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Tone (literature)

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The tone here is one of arrogance; the quip "inferiority of his peers" shows Charlie's belief in his own prowess. The words "surveyed" and "congratulating himself" show Charlie as seeing himself better than the rest of his class. The diction, including the word "snatching", gives the reader a mental
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While now used to discuss literature, the term tone was originally applied solely to music. This appropriated word has come to represent attitudes and feelings a speaker (in poetry), a narrator (in fiction), or an author (in non-literary prose) has towards the subject, situation, and/or the intended
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of the writer and the effect that said individual aims to create, the work released by the writer can be formal or informal, sober or whimsical, assertive or pleading, and straightforward or sly, with the person's specific intents varying. In determining the attitude, mood, or tone of an author, one
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often dictate what the author's (or character's) attitude toward his subject is at the time. An example: "Charlie surveyed the classroom but it was really his mother congratulating himself for snatching the higher test grade, the smug smirk on his face growing brighter and brighter as he confirmed
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Authors set a tone in literature by conveying emotions/feelings through words. The way a person feels about an idea/concept, event, or another person can be quickly determined through facial expressions, gestures and in the tone of voice used. In literature an author sets the tone through words.
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are not the same, although they are frequently confused. The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while
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When one writes, images and descriptive phrases can transmit emotions across—guarded optimism, unqualified enthusiasm, objective indifference, resignation, or dissatisfaction. Some other examples of literary tone are: airy, comic, condescending, facetious, funny, heavy, intimate, ironic, light,
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In many cases, the tone of a work may change and even clearly shift in a fundamental way as the speaker being described in a detached fashion (or the narrator being listened to) has his or her perspective on a particular subject evolve throughout the piece. For example, novels with a
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audience. The speaker or narrator should not be confused with the author, and attitudes and feelings of the speaker or narrator should not be confused with those of the author. In general, the tone of a piece only refers to attitude of the author if writing is non-literary in nature.
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All pieces of literature, which includes even official documents and media of a technical nature, have some sort of tone. Authors create tone through the use of various other literary elements, such as
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of such a filmmaker "treats intimacy, and its opposite, distance, in a unique way" that "focuses on the dialectic between" those contrasts as "they conjugate each other", and so the directors'
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of such a filmmaker "treats intimacy, and its opposite, distance, in a unique way" that "focuses on the dialectic between" those contrasts as "they conjugate each other", and so the directors'
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picture of someone quickly and effortlessly grabbing something, which proves once again Charlie's pride in himself. The "smug
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theme can have previously calm, uninvolved individuals coming upon an extreme situation, such as violence involving the
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The Book of Literary Terms: The Genres of Fiction, Drama, Nonfiction, Literary Criticism, and Scholarship
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of a literary work expresses the writer's attitude toward or feelings about the subject matter and
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Evaluating the tones of certain works as a matter of intellectual study has been argued in the
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Official and technical documentation tends to employ a formal tone throughout the piece.
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Brownstein, Samuel C.; Weiner, Mitchel; Green, Sharon Weiner; Hilbert, Stephen (1992),
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giving audiences a heightened sense of intimacy during their movies' scenes, with this
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media and other such artistic expressions have evolved over time, the concept of
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media and other such artistic expressions have evolved over time, the concept of
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In addition, using imagery in a poem is helpful to develop a poem's tone.
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modest, playful, sad, serious, sinister, solemn, somber, and threatening.
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A creative figure's attitude toward both a subject and also an audience
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Roadmap To The California High School Exit Exam: English Language Arts
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tone requiring analysis has been applied to other actions such as
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The possible tones are bounded only by the number of possible
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Booth, Alison, and Kelly J. Mays, eds. "Theme and Tone."
