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341:. The history of pottery production in the village can be traced back as far as the 14th century CE, and in subsequent centuries having been a popular manufactured product extensively traded by local merchants as well as European trading ships throughout Southeast Asia and the Far East. Bát Tràng nowadays still continues producing bowls, dishes and vases not only for the local market but also for exporting to Japan, one of the important market of Vietnamese ceramics. The gas kiln is more and more popular than electric or tradition wooden kiln. Beside the traditional decoration technique by brush, it appears recently the decoration technique using screen printing on rice paper. The new technique is applied mainly for the producing religious products like incense burners. But all other processes of making vessels are still very much handmade which is very important. There is another beautiful thing of Bát Tràng that is the old family houses. It is left only two or three this kind of old house which still keep the spirit of old Bat Trang, where it is found the big size vases, or bowls with the decorations from the 14th century, the most popular period of Bat Trang Ceramics.
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508:) because excavations in the region had been ongoing since their discovery in 1983. The only pieces remaining at the kiln sites were wasters (pieces that had fused, collapsed or exploded in the firing process). Intact examples of the wares produced were rare, since all were exported. When the wreck was found there was excitement among collectors and archaeologists, for it promised the first cargo consisting solely of Vietnamese wares.
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294:. Accidentally discovered in 1985, this site ranges from Quảng Ngãi Commune to Đức Phổ Commune, with the main archaeological artefacts concentrating in Quảng Ngãi, Cát Tiên District, Lâm Đồng Province, southern Tây Nguyên. The unknown civilization which developed this site inhabited it between the 4th century and 9th centuries CE. A number of ceramic wares were found at this site.
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although the high-footed bowls were originally used for food. The bowls had an everted rim, high foot, were underglazed with cobalt floral decorations, lappets above base, unglazed stacking rings in well and were brown washed on the base. The diameters can range from 9 to 15 centimetres. They were
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county east of Hanoi, was discovered in 1983, which led to a series of excavations being conducted there from 1986 to 1991. The village is estimated to have begun production in the 13th century, reaching a peak in the 15th and 16th centuries, and declining in the 17th century. From 1436 to 1465,
205:
The
Vietnamese had begun exporting their ceramic productions at least since late 13th century to 14th century. According to archaeological findings in Vietnam and other countries from the 14th century, some Vietnamese ceramics and coins dated 1330 have been recovered from the sites in Japan, the
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abruptly ceased trade with the outside world, creating a commercial vacuum that allowed
Vietnamese blue-and-white ceramics to monopolize the markets for about 150 years. Vietnamese wares of this era have been found all over Asia, from Japan, throughout Southeast Asia (Thailand, Indonesia, the
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island. Among them was a wooden plate with character showing the date 1330 on it. Whether the
Japanese went to Vietnam or Vietnamese traders came to Japan or if it all went through China is not quite clear. Vietnamese history records showed that when Lord
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lies 22 miles off the coast of central
Vietnam in the South China Sea. The ship was carrying a large cargo of Vietnamese ceramics from the mid- to late-15th century. The provenance of the pieces was known to be the kilns of the Red River Delta (such as
77:, but has developed over time to be distinctly Vietnamese. Vietnamese potters combined indigenous and Chinese elements. They also experimented with both original and individual styles as well as incorporated features from other cultures, such as
325:, now merged into suburban Hanoi. The earliest refer of Bát Tràng kilns was in 1352. The village is located in an area rich in clay suitable for making fine ceramic. Bát Tràng ceramics were esteemed with products rivaling that of
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After reclaiming independence from China in 938, the
Vietnamese craftsman under sovereign royal rules began designing and manufacturing ceramic productions independently of China. Vietnamese Lý-Trần period's creamy-white
43:
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In 1996 over 250,000 intact examples of
Vietnamese ceramic were recovered. 10% of unique ware was kept by the government for national museums, while the rest was allowed to be auctioned off to pay for recovery costs.
