484:, it features seven "video paintings" of actress and photographer Christine Alicino, a friend of Eno's, and has a running time of 82 minutes. It was filmed in "vertical format," which necessitated the viewer either lie on their side or turn the television on its side, which often proved impractical for many viewers, and it most affected the picture tube's color purity adjustments. The DVD reissue presents it in both portrait and landscape formats so that this is no longer necessary. The soundtrack was recorded at Lanois's studio in Canada and is a longer, different mix.
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An acoustic piano plays a series of notes and simple chords against a background of synths, which eventually dominate the entire soundscape. Though the composition sounds "static", in the sense that its length makes it seem like a solid "lump" of sound, it features many unstable elements that change
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Eno himself was aware of the newness of what he was doing. "I was delighted to find this other way of using video because at last here's video which draws from another source, which is painting ... I call them "video paintings" because if you say to people "I make videos", they think of
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video was conceived as a series of seven "video paintings" which can be looked at in passing without demanding full attention from the viewer. Each of the segments depicts simple imagery that has been treated with visual effects, much in the same way as Eno's music is often made up of simple
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464:: beatless, flowing and ethereal. Remixing and rearranging from the soundtrack to suit the CD medium, Eno stated: "... the music wasn't recorded digitally. It was recorded on a 24-track analogue machine, and then digitally mastered."
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consists of multiple tracks of processed piano and electronic textures. The layers of the composition are phased so that their relationships to each other are constantly changing in a way similar to his previous
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in 1975, Eno had shown a strong interest in creating music that can influence the atmosphere of the space in which it is played, rather than be focused on directly. The
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The content is a series of images that stay static for some time and then slowly move forward, often to pause again. Various video techniques were implemented, such as
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piece. The album was also one of the first to take advantage of the (then new) extended running time of the compact disc format, containing only one 60-min track.
794:: 5 stars out of 5 – " seamless 61 minutes of random piano notes falling, like raindrops from a leaf, onto a shimmering synthesizer puddle." (p. 114).
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instrumental performances that have been treated with audio effects. The work was filmed on a
Thursday afternoon and named as such.
499:'s new rock video or some really boring, grimy "Video Art". It's just a way of saying "I make videos that don't move very fast"."
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2 of Eno's sketchbooks. On the left is a 1982 "repetition schema" for T.A., and on the right is a sketch of the mix for U2's
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The video has been repackaged with Eno's 47-minute ambient video "Mistaken
Memories of Mediaeval Manhattan" (1981) as
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947:"14 Video Paintings by BRIAN ENO – DVD – Boomkat – Your independent music specialist"
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Released on VHS; Beta (NTSC, cat# 2929); Laser disc; Videodisc (probably bootleg)
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Brian Eno Music for Films - Apollo - Thursday
Afternoon - More Music for Films
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The original video, made at the request of and released by the
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848:: 4 stars out of 5 – "Magnificently evocative..." (p. 117).
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460:At just one track lasting 60 minutes, the music is
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2168:Dream Theory in Malaya: Fourth World Volume Two
618:Germany: Video Edition Markgraph, VEM 101 (VHS)
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1615:More Blank Than Frank/Desert Island Selection
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2342:Viva la Vida or Death and All His Friends
1569:Everything That Happens Will Happen Today
68:Learn how and when to remove this message
1039:transcript of an online discussion, 2005
31:This article includes a list of general
1717:Songs of David Byrne and Brian Eno Tour
905:. Music.hyperreal.org. 23 February 1986
568: - mixing, engineering, production
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1369:Lightness: Music for the Marble Palace
927:. Music.hyperreal.org. 9 November 1985
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1492:Fourth World, Vol. 1: Possible Musics
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2052:More Songs About Buildings and Food
1313:Apollo: Atmospheres and Soundtracks
1264:Taking Tiger Mountain (By Strategy)
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2128:Q. Are We Not Men? A: We Are Devo!
