517:
408:. Belmont and Veraldi had died in a lightning strike, but during the investigation, Vidocq and Nimier saw the powder on a factory worker's clothes catch fire. The servant responsible for maintaining Belmont's and Veraldi's suits confessed to having received a letter, with cash, ordering him not to clean their jackets. Realizing that the lightning would need to be attracted to the men, the investigators found metallic pins inserted into the victims' hats.
25:
416:
of eternal youth in return for their cooperation in capturing young maidens for his experiments. The three rich men went along, but later stopped cooperating due to a sense of guilt, so the
Alchemist killed them. After Boisset leaves, the Alchemist arrives, killing Froissard and Marine. Tauzet notices that the Alchemist is disposing of witnesses, and fears Boisset is next.
415:
Boisset's investigation leads him to Sylvia, the brothel manager; journalist
Froissard, who is investigating the masked murderer; and Marine Lafitte, wife of Ernest. They reveal that Lafitte, Belmont and Veraldi were narcissists, committed to preventing death by aging. The Alchemist offered an elixir
403:
Journalist Étienne
Boisset goes to Vidocq's colleague, René Nimier, asking for help writing Vidocq's biography. Boisset states that he plans to find Vidocq's murderer. Lautrennes, Paris's chief of police, asked Nimier and Vidocq to investigate the deaths of Belmont and Veraldi, the owners of a cannon
411:
Lautrennes orders officer Tauzet to investigate Vidocq's death. Meanwhile, Boisset sneaks into Nimier's office and retrieves the pins. He traces the design to Preah, a dancer in a brothel, and Vidocq's lover. Vidocq also tracked down Preah, who had received a letter, with cash, asking her to put the
574:
of progressive modes) during post-production, as the special effects crew obviously was in demand of progressive frames which are easier to process. Normal shots were in no need of deinterlacing, thanks to progressive scan HD cameras. The result are video-like appearance of motions in DV shots, due
419:
Boisset sneaks in to retrieve Vidocq's notes, and encounters
Lautrennes and Tauzet. Lautrennes attempts to arrest Boisset, who escapes. The notes reveal that Vidocq found a lab where the Alchemist was using the maidens' blood to create a substance for his mask, which grants eternal youth by sucking
427:
With his cover blown, Boisset dons the
Alchemist's mask. Nimier opens fire, but is killed as the Alchemist magically reflects the bullets back at him. Vidocq pursues the Alchemist into a hall of mirrors and forces him to look into a mirror shard, freeing the souls trapped inside the mask. Vidocq
423:
Boisset, Nimier and Preah head to the factory, ushered by an artisan, and trailed by both Tauzet and
Lautrennes. The artisan eventually removes his prosthetic, revealing himself to be Vidocq. Vidocq had actually jumped into a secret hole in the furnace wall, which he saw in the mask's reflection
399:
In 1830 Paris, private investigator Eugène Vidocq pursues the
Alchemist, a man wearing a cowl and a mirrored mask. The Alchemist lures Vidocq into a furnace room at a glass factory, and during a fight, pushes him into the furnace. Hanging onto the ledge, Vidocq asks him to reveal his face. The
131:
420:
the souls out of his victims. The
Alchemist arrived and attacked Vidocq, who took a piece from the former's mask before the killer escaped. Vidocq's final note states that the Alchemist would need someone to manufacture the mask, leading him to the glass factory.
547:
The film featured 800 shots modified in post-production over a period of eight months, at a cost of over €20 million. It was the first feature film to be shot in digital progressive HDTV at 24 fps cinematic framerate (1080p24), one year before
412:
pins in the hats. The letter included a third target – Ernest
Lafitte, owner of an orphanage. Vidocq rushed to save Lafitte, but the Alchemist got there first. Vidocq pursued him, who seemed to possess magical powers.
424:
before the
Alchemist revealed himself to be Boisset. Vidocq faked his own death to let Boisset's guard down, knowing the Alchemist would destroy all clues and witnesses through any means necessary.
1099:
575:
to the different amount of motion blur resulting from the different deinterlacing methods, and distinctive film-like motions for the dominant 1080p24 shots otherwise.