105:
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236:, Vietnamese ceramics comprise 1.5–5% of ceramics found on the archipelago, while accounting for 20-40% ofThai ceramics. Vietnamese ceramics also made up a small quantity in the 15th-century
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kilns which were used to produce particularly Cham-style brown-glazed stoneware jars. The kilns were rebuilt many times, suggest a fairly long span of use. Go Sanh ceramics were found in
263:, which is affixed on the wall of the dyke system of Hanoi. With a length of about 4 km, the Ceramic Road is one of the major projects that were developed on the occasion of the
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While ceramic wares in the traditional style are still being produced and enjoy popularity, modern ceramics are increasingly produced for export. Ceramic production centers include
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During the 15th-century
Chinese occupation of Vietnam, Vietnamese potters readily adopted cobalt underglaze, which had already gained popularity in export markets. Vietnamese
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Teacup impressed with chrysanthemum decoration in white glaze, which features a body so thin as to allow the passage of light. Made in 15th century under the
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Vietnamese ceramics were an essential part of the trade between
Vietnam and its neighbors during pre-modern times through all the periods.
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During the
Chinese domination periods, the local Dong Son culture started fading away and Vietnamese ceramics were being influenced by
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Chu Đậu ceramics exported in Japan were called (An'nan) Annam wares. Chu Đậu ceramics also made the majority in the Hội An shipwreck.
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and industry. Vietnamese pottery and ceramics has a long history spanning back to thousands of years ago, including long before
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Ceramic eaves tile with reversed inscription "vạn tuế" (longevity) found in the site of Nanyue
Kingdom Palace (c. 207-111 BCE)
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Li, Tana (2006), "The Rise and the Fall of the Jiaozhi Ocean Region", in Schottenhammer, Angela; Ptak, Roderich (eds.),
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This is the place which is mentioned in the famous vase signed by a woman named Bui and dated 1450 in the
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The trade in Vietnamese ceramics was damaged due to the plummet in trade by Cham merchants after the
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Much of Vietnamese pottery and ceramics after the Chinese-domination era was largely influenced by
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217:: Middle Eastern cobalt yielded a vivid blue but was more expensive than the darker cobalt from
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ceramics have local characteristics and are distinctly different from Chinese ceramics. Dragon "
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port at the beginning of the 17th century, hundreds of Japanese residents were already there.
194:. Cham script were inscribed on terracotta bricks used for constructing religious buildings.
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Sandhtakalaning Majapahit: Learning the Dynamics of Majapahit as Nusantara's great strength
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in the 16th-17th century, fragments of Vietnamese ceramic were found in a northern part of
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mistakenly believed that it have been fired in China during the
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The Perception of Maritime Space in Traditional Chinese Sources
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Vietnamese blue and white jar from Chu Đậu kilns, 14th century
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One of the noteworthy examples of modern ceramic art is the
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Empire were Vietnamese products, and 20% were Thai. In the
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The Evolution of Vietnamese Ceramics : ThingsAsian
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it becomes part of the Chinese imperial collection and
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wares (安南焼), which were exported to Japan and used in
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Philippines), to the Middle East (the Arabian port of
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ceramics has dominated aboriginal characteristics of
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1086:Southeast Asian Ceramics: New Light on Old Pottery
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344:The first private museum of Bát Tràng Village is
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1030:. Oxford: Oxford University Press. p. 240.
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133:Yue porcelains in North Vietnam, 7th-9th century
306:Crackled polychrome glaze pot from Bát Tràng,
161:Creamy-white celadon teapot, 11th-12th century
47:Narasimha figure, Ly dynasty, 11th century AD
1093:Miksic, John Norman; Yian, Goh Geok (2016).
1076:, Otto Harrassowitz Verlag, pp. 125–141
625:Hand crafting ceramics at Bat Trang, Vietnam
613:Hand crafting ceramics at Bat Trang, Vietnam
577:Hand crafting ceramics at Bat Trang, Vietnam
565:Hand crafting ceramics at Bat Trang, Vietnam
661:Transporting ceramics at Bat Trang, Vietnam
637:Hand crafting pottery in Bat Trang, Vietnam
601:Hand crafting pottery in Bat Trang, Vietnam
589:Hand crafting pottery in Bat Trang, Vietnam
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1017:Bùi, Minh Trí; Nguyễn, Kerry Long (2001).
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739:. : Birmingham Museum of Art. p. 59.
