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126:, and during these early years he continued an interest in archaeology which had begun in high school. He also compiled photographic essays during this period. Fomison began painting in earnest in 1960ā61. In 1964, he travelled to England and Spain and lived in the former for three years before returning to Christchurch in 1967. During his time in England, he was hospitalised at
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151:. Fomison took part in a major survey of MÄori rock art in South Canterbury and contributed to the archive with drawings, notes and tracings recording over 300 sites. A photo of Fomison in 1969 standing next to one of his cave drawing tracings is held in the
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after succumbing to drug addiction. After his return from Europe and the UK Fomison painted a series of work based on paintings and images he had seen on his travels. Many of these works, painted on hessian, were completed over several years. Typical is his
232:, was commissioned by the Trustees of Saint Paul's College in Ponsonby in 1982. Regretably by 2007 high insurance costs meant the mural had to be sold and is now in the collection of the Auckland Art Gallery
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Tony
Fomison had his first solo exhibition at Several Arts in Christchurch. Over his career would have 39 solo exhibitions including two touring survey exhibitions in1979, the
98:. He was an important post-war visual artist in the country and influenced New Zealand art by incorporating elements of narrative and myth into contemporary art.
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city in the world, in 1973. From that time, his work was influenced by
Polynesian culture, including attempts to help revive the skill of traditional
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After graduating from art school
Fomison went to work as an archaeological assistant at the Canterbury Museum then under the directorship of
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Archives. The same year
Fomison used the rock drawings as an inspiration for his cover illustration for the literary magazine
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during the commemorations of the 150th anniversary of the signing of New
Zealand's founding document, the
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159:. In different colour mixes it was used for the four copies of the magazine published that year.
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Stewart, Janie (26 October 2007). "Security costs prompt sale of religious mural".
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on the residency developing his contacts with the local Samoan community.
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1963 Awarded an Arts
Advisory Board grant to travel to England and Europe
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619:. NZEPC. Originally published in Span 42-43 (AprilāOctober 1996): 15-29.
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570:"Tony Fomison: a Survey of his Painting and Drawing from 1961 to 1979"
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558:. Wellington, New Zealand: City Gallery Welligton. pp. 183ā187.
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Tony
Fomison: a Survey of his Painting and Drawing from 1961 to 1979
632:"An Emblem of St Paul's College: Tony Fomison's 'Ponsonby Madonna'"
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435:"Hans Holbein the Younger, The Dead Christ in the Tomb, 1521ā1522"
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A review of archaeological site records for the
Canterbury Region
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94:(12 July 1939 – 7 February 1990) was a notable artist in
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Anxious images : aspects of recent New
Zealand art
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sold for $ 1.8 million (NZ) dollars. (Webb's
Auctions)
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692:. Wellington: Victoria University Press. p. 57.
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tattooing. At around this time he met fellow artist
534:"Marti Friedlander: Tony Fomison/Philip Clairmont"
348:"A Singular Vision: The Paintings of Tony Fomison"
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243:1985 Fomison was the inaugural recipient of the
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592:"Tony Fomison: What Shall we Tell Them?"
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179:and in1994
163:Exhibitions
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85:New Zealand
82:Nationality
786:Categories
699:0864735030
283:References
271:Art Market
249:Wellington
200:Polynesian
149:Roger Duff
124:Rudi Gopas
102:Background
49:1939-07-12
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322:"History"
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261:Waitangi
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572:. 1979
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