428:
impales the Alchemist with a shard of mirror and throws him into a river. Although the others insist the Alchemist is dead, Vidocq is unnerved by the lack of a body.
624:
said: "“Vidocq” suffers from the same inflated self-importance and almost arbitrary grandeur, whereby a halfway decent premise devolves into borderline idiocy."
758:
550:
772:
731:
431:
At Nimier's funeral, as everyone walks away, the Alchemist's laugh can be heard in the distance, accompanied by the glimmer of his mirror mask.
1089:
1084:
1109:
554:. A few short scenes, however, were shot using DV format (576i25) for artistic purposes. Only those special effects shots were
89:
1079:
1074:
61:
1054:
630:
wrote: " the film's relentless look-at-me factor constitutes an assault on the senses, if not an entirely unpleasant one."
1020:
42:
68:
1094:
108:
1104:
75:
1064:
1049:
977:
1059:
46:
57:
1114:
1069:
528:
444:
370:
173:
600:
595:
703:
867:
35:
736:
377:
376:
It is notable as being the first major fantasy film to be released that was shot entirely with
82:
404:
factory. Lautrennes believed this had been an attempt to undermine the French military in an
888:
857:
656:
259:
8:
1044:
970:
790:
836:
812:
461:
440:
366:
211:
196:
862:
648:
640:
620:
608:
497:
183:
939:
752:
944:
678:
563:
473:
1010:
950:
708:
449:
405:
201:
963:
604:
479:
455:
206:
1038:
571:
555:
381:
249:
467:
898:
586:
358:
955:
611:
providing extra recorded vocals, which served as the film's ending theme.
922:
590:
582:
567:
933:
516:
391:
is the first full length feature filmed in digital high resolution.
24:
928:
893:
626:
384:
579:
400:
Alchemist obliges, and Vidocq lets go, falling into the fire.
987:
773:"First full length feature filmed in digital high resolution"
362:
144:
130:
841:
49:. Unsourced material may be challenged and removed.
387:camera. According to the Guinness World Records,
1036:
757:: CS1 maint: bot: original URL status unknown (
729:
1100:Cultural depictions of Eugène François Vidocq
971:
740:. Archived from the original on May 23, 2009
551:Star Wars: Episode II – Attack of the Clones
985:
810:
978:
964:
129:
855:
732:"French 'vidocq' A High-definition First"
109:Learn how and when to remove this message
373:pursuing a supernatural serial killer.
1037:
881:
849:
354:Dark Portals: The Chronicles of Vidocq
959:
856:Nesselson, Lisa (27 September 2001).
730:Charles Masters (February 15, 2000).
511:
47:adding citations to reliable sources
18:
1021:Fire and Ice: The Dragon Chronicles
671:
13:
696:
14:
1126:
1090:2000s supernatural thriller films
916:
589:used clips from the film in the
515:
23:
34:needs additional citations for
1085:French alternate history films
829:
804:
783:
765:
723:
1:
1110:Films scored by Bruno Coulais
664:
507:
503:François Chattot as Froissard
1080:2001 directorial debut films
1075:French science fiction films
614:
274:September 19, 2001
7:
1055:2000s French-language films
633:
351:(North American DVD title:
10:
1131:
488:Jean-Pol Dubois as Belmont
406:unstable political climate
994:
485:Jean-Pierre Gos as Tauzet
336:
326:
318:
310:
300:
285:January 2, 2007
265:
255:
245:
237:
220:
189:
179:
167:
150:
140:
128:
123:
1095:Occult detective fiction
868:Penske Media Corporation
494:Gilles Arbona as Lafitte
491:André Penvern as Veraldi
16:2001 French mystery film
1105:Films directed by Pitof
434:
394:
58:"Vidocq" 2001 film
1065:Films set in the 1830s
1050:French detective films
777:Guinness World Records
737:The Hollywood Reporter
378:digital cinematography
371:Eugène François Vidocq
174:Eugène François Vidocq
160:Jean-Christophe Grangé
1060:Romantic period films
791:"Vidocq — Filmreview"
369:as historical figure
657:The Emperor of Paris
560:smart field blending
293: (United States)
260:UGC Fox Distribution
227:Jean-Pierre Sauvaire
43:improve this article
570:due to a different
230:Jean-Claude Thibout
1115:2000s French films
1070:Films set in Paris
986:Films directed by
858:"Reviews - Vidocq"
649:A Scandal in Paris
527:. You can help by
498:Jean-Marc Thibault
452:as Étienne Boisset
184:Dominique Farrugia
1032:
1031:
811:Laurent Ziliani.
