900 first edition title page
16:1900 novella by Edith Wharton
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454:The Decoration of Houses
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427:The Greater Inclination
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141:References
691:talk page
473:As editor
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587:The Reef
372:Novellas
313:The Reef
243:LibriVox
198:(Canada)
120:Analysis
93:New York
47:Language
645:Related
50:English
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