1362:Extracts from Music for White Cube
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861:. Music.hyperreal.org. 1 June 1974
408:is the tenth solo studio album by
80:1985 studio album by Brian Eno
37:it lacks sufficient corresponding
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2453:Ambient albums by English artists
1562:Beyond Even (The Cotswold Gnomes)
1485:Ambient 2: The Plateaux of Mirror
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2463:Albums produced by Daniel Lanois
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1006:article on Eno's video artworks
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594:Alex Roggero - photography
547: - performance, production
2394:Lady June's Linguistic Leprosy
1741:A Year with Swollen Appendices
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859:"MOJO: To Infinity and Beyond"
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818:Hull, Tom (12 November 2023).
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412:, released in October 1985 on
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1499:My Life in the Bush of Ghosts
1292:Ambient 1: Music for Airports
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1021:Electronics & Music Maker
903:"The Observer: Over and Over"
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615:UK: Hendring, Hen 2 133 (VHS)
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2458:Albums produced by Brian Eno
1953:Lucky Leif and the Longships
1193:Christine Alicino's homepage
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515:"Thursday Afternoon" – 60:56
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1449:Collaborative studio albums
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562:Tim Hunt - engineering
478:Sony Corporation of America
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2148:Ambient 3: Day of Radiance
1972:The Sinking of the Titanic
1404:January 07003-Bell Studies
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949:. Boomkat. Archived from
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1285:Before and After Science
538: - mixing, assembly
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2422:Drums Between the Bells
1397:Compact Forest Proposal
1257:Here Come the Warm Jets
820:"Grade List: Brian Eno"
507:All tracks composed by
52:more precise citations.
2223:No Line on the Horizon
2216:Original Soundtracks 1
2188:The Unforgettable Fire
2108:The Pavilion of Dreams
1534:Original Soundtracks 1
624:
556:Simon Heyworth -
532:, assembly, production
883:. Music.hyperreal.org
825:Tom Hull – on the Web
354:Tom Hull – on the Web
2483:Ambient video albums
2379:Other collaborations
1734:More Dark Than Shark
1693:77 Million Paintings
1629:Curiosities Volume 1
1622:More Music for Films
1555:The Equatorial Stars
1439:ForeverAndEverNoMore
1411:Another Day on Earth
1031:article; Feb.23 1986
550:Nigel Gayler -
248:Professional ratings
204:Brian Eno chronology
2473:E.G. Records albums
2264:Pleased to Meet You
1933:Words for the Dying
1845:Long Now Foundation
1829:Music for Films III
1341:The Shutov Assembly
1271:Another Green World
581:Carlos Olms -
249:
2322:Now, Always, Never
1795:Oblique Strategies
1654:The Jezebel Spirit
1607:Compilation albums
1541:Music for Onmyo-Ji
1320:Thursday Afternoon
1306:Ambient 4: On Land
1249:Solo studio albums
1187:14 Video Paintings
1124:14 Video Paintings
1061:14 Video Paintings
1046:Thursday Afternoon
1013:Unforgettable Fire
997:Thursday Afternoon
989:Thursday Afternoon
983:(list of releases)
976:Thursday Afternoon
925:"NME: Proxy Music"
777:Thursday Afternoon
631:14 Video Paintings
443:Thursday Afternoon
436:Thursday Afternoon
405:Thursday Afternoon
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224:Thursday Afternoon
86:Thursday Afternoon
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2408:Tracks and Traces
2303:Faith and Courage
1907:Other production
1668:Strange Overtones
1471:Cluster & Eno
1457:(No Pussyfooting)
995:Inlay notes from
987:Liner notes from
953:on 13 August 2012
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660:Release date
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576:art direction