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The concept of a work's tone has been argued in the
152:. Unsourced material may be challenged and removed. 1127: 439: 2484: 669:" provides a facial imagery of Charlie's pride. 992:The Concise Oxford Dictionary of Literary Terms 948:"What is the Difference between Mood and Tone?" 1055: 848: 526:tone is how the author feels about something. 1191: 776:"The Dialectic of Emotion in New Wave Cinema" 237:The examples and perspective in this article 1059:A Multicultural Dictionary of Literary Terms 952:Oregon State Guide to English Literary Terms 882: 788:(3). University of California Press: 10–19. 418: 1056:Carey, Gary; Snodgrass, Mary Ellen (1999), 1011: 825: 773: 769: 767: 765: 763: 761: 616:. Unsourced material may be challenged and 327:tone being there throughout a multitude of 53:Learn how and when to remove these messages 1198: 1184: 551:, facts that are included or omitted; and 1134:, Indianapolis: Odyssey Press (a div. of 636:Learn how and when to remove this message 293:Learn how and when to remove this message 275:Learn how and when to remove this message 212:Learn how and when to remove this message 110:Learn how and when to remove this message 758: 304: 73:This article includes a list of general 1035:How to Prepare for the GRE General Test 989: 814: 516: 2485: 1869:Types of fiction with multiple endings 1125: 1103: 871: 859: 485:, which had commented upon particular 387:, which had commented upon particular 1179: 1151: 1079: 974:The Norton Introduction to Literature 945: 921: 909: 513:of its films" (emphasis added) thus. 475:. For example, an evaluation of the " 467:tone requiring analysis has involved 415:of its films" (emphasis added) thus. 377:. For example, an evaluation of the " 1012:Beckson, Karl; Ganz, Arthur (1989), 889:. The Princeton Review. p. 56. 614:adding citations to reliable sources 581: 223: 150:adding citations to reliable sources 121: 59: 18: 13: 547:, or vivid appeals to the senses; 79:it lacks sufficient corresponding 14: 2514: 2272:Third-person omniscient narrative 946:Stone, Lucia (14 November 2022). 774:Oxenhandler, Neal (Spring 1974). 448:as involving a critique of one's 354:as involving a critique of one's 34:This article has multiple issues. 1106:The Bedford Handbook for Writers 710: 696: 682: 586: 228: 126: 64: 23: 1160:University Press of New England 966: 939: 927: 915: 661:the inferiority of his peers." 577: 440:Tone as an intellectual concept 319:(far right) have been cited as 137:needs additional citations for 42:or discuss these issues on the 1660:Conflict between good and evil 903: 876: 865: 853: 842: 830: 819: 808: 1: 1205: 983: 1014:Literary Terms: A Dictionary 950:. Definitions and Examples. 849:Carey & Snodgrass (1999) 7: 1040:Barron's Educational Series 1038:(10th ed.), New York: 675: 428:could examine the specific 251:, discuss the issue on the 10: 2519: 1086:(2nd ed.), New York: 1016:(3rd ed.), New York: 736:Point of view (literature) 2335: 2307: 2299:Stream of unconsciousness 2242: 1986: 1877: 1830:Falling action/Catastasis 1775: 1680: 1615: 1538: 1350: 1213: 1083:The Random House Handbook 1080:Crews, Frederick (1977), 826:Beckson & Ganz (1989) 419:Overview of related ideas 1667:Self-fulfilling prophecy 1130:A Handbook of Literature 1126:Holman, C. Hugh (1975), 1108:(3rd ed.), Boston: 751: 653:a human being can have. 529: 2294:Stream of consciousness 1757:Suspension of disbelief 1064:McFarland & Company 996:Oxford University Press 990:Baldick, Chris (2004), 934:Brownstein et al. (1992 837:Brownstein et al. (1992 94:more precise citations. 1835:Denouement/Catastrophe 1816:Rising action/Epitasis 1104:Hacker, Diana (1991), 509:"uses intimacy as the 411:"uses intimacy as the 332: 161:"Tone" literature 2181:Utopian and dystopian 1152:Turco, Lewis (1999), 1136:Bobbs-Merrill Company 883:Wendy Scheir (2004). 