32:. Today it is the National Tresure of the
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972:Vietnamese Ceramics: A Separate Tradition
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524:Cham-style stoneware jar, 15-16th century
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826:Gessert, Richard (February 15, 2022).
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1019:Vietnamese Blue & White Ceramics
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359:Blue-white dish, from Chu Đậu kiln,
290:in south Vietnam is site located in
970:Stevenson, John; Guy, John (1997).
491:, 15th century. Provenance Chu Đậu
329:, and later joined by pottery from
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1067:. Oxford: Oxford University Press.
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993:. MFA Publications. p. 272.
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830:. The Art Institute of Chicago.
528:Cham kilns, locate in Go Sanh,
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265:Millennial Anniversary of Hanoi
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649:Ceramics at Bat Trang, Vietnam
371:A Chu Dau dish decorated with
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1058:. Hanoi: Thế Giới Publishers.
1012:. Fine Arts Publishing House.
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516:Cham kilns (Go Sanh ceramics)
435:An'nan ware in blue and white
401:, Syria, Turkey, Egypt), and
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288:Cát Tiên archaeological site
206:Philippines, and Indonesia.
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1054:Tran, Khanh Chuong (2005).
1045:Tran, Khanh Chuong (2001).
717:September 30, 2007, at the
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261:Hanoi Ceramic Mosaic Mural
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989:Truong, Philippe (2008).
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383:Chu Đậu ceramics, in the
317:and pottery is a type of
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1010:Vietnam Fine Arts Museum
731:Birmingham Museum of Art
1106:, Universitas Airlangga
974:. Art Media Resources.
321:made in the village of
1095:Ancient Southeast Asia
1049:. Thế Giới Publishers.
954:Miksic & Yian 2016
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1125:at Wikimedia Commons
1102:Miksic, John (2019),
1063:Young, Carol (1982).
1008:Trương, Hạnh (2000).
930:Bùi & Nguyễn 2001
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828:"More Kinds of Blue"
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414:Topkapi Saray Museum
379:, dated 15th century
310:period, 19th century
1164:History of ceramics
1123:Ceramics of Vietnam
1065:Vietnamese Ceramics
1056:Vietnamese Ceramics
683:Philippine ceramics
315:Bát Tràng porcelain
52:Vietnamese ceramics
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1021:. Khoa học xã hội.
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880:Trương 2000
856:Miksic 2019
841:Miksic 2019
799:Miksic 2009
760:Miksic 2009
373:pomegranate
234:Philippines
172:gốm hoa nâu
56:ceramic art
1143:Categories
699:References
339:Ninh Thuận
238:West Asian
190:(मकर) and
119:Dongsonian
113:The early
54:refers to
22:Lê dynasty
868:Tran 2001
377:songbirds
375:tree and
363:1450-1460
323:Bát Tràng
298:Bát Tràng
280:Mộ vò gốm
250:Lái Thiêu
230:Majapahit
221:, China.
186:, water,
121:culture.
101:Neolithic
1084:(2009),
733:(2010).
715:Archived
667:See also
459:founded
418:Istanbul
407:Tanzania
388:China’s
385:Nam Sách
335:Phu Lang
331:Đồng Nai
319:ceramics
271:Cát Tiên
240:market.
226:Trowulan
79:Cambodia
964:Sources
918:Li 2006
693:Tapayan
552:Gallery
506:Chu Đậu
351:Chu Đậu
327:Chu Đậu
168:celadon
115:Luo Yue
96:History
60:pottery
1034:
997:
978:
743:
546:Borneo
542:Champa
538:Vijaya
468:An'nan
461:Hội An
452:Kyūshū
427:An'nan
399:Persia
395:Julfar
337:, and
244:Modern
219:Yunnan
192:Buddha
188:makara
182:leaf,
87:Champa
184:lotus
180:Bodhi
83:India
1159:Cham
1032:ISBN
995:ISBN
976:ISBN
741:ISBN
499:The
493:kiln
286:The
176:Nāga
85:and
58:and
409:).
252:in
1145::
887:^
848:^
818:^
791:^
420:.
416:,
397:,
333:,
267:.
256:.
149:.
89:.
81:,
1040:.
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