573:
572:Russell Mills
570:
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566:Daniel Lanois
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536:Michael Brook
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503:Track listing
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482:Daniel Lanois
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253:Review scores
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195:Daniel Lanois
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2387:June 1, 1974
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2257:Millionaires
2255:
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2207:
2202:Achtung Baby
2200:
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2106:
2077:Gavin Bryars
2064:
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2023:
2016:
2009:
1989:
1964:Gavin Bryars
1951:
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1924:
1864:
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1820:
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1732:
1726:Publications
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1520:Wrong Way Up
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1464:Evening Star
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1383:Kite Stories
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955:. Retrieved
951:the original
941:
929:. Retrieved
919:
907:. Retrieved
897:
885:. Retrieved
875:
863:. Retrieved
853:
845:
841:
829:. Retrieved
823:
813:
805:
804:pitchfork -
799:
791:
787:
772:
685:E.G. Records
668:E.G. Records
630:
628:
589:Tom Phillips
506:
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364:
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231:
223:
222:
213:
116:October 1985
101:Studio album
64:
55:
36:
15:
2448:1985 albums
2360:Grace Jones
2349:Mylo Xyloto
2159:Jon Hassell
2099:Harold Budd
2002:David Bowie
1909:(by artist)
1808:Begegnungen
1801:No New York
1748:I Dormienti
1675:Third Uncle
1597:Secret Life
1376:I Dormienti
1240:Discography
1019:Interview;
957:14 November
931:14 November
909:14 November
887:14 November
865:14 November
831:12 November
552:engineering
50:introducing
2442:Categories
2284:Bright Red
2081:John White
1851:Neverwhere
1770:Roxy Music
1432:Reflection
1185:review of
1122:review of
1120:Prefix mag
1059:review of
1057:PopMatters
765:References
585:consultant
424:Background
414:EG Records
33:references
2369:Hurricane
1991:Ultravox!
1982:Ultravox!
1917:John Cale
1583:High Life
1506:The Pearl
1334:Nerve Net
1229:Brian Eno
1183:Creem mag
1004:Hyperreal
739:827,494-2
688:827,494 2
558:mastering
545:Roger Eno
526:Brian Eno
520:Personnel
509:Brian Eno
410:Brian Eno
342:Pitchfork
215:The Pearl
190:Roger Eno
186:Brian Eno
106:Brian Eno
2333:Coldplay
2018:"Heroes"
1822:Old Land
1685:Software
1425:The Ship
1355:The Drop
1327:Textures
1037:Disquiet
1029:Observer
781:AllMusic
751:Caroline
654:Cat. no.
599:Versions
578:, design
267:AllMusic
179:Producer
121:Recorded
113:Released
103: by
58:May 2016
2401:Spinner
2250:Wah Wah
2209:Zooropa
2139:Laraaji
2032:Outside
1527:Wah Wah
981:Discogs
736:Polydor
705:ENOCD11
682:Germany
671:EGCD 64
648:Country
583:digital
462:ambient
237:(1985)
228:(1985)
219:(1984)
144:Ambient
46:improve
2313:Sikter
2079:&
2025:Lodger
1869:(2024)
1861:(1973)
1513:Hybrid
1348:Neroli
754:1518-2
702:Virgin
530:mixing
347:8.8/10
261:Rating
258:Source
233:Hybrid
150:Length
35:, but
2234:James
1710:Tours
1700:Bloom
1639:Songs
846:Uncut
728:2005
722:68746
716:Japan
711:2005
694:1985
677:1985
657:Media
651:Label
641:Music
604:Video
497:Sting
472:Video
456:Music
418:video
366:Uncut
167:Label
139:Genre
2243:Laid
2119:Devo
1926:Fear
1840:Koan
1051:IMDb
959:2012
933:2012
911:2012
889:2012
867:2012
833:2023
792:Mojo
304:Mojo
172:E.G.
130:1985
127:1984
2011:Low
1866:Eno
1858:Eno
1780:801
1418:Lux
1049:at
979:at
779:at
748:USA
719:EMI
625:DVD
2444::
2179:U2
822:.
733:UK
725:CD
708:CD
699:UK
691:CD
674:CD
665:UK
511:.
159:56
155:60
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633:(
359:B
157::
71:)
65:(
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56:(
42:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