511:dominant feeling-tone 413:dominant feeling-tone 308: 1735:Narrative techniques 1515:Story within a story 1327:Supporting character 741:Valence (psychology) 610:improve this section 517:Difference from mood 454:psychological intent 360:psychological intent 257:create a new article 249:improve this article 239:may not represent a 146:improve this article 2440:Political narrative 2282:Unreliable narrator 2139:Speculative fiction 1847:Nonlinear narrative 1795:Three-act structure 1655:Deal with the Devil 553:figurative language 423:Depending upon the 2418:Narrative paradigm 2413:Narrative identity 2343:Dominant narrative 2289:Multiple narrators 1573:Fictional location 1416:Dramatic structure 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1653: 1652: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1631: 1628: 1626: 1623: 1622: 1620: 1618: 1614: 1608: 1607:Worldbuilding 1605: 1603: 1600: 1594: 1591: 1590: 1589: 1586: 1584: 1581: 1579: 1576: 1575: 1574: 1571: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1551: 1549: 1546: 1545: 1543: 1541: 1537: 1531: 1528: 1526: 1523: 1521: 1518: 1516: 1513: 1511: 1508: 1506: 1503: 1501: 1498: 1496: 1493: 1491: 1488: 1486: 1483: 1481: 1478: 1476: 1473: 1471: 1468: 1466: 1463: 1461: 1458: 1456: 1455: 1454:KishĹŤtenketsu 1451: 1449: 1448: 1447:In medias res 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1426:Foreshadowing 1424: 1422: 1421:Eucatastrophe 1419: 1417: 1414: 1412: 1409: 1407: 1406: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1384:Chekhov's gun 1382: 1378: 1375: 1374: 1373: 1370: 1368: 1365: 1363: 1362: 1358: 1357: 1355: 1353: 1349: 1343: 1340: 1338: 1335: 1333: 1330: 1328: 1325: 1323: 1320: 1318: 1315: 1313: 1310: 1308: 1305: 1301: 1298: 1296: 1293: 1291: 1288: 1287: 1286: 1283: 1281: 1280: 1276: 1274: 1273:Gothic double 1271: 1269: 1266: 1264: 1261: 1259: 1256: 1254: 1253:Deuteragonist 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1233:Character arc 1231: 1229: 1226: 1224: 1221: 1220: 1218: 1216: 1212: 1208: 1201: 1196: 1194: 1189: 1187: 1182: 1181: 1178: 1171: 1169:0-87451-954-3 1165: 1161: 1157: 1156: 1150: 1147: 1145:0-672-63048-6 1141: 1137: 1132: 1131: 1124: 1121: 1119:0-312-05599-4 1115: 1111: 1107: 1102: 1099: 1097:0-394-31211-2 1093: 1089: 1085: 1084: 1078: 1075: 1073:0-7864-0552-X 1069: 1065: 1062:, Jefferson: 1061: 1060: 1054: 1051: 1049:0-8120-4957-8 1045: 1041: 1037: 1036: 1030: 1027: 1023: 1019: 1018:Noonday Press 1015: 1010: 1007: 1001: 997: 993: 988: 987: 975: 969: 953: 949: 942: 936:, p. 98) 935: 930: 923: 918: 912:, p. 11) 911: 906: 898: 892: 888: 887: 879: 873: 872:Holman (1975) 868: 862:, p. 51) 861: 856: 850: 845: 839:, p. 66) 838: 833: 827: 822: 816: 811: 803: 799: 795: 791: 787: 783: 782: 777: 770: 768: 766: 764: 762: 757: 747: 744: 742: 739: 737: 734: 732: 729: 727: 726:Argumentation 724: 723: 719: 708: 705: 694: 691: 680: 673: 670: 668: 662: 659: 654: 652: 640: 637: 629: 619: 615: 611: 605: 604: 600: 595:This section 593: 589: 584: 583: 575: 572: 570: 566: 560: 556: 554: 550: 546: 542: 538: 527: 524: 514: 512: 508: 504: 500: 496: 492: 488: 484: 483: 478: 474: 470: 466: 462: 457: 455: 451: 447: 437: 433: 431: 426: 416: 414: 410: 406: 402: 398: 394: 390: 386: 385: 380: 376: 372: 368: 363: 361: 357: 353: 348: 346: 342: 338: 330: 326: 325:psychological 322: 318: 314: 311: 307: 297: 294: 279: 276: 268: 265:February 2024 258: 254: 250: 244: 242: 235: 226: 225: 216: 213: 205: 202:February 2024 194: 191: 187: 184: 180: 177: 173: 170: 166: 163: â€“  162: 158: 157:Find sources: 151: 147: 141: 140: 135:This article 133: 129: 124: 123: 114: 111: 103: 100:February 2024 93: 89: 83: 82: 76: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 2462:Storytelling 2277:Subjectivity 2267:Third-person 2257:First-person 1891: 1766: 1700:Comic relief 1452: 1445: 1436:Flashforward 1403: 1377:Origin story 1359: 1322:Straight man 1277: 1154: 1129: 1105: 1088:Random House 1082: 1058: 1034: 1013: 991: 973: 968: 956:. Retrieved 951: 941: 929: 924:, p. 6) 917: 905: 885: 878: 867: 860:Hacker (1991 855: 844: 832: 821: 810: 