545:
544:
476:as Marine Lafitte
344:
343:
135:Theatrical poster
119:
118:
111:
93:
1122:
1025:
1015:
1005:
980:
973:
966:
957:
956:
910:
909:
907:
905:
889:"Vidocq Reviews"
885:
879:
878:
876:
874:
853:
847:
846:
837:"Vidocq at Imdb"
833:
827:
826:
824:
823:
808:
802:
801:
799:
798:
787:
781:
780:
769:
763:
762:
756:
748:
746:
745:
727:
721:
720:
718:
716:
700:
694:
693:
691:
689:
675:
566:-type amount of
540:
537:
519:
512:
474:Isabelle Renauld
462:André Dussollier
441:GĂ©rard Depardieu
367:GĂ©rard Depardieu
292:
290:
281:
279:
212:André Dussollier
197:GĂ©rard Depardieu
133:
121:
120:
114:
107:
103:
100:
94:
92:
51:
27:
19:
1130:
1129:
1125:
1124:
1123:
1121:
1120:
1119:
1035:
1034:
1033:
1028:
1018:
1008:
998:
990:
984:
951:Rotten Tomatoes
919:
914:
913:
903:
901:
887:
886:
882:
872:
870:
854:
850:
835:
834:
830:
821:
819:
813:"Vidocq review"
809:
805:
796:
794:
789:
788:
784:
771:
770:
766:
750:
749:
743:
741:
728:
724:
714:
712:
709:Box Office Mojo
702:
701:
697:
687:
685:
683:JP's Box-Office
679:"Vidocq (2001)"
677:
676:
672:
667:
636:
617:
541:
535:
532:
525:needs expansion
510:
450:Guillaume Canet
437:
397:
331:
303:
296:
288:
286:
277:
275:
268:
233:
216:
202:Guillaume Canet
172:
171:The memoirs of
163:
136:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
1128:
1118:
1117:
1112:
1107:
1102:
1097:
1092:
1087:
1082:
1077:
1072:
1067:
1062:
1057:
1052:
1047:
1030:
1029:
1027:
1026:
1016:
1006:
995:
992:
991:
983:
982:
975:
968:
960:
954:
953:
942:
931:
918:
917:External links
915:
912:
911:
880:
848:
828:
817:La Plume Noire
803:
782:
764:
722:
695:
669:
668:
666:
663:
662:
661:
653:
645:
635:
632:
616:
613:
605:Matthias Sayer
543:
542:
522:
520:
509:
506:
505:
504:
501:
495:
492:
489:
486:
483:
480:Moussa Maaskri
477:
471:
465:
459:
453:
447:
436:
433:
396:
393:
361:, directed by
342:
341:
340:$ 13.2 million
338:
334:
333:
332:($ 21 million)
328:
324:
323:
320:
316:
315:
312:
308:
307:
304:
301:
298:
297:
295:
294:
283:
271:
269:
266:
263:
262:
257:
256:Distributed by
253:
252:
247:
243:
242:
239:
235:
234:
232:
231:
228:
224:
222:
221:Cinematography
218:
217:
215:
214:
209:
204:
199:
193:
191:
187:
186:
181:
177:
176:
169:
165:
164:
162:
161:
158:
154:
152:
148:
147:
142:
138:
137:
134:
126:
125:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1127:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1046:
1043:
1042:
1040:
1023:
1022:
1017:
1013:
1012:
1007:
1003:
1002:
997:
996:
993:
989:
981:
976:
974:
969:
967:
962:
961:
958:
952:
948:
947:
943:
941:
937:
936:
932:
930:
926:
925:
921:
920:
900:
896:
895:
890:
884:
869:
865:
864:
859:
852:
844:
843:
838:
832:
818:
814:
807:
792:
786:
778:
774:
768:
760:
754:
739:
738:
733:
726:
711:
710:
705:
699:
684:
680:
674:
670:
659:
658:
654:
651:
650:
646:
643:
642:
638:
637:
631:
629:
628:
623:
622:
612:
610:
606:
602:
598:
597:
592:
588:
584:
581:
576:
573:
572:shutter speed
