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in
Salzburg in 1937. Extensive notes, photographs and a wealth of correspondence belonging to Rück's estate, currently being added to the archives department of the Germanisches Nationalmuseum, provide detailed information about the collection history and the work involved in it.
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and Rück saw himself as patron of a new area of performance using examples of such historical instruments. He cooperated with music scholars from all corners of Europe and maintained contacts with restorers, most notably Otto Marx of the Heyer collection in
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around 1880. Particularly in the 1930s Ulrich Rück succeeded in expanding the collection considerably. Shortly before his death he bequeathed the collection containing approximately 1500 items to the
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Ulrich Rück, together with his brother Hans, continued the work of his father
Wilhelm Rück, who had founded a collection of historical musical instruments in
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this was undoubtedly the largest and most important private collection of historical musical instruments in
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37:– November 6, 1962 in Nuremberg) was a German collector of musical instruments,
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Amongst Rück's most important projects was the work to restore to playability
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German collector of musical instruments, chemist and dealer in pianos
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