785: 779: 718:Music portal 671: 663: 656:Diction and 655: 647: 632: 623: 608:Please help 596: 578:Setting tone 573: 569:supernatural 561: 557: 552: 548: 544: 540: 536: 533: 520: 510: 498: 480: 465:an artwork's 458: 443: 434: 422: 412: 400: 382: 371:an artwork's 364: 349: 340: 334: 289: 271: 262: 238: 208: 199: 189: 182: 175: 168: 156: 144:Please help 139:verification 136: 106: 97: 78: 50: 43: 37: 36:Please help 33: 2467:Tellability 2433:Metafiction 2428:Narratology 2200:Theological 2092:Pop culture 1973:Short story 1951:Epic poetry 1672:Time travel 1485:Red herring 1470:Plot device 1441:Frame story 1394:Cliffhanger 1337:Tritagonist 1312:Protagonist 1158:, Hanover: 958:22 December 922:Crews (1977 910:Turco (1999 690:Film portal 503:career path 425:personality 405:career path 321:emotionally 92:introducing 2487:Categories 2353:Continuity 2222:Nonfiction 2186:Underwater 2082:Picaresque 2057:Historical 2042:Epistolary 1914:Fairy tale 1825:Peripeteia 1807:Exposition 1563:Dreamworld 1505:Stereotype 1475:Plot twist 1223:Antagonist 994:, Oxford: 984:References 626:March 2023 461:commercial 367:commercial 337:literature 313:filmmakers 172:newspapers 75:references 39:improve it 2244:Narration 2193:Superhero 2117:Chivalric 2102:Religious 2087:Political 2022:Adventure 2007:Biography 1929:Tall tale 1777:Structure 1762:Symbolism 1730:Narration 1630:Leitmotif 1558:Crossover 1553:Backstory 1510:Story arc 1460:MacGuffin 1431:Flashback 1372:Backstory 1248:Confidant 1228:Archenemy 1215:Character 1207:Narrative 597:does not 521:Tone and 487:directors 389:directors 253:talk page 45:talk page 2450:Glossary 2445:Rhetoric 2252:Diegesis 2232:Creative 2205:Thriller 2154:Southern 2072:Paranoid 2067:Nautical 1978:Vignette 1936:Gamebook 1904:Folklore 1811:Protasis 1690:Allegory 1635:Metaphor 1593:parallel 1588:universe 1568:Dystopia 1525:Suspense 1411:Dialogue 1399:Conflict 1307:Narrator 1279:Hamartia 1026:88-34368 676:See also 651:emotions 489:such as 471:such as 391:such as 345:audience 329:artworks 315:such as 247:You may 2498:Fiction 2380:Prequel 2336:Related 2322:Present 2215:Western 2171:Science 2144:Fantasy 2112:Romance 2062:Mystery 2047:Ergodic 2012:Fiction 1968:Parable 1963:Novella 1893:Fabliau 1864:Premise 1715:Imagery 1705:Diction 1583:country 1540:Setting 1520:Subplot 1342:Villain 1295:Byronic 1110:Bedford 802:1211354 618:removed 603:sources 549:details 545:imagery 537:diction 430:diction 186:scholar 88:improve 2384:Sequel 2368:Retcon 2363:Reboot 2327:Future 2161:Horror 2149:Gothic 2134:Satire 2052:Erotic 1919:Legend 1821:Climax 1695:Bathos 1602:Utopia 1490:Reveal 1389:ClichĂ© 1367:Action 1361:Ab ovo 1300:Tragic 1166:  1142:  1116:  1094:  1070:  1046:  1024:  1002:  893:  800:  658:syntax 565:horror 541:syntax 432:used. 339:, the 310:French 188:  181:  174:  167:  159:  77:, but 2391:Genre 2358:Canon 2309:Tense 2227:Novel 2210:Urban 2122:Prose 2107:Rogue 2032:Crime 2027:Comic 1988:Genre 1958:Novel 1909:Fable 1887:Drama 1852:films 1682:Style 1650:Motif 1640:Moral 1625:Irony 1617:Theme 1530:Trope 798:JSTOR 752:Notes 667:smirk 530:Usage 255:, or 193:JSTOR 179:books 2396:List 2317:Past 2176:Hard 2129:Saga 2037:Docu 1993:List 1924:Myth 1879:Form 1767:Tone 1740:Hook 1725:Mood 1720:Mode 1578:city 1465:Pace 1352:Plot 1290:Anti 1285:Hero 1268:Foil 1164:ISBN 1140:ISBN 1114:ISBN 1092:ISBN 1068:ISBN 1044:ISBN 1022:LCCN 1000:ISBN 960:2022 891:ISBN 601:any 599:cite 523:mood 493:and 395:and 341:tone 165:news 1785:Act 1138:), 790:doi 612:by 335:In 148:by 2489:: 2382:/ 1162:, 1112:, 1090:, 1066:, 1042:, 1020:, 998:, 796:. 786:27 784:. 778:. 760:^ 347:. 48:. 1995:) 1991:( 1823:/ 1809:/ 1199:e 1192:t 1185:v 962:. 899:. 804:. 792:: 639:) 633:( 628:) 624:( 620:. 606:. 331:. 296:) 290:( 278:) 272:( 267:) 263:( 245:. 215:) 209:( 204:) 200:( 190:· 183:· 176:· 169:· 142:. 113:) 107:( 102:) 98:( 84:. 55:) 51:(

Index

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Francois Truffaut
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