569:
565:
562:(imitating a
561:
557:
553:
552:
539:
530:
526:
523:This section
521:
518:
514:
513:
502:
499:
496:
493:
490:
487:
484:
481:
478:
475:
472:
469:
466:
464:as Lautrennes
463:
460:
457:
454:
451:
448:
446:
442:
439:
438:
432:
429:
425:
421:
417:
413:
409:
407:
401:
392:
390:
386:
383:
382:Sony HDW-F900
379:
374:
372:
368:
364:
360:
356:
355:
350:
349:
339:
335:
330:€23.2 million
329:
325:
321:
317:
313:
309:
305:
299:
284:
282: (France)
273:
272:
270:
267:Release dates
264:
261:
258:
254:
251:
250:Bruno Coulais
248:
244:
240:
236:
229:
226:
225:
223:
219:
213:
210:
208:
205:
203:
200:
198:
195:
194:
192:
188:
185:
182:
178:
175:
170:
166:
159:
156:
155:
153:
149:
146:
143:
139:
132:
127:
122:
113:
110:
102:
99:February 2018
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
1019:
1009:
1000:
999:
945:
934:
923:
899:Fandom, Inc.
892:
883:
871:. Retrieved
861:
851:
840:
831:
820:. Retrieved
816:
806:
795:. Retrieved
793:. Cinergy AG
785:
776:
767:
742:. Retrieved
735:
725:
713:. Retrieved
707:
698:
686:. Retrieved
682:
673:
655:
647:
639:
625:
619:
618:
594:
587:Apocalyptica
577:
559:
558:by means of
556:deinterlaced
549:
546:
533:
529:adding to it
524:
430:
426:
422:
418:
414:
410:
402:
398:
388:
375:
359:mystery film
357:) is a 2001
353:
352:
347:
346:
345:
302:Running time
241:Thierry Hoss
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
609:Farmer Boys
601:Hope Vol. 2
591:music video
583:cello metal
568:motion blur
564:progressive
456:Inés Sastre
365:, starring
207:Inés Sastre
180:Produced by
141:Directed by
1045:2001 films
1039:Categories
902:Retrieved
822:2008-09-18
797:2008-09-18
744:2008-09-18
665:References
593:for their
508:Production
500:as Leviner
468:Édith Scob
380:, using a
337:Box office
306:98 minutes
289:2007-01-02
278:2001-09-19
151:Written by
69:newspapers
615:Reception
536:June 2022
482:as Nimier
470:as Sylvia
238:Edited by
1011:Catwoman
929:AllMovie
894:TV Guide
753:cite web
715:19 March
704:"Vidocq"
688:19 March
634:See also
627:TV Guide
599:track, "
458:as Préah
385:CineAlta
319:Language
246:Music by
190:Starring
168:Based on
904:16 July
873:16 July
863:Variety
621:Variety
603:" with
580:Finnish
311:Country
287: (
276: (
83:scholar
1024:(2008)
1014:(2004)
1004:(2001)
1001:Vidocq
946:Vidocq
935:Vidocq
924:Vidocq
660:(2018)
652:(1946)
644:(1939)
641:Vidocq
445:Vidocq
389:Vidocq
348:Vidocq
327:Budget
322:French
314:France
124:Vidocq
85:
78:
71:
64:
56:
988:Pitof
585:band
363:Pitof
157:Pitof
145:Pitof
90:JSTOR
76:books
940:IMDb
906:2024
875:2024
842:IMDb
759:link
717:2018
690:2018
596:Cult
578:The
435:Cast
395:Plot
62:news
949:at
938:at
927:at
607:of
531:.
443:as
45:by
1041::
897:.
891:.
866:.
860:.
839:.
815:.
775:.
755:}}
751:{{
734:.
706:.
681:.
979:e
972:t
965:v
908:.
877:.
845:.
825:.
800:.
779:.
761:)
747:.
719:.
692:.
538:)
534:(
291:)
280:)
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
